Art Museum at the University of Toronto

Art Museum at the University of Toronto An internationally renowned centre for contemporary art and interdisciplinary inquiry in the University of Toronto's St George campus.
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Free admission and all are welcome! The Art Museum is comprised of the Justina M. Barnicke Gallery (Hart House) and the University of Toronto Art Centre (University College). Located just a few steps apart, the two galleries were federated in 2014 and began operating under a new visual identity as the Art Museum at the University of Toronto, one of the largest gallery spaces for visual art exhibit

ions and programming in Toronto. Building on the two galleries’ distinguished histories, the Art Museum organizes and presents an intensive year-round program of exhibitions and events that foster—at a local, regional, and international level—innovative research, interdisciplinary scholarship, and knowledge of art and its histories befitting Canada’s leading university and the country’s largest city. Learn more: https://artmuseum.utoronto.ca/about-us/

Join us on June 13th for Tracing Traces: Noticing in the Minor Key of the Downwrong, a workshop-walk led by artists Shan...
06/01/2026

Join us on June 13th for Tracing Traces: Noticing in the Minor Key of the Downwrong, a workshop-walk led by artists Shannon Garden-Smith and Laila Fox!

This session will unfold as a gradual, collective walk through the University of Toronto’s St. George campus loosely structured around several anchor points. At each stop, the facilitators will share various stories and material lines of inquiry while inviting participants into exercises such as the creation of rubbings, tracings, and clay impressions that will allow us to deepen our pause and sensorial attunement.

Tracing Traces is presented as a program of the exhibition 𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯.

📆 Saturday, June 13, 2026
🕛 1pm–3pm
📍 Northern entrance of Philosopher’s Walk, Bloor St W

Free and open to the public.
🔗 Registration is required. Read more and sign up through the link below.



Shannon Garden-Smith is an artist based in Tkaronto/Toronto of Scottish and Irish settler heritage. Garden-Smith is currently pursuing a PhD in Visual Art at York University, having previously earned an MFA at the University of Guelph and Honours BA at the University of Toronto. Primarily working across sculpture and installation, Garden-Smith engages with the mutability and poetics of the lithic environment. She seeks to unsettle naturalized relationships to its extraction, drawing on sand and stone’s ability to hold complex possibilities for time, memory, and different futures.

Laila Fox is interested in how invisibility limns urban ecologies. Working across the geographies and visual arts, she considers how what is knowable/believable/noticeable challenges and shapes socionatural relations in urbanized places. Fox lives in Tkaronto/Toronto, and has been informed by the unceded lands and waters of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations (aka Vancouver), and where ‘the spawning stream’ meets the shore of the global petrochemical industry (aka Sarnia/Chemical Valley).



📸 Images:
1—Courtesy of the artists.
2—Shannon Garden-Smith. Photo: Polina Teif.
3—Laila Fox. Courtesy of the artist.

🖥️ NOW ONLINE: the 2026 University of Toronto Shelley Peterson Student Art Exhibition! The annual Shelley Peterson Stude...
05/26/2026

🖥️ NOW ONLINE: the 2026 University of Toronto Shelley Peterson Student Art Exhibition!

The annual Shelley Peterson Student Art Exhibition celebrates the artistic excellence of undergraduate students enrolled in visual studies programs across U of T's three campuses.

Guest curated by Dallas Fellini, the online exhibition features artworks from 13 students, selected from dozens of applicants from across the University of Toronto’s Scarborough, Mississauga, and St. George campuses. Through diverse media, the works assembled here each pull on conceptual threads related to memory and perception, considering the ways that these phenomena can be mediated or distorted.

We offer a warm congratulations to all the student artists, and especially to the three award winners: Hafsa Murtaza (UTM), Mitsuko Noguchi (UTSG), and Kiki Zhou (UTSC)! Awards were adjudicated on the basis of artistic excellence by external juror, Chiedza Pasipanodya.

🔗 Head to the link below to explore all the works in the online showcase!



📸 Images:
1— Phynn Saunders, 𝘳𝘢𝘪𝘯𝘣𝘰𝘸 𝘣𝘭𝘷𝘥., 2025. Acrylic on Masonite, 10 x 10″. Courtesy of the artist.
2— Sofia Lebovics, still from 𝘏𝘰𝘭𝘺, 𝘩𝘰𝘭𝘺, 2025. Video, 2:00 mins. Courtesy of the artist.
3— Alaya Le, 𝘞𝘢𝘳𝘮 𝘗𝘭𝘢𝘵𝘦𝘴, 2026. Zine, cyanotype prints on mulberry paper, 5″ x 7″, 32 pages. Courtesy of the artist.
4— Cat Delle Fave, still from 𝘈𝘵𝘮𝘰𝘴𝘱𝘩𝘦𝘳𝘦, 2025. Light installation, video, 1:45 mins. Courtesy of the artist.

