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François Ghebaly

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François Ghebaly

Presents emerging and mid-career international artists.

Kelly Akashi
Farah Atassi
Genesis Belanger
Neïl Beloufa
Meriem Bennani
Marius Bercea
Sharif Farrag
Sayre Gomez
Jacqueline Kyomi Gork
Ivy Haldeman
Channa Horwitz
Patrick Jackson
Rindon Johnson
Em Kettner
Cindy Ji Hye Kim
Mike Kuchar
Joel Kyack
Candice Lin
Cassi Namoda
Ludovic Nkoth
Em Rooney
Kathleen Ryan
Charlie White

05/28/2026

Gokula Stoffel’s () exhibition ‘Spell’ opens tomorrow, May 29 at our Los Angeles gallery. Join us for a public opening from 6—8pm.

The exhibition’s title, ‘Spell,’ holds within it the possibility of fascination: to be under a spell is to be in thrall to something outside of oneself. For Stoffel, fascination becomes a working method, as she crafts her cross-disciplinary works intuitively, responding to the immediate, sensuous qualities of her materials.

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Gokula Stoffel
Chant, 2026
Oil on linen on wood panel
17.75 x 14.5 x 1 inches
45 x 37 x 2.4 cm.

05/09/2026

Artists Christine Sun Kim () and Thomas Mader ()() will unveil a new inflatable sculpture today, May 9, at Clockshop’s () Kite Festival in Los Angeles State Historic Park, from 2:00pm to 6:00pm.

Commissioned by Clockshop, “The Weather” includes five inflatable elements—a tongue, a pointed finger, and three clouds—that visualize the American Sign Language phrase “finger to the wind,” meaning “let’s hope for the best.” The installation reflects the uncertainty of the political climate in the United States and the future of the park, while also offering a sense of hope and playfulness.

RSVP to the festival and find more information at the link in Clockshop’s bio!

As a Los Angeles-based arts and culture nonprofit, Clockshop produces free public programming and commissions contemporary artist projects on public land to better connect Angelenos to the land we live on. Our projects center working-class communities of color in Los Angeles and aim to support the wellbeing and vitality of multiple communities. Whether Indigenous, African American, Latinx, Asian American, Pacific Islander, or immigrants living in LA, we shape the city’s future together.

05/02/2026

Our collaborative exhibition with .artgallery is on view in Beverly Hills through May 21. Included in the exhibition is ‘Bridge with Base #3’ by Iranian-born American sculptor and architect Siah Armajani.

During his decades-long career, Siah Armajani (1939 — 2020) has produced a nuanced and wide-ranging body of work that includes sculpture, public art, painting, drawing, and conceptual projects. He is best known for outdoor gardens, gazebos, plazas, and bridges, works that exist at the intersection of art, community, and site and explore what the “public” in public art really means. Less known are his studio sculptures, which combine social and political content with forms adapted from the vernacular architecture of rural America, Bauhaus design, and Russian Constructivism, among others. All of his works speak directly to an American experience of immigration—something Armajani, as a native of Iran and later a resident of Minnesota, knows well.

Parallel Circuit[s]
April 25 — May 21, 2026
417 N. Camden Dr, Beverly Hills, CA 90210

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Siah Armajani
Bridge with Base #3, 1969/2018
Stained Balsa wood
12.5 x 41.5 x 8 inches
32 x 105.6 x 20.8 cm

04/22/2026

Candice Lin’s work ‘American Snack’ (2026) is included in ‘unni (언니)’, presented by Secret Asian Man at Commonwealth & Council. The exhibition is on view through May 16.

‘unni (언니)’ brings together works that emphasize surface, tactility, openness, and intimacy, considering how each object opens up to new potentialities of the term. Candice Lin’s American Snack is a humorous poncho-like garment featuring a double-sided painting of skeletal human bodies, hyena-like beasts, and cats wrestling with each other in a Laocoön-like scenery, on which pockets are sewn to house boxes of treats. Despite its violence, the work proposes a flippant, inviting gesture, as viewers are encouraged to rummage through the pockets and find the apparently “innocent” candy boxes that have lewd, cartoonish images pasted underneath its cover.

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Candice Lin
American Snack, 2026
Oil paint on canvas, altered candy packages with etchings, colored pencil and ink drawings, digital photo prints, cardboard, and adhesive
Approx. 44 x 40 x 0.75 inches
112 x 102 x 2 cm.

04/13/2026

We are pleased to announce our sixth solo exhibition with Paris-based artist Neïl Beloufa. ‘Call and Response’ will open on Saturday, April 18 with a public reception from 6—8pm.

Beloufa is a French-Algerian filmmaker and multidisciplinary artist. His multifaceted practice addresses themes of geopolitics, technology, urbanism, and ideology through layered projects that combine video, sculpture, social participation, and often dynamic processes like sensor activation or algorithmic control. Blending electrical and technical materials in circuitous, uncanny arrangements, the artist levies his systems to interrogate social atomization and contemporary power structures in the age of information.

‘Call and Response’ will include a new interactive multimedia installation alongside existing works such as ‘Global Agreement,’ pictured above as installed at Kunsthalle Basel, Switzerland.

Neïl Beloufa
Call and Response
April 18 — May 23, 2026
2245 E Washington Blvd. Los Angeles, CA 90021

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Installation view, Neïl Beloufa: Humanities, 2024
Kunsthalle Basel, Switzerland

04/02/2026

Candice Lin is included in the group exhibition ‘Spectrosynthesis Seoul’, on view at in Seoul, South Korea, through June 28.

