Kristof De Clercq gallery

Kristof De Clercq gallery Kristof De Clercq gallery | Hedendaagse kunst, Contemporary Art

Brigitte Stahl (b. 1964, Stuttgart) takes found, discarded objects and materials (objets trouvés) as the starting point ...
17/06/2026

Brigitte Stahl (b. 1964, Stuttgart) takes found, discarded objects and materials (objets trouvés) as the starting point for her work. Stripped of their original function, these objects are subjected to an intensive process of deconstruction and transformation. They are taken apart, processed, and subsequently reassembled into autonomous sculptures.

In this creative process, diverse material properties and colors—often in extreme contrast to one another—play a crucial role. Stahl connects, interweaves, knots, wraps, and squashes the materials to arrive at entirely new, unexpected structures. The results possess a mysterious, fragmented aura and an elusive poetry.

A common thread running through Stahl’s oeuvre is the concept of ‘folding,’ with its inherent ambivalence of revealing and concealing. In her most recent works, the artist combines textiles, fabrics, wood, concrete, and clay. The individual works not only relate to the surrounding space but also interact strongly with one another.


BRIGITTE STAHL
Untitled, 2025
wood, paint
83 x 46 x 7 cm

Christophe Lezaire (b. 1963, Brussels) is a Belgian artist based in Brussels whose practice centers on collecting, decon...
16/06/2026

Christophe Lezaire (b. 1963, Brussels) is a Belgian artist based in Brussels whose practice centers on collecting, deconstructing, and re assembling everyday materials into thoughtful, poetic compositions. He repurposes found objects—often colorful and seemingly playful—into works that explore memory, communication, identity, and the subtle signals objects carry, inviting viewers to reflect on what lies beneath the surface of the familiar.

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CHRISTOPHE LEZAIRE ()
Or***ce, 2024
plastic, rubber
⌀ 27 cm

photo by Vincent Everarts

Rein Dufait (b. 1990) creates layered works that, though presented as paintings, retain deeply sculptural qualities: rel...
15/06/2026

Rein Dufait (b. 1990) creates layered works that, though presented as paintings, retain deeply sculptural qualities: relief, shifting viewpoints, material presence and spatiality. Working at the intersection of sculpture, painting and drawing, he brings together unexpected elements—cardboard, sand, wood, plexiglass, acrylic resin, pigment and pastel—allowing each gesture and trace of making to remain visible.

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REIN DUFAIT ()
Hinkel, 2024
pencil, acrylic paint, acrylic one, pigment, cardboard on paper
80 x 60 cm
85 x 65 cm (framed)

photo by Cedric Verhelst

Veerle Beckers (b. 1976, Belgium | lives and works in Ghent) is a painter whose work springs from a rich inner life. Her...
14/06/2026

Veerle Beckers (b. 1976, Belgium | lives and works in Ghent) is a painter whose work springs from a rich inner life. Her technical mastery is never an end in itself — it is woven into every fibre of her work. She paints, as her husband David Peleman () writes, 'for her daily bread': what she takes in ferments slowly and rises from within.

Her canvases are built up over weeks. Countless base layers form a painted landscape before any image appears — and when it finally arrives, it comes as something inevitable. Objects, figures, architectural fragments, garments without bodies: they appear with precision yet breathe a near-tangible absence. The colours echo the muted shimmer of medieval murals. The image lies deeply embedded within the painting — as though the painter hesitates to share her innermost stirrings with the world.

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VEERLE BECKERS ()
Hurley, 2025
oil and acrylic on canvas
67 x 50 cm

photo by Jan Goeman

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the galle...
13/06/2026

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the gallery since his acclaimed retrospective 'OEEEEEEUUUUVVRE' at Museum M in Leuven, an overview of 35 years of practice that marked a milestone in his career.

PETER MORRENS ()
‘TESTTEST'
24 May – 27 June 2026

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“No protected world…Just behind the wall the noise begins,”— Tomas Tranströmer

Between laughter and grinding, fear of war and blooms, between the filth of mouth and arse and the breath of the zeitgeist, 'TESTTEST' tries to order the world by keeping it in motion. The exhibition unfolds as a sequence of ruptures and transitions: four rooms, four rhythms, many ways of looking. A route with no clear direction, in which images, words, materials, and thoughts keep interrupting one another. In flashes, the present.

