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Annandale Galleries

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Annandale Galleries

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Director’s Bill and Anne Gregory opened Annandale Galleries in 1991, in what was a converted Masonic Hall.

The large space that the Galleries provide, stem from the building’s initial function, having originally been a Methodist church.

20/10/2026

OPENING - A CERTAIN REGARD
35 Years of Annandale Galleries

Join us in celebration tonight as Annandale turns thirty five!
The exhibition features over one hundred consigned and collection works that have featured at the gallery over our history.

"Today, looking back over that list of exhibitions, it seems a miraculous achievement. Such shows don’t happen by accident, they represent an enormous commitment on behalf of [Bill and Anne Gregory], reflecting relationships based on trust and mutual respect"
- John McDonald, A Certain Regard exhibition essay, 2026

"There is no doubt that Annandale’s extraordinary, vast space inspired me over the years to be ambitious, to take risks and to develop large scale installations. Several of these works were shown at the gallery in their early stages, giving me the opportunity to experiment, develop ideas and gradually realise my vision for installations that continued to evolve over many years [...] Annandale is a gallery that has not only made an important contribution to Australian culture, but has also become a meaningful part of the artistic development of many of the artists who have exhibited there."
- Zadok Ben-David, London 2026

Dedicated to the late Anne Gregory

Opening event: Wednesday 21 October 6:30 – 9pm
Exhibition Dates: 21 October – 12 December
All welcome!

02/10/2026

Galay Ga Dhuway - Husband and Wife
Showing until 10 October

This exhibition of three husband-wife duos foregrounds the distinct artistic achievements of each individual, while sensitively acknowledging their connection, and the role of balance played within Yolŋu partnerships.

Exhibiting artists:
Djambawa Marawili AM & Liyawaday Wirrpanda
Gunybi Ganambarr & Lamangirra Gumana
Garawan Wanambi & Manini Gumana
In association with Buku-Larrŋgay Mulka

"A person from the Yirritja half of reality (moiety) must marry someone from the Dhuwa side
[...]
Whilst Djambawa paints fire crocodiles and lightning, Liyawaday paints butterflies, floodplains and brolgas. Gunybi's metal works draw on the rippling patterns of water-goannas splashing within the spring fringed by rushes. Lamangirra focusses on the ragged chop of the wind- driven waves as they hit the shore of Grindall Bay. Garawan paints the artesian water spilling out of the memorial pole placed over the font at low tide. His wife Manini shares a fascination with pastel-toned ochre admixtures but in a different palette and with a completely different narrative."
- Will Stubbs

Photos by DOCUMENT PHOTOGRAPHY

07/09/2026

Galay Ga Dhuway - Husband and Wife
Opening Night 9 September 6:30pm
In association with Buku-Larrŋgay Mulka

Garawan Wanambi & Manini Gumana
Djambawa Marawili & Liyawaday Wirrpanda
Gunybi Ganambarr & Lamangirra Gumana

Join us this Wednesday night for a rare opportunity to see bark paintings, ceremonial poles and Found-movement sculpture from three phenomenal Yolŋu/artist partnerships, side by side.

“This show celebrates the artists and their art but also invites us to consider the extra dimension of their affiliation. It acknowledges the longevity of their love, collaboration and creativity.”
— Will Stubbs, Coordinator Buku Larrŋgay Mulka Centre, Yirrkala NT

Exhibition dates: 9 September – 10 October

All inquiries, [email protected]

Buku-Larrŋgay Mulka

04/09/2026

NOW OPEN - WILLIAM KENTRIDGE and GUNYBI GANAMBARR

Annandale is proud to bring two displays to Sydney Contemporary representing three decades of collaboration.

William Kentridge began showing with Annnadale in the late 1990's with his graphic work consistently pushing the boundaries of traditional printmaking. In some cases single pieces require over 50 individually printed elements across dozens of techniques.

Of the many exhibitions we have hosted with Buku-Larrŋgay Mulka Centre (Yirrkala NT) dating back to 1995, Gunybi Ganambarr has heavily featured as both an exhibiting artist and a powerful influence. The work on display comes from this year's Biennale of Sydney and Sulman Prize Art Gallery NSW as well as a newly produced work from reclaimed steel representing sacred Ŋaymil spring designs.

•

More Kentridge can be seen at the fair as part of Installation Contemporary, featuring major works Goat, Milk, and one of the newest bronzes from the studio, Sapling. Each act as an extension of Kentridge's iconic visual language, borrowing from history, theatre and memory. Despite their significant scale they effortlessly trace space like shadows in motion, slipping between the fixed the fleeting.

Find us at Booth A05 until 6 September at Carriageworks

All inquiries to [email protected] or DM

William Kentridge
Buku-Larrŋgay Mulka
Sydney Contemporary

Photos by DOCUMENT PHOTOGRAPHY

29/08/2026

ART FAIR Gunybi Ganambarr Sydney Contemporary
Originator of the Found movement, Gunybi Ganambarr has had six solos at Annandale Galleries spanning over two decades. The Yolŋu artist, working from his remote hometown of Gängän, has produced some of the most groundbreaking work of his generation. Under Ganambarr’s hand, the mass and rigidity of reclaimed metal seemingly melts away, often representing reservoirs and springs of the Ŋaymil/Datiwuy clans.

