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Zeno X Gallery

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Zeno X Gallery

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28/05/2026

Now on view: Yun-Fei Ji at MoMA, New York (US)

“The Empty City: Autumn Colors” is included in the current collection presentation “Down to Earth” at the Museum of Modern Art in New York. The work was inspired by the enormous impact of the construction of the Three Gorges Dam on the Yangtze River in China. Over one million people lost their homes to build this 350-mile-long hydrologic project. Hundreds of villages and archaeological sites were submerged, drastically altering landscapes long celebrated in painting and poetry. Borrowing the language of classical Chinese landscape paintings, Ji depicts debris, toxic clouds, floating weeds, and the skeletal ghosts of the departed to reflect on the destructive effects of these transformations.

Image: Yun-Fei Ji, “The Empty City: Autumn Colors”, 2003, The Judith Rothschild Foundation Contemporary Drawings Collection Gift, inventory number 1974.2005, © 2026 Yun-Fei Ji, courtesy MoMA New York, Installation view of the gallery “Down to Earth” in the exhibition “Collection 1980s–Present” (detail), photograph by Jonathan Dorado.

20/05/2026

✨Happy birthday, Anton Corbijn! We wish you a fantastic day today✨

The large retrospective “Corbijn, Anton” is now on view at Fotografiska, Berlin (D), after previous halts at Stockholm (SE) and Tallinn (EE). The exhibition celebrates the artist’s 50-year career through nearly 150 photographs. Curated in close collaboration with Corbijn, the show brings together his most iconic images but also a more personal, rarely seen selection of his own favorite works. The exhibition runs until September 20, 2026.

Image: Anton Corbijn, ‘Miles Davis, Montreal’, 1985, © Anton Corbijn

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14/05/2026

Opening today: Mounira Al Solh in “House of Nisaba: New Stories of Painting”
Moderna Museet, Stockholm (SE)
May 14 - August 30, 2026

“House of Nisaba: New Stories of Painting” brings together 29 international artists, who explore contemporary figurative painting through the lens of allegory.

Al Solh’s large-scale painting “سُُدفة ‒ Sudfa (Chance)” was created especially for this exhibition. The title refers to one of the darkest hours of the night in Arabic: al–sudfa. Al Solh: “When ceasefire is announced, bombs continue hitting as many targets as possible, killing and injuring thousands of innocents. When the darkest hour of the night comes, we, as children, had to accept death. When the darkest hour of the night moves to al–fajr [sunrise], early morning, hope raises that perhaps we will survive this time. As daylight comes back and we understand how much we love, that we wish to survive. How much we love, that we survive. How much they want us not to survive.”

The canvas is both a field of remembrance and a field of battle: “I occupy it, I liberate it. It’s a field of olives, a field of oil, of inks. I drip red on it. In a trance, I blindly roll. I bleed. I drag wounded bodies on it. It’s my own body. I drag on it with my barefoot legs. I practice squeezing. Here it’s raining bullets. It’s raining raw pomegranates, like pulling dead bodies from under the rubble. My body rolls. Can you escape from the nightmare of the rubble? Your home is in rubble. The war is rubble”.

The exhibition is curated by Hendrik Folkerts and will be on view through August 30, 2026.

Image 1 & 3: installation images, courtesy Mounira Al Solh
Image 2: Mounira Al Solh, سُُدفة ‒ Sudfa (Chance), 2026. Courtesy the artist and Sfeir-Semler Gallery, Beirut. © Mounira Al Solh 2026, photo: Quinn Oosterbaan

12/05/2026

Now on view: Jack Whitten at Griffin Art Projects, North Vancouver (CA)

‘Virgin Space #7 (Bent Circle)’ by Jack Whitten is included in the exhibition ‘Embodied Conversations: The Lillian and Billy Mauer Collection’ at Griffin Art Projects, North Vancouver (CA). Inspired by an artist residency at the Xerox corporation, Whitten experimented with heat fixed toner. For ‘Virgin Space #7 (Bent Circle)’ he suspended powdered pigments, charcoal, and inks in acrylic to create the illusion of folded, broken and compressed space-time.

