The Gallery at Evergreen Arts

The Gallery at Evergreen Arts The Gallery at Evergreen Arts focuses on contemporary art & ideas explored by professional artists working in all mediums.

Part of the full experience at Evergreen Cultural Centre, we are a curated Art Gallery in Coquitlam BC, dedicated to providing meaningful art education and experiences for students and families in the Tri-cities.

“My interest as an artist is in making pictures of things that the world can’t photograph.” Throughout her career, Lando...
09/05/2026

“My interest as an artist is in making pictures of things that the world can’t photograph.”

Throughout her career, Landon Mackenzie has been interested in systems that connect everything around us. Many of her paintings are composed of countless small marks, dots, and round cell-like organic forms that resemble particles, molecules, stars, or microscopic organisms. These repeated forms suggest that everything is made up of interconnected elements—even the space between people.

In her newest body of work, 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯, Mackenzie pushes this exploration by working directly with natural phenomena to create her paintings.

𝘓𝘢𝘯𝘥𝘰𝘯 𝘔𝘢𝘤𝘬𝘦𝘯𝘻𝘪𝘦: 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯𝘴 is on view at The Gallery at Evergreen Arts from September 5-November 22, 2026.



Image: Landon Mackenzie with 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯 #7 (𝘑𝘦𝘭𝘭𝘺𝘧𝘪𝘴𝘩), 2023, synthetic polymer on linen, 69.5” x 99”. Photo: Jane Grocott

ID: A photograph of Landon Mackenzie's Weather Pattern #7, a large red canvas with black and pale red dots of various sizes throughout. The canvas stands on two brick supports, leaning against a white wall. Mackenzie is to the right, back facing, with her right arm up holding a paintbrush. She has light brown mid length hair with light blonde accents, and is wearing a white long sleeve undershirt, a black dress, black leggings, and black sneakers. She stands on grey flooring.

Combining photography with sculptural processes, Cherry Archer freezes botanicals to create translucent still lifes. As ...
09/02/2026

Combining photography with sculptural processes, Cherry Archer freezes botanicals to create translucent still lifes. As the ice forms and melts at different stages, the freezing process produces intricate textures and subtle distortions. These gradual transformations visualize changes reflect larger environmental transformations and present a visual metaphor for global warming.

𝘊𝘩𝘦𝘳𝘳𝘺 𝘈𝘳𝘤𝘩𝘦𝘳: 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴 is on view at Lafarge Lake–Douglas SkyTrain Station from spring 2026 – 2028.

Image: 𝘊𝘩𝘦𝘳𝘳𝘺 𝘈𝘳𝘤𝘩𝘦𝘳, 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴, 2021-, site-specific installation at Lafarge Lake-Douglas SkyTrain Station, 2026. Presented by The Gallery at Evergreen Arts and TransLink. Photo: Rachel Topham Photography.
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ID: Installation view of two 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴 by Cherry Archer, printed on translucent vinyl and installed across a series of glass panels at Lafarge Lake–Douglas SkyTrain Station. The photograph is taken from the sidewalk outside the station. Sunlight enters from the left, illuminating the glass while casting shadows of nearby trees across the wall and the 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴. The artwork comprises two photographic images depicting flowers suspended in ice, revealing intricate botanical forms preserved within the frozen textures. The left artwork is dominated by cool tones of dark blue, light blue, and purple with subtle hints of magenta. The right artwork is primarily dusty and bright greens, accented by touches of warm magenta, yellow, and orange.

𝘓𝘢 𝘙é𝘤𝘰𝘭𝘵𝘦 226, 2022, celebrates the end of autumn and harvest time in the Pacific Northwest. In this photograph, Cherry...
08/27/2026

𝘓𝘢 𝘙é𝘤𝘰𝘭𝘵𝘦 226, 2022, celebrates the end of autumn and harvest time in the Pacific Northwest. In this photograph, Cherry Archer admires the beauty and strength of life in the late-season. As hues of leaves deepen, late fruit and flowers will cling to branches and sustain wildlife deep into winter. The landscape will change inevitably – where moss grows plump with autumn rains and frozen bare earth marinates new growth, stirring underground.

Archer’s 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴 (2021-) series begins with plants grown in her garden or foraged from local environments. Arranged in water and frozen in stages, these temporary compositions preserve delicate botanical forms. Coloured light shining through the ice highlights the fragility, layered structure, and fine details of foliage — reflecting on the changing conditions of our ecosystem.

𝘊𝘩𝘦𝘳𝘳𝘺 𝘈𝘳𝘤𝘩𝘦𝘳: 𝘉𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘐𝘤𝘦 𝘛𝘪𝘭𝘦𝘴 is on view at Lafarge Lake–Douglas SkyTrain Station from spring 2026 – 2028.

Image: Cherry Archer, 𝘓𝘢 𝘙é𝘤𝘰𝘭𝘵𝘦 226, 2022, photography. Courtesy of the artist.
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ID: La Récolte 226 by Cherry Archer. The photograph features various flora and fauna beneath ice, particularly in muted brown, purple, red, and white tones. The ice background varies in tone, from a light muted green to a vibrant green.

The Gallery at Evergreen Arts is closed for installation of our upcoming exhibition Landon Mackenzie: 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯𝘴, ...
08/24/2026

The Gallery at Evergreen Arts is closed for installation of our upcoming exhibition Landon Mackenzie: 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯𝘴, on view from September 5 – November 21, 2026.