Ganambarr’s work now resides in every major institution in the country, as well as international collections such as the Metropolian Museum of Art, New York. His awards include the National Aboriginal and Torres Strait Islander Art Award (2018), the Western Australian Indigenous Art Award (2011), and the Xstrata Coal Emerging Indigenous Artist Award (2008). In 2026 he was notably featured in the Biennale of Sydney at White Bay Power Station, and was a finalist in both Wynne and Sulman Prizes, Art Gallery of New South Wales.

Ganambarr's work will be on display with us at Booth A05, Carriageworks 3-6 September

In association with Buku-Larrŋgay Mulka
Buku-Larrŋgay Mulka

Gunybi Ganambarr
1) Milŋurr Ŋamil font, 2026, steel, 132 x 112 x 118 cm
2) Garrapara, 2026, synthetic polymer paint on satellite dish, 137.2 x 122.5 x 11 cm
3) Milŋurr Ŋgamil font, 2024, etched aluminium, 244 x 244 cm

27/08/2026

ART FAIR - WILLIAM KENTRIDGE Sydney Contemporary

Large bronzes emerge like shadows in motion, tracing forms that shift in and out of coherence from each new vantage point. Elaborate prints seem to fall effortlessly into place, as leaves of the tree and leaves of the book combine to speak to us like prophets.

“He has given us sculpture that walks and falters, pauses and remembers. He has given us a landscape of metaphor, memory, and resonance”
- Clare Lilley, The Gravity of Form (for The Pull of Gravity, Yorkshire Sculpure Park)

The 10th Edition of Sydney Contemporary comes at the same time as Annandale celebrates our 35th Anniversary.

Find us at Booth A05, and also as part of Installation Contemporary

William Kentridge
1) Sapling 2026, bronze, 152 x 138.4 x 46.3cm Edition of 5
2) How to Explain Who I Was, 2024, photographer, photo Polymer, chine-collé and collage on hahnemuhle, 153 x 178 cm, Edition of 20
3) Oak Leaf, 2021, bronze, 88 x 110 x 30cm, Edition of 4
4) Four Songs for Autumn, 2024, lithograph collage and chine-collé of pages from l'Esposizione di Parigi del 1878 Illustrata printed on Kitakata and Somerset book
5) Goat, 2021, bronze, 120 x 80 x 150cm, Edition of 8

19/08/2026

Final Days! If I Were a Cactus
We'll soon be saying farewell to our collaborative exhibition with Studio A artists Emily Crockford, Annette Galstaun, Daniel Kim, Meagan Pelham, Thom Roberts, Damian Showyin and Lex Tan.

Each artist has channelled an aspect of their daily lives, from suburban streets reimagined in heightened colour to birds painted like precious jewels. Finding beauty in the otherwise ordinary is more than visually captivating; it is an imperative for those who wish to authentically connect with the present.
Thanks to the entire studioA family for helping bring this joyful show to life, and for all the valuable work they do in Sydney and beyond.

'If I were a Cactus' will be open until Saturday 22 August 11am - 4pm.

01/08/2026

Last Day to see Sara Oscar's The Mute & Counterfactual Departures

"They imagine photographs that were never taken, This begins with my mother's own migration story of leaving Thailand in the 1970s and extends to an exodus of Thai women who migrated to Western countries after the Vietnam War.

[...] these images are placeholders. I mean this as a tension rather than a solution. A placeholder creates a space for someone never admitted to history, but it also occupies that space: it produces a subject rather than a person. That distinction matters and names the risk of this work, which is the tension. In making images about these women (and admittedly, myself), I risk repeating photography's tendency
to create types, trivialising history, and being co-opted by the very systems I set out to question. These are systems whose harms, from data centres to ghost work, I cannot ignore and cannot prompt my way out of. The choice usually on offer is to opt out of these systems or be complicit in them. "
- Sara Oscar, exhibition text excerpt

Thank you to all visitors those who joined us on opening night for this wonderfully sensitive and captivating exhibition

Sara Oscar
Photography by Raúl Ortiz de Lejarazu Machin | Photographer

31/07/2026

OPENING: NEWCOMERS26
5 August 6:30pm
Come celebrate the launch of our annual Newcomers exhibition, highlighting five recently graduated art students:

LUKAS KALOS
LUCA LEGGO
CHELSEA STEELE
KIARA STEELE
TAYLAH STEELE

From next week, we'll be featuring interviews and insights from each of these talented early-career artists throughout the length of the exhibition

08/07/2026

OPENING Sara Oscar, The Mute & Counterfactual Departures
Opening night: Wednesday 15th July 6:30pm

Sara Oscar's recent photographic work uses machine learning to reclaim moments forever lost, notably the artist’s mother’s emigration story from Thailand in the 1970s. Oscar works within and against the visual language of documentary photography, with its familiar iconography and subjects shaped by a Western gaze.

Despite being artificially generated, it is telling that we read these photographs, the racial subjects depicted in them, the gestures of the feminine, as deeply embedded in the cosmology of photography as a way of seeing and being.

Images 1-5: Sara Oscar, Counterfactual Departures series, 2023-2024, AI generated photographs, inkjet prints on archival Illford Galerie paper, 41 x 39 cm

Sara Oscar

Address

110 Trafalgar Street
Annandale, NSW
2038

Opening Hours

Wednesday	11am - 4pm
Thursday	11am - 4pm
Friday	11am - 4pm
Saturday	11pm - 4pm

Telephone

+61295521699

Website

http://www.annandalegalleries.com.au/

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