Arader Galleries PHL, NYC, SF

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Today is the final day of the Omaha Antiques Show held at Lauritzen Gardens.  Our thanks to  and  for selecting two of o...
09/28/2025

Today is the final day of the Omaha Antiques Show held at Lauritzen Gardens. Our thanks to and for selecting two of our works as Top Picks of the show. David selected John James Audubon’s iconic American Bison from The Quadrupeds of North America and Gil chose Alexander Robertson’s important view of Mount Vernon. The show runs through 5pm today. We look forward to seeing you!

Arader Galleries was delighted to welcome the inspiring Dr. Jane Goodall this week for a gallery talk in partnership wit...
09/25/2025

Arader Galleries was delighted to welcome the inspiring Dr. Jane Goodall this week for a gallery talk in partnership with Cornell University. We salute Jane for her life of activism and ongoing conservation initiatives. It was a joy to share our Natural History Watercolor Collection during her visit.

We were delighted to welcome the inspiring Dr. Jane Goodall to  this week for a gallery talk in partnership with Cornell...
09/25/2025

We were delighted to welcome the inspiring Dr. Jane Goodall to this week for a gallery talk in partnership with Cornell University. We salute Jane for her life of activism and ongoing conservation initiatives. It was a joy to share our Natural History Watercolor Collection during her visit.

Arader Galleries wjll be exhibiting the Charleston Antiques Show from May 20-23 at Festival Hall at 56 Beaufain Street. ...
03/16/2025

Arader Galleries wjll be exhibiting the Charleston Antiques Show from May 20-23 at Festival Hall at 56 Beaufain Street. Featured on our stand will be iconic 17th and 18th century maps of Charleston and South Carolina, wonderful botanical engravings and spectacular Audubon aquatints from The Birds of America. Stop by and say hello!



For information, please contact Lori Cohen at (215) 735-8811.

The Soaring Acrobat of the SkiesJohn James Audubon (1785 - 1851).Osprey, Plate 81.Aquatint engraving with original hand ...
03/10/2025

The Soaring Acrobat of the Skies

John James Audubon (1785 - 1851).
Osprey, Plate 81.
Aquatint engraving with original hand color.
London: Robert Havell, 1827-1838.
38 1/8” x 25 1/2” sheet, 51” x 38” framed.

The Soaring Acrobat of the Skies

“Comparing the great size of this bird, its formidable character, its powerful and protracted flight, and the dexterity with which, although a land bird, it procures its prey from the waters of the ocean, with the very inferior powers of the bird named Kingfisher, I should be tempted to search for a more appropriate appellation than that of Fish-Hawk, and, were I not a member of a republic, might fancy that of Imperial Fisher more applicable to it” - (Audubon’s Ornithological Biography, 1831).

To be auctioned on April 5, 2025. Estimate: $140,000- $180,000. Starting Bid: $120,000. For additional information, please contact Lori Cohen at (215) 735-8811.

John James Audubon is best known for his exceptional imagery of North American bird life but his prose describing encoun...
03/04/2025

John James Audubon is best known for his exceptional imagery of North American bird life but his prose describing encounters with these species in the American wilderness are just as moving.

He wrote of the Whippoorwill: “No sooner has the sun disappeared beneath the horizon, than this bird bestirs itself, and sets out in pursuit of insects… it balances itself in the air, in front of the trunks of trees, or against the sides of banks, to discover ants, and other small insects… their notes are heard in the dusk and through the evening, in every part of the thickets, and along the skirts of the woods. They are clear and loud, and to me are more interesting than those of the Nightingale. This taste I have probably acquired, by listening to the Whip-poor-will in parts where Nature exhibited all her lone grandeur, and where no discordant din interrupted the repose of all around. Only think, kind reader, how grateful to me must have been the cheering voice of this my only companion, when, fatigued and hungry, after a day of unremitted toil, I have planted my camp in the wilderness, as the darkness of night put a stop to my labours! … Description is incapable of conveying to your mind any accurate idea of the notes of this bird, much less of the feelings which they excite. Were I to tell you that they are, in fact, not strictly musical, you might be disappointed. The cry consists of three distinct notes, the first and last of which are emphatical and sonorous, the intermediate one less so. These three notes are preceded by a low cluck, which seems preparatory to the others, and which is only heard when one is near the bird.”



