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Gathering, Berlin (2026)

26/05/2026

On view at GLASSHOUSE: 𝘪𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘣𝘭𝘪𝘯𝘬𝘴

“Painting is very similar to dancing, but instead of moving to sound frequencies you are dancing with frequencies of colour, texture, rhythm, surface, space and densities of shape and form. Then you add in memory, feeling, chance and intention and things become interesting. Like dancing, if you think about it too long, it will look unnatural or rigid.” — Olivia Guillot

Detail I: Olivia Guillot, 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘣𝘳𝘪𝘥𝘨𝘦 𝘰𝘧 𝘰𝘶𝘳 𝘢𝘳𝘮𝘴, 2025. Oil on canvas, 185 x 310 cm (diptych) each canvas: 185 × 155 cm.
Detail II: Olivia Guillot, 𝘛𝘩𝘦 𝘭𝘰𝘸 𝘩𝘶𝘮𝘥𝘳𝘶𝘮, 2026. Oil on canvas, 195 x 155 cm.
Detail III: Olivia Guillot, 𝘈𝘭𝘰𝘯𝘨 𝘵𝘩𝘦 𝘸𝘪𝘳𝘦 𝘢𝘯𝘥 𝘥𝘰𝘸𝘯 𝘵𝘩𝘦 𝘴𝘵𝘢𝘪𝘳𝘴, 2026. Oil on canvas, 155 x 125 cm.

Photography by Ollie Hammick. Courtesy of GLASSHOUSE and the artist.

📍GLASSHOUSE, 5 Warwick Street, London
📆 29 Apr–13 Jun 2026

23/05/2026

Opening tonight at Gathering Ibiza: 𝘙𝘦𝘴𝘵𝘪𝘯𝘨 𝘔𝘢𝘵𝘵𝘦𝘳

𝘙𝘦𝘴𝘵𝘪𝘯𝘨 𝘔𝘢𝘵𝘵𝘦𝘳, a two-person exhibition with works by Iván Estrada and Garth Evans, opens this evening in Ibiza. Both Estrada and Evans share a commitment to experimentation with new materials, resulting in sculptures that examine established boundaries and challenge the limits of transformation.

Iván Estrada’s large-scale sculpture, 𝘚𝘰𝘣𝘳𝘦 𝘐𝘯𝘧𝘪𝘯𝘪𝘵𝘰 (𝘔𝘰𝘷𝘪𝘮𝘪𝘦𝘯𝘵𝘰 #6), bisects the gallery space, showcasing the artist’s ability to balance tension with a sense of movement. Made of rusted and welded carbon steel, the new sculpture was made this year during Gathering’s artist residency, using Estrada’s intersecting knowledge of industrial materials and traditional craftsmanship.

Images: Iván Estrada, 𝘚𝘰𝘣𝘳𝘦 𝘐𝘯𝘧𝘪𝘯𝘪𝘵𝘰 (𝘔𝘰𝘷𝘪𝘮𝘪𝘦𝘯𝘵𝘰 #6), 2026. Rusted welded carbon steel, 380 x 210 cm. Photography by Xavier Pallejà. Courtesy of Gathering and the artist.

📍 Gathering, Carrer Vicent Serra 4, Sant Miquel de Balansat, 07815 Ibiza
📆 24 May–5 Jul 2026
Preview: Saturday 23 May, 7–10pm

22/05/2026

OPENING TODAY

𝘎𝘢𝘳𝘵𝘩 𝘌𝘷𝘢𝘯𝘴: 𝘛𝘩𝘦 𝘈𝘯𝘵𝘪-𝘝𝘪𝘳𝘶𝘴 𝘚𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘦𝘴 opens today at Leeds Art Gallery: the first solo exhibition dedicated to the artist’s ongoing series of small-scale plaster sculptures. The exhibition launches Leeds Art Gallery’s Summer of Sculpture, a programme showcasing some of sculpture’s visionaries and celebrating the rich history of the medium in the region.

Evans began the Anti-Virus Sculptures during the first Covid lockdown at his home in Connecticut, USA. The series was founded out of a desire to protect himself and others from the threat and anxieties of the pandemic, creating an ‘army of sculptures’. The works combine the man-made with the organic, extending Evans’s lifelong exploration of form and its limits.