Join us on June 3rd and get your hands dirty in a workshop that invites participants to explore their relationship with ...
05/22/2026

Join us on June 3rd and get your hands dirty in a workshop that invites participants to explore their relationship with plants and the environment as an ongoing, reciprocal process. 🌾

In this activity guided by artist Eunice Luk, participants will make seed balls using soil, compost, water, guar gum, and seeds of native plants. Seed balls offer a tangible way to engage with local ecology through observation, participation, and sustained care. Alongside making, we will discuss growing conditions and the species each plant supports. Focusing on native plants from tallgrass prairie and black oak savannah ecosystems, the selected seeds emphasize resilience to climate change in Southern Ontario while supporting local biodiversity.

These workshops are presented as a program of the exhibition 𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯. Both sessions are free and open to the public — sign up for whichever works best for you!

📆 Wednesday, June 3, 2026
🕛 Session 1: 5pm–6pm
🕛 Session 2: 7pm–8pm
📍Burwash Room, 2005 Hart House
7 Hart House Circle

🔗 Registration is required through the link below.



Eunice Luk creates poetic experiences in diverse forms, including sculpture, installation, and multiples. Her practice fosters an expanded ecological awareness and situates viewers in their sense of belonging to our ecological system.



📸 Images:
1—Seed balls. Photo: Eunice Luk.
2—Eunice Luk. Courtesy of the artist.

Make your way to 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦 at the Jackman Humanities Institute and take a piece of the exhibition home with you. Sha...
05/15/2026

Make your way to 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦 at the Jackman Humanities Institute and take a piece of the exhibition home with you. Shannon Garden-Smith's 𝘈𝘭𝘭𝘶𝘷𝘪𝘢𝘭 𝘍𝘢𝘯 (2025) is a participatory artwork that develops through its own disintegration.

In her curatorial essay, Chloe Gordon-Chow writes that its marbled surface and layered form “embodies the slow accumulation of sediment,” while its subtractive activation “reminds us of the cumulative repercussions of collective action.” Meanwhile, Garden-Smith's 𝘐𝘯 𝘢 𝘩𝘢𝘳𝘦’𝘴 𝘧𝘰𝘳𝘮 𝘐 is designed to stay put; it deploys gelatin as “a time capsule” that fossilizes “evidence of our present geological age.”

🔗 Read more from Gordon-Chow's essay and plan your visit to Garden-Smith's works today via the link below!

🕚 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦 is on view through June 19, 2026. The exhibition is open to the public during regular business hours: Monday to Friday, 9am–4pm. For more information, visit the JHI’s website.
📍 Jackman Humanities Institute (10th floor, 170 St. George Street)


Shannon Garden-Smith is an artist based in Tkaronto/Toronto of Scottish and Irish settler heritage. Garden-Smith is currently pursuing a PhD in Visual Art at York University, having previously earned an MFA at the University of Guelph and Honours BA at the University of Toronto. Primarily working across sculpture and installation, Garden-Smith engages with the mutability and poetics of the lithic environment. She seeks to unsettle naturalized relationships to its extraction, drawing on sand and stone’s ability to hold complex possibilities for time, memory, and different futures. Her work has been exhibited at Onsite Gallery, Tkaronto/Toronto; Nuit Blanche, Tkaronto; Goldfarb Gallery, Tkaronto; Centre Clark (Tiohtià:ke/Mooniyang/Montreal, QC); Art Museum, University of Toronto; Patel Brown; The Bows, Mohkínstsis/Calgary; Franz Kaka, Tkaronto; Gallery TPW, Tkaronto; and TIER: The Institute for Endotic Research, Berlin, amongst others. Garden-Smith is a finalist for the 2025 Toronto Friends of the Visual Arts (TFVA) Artist Prize. Her work has been supported by the Social Sciences and Humanities Research Council (SSHRC), Canada Council for the Arts, Ontario Arts Council, and Toronto Arts Council.


📸 Images:
1—Installation view: Shannon Garden-Smith, 𝘈𝘭𝘭𝘶𝘷𝘪𝘢𝘭 𝘍𝘢𝘯 (detail) (2025) in 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026. Photo: LF Documentation.
2, 3—Installation views: Shannon Garden-Smith, 𝘐𝘯 𝘢 𝘩𝘢𝘳𝘦’𝘴 𝘧𝘰𝘳𝘮 𝘐 (2021) in 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026. Photo: LF Documentation.

Three spaces, seven projects: lots to see this summer as 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵. is joined by new MVS graduating exhibit...
05/13/2026

Three spaces, seven projects: lots to see this summer as 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵. is joined by new MVS graduating exhibitions in the Justina M. Barnicke Gallery and offsite at the Daniels Building!