For further information, please contact Arader Galleries Philadelphia at (215) 735-8811.

Pierre Jean François Turpin’s (1775-1840) striking drawing of the Mammee Apple, or Santo Domingo Apricot, served as a pr...
02/26/2025

Pierre Jean François Turpin’s (1775-1840) striking drawing of the Mammee Apple, or Santo Domingo Apricot, served as a preparatory work for F.R. Tussac’s “Flore des Antilles.” Tussac expertly detailed each plant, emphasizing their care and highlighting their significant commercial and medicinal benefits for the French. He boldly proclaimed the Mammee Apple as “one of the most beautiful trees in the Antilles,” celebrating its exceptional versatility as a delicious fruit, a base for superb marmalades, and a key ingredient in Madame Amphoux’s renowned liqueur, “eau creole,” crafted from its fragrant flowers blended with fine wine.

For further information, please contact Lori Cohen at (215) 735-8811.

Herman Henstenburgh was a pupil of Johannes Bronckhorst, a fellow native of Hoorn in the Netherlands, whose studio he en...
02/10/2025

Herman Henstenburgh was a pupil of Johannes Bronckhorst, a fellow native of Hoorn in the Netherlands, whose studio he entered in 1683. Bronckhorst also trained Henstenburgh in his other profession as a pastry baker. Henstenburgh’s watercolors capture microcosms of his world. Insects and various objects reminiscent of a Wunderkammer (a cabinet of curiosities) crawl through the scenes, showcasing his talent for depicting a range of natural curiosities.



In the present watercolor, a flying lizard (Draco volans), a species native to Southeast Asia, serves as the central figure, prompting questions about how Henstenburgh encountered this species. Was it part of his patron’s collection of curiosities? The fellow painter Mattheus Terwesten introduced Henstenburgh to several notable local patrons, including Pieter van den Brande and Agneta Block, for whom he painted works. His drawings reached collectors beyond his immediate area as well; it is known that the Grand Duke Cosimo III de’Medici in Florence owned three pieces by Henstenburgh as early as 1700.

For additional information, please contact Arader Galleries Philadelphia at (215) 735-8811.

Go Eagles! 🏉
02/08/2025

Go Eagles! 🏉

Nice to see  at the Lauritzen Gardens Show.  Thanks for stopping by our stand!
09/28/2024

Nice to see at the Lauritzen Gardens Show. Thanks for stopping by our stand!

Luigi Broglio (18th century)Study of a BirdGouache and watercolor with ink on paperPaper size: 9 1/8  x 7 1/8 in.Frame s...
09/12/2024

Luigi Broglio (18th century)

Study of a Bird

Gouache and watercolor with ink on paper

Paper size: 9 1/8 x 7 1/8 in.

Frame size: 20 1/2 x 18 3/4 in.

Signed ‘Luigi Broglio’ l.r.

Luigi Broglio’s engaging study of a bird strikes the perfect balance of scientific documentation and artistic creativity. Here, Broglio was chiefly concerned with capturing his subject’s precise physical characteristics; he endowed this composition with striking animation showing the bird when he landed on the slender branch.

Barbara Regina Dietzsch (German, 1706-1783)Tulip StudyWatercolor with gouache and gold leaf on vellumca. 1765           ...
09/06/2024

Barbara Regina Dietzsch (German, 1706-1783)

Tulip Study

Watercolor with gouache and gold leaf on vellum

ca. 1765

Barbara Regina Dietzsch is known for jewel-like gouache compositions painted on vellum or hand-made laid paper with a distinctive dark black or brown ground frequently edged in gold. This dramatic method highlighted the texture of foliage, petals, and insects painted nearly life-size. She was a member of a notable family of painters, engravers, and musicians that flourished in Nuremberg. Barbara was the eldest of seven children of the landscape painter Johann Israel Dietzsch and Margaretha Clara Dietzsch. Virtually nothing is known of her mother beyond her possible birth year around 1687 and that she was the daughter of a goldsmith. It is assumed that the Dietzsch children received artistic training under their father’s tutelage. Given the success of all the children in the family, it is highly likely that their mother, Margaretha, was also a skilled artist.

Address

1308 Walnut Street, Pennsylvania
Philadelphia, PA
19107

Telephone

+12157358811

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