Image: Garth Evans, 𝘏𝘢𝘵𝘤𝘩, 2023. Hydrocal plaster. Courtesy of Gathering and the artist.

📍Leeds Art Gallery, The Headrow, Leeds LS1 3AA
📆 22 May–4 Oct 2026

21/05/2026

On view in Berlin: 𝘝𝘰𝘭𝘷𝘦𝘳é 𝘺 𝘴𝘦𝘳é 𝘮𝘪𝘭𝘭𝘰𝘯𝘦𝘴

Wynnie Mynerva’s solo exhibition with Société is currently on view in Berlin.

𝘝𝘰𝘭𝘷𝘦𝘳é 𝘺 𝘴𝘦𝘳é 𝘮𝘪𝘭𝘭𝘰𝘯𝘦𝘴 emerges from three concerns: the violence in the Middle East, the global construction of Berlin as an icon of “sexual liberation” and the artist’s own process of migration and legalization in Europe. Faced with the coldness of war, the persecution of migrants and the ongoing erasure of alterity, an urgent question emerges: what forces resist?

Image I+III: Installation view, Wynnie Mynerva, 𝘝𝘰𝘭𝘷𝘦𝘳é 𝘺 𝘴𝘦𝘳é 𝘮𝘪𝘭𝘭𝘰𝘯𝘦𝘴, 2026, Société, Berlin. Photography by Trevor Good.

Image II: Portrait of Wynnie Mynerva, 2026. Photography by Manira Chaker; Styling by Valeria Ramos Lopez.

All courtesy of Société and the artist.

📍Société, Wielandstraße 26, 10707 Berlin
📆 1 May–27 Jun 2026

20/05/2026

On view in London: 𝘙𝘶𝘯 𝘐𝘵 𝘉𝘢𝘤𝘬

In the 2025 video work 𝘗𝘦𝘳𝘱𝘦𝘵𝘶𝘢𝘭 𝘳𝘦𝘮𝘪𝘹, artist Christelle Oyiri draws on her parallel career as a DJ to approach physical and digital processes of bodily augmentation. She isolates, manipulates and recontextualises elements, using tools associated with electronic music.

Extracting, cutting, splicing, looping; in 𝘗𝘦𝘳𝘱𝘦𝘵𝘶𝘢𝘭 𝘳𝘦𝘮𝘪𝘹, Oyiri demonstrates the ways these strategies are applied to both sound and flesh. In one sequence, hands on a turntable share a split screen with bodily matter being excised, sewn and slit by gloved fingers, sped up to match the stuttering pace of the footwork accompaniment. Pokemon, Blac Chyna, Labi Siffre and Jean Baudrillard become stems, the clusters of instruments and sounds that make up a song.

Image: 𝘗𝘦𝘳𝘱𝘦𝘵𝘶𝘢𝘭 𝘳𝘦𝘮𝘪𝘹, 2025. Video (5 min 25 sec), in 𝘙𝘶𝘯 𝘐𝘵 𝘉𝘢𝘤𝘬, Gathering, London. Photography by Ollie Hammick. Courtesy of Gathering and the artist.

📍Gathering, 5 Warwick Street, London
📆 29 Apr–13 Jun 2026

19/05/2026

Opening Saturday: 𝘙𝘦𝘴𝘵𝘪𝘯𝘨 𝘔𝘢𝘵𝘵𝘦𝘳

Gathering Ibiza will reopen this Saturday with 𝘙𝘦𝘴𝘵𝘪𝘯𝘨 𝘔𝘢𝘵𝘵𝘦𝘳, an exhibition featuring works by Ivan Estrada and Garth Evans.

𝘙𝘦𝘴𝘵𝘪𝘯𝘨 𝘔𝘢𝘵𝘵𝘦𝘳 will emphasise the experimental side of Evans’s drawing practice, seen in the work 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘓𝘪𝘯𝘦 𝘋𝘳𝘢𝘸𝘪𝘯𝘨, 4. The drawing showcases the artist’s imaginative commitment to geometric and asymmetrical forms.

Works on paper and board will be exhibited alongside sculpture composed between 1987–2013, demonstrating a move from angular works using materials such as glass fiber, towards more organic shapes found in his 𝘒𝘯𝘰𝘵 series.