Flip through the carousel for a peek at each project, read more via the link below, and plan your next visit.



On view in the University of Toronto Art Centre:

🌴 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯
📍 University College, 15 King’s College Circle
🕕 Tues–Sat, 12–5pm; open late Weds, 12–8pm



On view in the Justina M. Barnicke Gallery:

🍄 𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯
Curated by Chloe Gordon-Chow

📡 𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵
Curated by Gia Liapi

Produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.

📍Hart House, 7 Hart House Circle
🕕 Tues–Sat, 12–5pm; open late Weds, 12–8pm



Offsite at the Architecture + Design Gallery:

🎓 2026 University of Toronto MVS Studio Art Graduating Exhibitions

Presenting the graduating projects of the 2026 Master of Visual Studies students Helio Eudoro, Rita Ferrando, Pamila Matharu, and Cullen Ritchie.

Produced as part of the requirements for the MVS Studio degree in Visual Studies at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.

📍 Daniels Building, 1 Spadina Crescent
🕕 Mon–Fri, 9am–5pm


📸 Images:
1—Installation view: Charles Campbell, Bagasse Triptych (2011) in 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯, curated by Michelle Jacques and Sally Frater, February 25–August 1, 2026, University of Toronto Art Centre. Photo: LF Documentation.
2—Installation view: Little and Often, curated by Chloe Gordon-Chow, May 7–August 1, 2026, Justina M. Barnicke Gallery. Photo: Dominic Chan.
3—Opening reception of Blind Spot, curated by Gia Liapi. Photo: Dominic Chan.
4—Opening reception: 2026 University of Toronto MVS Studio Art Graduating Exhibitions. Photo: Dominic Chan.
5—Installation view: Cullen Ritchie, Half Mile (2026) in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.
6—Opening reception: 2026 University of Toronto MVS Studio Art Graduating Exhibitions. Photo: Dominic Chan.
7—Installation view: Helio Eudoro, The Things I Left Behind (2026), in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.

The 2026 MVS Curatorial Studies Graduating Exhibitions hit the ground running last night— thank you to everyone who join...
05/07/2026

The 2026 MVS Curatorial Studies Graduating Exhibitions hit the ground running last night— thank you to everyone who joined us! 🎉

And congratulations to the graduating student curators Chloe Gordon-Chow and Gia Liapi on their remarkable exhibitions!

Their projects will be on view through August 1. Come by and see them soon!

𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯
Curated by Chloe Gordon-Chow
Featuring works by Maureen Gruben, Rachel Crummey, Miguel Caba, Rana Nazzal Hamadeh, and Meech Boakye and Bhavika Sharma

𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵
Curated by Gia Liapi
Featuring works by Shadi Habib Allah, Shu Lea Cheang, Jeremy Laing, Lou Sheppard, and Iris Touliatou

📆 May 7–August 1, 2026
📍 Justina M. Barnicke Gallery, 7 Hart House Circle
🕕 Open Tuesday to Saturday, 12pm–5pm, with extended hours on Wednesdays, 12pm–8pm. Closed Sunday and Monday.

These exhibitions are produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.


📸 Images: Dominic Chan.

Tomorrow, join us in the Justina M. Barnicke Gallery as Lou Sheppard marks the opening reception of the 2026 MVS Curator...
05/05/2026

Tomorrow, join us in the Justina M. Barnicke Gallery as Lou Sheppard marks the opening reception of the 2026 MVS Curatorial Studies Graduating Exhibitions with a performance of 𝘈 𝘚𝘵𝘳𝘰𝘯𝘨 𝘋𝘦𝘴𝘪𝘳𝘦 (2019/2026).

𝘈 𝘚𝘵𝘳𝘰𝘯𝘨 𝘋𝘦𝘴𝘪𝘳𝘦 takes as its point of departure a repeated phrase in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5), the psychiatric framework that functions as a gatekeeping mechanism for access to transition-related medical care. Sheppard isolates the shapes and lines between each word of the DSM text, then “scores” those gaps into a choreographic notation. Performed live as a dance score with an accompanying audio component, the piece confronts the systemic absurdity of static, binary gender and s*x classification by manipulating the very structures and grammars that sustain a presumed natural order.

Sheppard’s work appears in the exhibition 𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵, curated by Gia Liapi. Attend the opening reception, experience the performance, and get first look at 𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵 and 𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯, curated by Chloe Gordon-Chow.

Opening Reception: 2026 MVS Curatorial Studies Graduating Exhibitions
📍 Justina M. Barnicke Gallery, 7 Hart House Circle
📆 Wednesday, May 6, 2026
🕕 6pm–8pm

🔗 Link below for more information.



