08/31/2026
'Mishipeshu' Ringo Fiddler Original Native Woodland Art $1200 CAD
Created in 2002, this piece of original Woodland Art is titled 'Mishipeshu'
Acrylic on stretched canvas, 18x24 inch. Ready to hang!
An underwater panther, called Mishipeshu or Mishibijiw in Ojibwe is one of the most important of several mythological water beings among many Indigenous peoples of the Northeastern Woodlands and Great Lakes region, particularly among the Anishinaabe.
Mishipeshu translates into "the Great Lynx". It has the head and paws of a giant cat but is covered in scales and has dagger-like spikes running along its back and tail. Mishipeshu calls Michipicoten Island in Lake Superior his home and is a powerful creature in the mythological traditions of some Indigenous North American tribes, particularly Anishinaabe, the Odawa, Ojibwe, and Potawatomi, of the Great Lakes region of Canada and the United States. In addition to the Anishinaabeg, Innu also have Mishibizhiw stories.
To the Algonquins, the underwater panther was the most powerful underworld being. The Ojibwe traditionally held them to be masters of all water creatures, including snakes. Some versions of the Nanabozho creation legend refers to whole communities of water lynx.
Some archaeologists believe that underwater panthers were major components of the Southeastern Ceremonial Complex of the Mississippian culture in the prehistoric American Southeast.
In the Ojibwe language, this creature is sometimes called Mishibizhiw, Mishipizhiw, Mishipizheu, Mishupishu, Mishepishu, Michipeshu, or Mishibijiw, which translates as "Great Lynx", or Gichi-anami'e-bizhiw ("Gitche-anahmi-bezheu"), which translates as "the fabulous night panther". However, it is also commonly referred to as the "Great underground wildcat" or "Great under-water wildcat." It is the most important of the underwater animals for the Ojibwa.
In mythologies of the indigenous peoples of the Great Lakes, underwater panthers are described as water monsters that live in opposition to the Thunderbirds, masters of the powers of the air. Underwater Panthers are seen as an opposing yet complementary force to the Thunderbirds, and they are engaged in eternal conflict.
The underwater panther was an amalgam of parts from many animals: the body of a wild feline, often a cougar or lynx; the horns of deer or bison; upright scales on its back; occasionally feathers; and parts from other animals as well, depending on the particular myth. Underwater panthers are represented with exceptionally long tails, occasionally with serpentine properties. The creatures are thought to roar or hiss in the sounds of storms or rushing rapids.
Mishipizheu were said to live in the deepest parts of lakes and rivers, where they can cause storms. Some traditions believed the underwater panthers to be helpful, protective creatures, but more often they were viewed as malevolent beasts that brought death and misfortune. They often need to be placated for safe passage across a lake. As late as the 1950s, the Prairie Band of Potawatomi Indians performed a traditional ceremony to placate the Underworld Panther and maintain balance with the Thunderbird.
When ethnographer Johann Georg Kohl visited the United States in the 1850s, he spoke with a Fond du Lac chief, who showed Kohl a piece of copper kept in his medicine bag. The chief said it was a strand of hair from the mishibizhiw, and thus considered extremely powerful.
Mishipeshu is known for guarding the vast amounts of copper in Lake Superior and the Great Lakes Region. Indigenous people mined copper long before the arrival of Europeans to the area. Later, during the 17th century, missionaries of the Society of Jesus arrived in the Great Lakes Region. By that time, swiping copper from the region was extremely taboo and forbidden by the Ojibwa tribe. It was even worse to take it from the Great Lynx's home, Michipicoten Island; this was considered to be stealing from Mishipeshu himself.
There are a few stories of encounters with this great beast. A Jesuit missionary named Claude Dablon told a story about four Ojibwa people who embarked on a journey to the home of Mishipeshu to take some copper back to their home, and use it to heat water. The very second they pushed off and backed into the water with their canoe, the eerie voice of the water panther surrounded them. The water panther came growling after them, vigorously accusing them of stealing the playthings of his children. All four of the people died on the way back to their village, the last one surviving just long enough to tell the tale of what had happened in his final moments before he died.
The underwater panther is well represented in pictograms. Historical Anishnaabe twined and quilled men's bags often feature an underwater panther on one panel and the Thunderbird on the other. Norval Morrisseau (Ojibwe) painted underwater panthers in his Woodlands style artworks, contemporary paintings based on Ojibwe oral history and cosmology. The emblem has been embellished, and appears as a decorative motif on muskets.
The Canadian Museum of History includes an underwater panther in its coat of arms.
In 2003, archaeologist Brad Lepper suggested that the Alligator Effigy Mound in Granville, Ohio represents the underwater panther. Lepper posits that early European settlers, when learning from Native Americans that the mound represented a fierce creature that lived in the water and ate people, mistakenly assumed that the Native Americans were referring to an alligator.
Artist statement:
I was born in Kenora, Ontario and raised in the First Nation community of Sandy Lake, Ontario. I am a self-taught artist; my art is in the Nature Woodland style. I have been doing this type of art since I was 15 years of age.
The person whom inspired me to paint was Joshim Kakegamic. He had shown me his artwork and from there I wanted to get into art. He had told me that if he could do it that I could too. I had practiced sketching and later on went into colors by using the schoolās accessories, from crayons to paint.
My uncle Johnny Meekis who was the one that bought my first set of acrylic paints and paint brushes for me and that is when I started painting full-time.
The images that came into mind are also my hunting experiences and other traditional activities, from there, I have used and expressed them through my paint brush.
I have taught in an art class for the youth at the Thomas Fiddler Memorial High School and have spoken about my art in numerous schools .
It was good to share my art work with the youth.
I remember my late-grandfather once told me that you can show your Woodland style art work out there to the world, and I have.
I am thankful to Norval Morrisseau for opening the doorway of Woodland art to the world. Miigwetch.
The meanings behind the images I use in my paintings were told to me by my Grandfather and other elders in my community. Here is a brief list of some of the images and colors I use in my paintings and what they represent.
The feather represents the Love for all of creation and it is also used for communication, and many mother ceremonial uses.
The loon represents the love for each other as the loon themselves have only one mate.
The wolf tracks represent strength, bonding, endurance and sharing.
The thunderbird represents protection.
The four primary colors I use are:
Red-Summer
Yellow-Spring
Black-Spring
White-Winter
Blue-Grandfather
Green-Grandmother
There are also spiritual meanings to the images used in my paintings.
As I continue to paint more meanings may come forward.
Ringo spent his life creating artwork and his paintings have been popular since the 1980's when he first began sharing his gift for his love of Woodland Art.
Ringo Fiddler was a true warrior who spent his time protecting vulnerable woman & children in the North. Sadly, Ringo Fiddler passed away in November of 2021.
Ringo Fiddler original artwork is sure to be a family heirloom or a worthwhile investment!
