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CHRYSALISThere is a momentwhen the body you have carried can no longer hold.The truth you are becoming folds into itself...
03/10/2026

CHRYSALIS

There is a moment
when the body you have carried can no longer hold.
The truth you are becoming folds into itself, a small, trembling shelter.
Call it chrysalis — Call it the place no one sees.
Inside, the world you knew begins to soften.
Bones melting, old forms slide off your skin.
Old strengths dissolve into liquid.
You are unmade.

And it hurts — God, it hurts.
Not the wound of breaking alone,
but the ache of rearrangement,
the quiet tearing of a life
the sacred dissolving of fragments
of who you are yet to meet, gathering in the shadows,
insisting on their right to exist.
The pain was not the ending.
It was the architecture of your becoming.

With trembling hands you struggle — as necessary things often feel cruel.
Your old self resists them. Fears them!
Fights the shape of the wings
forming in your darkness.
But still, they rise. Still, they gather.
Still, they build you a new body
around a center that remembers the fight.

Death itself is a chrysalis.
Decay is a chrysalis.
The painful in-between is a chrysalis —
a seed cracking open underground,
a former self dissolving into a chrysalis

New life finds its shape.

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Acrylic on canvas. 75 × 85 in. 2026.
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Victor Olaoye

Opening Tonight 💥Victor OlaoyeIn Another Life, Decay is a SeedFebruary 18–26, 2026I’m excited to invite you to the openi...
02/18/2026

Opening Tonight 💥

Victor Olaoye
In Another Life, Decay is a Seed
February 18–26, 2026

I’m excited to invite you to the opening of my thesis exhibition at the School of the Art Institute of Chicago
33 E Washington St, Chicago, IL

This exhibition brings together paintings that inhabit the unstable space between growth and ruin. Bodies and vegetal forms refuse fixed boundaries figures merge with roots, stems, and ruptured surfaces, dissolving distinctions between human and landscape.

Transformation here is not a clean progression, but cyclical and unsettled, an anatomy that folds, fractures, and reforms without final resolution. Decay is not an end point but an active force. Collapse becomes fertile ground; the wound becomes chrysalis.

Layered surfaces hold tension between vulnerability and resilience, beauty and discomfort, each painting caught mid-metamorphosis. What appears to be dissolution is already seeding another state of becoming.

I look forward to sharing these works with you.

Limb by limb, the Earth remembers…2025 Acrylics on canvas 32 x 32 inches  On view in the group exhibition “Gift of the S...
07/16/2025

Limb by limb, the Earth remembers…
2025
Acrylics on canvas
32 x 32 inches
On view in the group exhibition “Gift of the Soil” .gallery July 19 - August 16

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The piece explores the ongoing investigation of life cycles shared between plants, humans, and animals—cycles marked by decay, transformation, the body and ecological memory.
Figures and forms emerge and dissolve, challenging perception and blurring the lines between body and landscape. I’m drawn to ambiguity as a generative space—where soil, form, and fragments merge, and meaning remains fluid.
This piece is part of a broader inquiry into the geological epoch of the Anthropocene, where environmental and human histories and indexical marks are inseparably entangled.

Carcass 2025 Acrylics and oil on canvas 121 * 183cm/ 48 * 72 inches
03/22/2025

Carcass

2025
Acrylics and oil on canvas
121 * 183cm/ 48 * 72 inches

Shoulder, feet and in between 2025 Acrylic and Oil on canvas 190cm by 208cm My works navigates the tension between abstr...
03/07/2025

Shoulder, feet and in between

2025
Acrylic and Oil on canvas
190cm by 208cm

My works navigates the tension between abstraction and figuration, weaving together organic, visceral, and surreal elements into richly layered compositions. I explore contrasts in beauty and decay, structure and entropy, the recognizable and the ambiguous—creating a dynamic interplay between these opposing forces. Deeply inspired by the natural world and the entwined relationship of humanity in the Anthropocene, my practice reflects a fascination with cycles of growth, decay, and regeneration particularly through my early experiences planting and observing the life cycle of the banana plant. A process that continues to inform my practice.

Over the past few months I began my Masters of Fine Art in the prestigious School of the Art Institute Chicago   . Spend...
01/29/2025

Over the past few months I began my Masters of Fine Art in the prestigious School of the Art Institute Chicago . Spending time to expand my practice and immersing myself in an amazing environment with great people. I am thrilled to be awarded the renown Elizabeth Greenshield Foundation Grant and the Visionary Scholar Award SAIC . Deeply honored to be a part of these great institutions.
Thank you to everyone that made this journey possible, for your constant support for me and my practice. I am deeply grateful!
Title: “Two vast and trunkless leg”
Size: 72 by 75 inches
Medium: Acrylics and oil on canvas

The piece inspired by Percy Bysshe Shelly sonnet “Ozymandiaz” explores the theme of Nature’s reclamation, Anthropocene and temporality.

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36 S Wabash Ave
Chicago, IL
60603

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