20/10/2026
Wout Vercammen (1938–2018)
The monochromes of the Belgian artist Wout Vercammen emerged around 1958–1960, during a brief but radical phase that marked a decisive break with figurative painting.
In close contact with Jef Verheyen, he exchanged ideas on monochromy. During a trip to Italy in 1959, he met, among others, Lucio Fontana and Piero Manzoni.
For Vercammen, the monochrome represented a radical exploration of reduction and colour — an ultimate zero point from which painting could begin anew.
From the mid-1960s onwards, his work evolved towards a freer visual language, increasingly incorporating influences from Pop Art, figuration, text, collage, humour and social critique.
The monochromes presented in this exhibition mark an exceptional turning point in an artistic practice characterised by continual reinvention.
𝑇ℎ𝑒 𝑀𝑜𝑛𝑜𝑐ℎ𝑟𝑜𝑚𝑒 𝐶𝑜𝑛𝑠𝑝𝑖𝑟𝑎𝑐𝑦
Featuring works by Marc Angeli, W***y De Sauter, Jus Juchtmans, Sophie Ko, Dirk Vander Eecken, Wout Vercammen, Stefaan Vermuyten and Marthe Wéry.
On view until 8 November 2026
Saturday & Sunday, 14:00–18:00
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1. © Wout Vercammen, Z.t., circa 1960, olie op papier, 49,8 x 38,9 cm (frame 72 x 60 x 6 cm)
2. Installation view of The Monochrome Conspiracy, Watou
3. Wout Vercammen, Photograph by Raoul Van den Boom Image source: Wout Vercammen, published by Galerie Ronny Van de Velde, 2014, p. 2.
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Our special thanks to Frank Hendrickx