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Terça-feira 10:00 - 19:00 Quarta-feira 10:00 - 19:00 Quinta-feira 10:00 - 19:00 Sexta-feira 10:00 - 19:00 Sábado 10:00 - 16:00

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Mitre Galeria

Fundada em 2015, pelos sócios Alexandre Romanini, Altivo Duarte e Rodrigo Mitre. Como política, minorias, espaço, relações, paisagem, o meio e o afeto.

Fundada em 2015, pelos sócios Alexandre Romanini, Altivo Duarte e Rodrigo Mitre, a Periscópio Arte Contemporânea é uma galeria de arte situada em Belo Horizonte, Minas Gerias, e tem como premissa que a arte pode transformar nossa forma de pensar, proporcionando uma visão para além do que está submerso, deslocando o olhar por cima de obstáculos e barreiras. Isso perpassa pela arte contemporânea, um

a arte que discute as problemáticas dos nossos dias atuais, pensamentos que atravessam nossas vidas cotidianas. Por isso temos como objetivo apresentar propostas expositivas singulares, teses contemporâneas, com pensamento crítico e olhares para o cotidiano que transitam pela pintura, gravura, desenho, vídeo, escultura e performance. Tudo é possível na arte desde que seja uma relação com o pensamento crítico e atual.

16/04/2026

davi de jesus do nascimento | Mitre Galeria

“carcaça”, a solo exhibition by davi de jesus do nascimento is on view at Mitre Galeria, São Paulo until May 16.

In these works, images do not settle—they vibrate, shift, persist. Moving between body, memory, and fabulation, the practice unfolds as a field in constant ebullition, where to see is also to be traversed.

“everything contained in this ark is risk and ravine of those who were fertilized by stings; it is the trace of the carapace whose flesh shelters the handful of lavas that will ensure the multiplication and continuity of life beyond the human: the plague crying out warnings.”
— excerpt from the curatorial text by ventura profana

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“carcaça”, exposição individual de davi de jesus do nascimento segue em cartaz na Mitre Galeria São Paulo até 16 de maio.

Nas obras apresentadas, as imagens não se estabilizam: vibram, deslocam-se, persistem. Entre corpo, memória e fabulação, o trabalho se configura como um campo em constante ebulição — onde ver é, também, atravessar.

“tudo que está nesta arca é risco e barranco de quem foi fecundado à ferroadas, é rastro da carapaça cuja carne hospeda o punhado de lavas que garantirão a multiplicação e continuidade da vida sobre humana: a peste gritando alertas.”
— trecho do texto curatorial de ventura profana

12/04/2026

Last day | EXPO Chicago 2026

For EXPO Chicago 2026, Diego Mouro has developed a new body of paintings centered on the figure of Our Lady of the Rosary and the Afro-Brazilian traditions of the Congado.

Mouro’s paintings carry echoes of art history while remaining deeply grounded in Brazilian cultural memory. They propose enchantment as both a poetic and political stance. In the artist’s words, “it is urgent to live in a state of enchantment.”

At Expo Chicago, the presentation offers an immersive encounter with a body of work that weaves together spirituality, Afro-Brazilian heritage, and contemporary painting, affirming faith and imagination as enduring forces of resistance and care.

📍Booth 421
Navy Pier, Chicago
mouro

11/04/2026

Mitre Galeria | SP–Arte 2026

Mitre Galeria is participating in SP–Arte 2026 with a proposal that invites pause. The curatorial selection is not organized around a single theme, but rather through critical affinities that run across the works: the image as a field of dispute, the body as a site of historical inscription, and memory as a material in constant formation.

By articulating different media and temporalities, the proposal affirms the fair as a space for sensitive and critical reflection, capable of sustaining pauses and generating meaning even within an environment marked by visual saturation and the speed of interactions.

📍Booth D17
April 08-12, 2026
Pavilhão da Bienal, São Paulo

10/04/2026

Diego Mouro | Northern Trust Prize

We are delighted to share that Diego Mouro has received the Northern Trust Prize acquisition award at Expo Chicago for the painting Indo buscar sá Rainha, which will now join the collection of The Phillips Collection in Washington, D.C.

More than an image, the work stands as a tribute to the history of a people, to a faith that endures through time, and to a body of research built over years with rigor, attentiveness, and respect. It is especially meaningful to see this journey recognized and awarded abroad.

In the painting, a procession moves toward the waters to retrieve Our Lady of the Rosary, revisiting the narrative of the saint found at sea. The path crosses a field of flowers, creating an almost dreamlike atmosphere. Here, however, the flowers do not fall from the sky—they grow from the earth and accompany the journey, reinforcing the connection between nature, devotion, and collective memory. In the artist’s words, it is urgent to live in a state of enchantment.

