08/06/2025
Vladimir de León Llaguno (Havana, Cuba, 1963) is a multidisciplinary artist of great relevance in contemporary Cuban art. A 1981 graduate of the San Alejandro National School of Fine Arts, he has developed a visual language that combines painting, drawing, silkscreen printing, printmaking, installation, video, and performance.
In the 1980s and 1990s, together with Eduardo Marín, he founded the graphic collective Equipo N**o, which was highly influential in Cuban visual art due to its iconoclastic and provocative spirit, as evidenced by the poster "Young Plastic Artists Dedicate to Baseball" (1989).
Vlado's work is distinguished by a critical, caustic, and reflective perspective on culture, consumption, symbols, and collective memory. His narrative and ironic works blend visual references from art, advertising, design, and film, generating a fragmented pictorial discourse that traverses the social and the personal.
His recent work includes pieces such as Portrait of an Artist as a Young Man (2022), So What (2022), Ida y Vuelta (2017), Autocultivo Interior (2000), and Abducción Sin Regreso (2019), which demonstrate his use of acrylic on canvas with complex, allegorical, and dense visual atmospheres.
Vlado has exhibited regularly at the Zapata Gallery (Miami) and participated in various international fairs and exhibitions. His work is part of museum collections such as the Meguro Museum of Art (Tokyo) and the Frederick R. Weisman Art Museum (Minneapolis).
François Vallée describes him as “an ethnographer, observer, sharp and sarcastic analyst,” and highlights his rejection of formalism in favor of an aesthetic of inclusion that blurs hierarchies between artistic disciplines.