Join us for an artist tour and opening reception on Thursday, September 10 at 6 – 8:30PM.

Starting in the shallow tidewaters of Cardigan Bay, Prince Edward Island, Landon Mackenzie’s 𝘞𝘦𝘢𝘵𝘩𝘦𝘳 𝘗𝘢𝘵𝘵𝘦𝘳𝘯 series (2021–) balances chance and control to envelop the viewer in the artist’s painted worlds. Looking at the dotted sandstone-inspired canvases, you might see a charged nervous system, a celestial body or the microcosm of a riverbed’s speckled surface. The depth of each painting reveals the linen canvas as a site-responsive material that soaks up its environment: saltwater, sunshine, wind, rain, dew and starry nights—all become foundational materials in Mackenzie’s works. Merging paint and weather, the canvases evoke the intimate connection between internal and external landscapes. To begin this bi-coastal project, Mackenzie first stapled the river-soaked linen to a wooden porch on Prince Edward Island, where she applied a multitude of colours. The artist next rolled and shipped the work like a tapestry to her Vancouver studio, where she responded to the transformed surface. Each of these large paintings was enlivened from its interaction with East Coast summer tides before coalescing in the artist’s West Coast studio.

ID: An off-white graphic with a sketch of a black square in the center. The Gallery at Evergreen Arts logo is on the bottom left next to text that says, “Closed for Installation.”

We asked artist Carley Mullally about how their weavings manifest through their ideas and materials. Learn more about th...
08/19/2026

We asked artist Carley Mullally about how their weavings manifest through their ideas and materials. Learn more about their process in this soundbite.



Image: Installation view of 𝘓𝘶𝘳𝘦, exhibition at The Gallery at Evergreen Arts, 2026. Photo: Rachel Topham Photography.

ID: A soundbite of Carley Mullally talking with a graphic. The graphic features a blue to white gradient background. At the top text reads Carley Mullally. In the middle is a photograph of 3995 by Carley Mullally, a beige weaving with a two toned blue lattice pattern throughout, hanging on a white wall, with Couzyn van Heuvelen’s Arctic Char Steak sculpture on the ground to the left. Underneath the image is a white soundwave and subtitles in white text.

08/18/2026

Visit the Library Link during a special stop at The Gallery at Evergreen Arts! Take part in a free art activity, then enjoy a Family Story Time, all while visiting the gallery exhibition: Lure.

No registration required; just drop-in.

August 22nd | 12:30–3:00 pm | The Gallery at Evergreen Arts, 1205 Pinetree Way
Learn more about the program, and the exhibition, in the comments below.

Carley Mulallly’s weavings incorporate reclaimed lobster bands, which are made of plastic that degrades over time. We as...
08/17/2026

Carley Mulallly’s weavings incorporate reclaimed lobster bands, which are made of plastic that degrades over time. We asked Carley Mullally how they think about the material and their artwork through the lens of sustainability.



Image: Installation view of 𝘓𝘶𝘳𝘦, exhibition at The Gallery at Evergreen Arts, 2026. Photo: Rachel Topham Photography.

ID: A soundbite video of Carley Mullally talking. The graphic features a blue to white gradient background with text and an image. Top text reads Carley Mulally. In the middle of the graphic is a photograph of 5830 by Carley Mullally, a beige weaving with a two toned blue lattice pattern throughout, hanging on a white wall, with one of Couzyn van Heuvelen’s Nitsik silver toned sculptures hanging from the ceiling to the left.

Jordan Bennett's 𝘐𝘤𝘦 𝘍𝘪𝘴𝘩𝘪𝘯𝘨 (2014) connects the viewer to the experience of ice fishing through interactive installatio...
08/15/2026

Jordan Bennett's 𝘐𝘤𝘦 𝘍𝘪𝘴𝘩𝘪𝘯𝘨 (2014) connects the viewer to the experience of ice fishing through interactive installation, inspired by his childhood memories:

“As a child, in the winter months, I spent the majority of my time after school ice fishing. I recall being so excited to go out fishing with my father and grandfather and having this rush when I would look through the fishing hole and see a smelt or a trout pass under the ice.”

More than a winter activity, 𝘐𝘤𝘦 𝘍𝘪𝘴𝘩𝘪𝘯𝘨 celebrates family, traditions, and deep connection between people, culture, and the land.

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Images 1,2 & 3: Arefeh Saberi

Image 4: Installation view of 𝘓𝘶𝘳𝘦, exhibition at The Gallery at Evergreen Arts, 2026. Photo: Rachel Topham Photography


ID: Image shows a corner of gallery space with two with walls and a wooden brown floor. Jordan Bennett’s installation, 𝘐𝘤𝘦 𝘍𝘪𝘴𝘩𝘪𝘯𝘨, 2014, is on view. I the right wall hangs a tv with a video about playing a video by the artist showing three mugs of hot tea on a wooden table. There are three headphones attached to the tv and hanging underneath it.
A blue and grey auger is leaning in the corner. On the ground one sculpture in the shape of a snow pile. In the middle, there is a cut out hole glowing a slight light blue. Faux ice shavings and wood chips can be seen around the snow pile.

Address

1205 Pinetree Way
Coquitlam, BC
V3B7Y3

Opening Hours

Wednesday 12pm - 5pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 5pm
Sunday 12pm - 5pm

Telephone

+16049276550

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