Robertson Arès Gallery

Robertson Arès Gallery A fearless advocate for unique, innovative, 21st century artists.

05/30/2026

Installed in a private California residence, DOUGLAS SCHOLES’ “Terrible Beauties” series transforms the space into something atmospheric.

Depending on the hour, the works shift entirely, subtly altering light, colour, and form.

Completely immersive.


Available through Galerie Robertson Arès.

Ted Larsen (b. 1964, United States) is a sculptor living and working in Santa Fe, New Mexico. He holds a BA from Northe...
05/28/2026

Ted Larsen (b. 1964, United States) is a sculptor living and working in Santa Fe, New Mexico. He holds a BA from Northern Arizona University and is a recipient of the Pollock-Krasner Foundation Grant.

Larsen’s practice reconsiders minimalist and modernist traditions, creating refined geometric compositions from salvaged and industrial materials. Since 2001, his work has interrogated notions of value, purity, and formalism, using repurposed steel, aluminum, and wood to question the hierarchies of “High Art” through processes of renewal and reassembly.

His work has been exhibited widely across the United States and internationally, including the New Mexico Museum of Art, The Albuquerque Museum, and the Philadelphia Museum of Art, as well as in more than 80 gallery exhibitions. Larsen has participated in residencies with the Edward F. Albee Foundation and the Asilah Arts Festival in Morocco, where he represented the United States, and has received grants from the Pollock-Krasner and Surdna Foundations.

Larsen’s sculptures are held in numerous public and corporate collections, including The Palm Springs Art Museum, The New Mexico Museum of Art, JP Morgan Chase, PepsiCo, and Reader’s Digest.

His work has been featured in Art in America, ArtNews, Sculpture Magazine, and Architectural Digest, and reviewed in The New York Times, The Philadelphia Inquirer, and The Dallas Morning News. He has also been the subject of a televised interview produced by PBS.

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TED LARSEN, Master, 2026, Salvage Steel, Marine-grade Plywood, Silicone, Encaustic Bee’s Wax, Hardware | Acier de récupération, contreplaqué de qualité marine, silicone, cire d’abeille encaustique, quincaillerie, 4.1 x 3.9 x 2.4 "

TED LARSEN, Modern History, 2026, Salvage Steel, Marine-grade Plywood, Silicone, Encaustic Bee’s Wax, Hardware | Acier de récupération, contreplaqué de qualité marine, silicone, cire d’abeille encaustique, quincaillerie, 4.1 x 3.9 x 2.4 "


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L’exposition Total Fabrication du sculpteur se poursuit à la galerie jusqu’au 4 juin. Au plaisir de vous recevoir ! —To...
05/27/2026

L’exposition Total Fabrication du sculpteur se poursuit à la galerie jusqu’au 4 juin.

Au plaisir de vous recevoir !

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Total Fabrication, the solo exhibition by sculptor , is on view at the gallery until June 4.

We look forward to welcoming you !

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The series July extends Yasuaki Kuroda’s inquiry into temporality. Unfolding as three markers of a single date, each wor...
05/26/2026

The series July extends Yasuaki Kuroda’s inquiry into temporality. Unfolding as three markers of a single date, each work corresponds to a precise moment. Each piece holds traces of gesture and affect specific to its making, revealing how the process of weaving, from the dyeing of the fibre to the mounting of the warp and the passage of the shuttle across the loom, is embedded within the final work. The resulting silk canvases retain something elusive yet palpable of lived duration, intention and emotional charge.

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La série July prolonge la réflexion de Yasuaki Kuroda sur la temporalité. Se déployant comme trois marqueurs d’une même date, chaque œuvre correspond à un moment précis. Chaque pièce porte les traces de gestes et d’affects propres à son élaboration, révélant comment le processus du tissage — de la teinture de la fibre au montage de la chaîne, jusqu’au passage de la navette sur le métier — s’inscrit dans l’œuvre finale. Les surfaces de soie qui en résultent conservent quelque chose d’insaisissable mais tangible de la durée vécue, de l’intention et de la charge émotionnelle.

