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Amos Eno Gallery

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Amos Eno Gallery

Amos Eno Gallery is an artist-run gallery offering a full schedule of exhibitions and related events.

Amos Eno provides a platform for emerging artists in all media, giving precedence to artistic expression freed from commercial restraints combined with professional education. By presenting a rich schedule of exhibits and outreach activities, we hope to help fertilize the cultural growth of our community. GOALS
• An affordable space in a burgeoning artistic community.
• An artistically diverse and

active group of member artists, creating high-quality work expressing many voices.
• A successful program series of exhibitions, professional development events for members and area artists, collaborative projects with other arts groups, and special events.
• A stable, diversified and sustainable funding base, encompassing dues-paying members, and individual and institutional donors. FAST FACTS
• Founded in 1974, Amos Eno Gallery is one of New York City’s longest operating co-operative gallery spaces
• Periodic events free and open to the public, including artist performances, spoken word and poetry readings
• Bi-annual juried exhibitions open to all metropolitan area artists

05/26/2026

Coming to Amos Eno Gallery in June —

Tulu Bayar: ''What Remains, What Connects: Stories in Assembly'
On view June 11 to July 19
Opening reception: Friday, June 12, 6–8 p.m.

'What Remains, What Connects: Stories in Assembly' is a solo exhibition by Tulu Bayar that explores how memory, identity, and belonging are constructed through material, process, and collective experience. Working across photography and interdisciplinary media, Bayar uses handmade paper, soil, plant matter, image transfer, and textile processes to create works that hold traces of movement, touch, and exchange.

The exhibition centers on two interconnected projects. "Mosaic: Immigrant Stories" is a collaborative work developed through workshops with immigrant participants responding to the question “What does home mean?” Through fragmented photographic transfers and handmade surfaces, the project examines displacement, adaptation, and shared authorship. In "Cultivated," Bayar creates paper from soil and organic matter gathered during a Wyoming residency, embedding the physical substance of place directly into the work while exploring fragility, transformation, and landscape memory.

Miguel A. Aragón & Eddy A. López: 'Echoes of Absence'
On view June 11 to July 19
Opening reception: Friday, June 12, 6–8 p.m.

In The Project Space, Amos Eno's experimental cellar space, 'Echoes of Absence' brings together artists Miguel A. Aragón and Eddy A. López, whose print-based practices examine collective memory, violence, censorship, and the lingering visual aftermath of conflict. Through processes of erasure, obfuscation, and fragmentation, the exhibition considers how images shape — and fail to fully contain — experiences of war, trauma, and displacement.

Caroline Davis: Intimate Live Set & Vinyl Signing — 'Fallows' Release
Saturday, June 13
3–5 p.m.

Don't miss a special live music performance and vinyl signing with acclaimed saxophonist and composer Caroline Davis, celebrating the release of her album "Fallows," which features artwork by Tulu Bayar.

a.aragon

05/22/2026

The gallery is closed this weekend in honor of Memorial Day.

See you next week for our normal business hours, Thursdays through Sundays from noon to 6 p.m.

05/21/2026

'In Translation' is on view at The Project Space at Amos Eno through June 7.

Curated by gallery director Ellen Sturm Niz, the exhibition traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation, from cultural displacement and personal syntax to painterly fracture, algorithmic logic, and political interference. Translation emerges here not as loss, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning.

Works by:

05/17/2026

Save the Date!

Caroline Davis: Intimate Live Set & Vinyl Signing — 'Fallows' Release
Saturday, June 13
3 PM - 5 PM

Join us for an intimate afternoon with Caroline Davis as she celebrates the release of her latest album, Fallows, with a special live performance and vinyl signing.

Taking place in a gallery setting, this event offers a rare opportunity to experience Davis’s music up close — where improvisation, emotional depth, and connection unfold in real time. The album’s artwork, created by Tulu Bayar, will also be on view, adding a visual dimension to this deeply collaborative project.

This program is presented in conjunction with Tulu Bayar’s solo exhibition, What Remains, What Connects: Stories in Assembly, on view at Amos Eno Gallery from June 11 through July 19, 2026. The exhibition brings together recent bodies of work exploring memory, identity, and belonging through material-based processes and collaborative storytelling, and will be open for viewing during the event.

Following the performance, attendees are invited to meet the artist and have their vinyl copies of Fallows signed. Albums will be available for purchase on-site, and one lucky guest will receive a complimentary album through a raffle held during the event.

Caroline Davis is a Brooklyn-based saxophonist, composer, and activist whose work bridges improvisation, social inquiry, and expansive musical storytelling. A 2025 Guggenheim Fellow in Composition and recipient of the DownBeat Critics Poll Alto Saxophone Rising Star Award, Davis has earned widespread recognition for her innovative and deeply human approach to jazz and contemporary music.

This is a unique opportunity to experience live music and contemporary art in dialogue — don’t miss it.

