Richard Saltoun Gallery

Richard Saltoun Gallery It continues to support female artists through extensive research, partnerships and solo presentations at the gallery and online.

Founded in 2012 in London, Richard Saltoun Gallery specializes in Modern & Post-War art, with a focus on rediscovering the work of important yet under-recognized women artists through exhibitions, publications, events & participation in art fairs. It is guided by a strong focus on rediscovering the work of important yet under-recognised artists through presentations at its central location on Dove

r Street, a series of online exhibitions and participation in art fairs around the world. Since its inception, Richard Saltoun Gallery has been driven by an interest in serving a wider purpose and is now recognised for its critically and socially-engaged programme. In 2019, the gallery launched a year-long initiative titled 100% Women that aimed to address gender inequality in the art world and encourage wider industry action through debate, dialogue and collaboration. In 2021, it dedicates all exhibitions to the writings of German-born, American political philosopher Hannah Arendt in a 12-month programme On Hannah Arendt to confront some of the most perplexing socio-political issues of our time. The gallery is considered a leader in its representation of female artists, from avant-garde pioneers of the 1960s and ‘70s, such as Eleanor ANTIN, Renate BERTLMANN and Gina PANE, to a younger generation of female artists including Silvia GIAMBRONE and Marinella SENATORE. Additionally, Richard Saltoun is noted for its support of pioneering artists who have pushed the conceptual and disciplinary boundaries in which they work, from LI Yuan-chia, one of the earliest proponents of abstract and conceptual art in Taiwan, to ULAY, the late photographer and performance artist, as well as British artists Victor BURGIN, Rose ENGLISH, John HILLIARD, Peter KENNARD, BOB LAW, Penny SLINGER and more. The gallery preserves the legacy of artists through its representation of artist estates, including Helen CHADWICK, David HALL, Alexis HUNTER, Bob LAW, Marinella PIRELLI, Jo SPENCE, Barbara LEVITTOUX-ŚWIDERSKA and Shelagh WAKELY, amongst others. The gallery acts as a consultant to major museums and public institutions and advises private and corporate collections. It actively documents the work of its artists through the production of publications and frequently stages talks, screenings and performances. Join our mailing list to keep updated on gallery news and events.

“My work is entirely inspired by the flow of life—it is an endless stream of thoughts. I always remain the same, but the...
05/05/2026

“My work is entirely inspired by the flow of life—it is an endless stream of thoughts. I always remain the same, but the experiences I have constantly leave new traces. My works are traces of my lived life.” -

At the age of 97, Greta Schödl presents her first museum exhibition in her home country, Austria. ‘Traces of my Life’, opening 23 May at , showcases works from the 1950s to the present day. Congratulations Greta! ❤️

The exhibition runs 23 May - 8 November.
Curators: Gerda Ridler and Berthold Ecker

𝘚𝘤𝘢𝘯𝘥𝘢𝘭𝘰𝘶𝘴: 𝘞𝘰𝘮𝘦𝘯 𝘪𝘯 𝘚𝘶𝘳𝘳𝘦𝘢𝘭𝘪𝘴𝘮 Opening next week in NYC!Unfolding across the gallery’s stand at TEFAF New York and its ...
03/05/2026

𝘚𝘤𝘢𝘯𝘥𝘢𝘭𝘰𝘶𝘴: 𝘞𝘰𝘮𝘦𝘯 𝘪𝘯 𝘚𝘶𝘳𝘳𝘦𝘢𝘭𝘪𝘴𝘮
Opening next week in NYC!

Unfolding across the gallery’s stand at TEFAF New York and its nearby Upper East Side location, these two exhibitions will be dedicated to avant-garde women Surrealist artists. Pioneering figures who not only participated in the movement but redefined its visual and conceptual language, expanding its capacity for transformation, resistance, and radical invention.

Seen together, these artists reveal Surrealism as a space of liberation and experimentation, in which women artists redefined social conventions and radically expanded the possibilities of the avant-garde.

12 May - 2 July
Richard Saltoun Gallery New York

14 - 19 May
Booth 374 New York
 
Included artists: Ithell Colquhoun, Eileen Agar, Maria Martins, Suzanne Van Damme, Manina, Juliana Seraphim, Bona de Mandiargues, Cossette Zeno, Mimi Parent, Běla Kolařová, Valentine Hugo, Toyen, Unica Zürn, Stella Snead and Anne Saïd.

