Muzeum Susch / Art Stations Foundation CH

Muzeum Susch / Art Stations Foundation CH A non-profit institution engaging in experimental approaches to contemporary art, education and rese

Postcard from Muzeum Susch! 📮We are temporarily closed until 11.06 Muzeum is closed for an exhibition change  ✨ We can’t...
01/06/2026

Postcard from Muzeum Susch! 📮

We are temporarily closed until 11.06 Muzeum is closed for an exhibition change  

✨ We can’t wait to welcome you back✨

🧶 Mariuccia Secol: Unraveling’ 🧶

Curated by Monika Branicka and Eva Brioschi

❗️ official opening: Thursday, 11 Juni 2026, 17:00 - 20:00 ❗️

17:30 Guided Tour (EN)
led by curator Monika Branicka

18:00 Guided Tour (IT)
led by curator Eva Brioschi

Photo: © Dominik Täuber
Artwork: Magdalena Abakanowicz, ‘Flock I’, 1990

28/05/2026

🪛 behind the scenes 🔨

🧶 Mariuccia Secol: Unraveling’ 🧶

Curated by Monika Branicka and Eva Brioschi

❗️ official opening: Thursday, 11 Juni 2026, 17:00 - 20:00 ❗️

17:30 Guided Tour (EN)
led by curator Monika Branicka

18:00 Guided Tour (IT)
led by curator Eva Brioschi

🧶 Mariuccia Secol: Unraveling’ 🧶Curated by Monika Branicka and Eva Brioschi❗️ official opening: Thursday, 11 Juni 2026, ...
26/05/2026

🧶 Mariuccia Secol: Unraveling’ 🧶

Curated by Monika Branicka and Eva Brioschi

❗️ official opening: Thursday, 11 Juni 2026, 17:00 - 20:00 ❗️

17:30 Guided Tour (EN)
led by curator Monika Branicka

18:00 Guided Tour (IT)
led by curator Eva Brioschi
 
‘Mariuccia Secol: Unraveling’, the first major institutional retrospective dedicated to the Italian artist and activist (b. 1929) features over seventy years of her artistic practice, offering a comprehensive view of a body of work that combines radical feminism, social critique, and historical rediscovery.

Exhibition is part of ongoing commitment to researching and exhibiting the work of women artists.

Mariuccia Secol (b.1929) is an Italian artist and activist, trained under Galliano Mazzon and Francesco Fedeli. She settled in Daverio in 1954, transforming her home into a lively cultural salon frequented by intellectuals such as Munari, Baj, and Sciascia. Her leadership of the painting atelier at the Bizzozero psychiatric hospital from 1965 to 1988, where she experienced the Basaglia revolution, was fundamental. In the wake of 1968 and feminism, Secol embraced the “creativity of refusal”, abandoning brushes for textiles and domestic materials. In 1974, she co-founded the Gruppo Femminista Immagine Varese and campaigned for wages for domestic work. She invented a process of removing threads from fabric that evokes the body’s wounds.

Photo: fragment from Mariuccia Secol, ‘Mom Has Gone Out’, 1980, Silhouettes crocheted with cotton and silk on canvas, 245 x 100 cm © Mariuccia Secol. Courtesy of the artist’s family. Photo: Magdalena Typiak

🔊 Muzeum Susch Temporary Closure AnnouncementDear Friends of Muzeum Susch,Please note that from rom 24.05 until 11.06 Mu...
24/05/2026

🔊 Muzeum Susch Temporary Closure Announcement

Dear Friends of Muzeum Susch,

Please note that from rom 24.05 until 11.06 Muzeum will be closed for an exhibition change  

✨ We can’t wait to welcome you back✨

❗️Save The Date: the official opening❗️

🧶 Mariuccia Secol: Unraveling’ 🧶

Curated by Monika Branicka and Eva Brioschi

❗️Opening:

❗️Opening: 11 Juni 2026❗️
🕓 17:00 - 20:00

We look forward to seeing you there!

With warm regards,
The Muzeum Susch Team 💙

It’s time to say goodbye to Edita Schubert! If you haven’t had the chance yet, this weekend is your last opportunity to ...
22/05/2026

It’s time to say goodbye to Edita Schubert!

If you haven’t had the chance yet, this weekend is your last opportunity to see the exhibition ‘Edita Schubert: Profusion’ at Muzeum Susch. 👁️

‘Profusion’ presents a comprehensive survey of Schubert’s art, from her early paintings to the installations that marked the final phase of her career.

Schubert’s oeuvre is strikingly diverse, ranging from pioneering explorations of the human relations with the natural world in the 1970s to bold paintings in the spirit of the trans-avant-garde in the 1980s and collages reflecting on the brutality of war in the 1990s.

Don’t miss out! The exhibition closes this Saturday, 23/05/26! 🏃🏃‍♀️🏃‍♂️

Photo: Edita Schubert, late 1980s, Photo Gerard Rondeau

  Thanks to Marek Lamber MUZEUM SUSCH: ALPINE LABORATORY – the book about Muzeum Susch, portraying the Muzeum in its set...
20/05/2026

Thanks to Marek Lamber MUZEUM SUSCH: ALPINE LABORATORY – the book about Muzeum Susch, portraying the Muzeum in its settings, the rocks and the mountains – features eleven drawings of the architecture in the process of transformation in dialogue with Helen Binet’s analogue photography​​. The drawings emerge from a deliberate return to manual practice — one that stands apart from linear time and conventional design histories. They show the museum design in the stages of planning, responding and adapting to geological, historical and functional conditions and offer a distinctive interpretation and visualisation of the architectural concerns. The unique design of Muzeum Susch called for a representation adequate for portraying the buildings embedded in nature and in time, grown out of its history and geology. Spaces carved out of the rock and reusing traditional structures merge the existing and the new, modestly filling out the in-between of the old buildings and the stone. Even some of the largest artworks on permanent display such as Tuor per Susch (Not Vital) and Stairs (Monika Sosnowska) blend into the scenery, where the chosen medium –hand-drawn ink on thick, milky tracing paper– intentionally blurs the distinctions between art and architecture, mountains and trees. 

