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Fundación Almine y Bernard Ruiz-Picasso

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Fundación Almine y Bernard Ruiz-Picasso

Informations de contact, plan et itinéraire, formulaire de contact, heures d'ouverture, services, évaluations, photos, vidéos et annonces de Fundación Almine y Bernard Ruiz-Picasso, Kunstmuseum, Rue de l'Abbaye 20, Brussels.

22/06/2026

Picasso Cyprus: Encounters with the Ceramics of the Mediterranean, Museu Picasso Barcelona, from June 6th to September 27th, 2026

15/06/2026

Reflejos. Picasso x Barceló, Museo de Cadiz, Spain, from March 26th to June 28th, 2026

21/02/2026

FABA is pleased to support Ryoji Ikeda Weekend at the Barbican, London

Taking place on 20–21 February 2026, this special programme brings together rarely performed acoustic works by Japanese composer and visual artist Ryoji Ikeda, offering a focused exploration of his practice beyond electronics.

The weekend includes:

– music for strings performed by Ensemble Modern
– music for percussion 1 & 2
– op. 2 + 3 performed by the Solem Quartet
– music for choir performed by the Estonian Philharmonic Chamber Choir

Across two days, the programme highlights Ikeda’s rigorous, mathematically driven compositions through strings, percussion, quartet and choral works, presented in immersive live performances at the Barbican Hall and St Giles Cripplegate.

20/02/2026

FABA is delighted to loan the painting « Self-portrait (brown), 2021 » by for her solo exhibition at in The Netherlands

20/01/2026

FABA — 2025 Support

In 2025, FABA supported several editorial projects by October Magazine, including Art Communities at Risk and the October Files series.

By sustaining critical writing and long-form research, these initiatives contribute to a deeper understanding of art’s social, political, and historical dimensions.

15/01/2026

FABA — 2025 Support

FABA supported the exhibition dedicated to Medardo Rosso at Kunstmuseum Basel.
The project offered a renewed perspective on Rosso’s radical approach to sculpture, materiality, and perception, highlighting his lasting influence on modern and contemporary art.

Supporting historical research with contemporary resonance is central to FABA’s mission.

13/01/2026

FABA — 2025 Support

In 2025, FABA supported the exhibition Carroll Dunham & Laurie Simmons at Consortium Museum, curated by Éric Troncy.
The project brought together two major figures of American contemporary art, creating a dialogue between painting, photography, and long-standing artistic practices.

Photos: Rebecca Fanuele

07/01/2026

FABA — 2025 Support

In 2025, FABA was pleased to support When We See Us, a major exhibition presented at Bozar.
Bringing together artists from Africa and its diasporas, the exhibition explored self-representation, collective histories, and the construction of visual narratives across generations.

This support reflects FABA’s commitment to ambitious curatorial projects that expand perspectives and foster meaningful public dialogue.

ContemporaryArt ExhibitionSupport PublicInstitutions

16/12/2025

Reflections: Picasso x Barceló, Museo de Almería, Spain, from December 16th, 2025 to March 15th, 2026.

Reflections. Picasso × Barceló forms part of the series of exhibitions entitled Reflections. Picasso ×, a project from the Museo Picasso Málaga that, in collaboration with Fundación Almine y Bernard Ruiz-Picasso (FABA) and the Andalusian Regional Government, aims to establish dialogues between Pablo Picasso and artists from different times and contexts.
This second chapter, presented at the Museo de Almería and curated by Miguel López-Remiro, artistic director at Museo Picasso Málaga; Tania Fábrega, director at Museo de Almeria; and Laura Esparragosa, director at Museo de Cádiz. The exhibition brings together ceramic works by Pablo Picasso and Miquel Barceló with pieces from the museum’s archaeological collections, creating an encounter between art, archaeology, and matter.
The dialogue is articulated through one of the oldest and most universal creative mediums: ceramics. In Vallauris, after World War II, Picasso found a laboratory of invention in clay that combined painting, sculpture, and objects, transforming plates and pots into bodies, mythological figures, and everyday scenes. For his part, Barceló came to ceramics in the 1990s during his stay in Mali, where he learned traditional techniques and conceived of clay as a territory for experimentation in which ritual, the corporeal, and the material converge.

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