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É com muita alegria que compartilhamos que Diego Mouro recebeu o prêmio de aquisição do Northern Trust Prize na Expo Chicago, com a pintura Indo buscar sá Rainha, que entrará para a coleção da Phillips Collection, in Washington D.C.

Mais que imagem, a obra se ergue como reverência à história de um povo, a uma fé que atravessa o tempo e a uma pesquisa construída ao longo de anos com rigor, escuta e respeito. É especialmente significativo ver esse percurso ser reconhecido e premiado fora do país.

Na pintura, um cortejo avança em direção às águas para buscar Nossa Senhora do Rosário, retomando a narrativa da santa encontrada no mar. O trajeto atravessa um campo de flores e instaura uma atmosfera quase onírica. Aqui, no entanto, as flores não caem do céu: nascem da terra e acompanham o caminho, reforçando a ligação entre natureza, devoção e memória coletiva. Nas palavras do artista, é urgente viver encantado.
mouro

09/04/2026

Opening today | EXPO Chicago 2026

Come find us at booth 421 at Focus sector at EXPO Chicago featuring a solo booth by Diego Mouro!

Bringing together a new body of paintings, the project draws on the figure of Our Lady of the Rosary and Afro-Brazilian Congado traditions, where faith, memory, and history converge. Grounded in ongoing iconographic and spiritual research, the works unfold as a visual narrative in which images assert themselves as fields of presence.

Water, movement, and rhythm emerge as recurring elements, while blue—of the mantle, of the sea, of protection—runs through the paintings as both a symbolic and sensorial force. In dialogue with art history and Brazilian cultural memory, the works propose enchantment as a poetic and political gesture.
__________

📍Booth 421
April 9–12, 2026
Navy Pier, Chicago
mouro

08/04/2026

SP–Arte 2026 | Mitre Galeria

Come find us at booth D17 at SP–Arte!

For this year’s proposal, Mitre Galeria brings a group presentation that invites pause. Amid the fair’s intense pace, we present a group of works that challenge the tempo of experience, bringing together different modes of attention across painting, sculpture, and photography.

📍Booth D17
April 08-12, 2026
Pavilhão da Bienal, São Paulo

07/04/2026

Diego Mouro | EXPO Chicago 2026

We are pleased to present a solo booth by Diego Mouro at the Focus sector of EXPO Chicago 2026.

Bringing together a new body of paintings, the project draws on the figure of Our Lady of the Rosary and Afro-Brazilian Congado traditions, where faith, memory, and history converge. Grounded in ongoing iconographic and spiritual research, the works unfold as a visual narrative in which images assert themselves as fields of presence.

Water, movement, and rhythm emerge as recurring elements, while blue—of the mantle, of the sea, of protection—runs throughout the paintings as both a symbolic and sensorial force. In dialogue with art history and Brazilian cultural memory, the works propose enchantment as both a poetic and political gesture.

📍 Booth 421
April 9–12, 2026
Navy Pier, Chicago
mouro

06/04/2026

davi de jesus do nascimento | Mitre Galeria

“carcaça”, exposição individual de davi de jesus do nascimento segue em cartaz na Mitre Galeria São Paulo até 16 de maio.

Nas obras apresentadas, as imagens não se estabilizam: vibram, deslocam-se, persistem. Entre corpo, memória e fabulação, o trabalho se configura como um campo em constante ebulição — onde ver é, também, atravessar.

“tudo que está nesta arca é risco e barranco de quem foi fecundado à ferroadas, é rastro da carapaça cuja carne hospeda o punhado de lavas que garantirão a multiplicação e continuidade da vida sobre humana: a peste gritando alertas.”
— trecho do texto curatorial de ventura profana
_________

“carcaça”, a solo exhibition by davi de jesus do nascimento is on view at Mitre Galeria, São Paulo until May 16.

In these works, images do not settle—they vibrate, shift, persist. Moving between body, memory, and fabulation, the practice unfolds as a field in constant ebullition, where to see is also to be traversed.

“everything contained in this ark is risk and ravine of those who were fertilized by stings; it is the trace of the carapace whose flesh shelters the handful of lavas that will ensure the multiplication and continuity of life beyond the human: the plague crying out warnings.”
— excerpt from the curatorial text by ventura profana
____

📸: installation views by
“carcaça”, solo exhibition by davi de jesus do nascimento
until May 16th, 2026 | Mitre Galeria SP

04/04/2026

Gê Viana | Art Review

Gê Viana’s “Radiola de Promessa” is featured at this month’s Art Review’s sector Art Lovers Movie Club dedicated to screening videos online alongside a new essay by her practice by Mateus Nunes.

“Radiolas are not merely the material convergence of musicality, faith, celebration and dance; they create occasions and carve out intervals in time that grant something people of Afro-diasporic roots in Brazil are routinely denied due to the racist legacy of slavery: leisure.