Marek Lamber is a prolific Polish architect and university teacher who interpreted with his draughtsmanship the architectural plans by Chasper Schmidlin and Lukas Voellmy.

The first photo: by Hélène Binet .helene
Photos of the book:

Having an anniversary, birthday, or want the perfect gift for a surprise? 🎁 Set someone special to discover the fusion o...
18/05/2026

Having an anniversary, birthday, or want the perfect gift for a surprise? 🎁 Set someone special to discover the fusion of history and contemporary art at MUZEUM SUSCH. Located in the heart of the Alpine mountains, it offers a space for slow art and reflection. It is a must-see, must-share destination!

We are pleased to offer you a Muzeum Susch Gift Card with options:
25 CHF - includes one entrance to Muzeum Susch
50 CHF - includes two entrance to Muzeum Susch
100 CHF – includes two entrance to Muzeum Susch + 50 CHF to spend in the Muzeum’s Bistro.

Gift cards can be purchased at our reception desk or sent by post (+ 5 CHF). Our gift cards have no additional processing fees and are valid for 2 years from the date of purchase.
For order Gift Card send us an e-mail: [email protected]

In memoriam of VALIE EXPORT, a seminal figure and pioneering Austrian avant-garde artist known for her radical feminist ...
15/05/2026

In memoriam of VALIE EXPORT, a seminal figure and pioneering Austrian avant-garde artist known for her radical feminist performances, expanded cinema, photography, and video installations that challenged patriarchal structures. We cherish her presence, staying with us with the permanent installation at Susch
Photo by .helene

From the Muzeum Susch Archive 📁🗄️ Behind the Scenes of Adrián Villar Rojas, From the Series “The Theater of Disappearanc...
15/05/2026

From the Muzeum Susch Archive 📁🗄️

Behind the Scenes of Adrián Villar Rojas, From the Series “The Theater of Disappearance ###I”, 2018

Housed in the oldest part of Muzeum Susch, is an immersive artwork exploring the intersections of time, materiality, and human impact on the Earth. Resting on a vivid blue concrete platform, a stratified, totem-like column rises, constructed from a fusion of organic and synthetic materials. The column is encrusted with elements such as sea shells, animal bones, seeds, and industrial debris, creating a hybrid sculpture that evokes both the distant past and speculative futures. Villar Rojas draws on local contexts, merging geological, biological, and urban traces to confront viewers with the impermanence of human existence within the broader context of the Anthropocene. His work blurs boundaries between ephemerality and permanence, urging reflection on humanity’s destructive impact on the planet while suggesting the necessity of transformation for survival.

The artwork’s deep engagement with both local and global materials reflects Villar Rojas’s meticulous process of gathering and manipulating objects that embody specific cultural, ecological, and historical narratives. By layering these elements, he creates a temporal ambiguity that invites viewers to ponder the intertwined fates of natural and man-made environments. The installation’s intense blue platform, reminiscent of chroma key blue used in film production, adds a digital, otherworldly dimension to the work, suggesting the blending of virtual and physical realities. This visual language not only bridges past and future but also critiques contemporary systems of power, drawing attention to humanity’s unsustainable dominance over the Earth. In this way, Villar Rojas’s work becomes both a memorial to a world in flux and a call to reimagine our relationship with nature and technology before it’s too late

Photos:
1-9: Muzeum Susch, 2018, Private Archive
10: © Muzeum Susch / Art Stations Foundation CH & Studio Stefano Graziani

Although devoid of figures, Schubert’s paintings created after graduating from the Academy of Fine Arts in Zagreb in 197...
13/05/2026

Although devoid of figures, Schubert’s paintings created after graduating from the Academy of Fine Arts in Zagreb in 1971 appear to reflect the life of a modern young Yugoslav woman. Influenced by Pop and Hyperrealism, they offer  a subtle critique of the emerging consumer mindset  in socialist Yugoslavia. At the same time, these works reveal her frustration with the dominant ideas about modernist painting in the country, and anticipate her later interest in experimental, cross-media approaches to art.

🔴🔵🟡
‘Edita Schubert: Profusion’
Curated by David Crowley

Edita Schubert, ’Salt and Sugar’ (Sol i šećer), 1973, oil on canvas, 120 × 153 cm, © Edita Schubert Estate
Edita Schubert, ‘Chanel + Moulinex’, 1974, oil on canvas, 90 × 120 cm; collection of Kunsthalle Prague
Edita Schubert, ‘Hairpins (Ukosnice)’, 1974, oil on canvas, 125 × 165 cm; © Edita Schubert Estate
Edita Schubert, ’Kandit’, 1973, oil on canvas, 120 × 153 cm, © Edita Schubert Estate

Adresse

Surpunt 78
Zernez
7542

Öffnungszeiten

Mittwoch 11:00 - 17:00
Donnerstag 11:00 - 17:00
Freitag 11:00 - 17:00
Samstag 11:00 - 17:00
Sonntag 11:00 - 17:00

Telefon

+41818610303

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