03/09/2026
π¬πππππππππ πππππ | ππππ π΅ππ πͺππ
Inside-Out Art Museum is currently presenting πͺππππ, πͺππππ. This edition focuses on Hong Kong artist Yuen Nga Chiβs three-channel video installation πΊπππππ πππ
πΊππ and photograph πΊππππ. Taking the Chinese white dolphin as a point of departure, the works deliberately keep the living dolphin outside the frame, leaving its image and circumstances to the viewerβs imagination.
Yuen Nga Chi previously worked as a photographer at a zoo and has also made long-term photographic records of animal sculptures. For her, photography is not simply a means of capturing an object, but an ongoing process of searching. Beginning with the observation of animals, her practice traces their shifting relationships with humans, the city, and bodies of water.
Through slow-moving images and intermittent narration, the film preserves spaces of silence and ambiguity. Following the traces left by what remains absent, it examines the historical conditions through which an event takes shape. Rather than dwelling on the moment when an accident occurs, the work continues to ask what precedes it: how do the lives of fishermen, urban development, ecological change, and collective memory gradually transform over time, and under what conditions do these intertwined processes ultimately come to be recognized as βπͺππππ, πͺππππβ?
The video also incorporates archival footage recorded by the artist during her time working at the zoo.