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DITTRICH & SCHLECHTRIEM

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Deutschland
Berlin
DITTRICH & SCHLECHTRIEM

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von DITTRICH & SCHLECHTRIEM, Kunstgalerie, Linienstrasse 40, Berlin.

The gallery has specialized in conceptual contemporary art across a wide range of media, concentrating on the representation of young artists and providing them with a platform for ambitious projects.

08/05/2026

On view .charriere
At Museo Correr, two visions of time collide: with neoclassical sculptures seeking to immortalize the human form in stone, and the turning tide of ‘Spiral Economy’, revealing the limits of our boundless consumerism of both natural and unnatural resources.

It plays on the concept of cabinets of curiosity—the Wunderkammer—traditionally used to display conquered and collected objects, driven by Western narratives of exploration and power.

In this exhibition, that perspective is challenged by the circular, metabolic logic of the Earth. By placing ancient ammonites inside the spiraling coils of a vending machine, the work critiques the illusion of infinite resources, collapsing deep geological time into the instant gratification of modern trade.

Julian Charrière
Installation view: Spiral Economy: Charrière and Canova, Museo Correr, 2026
©️ The Artist / VG Bild-Kunst, Bonn, 2026
Video by

03/05/2026

Gallery Weekend Opening Performance HARD 2 4GET by Monty Richthofen .unlimited

Performer:

Director & Producer:
DOP: .saidou
Editor:
Score:
Styling:

Gallery:

24/04/2026

in.flames

23/04/2026

Navot Miller
WORK IN PROGRESS: A Gift für Pedro
Kunsthalle Düsseldorf
10. Apr - 10. May 2026

With a large-scale mural painting by artist Navot Miller, Kunsthalle Düsseldorf launches the five-month exhibition project “Work in Progress” on 17 April 2026, turning the space itself into a canvas. Known for his luminous color palettes, intimate scenes, and subtle references to q***r lived experience, Miller transforms the museum’s approximately 1,000 sqm walls with a site-specific, temporary mural created especially for the occasion.

From April 10 to May 10, during opening hours from 11 am to 6 pm, visitors can watch the artist paint over his shoulder—a rare opportunity to experience the creation of such a large work firsthand. His mural, titled A Gift für Pedro is now on view for one month. It draws on a journey through South America that Miller undertook in 2025 with friends and lovers. In vibrant, color-saturated scenes, he recalls moments of closeness, nature, observation, refuge, and freedom. The intensity of his colors stands in a dynamic contrast to his pursuit of naturalness—a dialogue that grounds his painting between sensuality and stillness, directness and poetry. While Miller’s painting language is evolving into the arena of realism, the artist will contrast that by embracing on the simplicity of color blocking and the so called “childish” language partly inspired by The Memphis Group’s work that often incorporated plastic laminate materials and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes.

The exhibition “Work in Progress” marks the beginning of a new series in which five artists will, in monthly succession, create site-specific wall paintings on the white surfaces of Kunsthalle Düsseldorf.

Kunsthalle Düsseldorf
Grabbeplatz 4-Düsseldorf

Exhibition video, Navot Miller, Work in Progress: A Gift für Pedro, Kunsthalle Düsseldorf, Germany, 2026
Credit,

16/04/2026

art fair
Julian Charrière .charriere
Art Düsseldorf
16.–19. April 2026
STAND F06

Thurs 16. April,
VIP Preview 12–4 PM + Opening 4–8 PM

On the occasion of Art Düsseldorf 2026, DITTRICH & SCHLECHTRIEM will present a solo booth by Julian Charrière featuring new photographs from the Albedo series, accompanied by the sculptural installation Empire, large-format work from his series, Towards No Earthly Pole and additional photo-based works from Midnight Zone.

With Albedo, Charrière continues his exploration of polar regions, this time immersed beneath icebergs and pack ice. Extending the vision developed in his eponymous ﬁlm, the series draws the viewer into a submerged, liminal world where ice, water, and light unsettle any stable sense of orientation. Conventional spatial references dissolve as the images drift between underwater reality and the appearance of a lunar or extraterrestrial terrain. Frozen formations no longer read as plunging into depth but seem to rise upward, collapsing distinctions between below and above, ocean and cosmos. Scale, gravity, and direction become ambiguous, suspending the viewer in a state of perceptual uncertainty. Conceived as a diptych with Charrière’s 2019 series Towards No Earthly Pole, which renders an uncanny, darkened vision of the cryosphere at night, Albedo furthers this inquiry by contrasting the dazzling white expanses of snow and daylight with the iridescent biomes of planetary waters, questioning inherited ways of seeing and reframing the imaginaries of climate catastrophe.

The presentation runs parallel to Charrière’s solo exhibition Midnight Zone at on view March 14–July 12, 2026.