Artwork images:
1) Mimi Parent, 𝘌𝘯 𝘝𝘦𝘪𝘭𝘭𝘦𝘶𝘴𝘦 (« 𝘞𝘦 𝘢𝘳𝘦 𝘴𝘶𝘤𝘩 𝘴𝘵𝘶𝘧𝘧 𝘢𝘴 𝘥𝘳𝘦𝘢𝘮𝘴 𝘢𝘳𝘦 𝘮𝘢𝘥𝘦 𝘰𝘯, 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘭𝘪𝘵𝘵𝘭𝘦 𝘭𝘪𝘧𝘦 𝘪𝘴 𝘳𝘰𝘶𝘯𝘥𝘦𝘥 𝘸𝘪𝘵𝘩 𝘢 𝘴𝘭𝘦𝘦𝘱 » 𝘚𝘩𝘢𝘬𝘦𝘴𝘱𝘦𝘢𝘳𝘦), 1965
2-3) Ithell Colquhoun, 𝘛𝘩𝘦 𝘚𝘶𝘯𝘴𝘦𝘵 𝘉𝘪𝘳𝘵𝘩, c. 1942
4) Stella Snead, 𝘚𝘵𝘶𝘱𝘢 𝘠𝘦𝘭𝘭, 1987

💦  is included in 𝘓𝘐𝘘𝘜𝘐𝘋 𝘈𝘙𝘊𝘏𝘐𝘝𝘌𝘚 at Campo Santo Stefano, Venice, opening next week! 💧 Taking place during the 61st , 𝘓𝘐...
30/04/2026

💦 is included in 𝘓𝘐𝘘𝘜𝘐𝘋 𝘈𝘙𝘊𝘏𝘐𝘝𝘌𝘚 at Campo Santo Stefano, Venice, opening next week!

💧 Taking place during the 61st , 𝘓𝘐𝘘𝘜𝘐𝘋 𝘈𝘙𝘊𝘏𝘐𝘝𝘌𝘚 explores water not only as a natural element, but also as a site of sensitive memory, the female body, ecological force, fluid mythology, and political matter. The exhibition brings together the practices of 7 invited artists, whose works traverse the liquid as material, metaphor, emotional element, vital force, nourishment, and existential condition. The works converse like interconnected currents, generating an archive of fluidity in its many forms, where corporeality, memory, and science intertwine.

The exhibition is curated by
6 May - 11 October
With generous support of Prof. Dr. Andrew Hopkins
Les filles du calvaire
Aargauer Kuratorium


Image:

Join us for upcoming events at the gallery around ’s exhibition Excursion Across Time!12:00 | Saturday 2 MayCurator-led ...
28/04/2026

Join us for upcoming events at the gallery around ’s exhibition Excursion Across Time!

12:00 | Saturday 2 May
Curator-led exhibition tour by
The tour will begin at 12:30pm. 
Please confirm attendance via ARTSVP (link in bio) 

14:00 | Sunday 17 May 
Tales from 1001 Nights: An afternoon of art, storytelling & music
In collaboration with  
£5 | Purchase your ticket via the link in bio!

: 𝘠𝘰𝘶𝘳 𝘔𝘦𝘢𝘯𝘪𝘯𝘨 𝘕𝘰𝘵 𝘠𝘰𝘶𝘳 𝘔𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘪𝘵𝘺 (𝘠𝘔𝘕𝘠𝘔)art presents Florence Peake’s first public outdoor sculpture commission at th...
26/04/2026

: 𝘠𝘰𝘶𝘳 𝘔𝘦𝘢𝘯𝘪𝘯𝘨 𝘕𝘰𝘵 𝘠𝘰𝘶𝘳 𝘔𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘪𝘵𝘺 (𝘠𝘔𝘕𝘠𝘔)
art presents Florence Peake’s first public outdoor sculpture commission at the Artist’s Garden. Entitled 𝘠𝘰𝘶𝘳 𝘔𝘦𝘢𝘯𝘪𝘯𝘨 𝘕𝘰𝘵 𝘠𝘰𝘶𝘳 𝘔𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘪𝘵𝘺 (𝘠𝘔𝘕𝘠𝘔), the work features two live public performances involving plaster poured between choreographed bodies.

Public Opening: Saturday 16 May 2026 from 4-8pm
Performances at 4.15pm & 7.15pm (booking required)
FREE | Exhibition: 17 May 2026 - May 2027
The Artist’s Garden, on the roof terrace above Temple Tube Station WC2R 2PH



CREDITS
Lead Artist: Florence Peake
Executive Producer: Caroline Smith
Tour and Live Producer: Eve Veglio-Hüner
Production and Studio Manager: Jim Tuck
Production assistant: Mathilda Laird .laird
Pastoral support: Scarlet Ma and Valerie Gage
Choreographic support: Eve Stainton Dramaturgical: Uzma Hameed
Performers: Joe Moran, Donovan Morris, Catherine Hoffman, Rodrigo Peñalosa, Sophie Khan, Rachel Lopez de la Nieta Wren Long, Valerie Gage, Scottish Dance Theatre company members and apprentices Access consultant: Shivaangee Agrawal
Fabricator: .london Assish Aubeeluck at Velouvre London
Environmental Consultancy: Jennifer Taillefer .Marketing photography: Sam Tingman

 is open! Visit our booths 5C39 & 5C-43🔦 Spotlight on  Other highlights include:            verhaeghe
23/04/2026

is open!
Visit our booths 5C39 & 5C-43

🔦 Spotlight on

Other highlights include:








verhaeghe

 is now open!Find us at booth C08Sandro Chia & Ida BarbarigoReinterpreting 80s FigurationBringing together the work of t...
16/04/2026

is now open!
Find us at booth C08
Sandro Chia & Ida Barbarigo
Reinterpreting 80s Figuration