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PETER MORRENS ()
Triangles dangereux, 2019
graphite and charcoal on paper, oil paint
80 x 117 cm

photo by

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the galle...
12/06/2026

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the gallery since his acclaimed retrospective 'OEEEEEEUUUUVVRE' at Museum M in Leuven, an overview of 35 years of practice that marked a milestone in his career.

PETER MORRENS ()
‘TESTTEST'
24 May – 27 June 2026

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“No protected world…Just behind the wall the noise begins,”— Tomas Tranströmer

Between laughter and grinding, fear of war and blooms, between the filth of mouth and arse and the breath of the zeitgeist, 'TESTTEST' tries to order the world by keeping it in motion. The exhibition unfolds as a sequence of ruptures and transitions: four rooms, four rhythms, many ways of looking. A route with no clear direction, in which images, words, materials, and thoughts keep interrupting one another. In flashes, the present.

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PETER MORRENS ()
Tower of Power #3, 2026
oil on canvas
66,5 x 46 cm

photo by

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the galle...
11/06/2026

The gallery is open today! Welcome to visit 'TESTTEST'— the first major solo exhibition by Peter Morrens () at the gallery since his acclaimed retrospective 'OEEEEEEUUUUVVRE' at Museum M in Leuven, an overview of 35 years of practice that marked a milestone in his career.

PETER MORRENS ()
‘TESTTEST'
24 May – 27 June 2026

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“No protected world…Just behind the wall the noise begins,”— Tomas Tranströmer

Between laughter and grinding, fear of war and blooms, between the filth of mouth and arse and the breath of the zeitgeist, 'TESTTEST' tries to order the world by keeping it in motion. The exhibition unfolds as a sequence of ruptures and transitions: four rooms, four rhythms, many ways of looking. A route with no clear direction, in which images, words, materials, and thoughts keep interrupting one another. In flashes, the present.

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installation views by .shivi

Dirk Zoete (b. 1969) is a Belgian artist whose work grows from drawing — the foundation of a universe filled with invent...
10/06/2026

Dirk Zoete (b. 1969) is a Belgian artist whose work grows from drawing — the foundation of a universe filled with invented characters, architectural forms and staged scenarios. His practice embraces playful experimentation and continual reworking: sketches become models, models return to drawings, and images evolve through repetition and variation.

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DIRK ZOETE ()
Communicant, 2023
oil on canvas
90 x 60 cm

photo by .shivi

Vivid, charged fields of red and green draw the eye into a quiet struggle for attention.In this work Katrin Bremermann (...
09/06/2026

Vivid, charged fields of red and green draw the eye into a quiet struggle for attention.
In this work Katrin Bremermann () continues her exploration of tension between colour, material, and form, using enamel on waxed paper to create a luminous surface where colour hovers between control and release.
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KATRIN BREMERMANN ()
M 2506, 2025
enamel on waxed paper
57 x 42,5 cm

For German artist Thomas Müller (b. 1959, Frankfurt) drawing is an endless field of experimentation. Müller works exclus...
08/06/2026

For German artist Thomas Müller (b. 1959, Frankfurt) drawing is an endless field of experimentation. Müller works exclusively on paper — combining pencil, ink, crayon, oil, and marker to create delicate, abstract structures that are at once autonomous compositions and fragments of a larger whole. His works often transcend the frame of the paper, reaching toward neighboring formations in an open, grid-like dialogue.

Nothing is predetermined. The drawings emerge from the void — without preconceived components, without a fixed destination. Whether through dynamic lines evoking the macroscopic details of a wave, or in extremely reduced compositions with just a few markings: each work expresses a yearning for complementary structures.

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THOMAS MÜLLER
Untitled, 2025
pencil on Fabriano paper
196 x 140 cm

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Tichelrei 86 (ingang Via Onderdoorgang)
Ghent
9000

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