Image I&II: Garth Evans, 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘓𝘪𝘯𝘦 𝘋𝘳𝘢𝘸𝘪𝘯𝘨, 4, 1976. Ink on board, 41 x 59 cm. Photography by Ollie Hammick. Courtesy of Holtermann Fine Art, Gathering and the artist.

Image III: Garth Evans, 𝘒𝘯𝘰𝘵 𝘕𝘰. 3, 2013. Unglazed ceramic, 11 x 15 x 13 cm. Courtesy of Gathering and the artist.

Image IV: Garth Evans, 𝘈𝘭𝘢𝘥𝘥𝘪𝘯, 1988–89. Epoxy Resin, glass fiber and paint over cardboard, 57 x 43 x 39 cm.

📍 Gathering, Carrer Vicent Serra 4, Sant Miquel de Balansat, 07815 Ibiza
📆 24 May–5 Jul 2026
Preview: Saturday 23 May, 7–10pm

16/05/2026

NEW COMMISSION: 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘤 𝘍𝘭𝘢𝘮𝘦

Tai Shani’s sculpture, 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘤 𝘍𝘭𝘢𝘮𝘦, is now permanently on view at Wysing Arts Centre, Cambridge. 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘤 𝘍𝘭𝘢𝘮𝘦 acts as a commemoration to Wysing’s previous Director Donna Lynas (1967-2021), bearing the inscription ‘eternal symphony of survival’. The work was unveiled in Wysing’s newly-refurbished reception in April, alongside works by Hannan Jones, Shamica Ruddock and Appau Jnr Boakye-Yiadom.

“My relationship with Wysing has been one of the most formative of my practice. When Donna Lynas invited me to do a residency there, it was the first time I’d had seven uninterrupted weeks to just apply myself fully to my work — and it genuinely changed the trajectory of everything that followed. Donna was an extraordinary person who had a rare and profound understanding of how to be with artists, how to give them what they need at the right time, this is something many artists would say about her. That contribution, that particular quality of attention and care, lives on in Wysing. To be asked to make a permanent work in commemoration of her and of that legacy is among the greatest honours of my life.” – Tai Shani

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Images: Installation views, Tai Shani, 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘤 𝘍𝘭𝘢𝘮𝘦, 2026, at Wysing Arts Centre, UK. Courtesy of Wysing Arts Centre and the artist.

📍Wysing Arts Centre, Fox Road, Bourn, Cambridge

15/05/2026

On view in Italy: 𝘏𝘦𝘢𝘷𝘦𝘯’𝘴 𝘵𝘳𝘶𝘵𝘩

Ndayé Kouagou’s first solo exhibition in Italy, 𝘏𝘦𝘢𝘷𝘦𝘯’𝘴 𝘵𝘳𝘶𝘵𝘩, is currently on view at Collezione Maramotti in Italy. Presented in conjunction with the Festival Fotografia Europea 2026, 𝘎𝘩𝘰𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘔𝘰𝘮𝘦𝘯𝘵, it brings together recent pieces and a sequence of works made specifically for the occasion.

Image: Ndayé Kouagou, 𝘗𝘰𝘤𝘩𝘪, 2026. UV print on leather. Photography by Dario Lasagni. Courtesy of Gathering and the artist

📍Collezione Maramotti, Reggio nell’Emilia, Italy
📆 3 May–26 Jul 2026

14/05/2026

Christelle Oyiri () is featured by Dazed, Autre and Impulse, spotlighting her ongoing exhibitions in London and New York.

𝘙𝘶𝘯 𝘐𝘵 𝘉𝘢𝘤𝘬 continues at Gathering London through 13 June, showcasing a body of work first presented as part of the Tate Infinities Commission, alongside a series of new lenticular prints.

𝘉𝘦𝘭𝘪𝘦𝘧 𝘔𝘢𝘺 𝘝𝘢𝘳𝘺 continues at Amant, New York, through 16 August: a multimedia exhibition centred around the newly-commissioned video work 𝘏𝘢𝘶𝘯𝘵𝘰𝘭𝘰𝘨𝘺 𝘰𝘧 𝘢𝘯 𝘖𝘎 (2025).

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