Bringing together the work of two Italian artists each of whom pioneered the return to the figure during the 1980s. Sandro Chia, very much at the centre of the male dominated Roman art group Transavanguardia and Ida Barbarigo, a woman artist from Venice, never officially included as part of the 80s scene, but who nevertheless was also drawn back to the figure at this time.

Both artists showed on several occasions at the Venice Biennale during this time, exhibited as part of the emergence of ‘new painting’ and a renewed focus on identity. Chia in 1980, 1984 & 1989 and Barbarigo in 1978 and later in 1995 where the curator Jean Clair honoured her with an entire room.

16 - 19 April 2026

 opens next week! We’re spotlighting Tanzanian-born artist Everlyn Nicodemus, whose striking works confront personal and...
13/04/2026

opens next week! We’re spotlighting Tanzanian-born artist Everlyn Nicodemus, whose striking works confront personal and cultural trauma while exploring the transformative, healing power of art. Recognised as one of the most compelling feminist voices to emerge from Eastern Africa, her recent retrospective at , marked her return to the city after 20 years.

This focus is in tandem with an exhibition celebrating influential artists with strong connections to Belgium, which includes an iconic work by Andre Cadere, 𝘉𝘢𝘳𝘳𝘦 𝘥𝘦 𝘣𝘰𝘪𝘴 𝘳𝘰𝘯𝘥 𝘯𝘰𝘪𝘳, 𝘣𝘭𝘢𝘯𝘤, 𝘳𝘰𝘶𝘨𝘦 (1975). Also featured is Henri Chopin, a significant figure of the French and British concrete poetry and lettrist movements. To conclude the presentation is Belgian artist .verhaeghe, who explores images of death and tragedy found in discarded newspapers.

Find us at booths 5C-39 & 5C-43
23 - 26 April

Artwork images:
1. Everlyn Nicodemus, Woman [Kvinnan], 1983
2. Andre Cadere, Barre de bois rond noir, blanc, rouge, 1975
3. Henri Chopin, Le Cimetière, 1974
4. Ria Verhaeghe, Vertical 53.435.2, 2023

Bertina Lopes’s 𝘎𝘳𝘪𝘥𝘰 𝘎𝘳𝘢𝘯𝘥𝘦 is now on view at .Hear ’ brilliant audio piece on the work in MoMA’s Collection 1950s–1970...
11/04/2026

Bertina Lopes’s 𝘎𝘳𝘪𝘥𝘰 𝘎𝘳𝘢𝘯𝘥𝘦 is now on view at .

Hear ’ brilliant audio piece on the work in MoMA’s Collection 1950s–1970s audio playlist — link in bio / copied below:

Art Historian, Nancy Dantas: Bertina Lopes was a trailblazing figure, considered the mother of modern art in Mozambique. She was known as “Mama B.”

My name is Nancy Dantas, and we are in front of Bertina Lopes’s Grito grande or Big Cry.

It’s composed of a central female figure, surrounded by a boy to the left and an inyanga, a practitioner of Indigenous medicine, to the right. Between the mother and the child, Lopes includes a solitary stalk of maize, one of the main staple crops. Also, this female figure has open arms that extend across the canvas, and her splayed upturned hands suggest supplication.
Mozambique, at the beginning of the 20th century, was colonized by the Portuguese. She paints this in 1970, a year of great upheaval in Mozambique’s war of independence against Portugal. And this painting coincides with a number of events. The leader of the Mozambique Liberation Front, was killed. Shortly after that, the Portuguese initiate the Gordian Knot operation, one of the largest operations aimed at stifling the Liberation Front.

On the top half of the painting, one of the predominant colors is crimson, suggestive of blood or a consuming fire, as a visual reference to one of the Portuguese scorched-earth tactics. The colonial soldiers would uproot plants, and burn down huts and fields to force families out of liberation zones. So what we see in Loud Cry is the encroaching fire on mothers, children, and nature.

09/04/2026

If you missed Everlyn Nicodemus’ interview on BBC World Service yesterday, you can listen back to the full interview on Outlook via the link in bio!

Many thanks to producer May Cameron.

We’ll be presenting an exhibition spotlight on Everlyn Nicodemus later this month at .
Find us at Booth 5C-39 & 5C-43
23 - 26 April

Image: David Levene / The Guardian

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London

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 11am - 5pm

Telephone

+442076371225

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