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Haze.Gallery

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Berlin
Haze.Gallery

"HAZEGALLERY in Berlin is dedicated to championing emerging Art focused on artists from all over the world.

Established in 2019 by Irina Rusinovich, the Gallery aims to be interactive, thought-provoking, and original."

30/05/2026

Every photography work in “I Can Buy Myself Flowers” arrives as a 1/1 limited edition print, framed and certified.
This is what that looks like before it reaches the wall.

works shown here by .

Amsterdam, June 6.

29/05/2026

Irina Drozd is currently showing in Vienna with
„Orbis Imaginalis: Fictions of the Visible,“ on view through July 31, brings together painters and sculptors whose practices share an interest in the image as an autonomous structure, one that generates its own conditions of meaning rather than functioning as a transparent vehicle of depiction. The curatorial text positions her alongside artists whose pictorial fields operate through internal coherence, where fragmentation, layering, and chromatic intensity organise perception rather than illustrate a predetermined subject.

It is a precise description of what her paintings do. Drozd constructs compositions in which the image sustains a consistent visual logic while remaining open in its relation to what it represents. The works resist resolution without refusing legibility.

We have been working with Irina Drozd over the years, and it is good to see her practice gaining the institutional visibility it deserves.

/ „Orbis Imaginalis: Fictions of the Visible“ / Vienna, through July 31

photo courtesy of the artist and the gallery

25/05/2026

Inna Malinovaya .malinovaya approaches photography as a form of world-building, constructing environments in which every visual element serves the narrative rather than simply occupying the frame.

Working at the intersection of fashion and art photography, she treats garments and styling as extensions of identity rather than as subject matter in themselves, using them to probe the relationship between a person’s interior life and their constructed image. Her photographs carry a distinctly cinematic quality, one that emerges from her sustained attention to what an image is actually communicating beyond its surface, and from her insistence on sharpness and compositional precision as instruments of meaning rather than technique alone.

Her work appears in “I Can Buy Myself Flowers” as a limited edition print and on the cover of PURPLEHAZE Issue 012, both presented on June 6 in Amsterdam.

20/05/2026

Kore Heerema photographs things that already exist; grass, leaves, light on a surface. What he produces looks like none of those things.
Trained at the Gerrit Rietveld Academie in Amsterdam, he has spent years developing a practice built on manipulation of focus and movement, a way of isolating fragments of the everyday until they lose their literal identity and become something the eye has to negotiate differently. The recognizable dissolves into color, form, and a particular quality of sensation that resists easy description.
In the context of «I Can Buy Myself Flowers,» his work raises a question the exhibition keeps returning to from different angles: what remains when you strip away the narrative? When there is no face, no gesture, no readable symbol, only the raw material of perception, what does that ask of the person looking?
For Kore, the answer is located in the visceral rather than the conceptual. He hopes, as he has said, that each viewer will form their own emotions and interpretations. That openness is itself a kind of self-possession: the willingness to let the work mean something different to every person who stands in front of it.

Two works by . Amsterdam, June 6.

Moving In Color-2
2024
30x45
€850

Moving In Color-3
2024
30x45
€850

18/05/2026

Ines Alpha .alpha uses technology as a way of looking at the face more carefully, more honestly, and with considerably more joy than conventional beauty culture tends to allow.

The Paris-based digital artist and AR makeup designer has built a visual language that sits at the intersection of cyborg aesthetics, aquatic softness, and identity theory. Working with 3D software, iridescent forms, organic glitches, and the intimate space between a person and their own reflection, she has developed what she calls 3D makeup: structures that grow on skin, rewrite its surface, and offer the face a second grammar without replacing the first.

When we asked her about the line between self-expression and self-escape, her answer was unambiguous: “It is never about hiding. It is more about revealing. When I add cyborg tentacles or iridescent forms to a face, I want to celebrate the weird, not erase the person.”

That precision of intention is why her work belongs in this exhibition. In the context of “I Can Buy Myself Flowers,” self-possession takes many forms. For Ines Alpha, it takes the form of deciding, with full deliberateness, what your own surface gets to say.