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YASUAKI KURODA, July 22, 5:38, 2026, Hand woven silk tapestry mounted on plywood panel | Tapisserie de soie tissée à la main montée sur panneau de contreplaqué, 4.72 x 7.09”

YASUAKI KURODA, July 22, 3:29, 2026, Hand woven silk tapestry mounted on plywood panel | Tapisserie de soie tissée à la main montée sur panneau de contreplaqué, 4.72 x 7.09”

YASUAKI KURODA, July 22, 5:01, 2026, Hand woven silk tapestry mounted on plywood panel | Tapisserie de soie tissée à la main montée sur panneau de contreplaqué, 4.72 x 7.09”


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🏁 F1 Weekend | Fin de semaine de la F1During the Canadian Grand Prix, Galerie Robertson Arès remains open as a space for...
05/22/2026

🏁 F1 Weekend | Fin de semaine de la F1

During the Canadian Grand Prix, Galerie Robertson Arès remains open as a space for pause and contemplation. Today (Friday) and tomorrow (Saturday), 10AM to 5PM.

Pendant le Grand Prix du Canada, Galerie Robertson Arès demeure ouverte et propose un moment de pause et de contemplation. Aujourd’hui (vendredi) et demain (samedi), de 10 h à 17 h.

Currently on view | Sur les murs :

TED LARSEN ( )
𝘛𝘰𝘵𝘢𝘭 𝘧𝘢𝘣𝘳𝘪𝘤𝘢𝘵𝘪𝘰𝘯

YASUAKI KURODA ( )
相 / 𝘮𝘶𝘵𝘶𝘦𝘭 / 𝘮𝘶𝘵𝘶𝘢𝘭

“Hawk paints the moments just before, between or beyond crucial pivot points of adolescence.The best childhoods proceed ...
05/22/2026

“Hawk paints the moments just before, between or beyond crucial pivot points of adolescence.
The best childhoods proceed at a wondrous, magical pace, Hawk said; and even the best childhoods tilt from that axis, toward uncertainty over what comes next and questions of belonging.

“You get to that point where you start to have these realizations about the world and things start to feel different and your ground gets a little shaky,” Hawk said.

She intends to paint the both/and of those moments: the joy which remains, and the unease which arises. Sometimes viewers apologize for reading the work as both beautiful and creepy, Hawk said, a simple proof she is striking a proper balance.

So much of adulthood is informed by these pivotal moments, Hawk said, and her work not only calls our attention back to these formative times but to the ways they still work on and through us.

Her impeccable control as an artist makes these reckonings unavoidable — and more luminous than they would be elsewhere.”
— Aarik Danielsen for the Columbia Daily Tribune

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ZOE HAWK, The Floor Is Lava, 2023, Oil on panel | Huile sur panneau, 36 x 36"

💙🤍❤️La fièvre des séries, à notre façon. Go Habs Go ! Our version of playoff fever. Go Habs Go! —SÉBASTIEN GAUDETTE,...
05/21/2026

💙🤍❤️

La fièvre des séries, à notre façon. Go Habs Go !

Our version of playoff fever. Go Habs Go!

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SÉBASTIEN GAUDETTE, Bleu Mystique, 2024, Mixed media on dimensional metal panel | Techniques mixtes sur panneau métallique modelé, 15 x 19 x 3 “

SÉBASTIEN GAUDETTE, Fleur de sel II, 2025, Mixed media on dimensional metal panel | Techniques mixtes sur panneau métallique modelé, 25 x 24 x 2 “

SÉBASTIEN GAUDETTE, Rouge impérial, 2024, Mixed media on dimensional metal panel | Techniques mixtes sur panneau métallique modelé, 24 x 14 x 3 “



In Total Fabrication, American artist Ted Larsen explores perception as something inherently unstable, shaped by systems...
05/20/2026

In Total Fabrication, American artist Ted Larsen explores perception as something inherently unstable, shaped by systems of belief, material experience and learned ways of seeing. Marking his first solo exhibition at Galerie Robertson Arès and in Canada, the presentation brings together geometric wall works assembled from salvaged industrial materials that blur the lines between sculpture, painting and object. Larsen reconsiders the frameworks through which meaning and understanding are formed. Perception emerges as constructed, fragile and open to disruption.

