DCA Fine Art

DCA Fine Art DCA Fine Art, established in 2002 by Delia Cabral. Cabral works as an international art dealer, consultant, marketing advisor, museum designer and curator.

I’m back in London 😃 I attended the Indüstria – Glamour and Graphic Imagination private view at 45 Park Lane The first ...
07/02/2026

I’m back in London 😃

I attended the Indüstria – Glamour and Graphic Imagination private view at 45 Park Lane
The first gathering of works by Brad Branson and Fritz Kok since the 1980s.

I’m an Angeleno, now also a Londoner. This exhibition brought me back to my own —
Less Than Zero moment — beyond nostalgia, these images continue as living vectors of a cultural moment where glamour, club culture, and visual invention intersected to create art and culture.

Branson’s portraits are refined and elegant, yet also edgy and playful. These images incorporate old noir Hollywood glamour and subcultural energy.

Kok’s work evokes Man Ray, Dada, and Art Deco. He bridges continents and scenes, from Los Angeles to Amsterdam to London. This exhibition doesn’t just revive a visual archive; it reanimates the creative exchange that shaped how we see icons today.

Seeing these portraits in person — of Vivienne Westwood, Boy George, Basquiat, Linda Evangelista — feels revelatory: aesthetic history reconfigured through sharp composition and unabashed presence. Indüstria reminds us that the image isn’t just a picture; it’s cultural currency.





I attended a wonderful event hosted by _the _Gallery with a session at the National Gallery, exactly the kind of progr...
18/01/2026

I attended a wonderful event hosted by _the _Gallery with a session at the National Gallery, exactly the kind of programming that makes London’s cultural landscape so compelling.

The format is deceptively simple: observe, draw, discuss. But what emerges is something more valuable, a way of truly seeing work that most of us rush past. Slowing down with Lawrence’s “Master Lambton” or spending real time with Verrocchio’s Madonna forces a different kind of attention. You notice compositional decisions you’d otherwise miss, material choices that reveal intention.

Our hosts and tutors were Alex and Marenka were brilliant, they strike a perfect balance between informative and playful .

To my London network: if you’re looking for accessible entry points into the collection or simply want to engage with work differently, has found an effective model. The next session is worth your evening.

ArtCommunity MuseumLife LondonCulture ArtEngagement GalleryLife CulturalLondon ArtEducation LondonEvents ArtAdvisor DrawingPractice OldMasters ArtLovers ContemporaryCurating LondonGalleries CulturalEngagement

In the words of , “The chrome powerpills are evocative of convex security mirrors you used to find in stores (pre cctv...
30/11/2025

In the words of , “The chrome powerpills are evocative of convex security mirrors you used to find in stores (pre cctv).”
“They not only bend and reflect the current moment , but also present us with a distorted version of ourselves , often like memories , our own perception of ourselves… These chrome versions are more about the present than the past. “

masterfully employs techniques made famous as part of the Finish Fe**sh movement

In the 1960s and 70s the finish fe**sh movement was born originally from Los Angeles my hometown where my curatorial art journey began. RYCA m pieces remind me of the importance of technique. Key artists like John McCracken, Craig Kauffman, and Larry Bell gave the art object a mirror-like sheen, making it reflective of both its environment and the viewer.

It is human to be drawn to one’s reflection and ponder. A reminder— “Right here Right Now “

**sh

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