“The work reasserts the presence of these spaces of rest and gathering, where Black and peripheral communities can go on the weekend and simply enjoy reggae on the beach, unburdened. I like to imagine the moment when the sound kisses the sea, when it spills beyond the speakers and takes hold of the bodies around it, manifesting in people who are celebrating calmly, who walk towards the water to meet, to talk, to make their offerings. Many of these sounds – songs, chants, oral histories – crossed the ocean to arrive here from Africa, and many were lost along the way. All I know for certain is this: we did not go searching for this sound. It was the sound that reached us.”

Read the full essay by Mateus Nunes on Art Review’s website.

03/04/2026

Save the Date | SP–Arte

Mitre Galeria is participating in SP–Arte 2026 with a proposal that invites pause. Amid the fair’s intense pace, we present a group of works that challenge the tempo of experience, bringing together different modes of attention across painting, sculpture, and photography.

At the core of the project, a continuous video program introduces another temporality into the exhibition space, inviting the public to slow down and dwell on the duration of the images. The works engage with questions of memory, the body, and history, proposing alternative ways of seeing and of remaining.

Find us at booth D17!
April 08-12, 2026
Biennial Pavillion, Ibirapuera Park

28/03/2026

Opening today | davi de jesus do nascimento

“carcaça”, exposição individual de davi de jesus do nascimento inaugura hoje na Mitre Galeria São Paulo.

Nas obras apresentadas, as imagens não se estabilizam: vibram, deslocam-se, persistem. Entre corpo, memória e fabulação, o trabalho se configura como um campo em constante ebulição — onde ver é, também, atravessar.

“tudo que está nesta arca é risco e barranco de quem foi fecundado à ferroadas, é rastro da carapaça cuja carne hospeda o punhado de lavas que garantirão a multiplicação e continuidade da vida sobre humana: a peste gritando alertas.”
— trecho do texto curatorial de ventura profana

Por ocasião de carcaça, a galeria recebe ainda o lançamento de Aluvião, novo livro do artista, a partir das 14h. A publicação integra o selo Círculo de Poemas, da Fósforo Editora.
_________

“carcaça”, a solo exhibition by davi de jesus do nascimento opens today at Mitre Galeria, São Paulo.

In these works, images do not settle—they vibrate, shift, persist. Moving between body, memory, and fabulation, the practice unfolds as a field in constant ebullition, where to see is also to be traversed.

“everything contained in this ark is risk and ravine of those who were fertilized by stings; it is the trace of the carapace whose flesh shelters the handful of lavas that will ensure the multiplication and continuity of life beyond the human: the plague crying out warnings.”
— excerpt from the curatorial text by ventura profana

On the occasion of carcaça, the gallery will also host the launch of Aluvião, the artist’s new book, starting at 2pm. The publication is part of Círculo de Poemas, a collection by Fósforo Editora.

____

14h–20h

24/03/2026

SAVE THE DATE | EXPO Chicago 2026

Mitre Galeria is pleased to present “Blue Mantle”, a solo booth by Diego Mouro, as part of the Focus sector at EXPO Chicago 2026.

Bringing together a new body of paintings, the project draws on the figure of Our Lady of the Rosary and Afro-Brazilian Congado traditions, where faith, memory, and history converge. Grounded in ongoing iconographic and spiritual research, the works unfold as a visual narrative in which images assert themselves as fields of presence.

Water, movement, and rhythm emerge as recurring elements, while blue—of the mantle, of the sea, of protection—runs through the paintings as both a symbolic and sensorial force. In dialogue with art history and Brazilian cultural memory, the works propose enchantment as a poetic and political gesture.

__________

A Mitre Galeria tem o prazer de apresentar “Manto Azul”, uma apresentação individual de Diego Mouro, na seção Focus da EXPO Chicago 2026.

Reunindo um novo conjunto de pinturas, o projeto parte da figura de Nossa Senhora do Rosário e das tradições afro-brasileiras do Congado, onde fé, memória e história convergem. A partir de uma pesquisa iconográfica e espiritual contínua, as obras se desdobram como uma narrativa visual em que as imagens se afirmam como campos de presença.

Água, movimento e ritmo surgem como elementos recorrentes, enquanto o azul — do manto, do mar e da proteção — atravessa as pinturas como força simbólica e sensível. Em diálogo com a história da arte e a memória cultural brasileira, os trabalhos propõem o encantamento como gesto poético e político.

📍Booth 421
April 9–12, 2026
Navy Pier, Chicago
mouro

Endereço

Rua Tenente Brito Melo, 1217
Belo Horizonte, MG
30180-070

Horário de Funcionamento

Terça-feira	10:00 - 19:00
Quarta-feira	10:00 - 19:00
Quinta-feira	10:00 - 19:00
Sexta-feira	10:00 - 19:00
Sábado	10:00 - 16:00

Telefone

+553135670881

Site

facebook.com

Notificações

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