Fabian Lang

Fabian Lang It will curate and organise four to six original shows throughout the year.

Contemporary art gallery which both promotes and represents great and innovative artists, and nurture the best talent from the new generation of artists around the world.

We are thrilled to announce a series of events at Galerie Fabian Lang during ZURICH ART WEEKEND (12th, 13th and 14th of ...
27/05/2026

We are thrilled to announce a series of events at Galerie Fabian Lang during ZURICH ART WEEKEND (12th, 13th and 14th of June).

Join us for an artist walkthrough with CLARE GOODWIN, RITA ZURBRÜGG and GABI DEUTSCH on the occasion of the exhibition ‘twenty thousand years’!

PROGRAMME

12 JUNE 2026

- 18:00–21:00H: Public Event - Cocktail Reception on the terrace
- 19:00–19:30H: VIP Event - Exhibition walkthrough with the artists (Clare Goodwin, Rita Zurbrügg, and Gabi Deutsch) and gallery director Fabian Lang

13 JUNE 2026

- 11:30–12:30H: VIP Event -Exhibition walkthrough with the artists (Rita Zurbrügg, and Gabi Deutsch)

14 JUNE 2026

- 11:30–12:30H: VIP Event -  Exhibition walkthrough with gallery director Fabian Lang

RSVP for the VIP Events — please email mailto:[email protected] to reserve a spot!

Special Gallery Opening Hours:
13 June 2026: 11:00–20:00H
14 June 2026: 11:00–20:00H
15 June 2026: 11:00–18:00H

Celebrate ceramics in all its different facets and discover more about the exhibition. We look forward to meeting you in the gallery!

Images: Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zürich CH





Currently on view at the gallery are new works by Clare Goodwin. Her works are a part of the group exhibition ‘twenty th...
19/05/2026

Currently on view at the gallery are new works by Clare Goodwin. Her works are a part of the group exhibition ‘twenty thousand years’, on view until 27 June 2026.

Extract from the press release: “Clare Goodwin’s (born 1973 in Birmingham, UK. Lives and works in Zurich, CH) ceramic works are an extension of her painting practice. With them, she challenges her own paintings on canvas, which are rooted in hard-edge abstraction. Glaze becomes colour field and line, blurring the hard structures of her paintings and introducing a softer, tactile, architectural presence between object, surface and image. Sometimes she also breaks up the forms and reassembles them like a mosaic. In doing so, Goodwin introduces a pattern-based colour scheme that reflects personal and found objects with abstract representations of domestic interiors. A quiet beauty emerges, a kind of ‘constructive nostalgia’ that allows geometric fragments and muted colour relationships to integrate between painting, tile and object.”



Images: Clare Goodwin, Ceramic Whisper/Still Scape, 2026, Hand cut/Hand glazed ceramic, Left: 30 x 21 cm, 11.81 x 8.27 in., Right: 33 x 25 cm, 12.99 x 9.84 in.
Clare Goodwin, Ceramic Block, 2024, Hand cut/Hand glazed ceramic, 32 x 20 cm, 12.6 x 7.87 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

The group exhibition ‘twenty thousand years,’ now on view at Galerie Fabian Lang, includes new sculptures by Becky Tucke...
28/04/2026

The group exhibition ‘twenty thousand years,’ now on view at Galerie Fabian Lang, includes new sculptures by Becky Tucker. Today we would like to highlight one of them.

Extract from the press release: “Becky Tucker’s (born 1993 in Scarborough, UK. Lives and works in Glasgow, UK) shape- and genre-transcending sculptures and reliefs explore the intersection between ceramic tradition, cultural symbolism and the emotional intensity of contemporary cultural Angst. Her latest work, ‘Hyetal’, addresses the revered awe towards water and floods, an overwhelming, unstoppable force. It builds on the long tradition of rain/water deities and folkloric spirits. From the Greek Hyades – nymphs who bring rain – to Oya, the goddess of violent rainstorms in Yoruba mythology, to the Kelpies – malevolent water spirits in Scottish folklore. The figure stretches upwards towards the rain and downwards towards the earth – in searching. The barely human figure is ambiguous in terms of gender and age; it is unclear what is costume and what is skin. She sits there, seemingly oblivious, except for her six eternally open eyes.”



Image: Becky Tucker, Hyetal, 2026, Glazed stoneware and fabric, 180 x 57 x 40 cm, 70.87 x 22.44 x 15.75 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

And so we come full circle: we are pleased to present Gabi Deutsch’s third work as part of her presentation in our group...
20/04/2026

And so we come full circle: we are pleased to present Gabi Deutsch’s third work as part of her presentation in our group exhibition “twenty thousand years.” Come and see it at the gallery!

Extract from the press release: “Gabi Deutsch (born 1973. Lives and works in Zurich, CH) explores forms of abstraction and translations into three-dimensional sculpture in her work. She probes the potential of the material, its structure and its possibilities for transformation, making the nature of the process visible. Forms from the history of architecture, art and design serve as references for her work. Deutsch has been working mainly with ceramics for several years. She creates hand-formed unique pieces that are situated between works of art and functional design objects.”



Images: Gabi Deutsch, Table (Keep the Thread), 2021, Glazed ceramic, unglazed ceramic, ink, 42 x 32 x 32 cm, 16.54 x 12.6 x 12.6 in.

Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

Gabi Deutsch’s “For the First Time”, 2026, in our ongoing group show ‘twenty thousand years’. Come and see it at the gal...
17/04/2026

Gabi Deutsch’s “For the First Time”, 2026, in our ongoing group show ‘twenty thousand years’. Come and see it at the gallery!