05/16/2026

Where does an artist get the title of their exhibition from? José-Ricardo Presman explains how sometimes it's just kismet:

"A year ago, I was reading lectures on the four Gospels. In the Gospel of St. Mark, there's a reference to events that take place on a mountain, events that take place in a home, and events that take place on a lake. At the same time, I went to my computer and there was a screen saver with a picture of a mountain in the background, some trees, and then a home that was on the edge of a lake. And I just put those two together to use that as the [first part of] the title.

"The second part is about the state of duration, and how there's a point where time is created ,and a point in the future where time is destroyed. Now as to what or who or how time was created, you can figure that out but it takes many years."

05/15/2026

Slide 1
Christopher Squier
"Disturbances No. 22 (Troubadours)" (2025)
Colored pencil on Bristol vellum
17 × 11 in., Framed

Made following a trip to Guanajuato, Mexico, this drawing layers delicate Gothic-inspired ironwork — drawn from the city’s balconies — over a central interference pattern of concentric white rings radiating across a soft blue and lavender field. Diagonal lines cut through the composition like wave trajectories; a prismatic triangle glows with spectral color; a botanical sprig curls near the surface. Here, interference becomes grounded in lived conditions — sound moving through streets, bodies gathering in public space, presence insisting on itself.

Slide 2
Christopher Squier
"Disturbances No. 19" (2023)
Colored pencil on Bristol vellum
17 × 11 in., Framed

Part of the same series, this drawing extends Squier’s investigation of interference into the realm of sound. Inspired by time spent in Milan, the work connects the vibration of light to sonic experience — footsteps echoing in humid air, architectural acoustics, and the internal mechanics of hearing itself. The composition draws from specific sites, including the ear-shaped intercom of Casa Sola Busca and the staircase of Villa Necchi, while staging a dialogue between interior and exterior space, and between visual and sensory perception.

Slide 3
Christopher Squier
"Tessellation" (2025)
Colored pencil on Bristol vellum paper
11 x 17 inches, Framed

Tessellation expands Squier’s interest in optical systems through the geometry of a deconstructed Fresnel lens translating its structure into a dense, flattened field with a hypnotic, tessellated structure.

All three works are on view in 'In Translation' at The Project Space at Amos Eno through June 7.

About the Artist
Christopher Squier is a New York–based visual artist who holds an MFA in Sculpture from the San Francisco Art Institute. Working across drawing, writing, and installation, he explores optics and the role of light in contemporary visual culture, framing vision as both historically shaped and politically contested.

05/14/2026

Allison Pottasch
"Rangoli" (2025)
Paper collage
11 × 17 in.

Set against a ground of layered, torn black paper, Pottasch’s collage unfolds along a strict bilateral axis — the symmetry of a mandala or altar. At its center, a dense horizontal band of fragments — crowns, leopards, religious iconography, botanical forms, and unmistakably American consumer imagery — is assembled into a form of unexpected ceremony. The traditional Indian rangoli, typically made as an offering of welcome, is here reconstructed from the detritus of print culture. The logic of accumulation becomes ceremonial, transforming disposable imagery into a structure of attention and care.

About the Artist

Allison Pottasch is a Brooklyn-based artist who collages, draws, and paints. Trained in Advertising at Pratt Institute and largely self-taught, she works with clippings from magazines and historical mass media, transforming them into what she describes as hieroglyphic characters.

Her maximalist collages reassemble these fragments into dense visual systems that examine contemporary Americana — exploring sexuality and gender, religion and mysticism, and cultural and personal identity. Removed from their original context, the images invite viewers to activate their own visual memory to construct meaning.

05/10/2026

Curated by gallery director Ellen Sturm Niz, ‘In Translation’ traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation, from cultural displacement and personal syntax to painterly fracture, algorithmic logic, and political interference. Translation emerges here not as loss, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning.

On view in The Project Space at Amos Eno through June 7.

05/09/2026

José-Ricardo Presman’s paintings in the "Beginnings" series resist immediate readability. Instead, subtle tonal variations and restrained color fields emerge gradually, inviting viewers into an extended act of looking.

The works operate less as static images than as perceptual environments — spaces where attention itself becomes part of the experience.

On view in 'A Mountain Overlooking a Home by the Lake – The Creation of Time from the State of Duration' through June 7.

05/08/2026

Join us on Saturday, May 16, at 4 p.m. for a live performance by multidisciplinary artist Damien Olsen Berdichevsky as he musically interprets the paintings on view in José-Ricardo Presman's solo show 'A Mountain Overlooking a Home by the Lake –
The Creation of Time from the State of Duration.' This live score will be improvised!

Space is limited. Please reserve your spot at then Upcoming Events link in our bio.

05/07/2026

José-Ricardo Presman
A Mountain Overlooking a Home by the Lake – The Creation of Time from the State of Duration
On view through June 7 at Amos Eno Gallery

Jose Presman

Address

191 Henry Street
New York, NY
10002

Opening Hours

Thursday	12pm - 6pm
Friday	12pm - 6pm
Saturday	12pm - 6pm
Sunday	12pm - 6pm

Telephone

+17182373001

Website

http://www.amoseno.org/

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