Stephen Bulger Gallery

Stephen Bulger Gallery Great Photographs, All Types.

Reminder! Mehdi Dandi will be at the gallery every Saturday, from 2 to 5pm, until April 25th. Come for a visit today!Ins...
04/04/2026

Reminder! Mehdi Dandi will be at the gallery every Saturday, from 2 to 5pm, until April 25th.

Come for a visit today!

Installation photograph by Owen Zillies

Please note that the gallery will be closed Friday, April 3, resuming regular hours of operation on Saturday, April 4.Me...
04/02/2026

Please note that the gallery will be closed Friday, April 3, resuming regular hours of operation on Saturday, April 4.
Melancholic Tulip, 1939 © The Estate of André Kertész

UPCOMING EXHIBITION!Stephen Bulger Gallery is pleased to present Afterimage, our first solo exhibition of work by Mehdi ...
03/03/2026

UPCOMING EXHIBITION!

Stephen Bulger Gallery is pleased to present Afterimage, our first solo exhibition of work by Mehdi Dandi (b. 1988, Zanjan, Iran). Afterimage examines how photography, memory, and migration are closely connected. Rather than using the photograph as a reliable document, it is used as something fragile and moving toward collapse. Photography simultaneously records a situation while losing the context of the moment of seeing; what often remains is not the image itself, but its Afterimage.

Please join us this Saturday, March 7, from 2 to 5pm, for an opening reception. Mehdi will lead a tour of the exhibition at 3pm.

Link for more information: https://www.bulgergallery.com/exhibitions/244-mehdi-dandi-afterimage/overview/

What I Saw That You Didn’t, 2024 © Mehdi Dandi / courtesy Stephen Bulger Gallery

You have one more week to see our current exhibit "Joan Lyons." "By the time I was fifty, I was allowing myself a little...
02/24/2026

You have one more week to see our current exhibit "Joan Lyons."

"By the time I was fifty, I was allowing myself a little more space and feeling a bit more expansive. The linear time sequence and use of repetition here is also evident in many of my books and wall grids."

Cyanotype and Vandyke brown print made from 16 x 20” pinhole negatives. The camera is a homemade styrofoam contraption.

Link for more information: https://www.bulgergallery.com/exhibitions/243-joan-lyons/overview/

Happy Birthday, August 1986 © Joan Lyons / courtesy Stephen Bulger Gallery

Sara Angelucci has a new silk scarf design just in time for the holidays!  All proceeds from scarf sales go into a speci...
11/16/2025

Sara Angelucci has a new silk scarf design just in time for the holidays!

All proceeds from scarf sales go into a special fund to support Sara's friend Sam in addiction recovery. Since Sam is a senior living on a limited pension income, the fund assists with expenses such as; health care (dental, medication, eye care), vet bills, rent support, groceries, etc...

Link for more information: https://shop.sara-angelucci.ca/

Bring home a piece of Canada’s history! Visit Canadian Photographs: 1950 – Present to browse available prints to purchas...
11/15/2025

Bring home a piece of Canada’s history! Visit Canadian Photographs: 1950 – Present to browse available prints to purchase for your home or gift for the holidays.

Canadian Photographs: 1950 – Present is now on until December 20th!

Check out Christina Leslie's "Pinhole 11" displayed on the South Facade Billboard of The Power Plant. The billboard will...
11/13/2025

Check out Christina Leslie's "Pinhole 11" displayed on the South Facade Billboard of The Power Plant. The billboard will be on display until March 22, 2026.

Link for more information: https://www.thepowerplant.org/whats-on/exhibitions/south-facade-billboard-christina-leslie?utm_source=The+Power+Plant+E-communications&utm_campaign=18bff3e355-EMAIL_CAMPAIGN_2020_11_03_03_29_COPY_01&utm_medium=email&utm_term=0_0de01346b9-18bff3e355-34982621&mc_cid=18bff3e355&mc_eid=d2d222e395

Part of Leslie’s photographic series Pinhole Parishes (2023-25), the selected image, Pinhole 11, explores memory, place, and intergenerational connection through the lens of her Jamaican heritage. Drawing inspiration from stories and memories shared by relatives, Leslie's images create a dialogue between past and present, reconstructing familial and cultural histories shaped by migration, geography, and fragmented archives. At once a personal act of remembrance and a broader act of reclamation, the series maps stories across all fourteen civil territorial divisions in Jamaica known as parishes.

Pinhole 11, 2024 © Christina Leslie / courtesy Stephen Bulger Gallery

Join Katherine Knight this Saturday, November 15, 2025, from 2 to 5pm, in our reading room for the launch of her new pub...
11/12/2025

Join Katherine Knight this Saturday, November 15, 2025, from 2 to 5pm, in our reading room for the launch of her new publication "BOAT."

Katherine will be in conversation with artist Max Dean at 2:30pm for a behind the scenes delve into the breathtaking images and stories of BOAT. See how a model makes its transformation from artifact to photograph, along with excerpt readings from this instant Maritime classic.

Link for more information: https://www.bulgergallery.com/events/113/overview/

Join The Imperial Theatre Sarnia tomorrow, November 7, at 7:30 pm, for a screening of Larry Towell's "The Man I Left Beh...
11/06/2025

Join The Imperial Theatre Sarnia tomorrow, November 7, at 7:30 pm, for a screening of Larry Towell's "The Man I Left Behind." The film screening is presented in tandem with the exhibit "Larry Towell Boundaries," on view at the Judith and Norman Alix Art Gallery until March 14, 2026.

Link for more information: https://secure1.tixhub.com/imperial-sarnia/online/b_otix.asp?cboPerformances=2721&cboEvent=1385&iEvents_id=1385

Larry Towell's business card reads: 'Human Being'. And for the past 40 years, the celebrated Magnum photographer has chronicled humankind's deepest struggles. InThe Man I Left Behind, the Canadian artist and folk musician reflects on his relentless pursuit of stories shaped by conflict and displacement. In The Man I Left Behind, Towell pulls from a vast archive of photos, videos, songs, and poetry to contrast the turmoil of conflicts over territory with the serenity of his own family farm. The film poignantly explores how losing land can mean losing self and is a testament to the power of bearing witness. The film ultimately portrays the profound absurdity of war.

Issue 14 of The Classic is here, and its free!Cover Image: Gwili Andre, 1932 © Cecil Beaton
11/05/2025

Issue 14 of The Classic is here, and its free!

Cover Image: Gwili Andre, 1932 © Cecil Beaton

Address

1356 Dundas Street West
Toronto, ON
M6J1Y2

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+14165040575

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