Lou Sheppard (b. 1982, Canada) works in interdisciplinary audio, performance and installation-based practices. Lou has performed and exhibited across Canada and Europe, and he has participated in residencies at sites including the ISCP in New York, La Cité des Arts in Paris, Rupert in Lithuania, and the Banff Centre, AB, where he also served as faculty. Lou is a settler on the traditional and unceded territory of the Mi’kmaq in Mi’kma’ki/Nova Scotia.


📸 Image: Lou Sheppard. Photo by Nathalie Chollet.

This Wednesday, join us for the opening reception of the 2026 MVS Curatorial Graduating Exhibitions! 🎉 The reception wil...
05/04/2026

This Wednesday, join us for the opening reception of the 2026 MVS Curatorial Graduating Exhibitions! 🎉

The reception will feature welcoming remarks, student presentations, an awards ceremony, and a performance by Lou Sheppard , whose work is featured in the exhibition 𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵.

📍 Justina M. Barnicke Gallery
📆 Wednesday, May 6, 2026
🕕 6pm–8pm

The event is free and open to the public. See you there! 🥂

🔗 Link below for more information.



𝘓𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘥 𝘖𝘧𝘵𝘦𝘯, curated by Chloe Gordon-Chow, traces how our relationships to land, material, and community are sustained within disturbed landscapes and conditions of precarity. Working with seeds, soils, mushrooms, and plants, the artists in this exhibition foreground resilience as a collective, relational practice, continually shifting underconstraint. Featuring works by Maureen Gruben, Rachel Crummey, Miguel Caba, Rana Nazzal Hamadeh, and Meech Boakye and Bhavika Sharma.

𝘉𝘭𝘪𝘯𝘥 𝘚𝘱𝘰𝘵, curated by Gia Liapi, explores the potentials of finding new uses for the tools already in our hands. Through video, installation, performance, and software, five artists examine how legibility and classification produce value to open conversations about alternative architectures to learn from and with. Featuring works by Shadi Habib Allah, Shu Lea Cheang, Jeremy Laing, Lou Sheppard, and Iris Touliatou.

These exhibitions are produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto.


📸 Images:
1— Miguel Caba, 𝘎𝘢𝘳𝘥𝘦𝘯𝘴, 2024. Acrylic on wood (size varies). Image courtesy of the artist.
2—Jeremy Laing, 𝘓𝘦𝘢𝘳𝘯𝘪𝘯𝘨 𝘩𝘰𝘸 𝘯𝘰𝘵 𝘵𝘰 𝘬𝘯𝘰𝘸 𝘵𝘩𝘦 𝘰𝘵𝘩𝘦𝘳, 2020–23. Glazed wheel-thrown and altered ceramic vessel, macramé cord, sandblasted mirror. Courtesy of the artist and Susan Hobbs Gallery. Photo by Toni Hafkenscheid.

Last night, the Architecture + Design Gallery was a full house! Thank you to everyone who came out to celebrate the open...
05/01/2026

Last night, the Architecture + Design Gallery was a full house! Thank you to everyone who came out to celebrate the opening of the 2026 MVS Studio Art Graduating Exhibitions with us! 🎉

And HUGE congratulations to the graduating student artists: Helio Eudoro, Rita Ferrando, Pamila Matharu, and Cullen Ritchie!

Their projects remain on view through July 15. Come visit them in the Daniels Building soon!

2026 University of Toronto MVS Studio Art Graduating Exhibitions
📆 May 1–July 15, 2026
📍 Architecture + Design Gallery Daniels Building, 1 Spadina Crescent
🕕 Open Monday to Friday, 9am–7pm, closed on Saturday and Sunday.

🔗 Link below for more information!


📸 Images: Dominic Chan.

Are you a University of Toronto student curious about a career in the arts or cultural sector? ✨  The Art Museum invites...
04/27/2026

Are you a University of Toronto student curious about a career in the arts or cultural sector? ✨

The Art Museum invites applications to two Work Study positions with opportunities to gain professional experience in collections research, communications, and museum practice. Both roles require one to two days per week of in-person work, with an hourly rate of $17.60.

The Communciations Assistant (Job ID 260956) will support the research and development of the Art Museum’s communications, promotions and outreach strategies to ensure meaningful audience engagement with exhibitions, programs and collections. Applications due Monday, May 4, 5pm EDT.

The Collections Research Assistant (Job ID 260955) will support the research and development of the 7,500+ objects as part of the U of T Art Collection. Their research and outreach will significantly contribute to the Art Collections’ stewardship, supporting academic and non-academic research. Applications due Tuesday, May 19, 5pm EDT.

Open to students from all three University of Toronto campuses.

🔗 Review the eligibility and application requirements through the link below!

Address

7 Hart House Circle
Toronto, ON
M5S3H3

Opening Hours

Tuesday 12pm - 5pm
Wednesday 12pm - 8pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

Telephone

(416) 978-1838

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