The exhibition features 40 works from the Montréal based Mauer collection and includes photography, paintings and sculptures from an impressive roster of international artists such as by Lorraine O’Grady, Cindy Sherman, John Baldessari, Huma Bhabha, Frank Bowling, Glenn Ligon and Annette Messager. The Mauers are often drawn to politically and socially engaged art as well as sculpture, which is evident in curator Lesley Johnstone’s selection of works.

Embodied Conversations: The Lillian and Billy Mauer Collection
Griffin Art Projects, North Vancouver (CA)
On view until June 7, 2026.

Image: Jack Whitten, Virgin Space #7 (Bent Circle), 2013. Lillian and Billy Mauer Collection. © 2026 Jack Whitten / Artists Rights Society (ARS), New York / CARCC Ottawa. 2026. Photo: John Berens.

16/04/2026

Kim Jones, Untitled, 1978 - 1984 - 2005

25/03/2026

Now open: Grace Schwindt - A Boxer’s Dream
TANK Shanghai (CN)
On view until July 5, 2026

‘A Boxer’s Dream’ explores the relationship between humans and the natural world, proposing a deeply intertwined mode of coexistence. Emphasizing the importance of deep listening and direct touch, Schwindt challenges models of understanding that rely on explanation or domination, instead proposing forms of encounter grounded in presence, reciprocity, and care.

The framework of a boxing match is used to negotiate notions of proximity, touch, and conflict. The boxing ring forms the sculptural core of the exhibition, positioned at its center. An orchestration of blue, red, and white light creates a dramatic, live-event atmosphere, drawing visitors into an immersive spatial experience. Rather than focusing on the spectacle of combat, Schwindt turns her attention to the moments in between: the preparations, the pauses, the intervals, and the aftermath. In the fleeting instances when boxers come into close contact, gestures of care and tenderness emerge—moments that reveal vulnerability within confrontation.

Images: installation image ‘A Boxer’s Dream’ at TANK Shanghai © Grace Schwindt; Inside Your Dream, 2026; Figure at Night, 2024; Wild Orchid, 2024; Blooming Stem, 2025; Resting, 2026, courtesy the artist and Galerie Peter Kilchmann, Zurich, Paris
schwindt

17/03/2026

‘Io ti saluto, luce, ma con nervi offesi’, a solo exhibition with new works by Pietro Roccasalva is now on view at in Milan (IT).

The presentation brings together new and long-established subjects from the artist’s iconographic repertoire: imaginary landscapes and paradoxical still lifes, alongside a cast of recurring figures - a child with ungroomed hair and nails, a young girl with her doll, a bride holding a peculiar racket, a mother grasping a strange cornucopia. Together, the works trace Roccasalva’s ongoing experimentation with the possibilities of painting.

Image: Pietro Roccasalva, Il Bravo (Io ti saluto, luce, ma con nervi offesi), 2026, © the artist & MASSIMODECARLO

24/02/2026

✨Happy Birthday, dear ! Today we sing and dance for you! ✨

The beautiful work, ‘Radical Healing’, is currently on view as part of the group exhibition ’The Wall of She’, until 22 March.

Image: Pélagie Gbaguidi, Radical Healing, 2026, © the artist & Gallery Sofie Van de Velde

20/01/2026

Final weeks of the solo exhibition ‘Pietro Roccasalva.Weltstilleben’,
Leopold-Hoesch-Museum , Düren (DE),
curated by Markus Mascher,
on view until 8 February 2026.

Images: installation views ‘Pietro Roccasalva. Weltstillleben’, Leopold-Hoesch-Museum, Düren. Courtesy of the artist and Photos: Peter Hinschläger.

15/01/2026

Opening this Saturday: ‘Silent Talk’, a two-person exhibition with works by Cristof Yvoré and Ilse D’Hollander,
Gallery Sofie Van De Velde, Antwerp (BE),
curated by Ilaria Bonacossa.
On view from 17 January - 15 February 2026.

Image: Cristof Yvoré, Untitled, 2009, photo Peter Cox

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Godtsstraat 15
Borgerhout
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Openingstijden

Woensdag	13:00 - 17:00
Donderdag	13:00 - 17:00
Vrijdag	13:00 - 17:00
Zaterdag	13:00 - 17:00

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