‘Spectrosynthesis Seoul’ offers a multilayered perspective on LGBTQ+ artists and artists exploring queerness in their work who have led avant-garde practices across temporal, spatial, and institutional boundaries. Included in the exhibition are works from Lin’s series ‘You are a spacious fluid sac’, which draw inspiration from parasitic insects, Jesus’s va**na, and scientist Lynn Margulis’s theory on coevolution as a way to critique Western notions of autonomy and power. The speculative works disrupt assumed categories of classification and suggest what might be possible within new, intertwined relationships.

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Installation view of 𝘚𝘱𝘦𝘤𝘵𝘳𝘰𝘴𝘺𝘯𝘵𝘩𝘦𝘴𝘪𝘴 𝘚𝘦𝘰𝘶𝘭 at Art Sonje Center, Seoul, 2026. Courtesy of the artist, Art Sonje Center, and Gallery Hyundai, Seoul. Photo: Youngmin Lee

04/01/2026

Ali Eyal () is included in the 2026 edition of the Whitney Biennial, on view in New York through August 23. The presentation includes a new large-scale oil painting by the artist, ‘Look Where I Took You.’

Painted from childhood memories, ‘Look Where I Took You’ depicts a trip Eyal took with his mother and siblings to a Baghdad amusement park. Visiting just days before the US invasion of Iraq, the panoramic view of Baghdad Eyal took in from the top of the ferris wheel was the last look he had at the city before it was irreparably marked by political violence.

As writes in Hyperallergic, “’Look Where I Took You’ captures the essence of Eyal’s style. He works in painting, drawing, installation, and video to share the story of a life marked by trauma, grief, and childlike innocence.”

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Ali Eyal
Look Where I Took You, 2026
Oil on canvas
101 x 76.5 inches
256.5 x 194.5 cm

Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, March 8–August 2026). Ali Eyal, Look Where I Took You, 2026. Photograph by Jason Lowrie/BFA.com. © BFA 2026

01/30/2026

François Ghebaly is closed today in solidarity with the national shutdown against ICE.

We will reopen Saturday, January 31.

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Ali Eyal
The flower seller in Los Angeles., 2025
Ink and colored pencils on antique handmade Hungarian paper
11.5 x 8.25 inches
29 x 21 cm.

11/19/2025

Candice Lin’s edition ‘Too Many Rats, Not Enough S*x’ (2025) is now available for purchase. Click the link in our bio for more info 🔗

editions are generously donated by the artists. All proceeds from the sale of these works directly support White Chapel’s exhibition and education programs.

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Candice Lin
Too Many Rats, Not Enough S*x, 2025
High-fire porcelain, screen-printed with cobalt oxide, clock parts
Approx: 9.5 x 8.5 x 2 inches (24 x 22 x 5 cm.)
Edition of 20

Produced by the artist and Mizuyo Yamash*ta

11/06/2025

We are proud to announce the representation of Ali Eyal.

Ali Eyal is an Iraqi artist whose multidisciplinary practice, spanning drawing, painting, assemblage, and film, considers the entanglements of personal memory, political violence, and loss. His work blurs the lines between traditional craftsmanship and contemporary, research-based methodologies, crafting meditative yet impactful narratives that reflect the condition of a generation beset by foreign interference and mourning the erosion of cultural identity.

Eyal’s work is currently featured in 'Made in L.A. 2025' at the Hammer Museum in Los Angeles, the Dream City Festival in Tunis, the 18th Istanbul Biennial in Turkey, and 'Fictions of Display' at MOCA Los Angeles.

His debut exhibition with the gallery will open on December 10 in New York.

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1: Portrait by Gabriel Noguez for the Hammer Museum
2: Ali Eyal, And Look Where I Went, 2025. Courtesy of the artist. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Jeff McLane
3: Installation view, 14th Mercosul Biennial: Estalo (Snap), 2025
Porto Alegre, Brazil
4: Ali Eyal, I wished I could take a step and live with them, but, 2025.
5: Ali Eyal, Where Does A Thought Go When It's Forgotten?, 2019 - 2022. Installation view, Hannah Hoffman, 2025
6:Ali Eyal, Where do the walls of the museum go when they are forgotten? And, 2021. Installation view, Hamds, Akademie der künst, der Welt, Cologne, Germany, 2021
7: Ali Eyal, The Sleeping Bed, 2025.

09/04/2025

Max Hooper Schneider’s solo exhibition, ‘Scavenger,’ opens next Friday, September 12, at in New York.

Hooper Schneider describes his new exhibition as a “set of conditions without a plot,” likening it to “an anthropology museum set in the distant future.” Weaving together both new and pre-existing works, the exhibition is a means for investigating loss, the passage of time, and the artist’s signatory procedures of material evolution, preservation, and decay.

This is the artist’s first solo exhibition in New York. ‘Scavenger’ will be on view through October 25, 2025.

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Max Hooper Schneider
Intertidal Arroyo, 2025
42 x 73 x 89 inches

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Los Angeles, CA

Opening Hours

Tuesday	10am - 6pm
Wednesday	10am - 6pm
Thursday	10am - 6pm
Friday	10am - 6pm
Saturday	12pm - 7pm

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+13232825187

Website

http://www.ghebaly.com/

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