Extract from the press release: “Gabi Deutsch (born 1973. Lives and works in Zurich, CH) explores forms of abstraction and translations into three-dimensional sculpture in her work. She probes the potential of the material, its structure and its possibilities for transformation, making the nature of the process visible. Forms from the history of architecture, art and design serve as references for her work. Deutsch has been working mainly with ceramics for several years. She creates hand-formed unique pieces that are situated between works of art and functional design objects.”



Images: Gabi Deutsch, For the First Time, 2026, Glazed ceramic, glue, 33.5 x 25 x 4.5 cm, 13.19 x 9.84 x 1.77 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

Gabi Deutsch’a “Lamp (Your Power)”, 2024 in ‘our show twenty thousand years’. Extract from the press release: “Gabi Deut...
15/04/2026

Gabi Deutsch’a “Lamp (Your Power)”, 2024 in ‘our show twenty thousand years’.

Extract from the press release: “Gabi Deutsch (born 1973. Lives and works in Zurich, CH) explores forms of abstraction and translations into three-dimensional sculpture in her work. She probes the potential of the material, its structure and its possibilities for transformation, making the nature of the process visible. Forms from the history of architecture, art and design serve as references for her work. Deutsch has been working mainly with ceramics for several years. She creates hand-formed unique pieces that are situated between works of art and functional design objects.”

Gabi Deutsch

Images: Gabi Deutsch, Lamp (Your Power), 2024, Glazed ceramic, ink on polystyrene, 100 x 36 x 36 cm, 39.37 x 14.17 x 14.17 in.

Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

Currently on view as part of ‘twenty thousand years’. Caroline Achaintre, “Solaroid”, 2019, Ceramic, 35 x 25 x 7 cm, 13....
08/04/2026

Currently on view as part of ‘twenty thousand years’. Caroline Achaintre, “Solaroid”, 2019, Ceramic, 35 x 25 x 7 cm, 13.78 x 9.84 x 2.76 in.

Extract from the press release: “Caroline Achaintre (born 1969 in Toulouse, France. Lives and works in London, UK) also toys with two- and three-dimensionality. She creates various characters, half fantastical, half ghostly, sometimes made of wool, sometimes of ceramic, in different dimensions. ‘Solaroid’ appears like a carnival mask dazzled by the sun. In general, the European carnival, with its shape-shifting, plays an important role as a source of inspiration for Achaintre. The sun forces a squinting of the eye area and shrinks the ceramic sheet into a three-dimensional mask. Something that was originally two-dimensional becomes something animated and three-dimensional. Achaintres’ thought experiment perhaps goes even a step further, one might think: don’t you suddenly see things you didn’t see before when you yourselves squint your eyes and focus on a blurred spot?”



Image: Caroline Achaintre, Solaroid, 2019, Ceramic, 35 x 25 x 7 cm, 13.78 x 9.84 x 2.76 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

Highlighting some works by the great Carl Anderson in our current show “twenty thousand years”.Extract from the press re...
24/03/2026

Highlighting some works by the great Carl Anderson in our current show “twenty thousand years”.

Extract from the press release: “Carl Anderson (born 1990 in Shoreham-by-Sea, UK. Lives and works in West Sussex, UK) regards ceramics as a form of trauma therapy. A rather serious trauma that he has to cope with. Anderson was the victim of a knife attack that nearly cost him his life. His series ‘Spoon Warmer’ shows various grinning trolls whose protruding ‘head world’ forms a mysterious arm that hides an object or a hand signal behind their backs. Their grin is intended to distract from the secret code, but at the same time arouses suspicion about their true intentions. The title and the comic-like, playful appearance of the now obsolete spoon warmer play with the feeling of feel-good domesticity, while the sculpture tells of hidden threat and deception. A tense dialogue emerges between harm and care, digital and physical, violence and safeguarding, absurdity and seriousness. Anderson questions what can still be trusted in today’s world.”



Images: Carl Anderson, Deep Pocket, 2025, Glazed stoneware, 39 x 16 x 21 cm, 15.35 x 6.3 x 8.27 in.
Carl Anderson, Unzipped, 2025, Glazed stoneware, 39.5 x 16 23.5 cm, 15.55 x 6.3 x 9.25 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

The group show ‘twenty thousand years’ is currently on view at the gallery. Today we are excited to highlight the contri...
20/03/2026

The group show ‘twenty thousand years’ is currently on view at the gallery. Today we are excited to highlight the contribution by Perrine Boudy.

Extract from the press release: “The artist Perrine Boudy (born in Versailles in 1995) is, by her own admission, a great admirer of Woodman. Her creations are also sculptures and should not really be understood as vases. They are inspired by Greco-Roman krater vases, but are unglazed and porous, and therefore unusable. She prefers not to be surprised by the colours of the glaze after firing and instead plays with engobes, which she uses ‘like aquarelle paints or ink’ before firing the piece in a single pass. The vase thus becomes three-dimensional paper. Drawing transformed into volume, striving to play with the boundary between drawing and ceramics. Boudy uses the vehicle of vases, which are charged with meaning and are ingrained in all our memories as irrefutable cultural heritage, and, in the spirit of a simulacrum, transforms them into a platform on which one can play around at will. Omage and transfigured comic drawing at the same time. She makes use of obsessively recurring motifs such as dots, volutes and stripes, purely ornamental, or comic book-like animals such as horses or dogs.”



Image: Perrine Boudy, Valet de cœur, 2024, Engobe on red earthenware, 69 x 47 x 53 cm, 27.17 x 18.5 x 20.87 in.
Installation views of twenty thousand years, 2026, Galerie Fabian Lang, Zurich, CH

Adresse

Obere Zäune 12
Zürich
8001

Öffnungszeiten

Dienstag 10:00 - 18:00
Mittwoch 10:00 - 18:00
Donnerstag 10:00 - 18:00
Freitag 10:00 - 18:00
Samstag 12:00 - 16:00

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+41442235433

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