04/14/2026
— “A new brass sculptural work Metaferia created for EXPO, Crown (Makeda) (2026), is included in the space and serves to extend the logics of mixed-media collage Headdress series (2021) from a few years back in which activists and other notable Black women are adorned with crowns created from archival material depicting Black history, specifically the history of Black women and femmes. The word makeda here is Ethiopian in origin and said to be the birth name of the Queen of Sheba, a non-Israelite woman in the Hebrew Bible who sought knowledge for its own value. Upon the crown are etchings of smiling Black children, along with what could be the outlines of barrier-breaking politician Shirley Chisholm, besides the words “a woman for president.” Metaferia’s work is a potent reminder in this political moment of the power of archives, memory, and history in safeguarding the self and the collective. History, all of it, needs to be collected, raised, and remembered.” — Annette LePique
— “This year’s slimmer, more curated edition attracted major museum attention, reasserting the fair’s status as the Midwest’s most vital art platform… Equally successful in Focus was Superposition’s presentation of Helina Metaferia’s recent work. The booth featured hand-cut mixed media collages, a sculptural brass crown with etching, a ceremonial statt in wood and brass and a single-channel video documenting a live performance, all situated within the artist’s ongoing investigation of diasporic identity and ancestral heritage at the intersection of archival research, embodied ritual and political memory. An institution acquired one of the new brass sculptures, Crown (Makeda), priced at $20,500, while another sculpture, Staff (Betiri), priced at $18,500, was placed in a private collection.” — Elisa Carollo