Two works by .alpha, presented by HAZEGALLERY in collaboration with at “I can buy myself flowers” exhibition in Amsterdam Full interview in PURPLEHAZE Issue 012, out June 6. Amsterdam.

15/05/2026

Self-possession is often imagined as an inherent quality, something fixed and naturally embodied. This exhibition approaches it differently: not as an inherent quality, but as the ongoing effort to stop measuring yourself through the approval of others.

“I Can Buy Myself Flowers” began as a thematic framework within PURPLEHAZE magazine, but gradually expanded into a broader examination of autonomy, self-authorship, and artistic discipline. The gesture implied in the title caring for oneself without the need for recognition or witness became less symbolic and more structural.

Bringing together seven artists across photography, painting, and mixed media, the exhibition traces how form can operate simultaneously as surface and psychological architecture. Flowers, bodies, faces, and fragmented organic elements recur throughout the works, not as decorative motifs but as mechanisms for examining ritual, projection, vulnerability, and dissolution.

Across the exhibition, wholeness does not appear as resolution, it emerges instead as a continuous and often unstable practice of holding oneself together.

Artist |

Alexa Torre
Virginizada, 2024
Photography
30 × 40 cm
Exhibition Print 1/1 on Canson Photo Lustre Premium 310g, wooden frame

27/04/2026

Artist | Elena Sazhina

Elena Sazhina draws with pencils, just pencils. What emerges is something between a botanical specimen and a fever dream forms that look like flowers until they don’t…

From a distance, you see something beautiful. Step closer, and you realise it is assembled from things that unsettle. The beauty doesn’t disappear. That’s the point.

„I wanted to merge flowers and organs into a single thing,“ she says. „To combine the ugly with the beautiful just as in life, trust gives way to betrayal and love turns into hate.“

Two drawings by Elena will be part of I Can Buy Myself Flowers, opening June 6 in Amsterdam.

20/04/2026

Xidong Luo spent seven years in the Himalayas before she ever stood in a studio. Then came a decade of portrait work, a corporate career, and a pandemic lockdown in a valley in Shenzhen where she arranged a withered branch against a mirror and watched the fading light catch both the shadow and the real. That moment, she says, is when everything clarified.

Her series Self-Reflection works with mirrors not as surfaces but as collaborators as the Chinese idiom puts it, flowers in a mirror, moon on water: beauty that can be seen but never held. The decaying botanicals she places beside them are not symbols of loss. They are evidence of transformation.

Xidong will show two photographs in “I Can Buy Myself Flowers” a curated pop-up exhibition by HAZEGALLERY and international curator opening June 6 in Amsterdam.

13/04/2026

HAZE ARTIST | Rachele Frison

Her works open like fragments of a larger narrative, where familiar forms shift into something more internal and less defined.

The atmosphere builds slowly, drawing the viewer into a space that feels both intimate and unsettled at the same time.

Works available at www.haze.gallery or DM us for further assistance!

Photos from the recent show in Berlin by

09/04/2026

From the archive

Olga Aksenova’s figures don’t inhabit landscapes, they emerge from them. Painted in layers that move between iconographic tradition and something altogether more restless, her canvases ask where the body ends and the world begins.
We showed Olga’s work as part of Vivid in Moscow in 2024 and her paintings have stayed with us since. There is something about the way she builds colour, as structure, as meaning, as a way of locating the self within a collective that keeps shifting.
Her work is held in private collections across Russia, the US, Spain and the Netherlands, and in the AZ Museum. We are watching her practice closely.

Link in bio to explore the expo more.

#ОльгаАксенова FigurativePainting RussianContemporaryArt Vivid2024 ArchivePost ContemporaryArt

Adresse

Berlin

Öffnungszeiten

Dienstag	11:00 - 15:00
Mittwoch	11:00 - 15:00
Donnerstag	11:00 - 15:00
Samstag	13:00 - 16:00

Telefon

+491746127171

Webseite

http://haze.gallery/

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