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Dans Total Fabrication, l’artiste américain Ted Larsen interroge la perception, entendue comme une réalité instable, façonnée par des systèmes de croyances, l’expérience matérielle et des modes d’apprentissage du regard. Marquant sa première exposition solo à la Galerie Robertson Arès et au Canada, la présentation réunit des œuvres murales géométriques composées de matériaux industriels récupérés, qui brouillent les frontières entre sculpture, peinture et objet. Larsen reconsidère les cadres à travers lesquels se forment le sens et la compréhension. La perception apparaît alors comme quelque chose de construit, fragile et toujours susceptible d’être déstabilisé.

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🗓️𝐓𝐞𝐝 𝐋𝐚𝐫𝐬𝐞𝐧 | 𝐓𝐨𝐭𝐚𝐥 𝐅𝐚𝐛𝐫𝐢𝐜𝐚𝐭𝐢𝐨𝐧 : on view through June 4, 2026 | En cours jusqu’au 4 juin 2026

TED LARSEN, Resident Alien, 2022, Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware, 12 x 9 x 3”

TED LARSEN, Adult Male, 2026, Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware, 6.9 x 5.3 x 1.4’’

TED LARSEN, Hard Pillow, 2026, Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware, 6.9 x 5.3 x 1.4’’


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In 相 / mutuel / mutual, Japanese artist Yasuaki Kuroda pursues weaving as a space of relation where material, memory and...
05/20/2026

In 相 / mutuel / mutual, Japanese artist Yasuaki Kuroda pursues weaving as a space of relation where material, memory and transmission coalesce. Marking his second solo exhibition at GRA, and in Canada, the presentation extends his ongoing exploration of textile as a living system of connection.

The series ONE deepens this language through works that evoke continuity, repetition and interconnected presence. Repeating a symmetrical square structure within a restrained chromatic palette, the series unfolds through subtle tonal and textural shifts. A second translucent square, formed through the application of grey pigment onto the woven surface, punctuates each composition with quiet variation.

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Dans 相 / mutuel / mutual, l’artiste japonais Yasuaki Kuroda envisage le tissage comme un espace de relation où matière, mémoire et transmission coalescent. Marquant sa deuxième exposition solo chez GRA, et au Canada, cette présentation prolonge son exploration du textile comme système vivant de connexion.

La série ONE approfondit ce langage à travers des œuvres qui évoquent la continuité, la répétition et une présence interconnectée. Reprenant une structure carrée symétrique au sein d’une palette chromatique resserrée, la série laisse apparaître de subtiles modulations de ton et de texture. Un second carré translucide, obtenu par l’application d’un pigment gris sur le tissage, vient ponctuer chaque composition d’une variation discrète.

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🗓️𝐘𝐚𝐬𝐮𝐚𝐤𝐢 𝐊𝐮𝐫𝐨𝐝𝐚 | 相 / 𝐦𝐮𝐭𝐮𝐞𝐥 / 𝐦𝐮𝐭𝐮𝐚𝐥 : on view through June 4, 2026 | En cours jusqu’au 4 juin 2026

YASUAKI KURODA, ONE, 2026, Hand woven silk tapestry mounted on plywood panel | Tapisserie de soie tissée à la main montée sur panneau de contreplaqué, 10.75 x 10.75’’

YASUAKI KURODA, ONE, 2026, Hand woven silk tapestry mounted on plywood panel | Tapisserie de soie tissée à la main montée sur panneau de contreplaqué, 10.75 x 10.75’’


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Grateful to art consultant for the mention of our gallery in “An Expert’s Guide To Navigating The Art World,” her recen...
05/19/2026

Grateful to art consultant for the mention of our gallery in “An Expert’s Guide To Navigating The Art World,” her recent interview with Georgina Blaskey for UK-based publication .

🔗 Link in bio.

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Sincère merci à la consultante en art Carrie Scott pour la mention de notre galerie dans « An Expert’s Guide To Navigating The Art World », son récent entretien avec Georgina Blaskey pour le magazine britannique SheerLuxe.

🔗 Lien dans la bio.

Address

2454 Rue Notre-Dame Ouest
Montreal, QC
H3J1N5

Opening Hours

Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 7pm
Friday 10am - 7pm
Saturday 12pm - 5pm

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+15146571221

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