Images, Julian Charriere, DITTRICH & SCHLECHTRIEM, STAND F06, Art Düsseldorf, 2026, Photos, video ArtBeats

©️ Julian Charrière / VG Bild-Kunst, Bonn, DE

Fair Hours
Fri 17 April, 12 PM–7 PM
Sat 18 April , 11 AM–7 PM
Sun 19 April, 11 AM–6 PM

Areal Böhler
Hansaalle 321
40549 Düsseldorf

10/04/2026

charriere

24/03/2026

save the date .unlimited

Monty Richthofen
HARD 2 4GET
Gallery Weekend Berlin

1.–3. May, 2026

PREVIEWS
Thurs, 30. April + Friday 1. May,
11 AM–6 PM

OPENING, Performance + Drinks
Friday, 1. May, 6–9 PM

On the occasion of Gallery Weekend Berlin on May 1–3, 2026, DITTRICH & SCHLECHTRIEM presents Monty Richthofen with a new intervention titled HARD 2 4GET, beginning at Rosa-Luxemburg-Platz and spreading across Berlin over the weekend.

Bringing together the artist’s core practices of performance and textual experimentation, HARD 2 4GET treats the city as both medium and collaborator.

Transient and impossible to ignore, it turns urban space into an active site of production and reconsiders the gallery not as a fixed structure but as a social condition in motion and asks whether community is shaped within walls or produced through collective space and interaction.

Within the exhibition’s expanded field, the city itself becomes the primary spatial framework. A fleet of vehicles, spray painted and marked text compositions, move through the city’s traffic, momentarily interrupting before disappearing back into the everyday rhythm of urban life. Temporary interventions will happen at the Ernst-Reuter-Platz, Victory Column and Strausberger Platz.

The project emerges from the artist’s ongoing research into the unofficial inscriptions applied to military equipment and aircraft, transforming them into new poetic compositions. In doing so, the artist draws this heavily connoted language into the texture of everyday life, underscoring its increasing presence while quietly warning against the normalisation of war.

Follow the gallery for updates, location maps, and further info on the project and additional performance schedule.

The starting point and base address is our headquarters at DITTRICH & SCHLECHTRIEM at Linienstraße 40, 10119 Berlin.

Images, ©Monty Richthofen, HARD 2 4GET, 2026, Photos Lukas Städler

04/11/2025

save the date
Navot Miller

INTIMITÄT – Queere Kunst Der Gegenwart
Kunst Museum Albstadt
Group show
08. Nov 2025–12. Apr 2026
Opening, Saturday, 08. Nov, 6.30 PM
Entry 6 PM

Intimacy is expressed not only in the tenderness between lovers, but also in friendships, in gestures of trust, and moments spent together. It signifies closeness, connection, and the feeling of being seen and accepted. The exhibition presents multifaceted perspectives on interpersonal relationships beyond heteronormative notions. The artists reflect personal experiences and everyday situations, often with autobiographical references. This liberated view into the seemingly private breaks with traditional notions and makes q***r realities of life visible. This visibility is essential for an open, diverse society.

Featuring works by Dylan Hurwitz, Doron Langberg, Navot Miller, Lukas Moll, Hannah Römer, Tanja Selzer, and Logan T. Sibrel.

Images,

NAVOT MILLER
Eli in Berry St.
2025
Oil on linen
182.88 x 160.02 cm
Unique

NAVOT MILLER
Schalfstunde (Mauricio & Navot in cdmx)
2025
Oil on linen
200.66 x 160.02 cm
Unique

17/10/2025

Dr. Madeleine Freund is a curator at the in Munich and writes on contemporary art for Parnass and Frieze. She earned her Ph.D. from the University of Art and Design Linz and has worked on exhibitions at Gropius Bau and BNKR. She wrote the essay for current show PROPEL. We asked her a few questions.

D&S: What drew you to art history, and why does it still fascinate you?
MF: Art always reflects its time. It allows us to see and understand the present from a new perspective. My curatorial approach is shaped by post-1960s art history and social movements, and I’ve always valued working closely with creative people.

D&S: How does your work at the Pinakothek der Moderne influence your own projects and writing?
MF: Working within a major institution means curating relevant, high-quality exhibitions as part of a team. In my independent projects, I handle everything from fundraising to curatorial concepts, but with more freedom and experimentation. I often write about young and emerging artists to help contextualize their work.

D&S: What fascinates you about Daniel Hölzl’s work?
MF: He connects conceptual art and the readymade with universal themes like flight and transience. His use of wax, both sensual and spiritual, symbolizes transformation, time, and energy, while evoking the texture of human skin.

D&S: What are you currently working on?
MF: My upcoming exhibition “Sweeter than Honey – A Panorama of Written Art” opens in December at the Pinakothek der Moderne, exploring the political and performative dimensions of writing, language, and gesture.

Image: Sophie Wanninger

18/02/2025

save the date
Zuzanna Czebatul
All the Charm of a Rotting Gum
2. May – 21. Jun 2025

Opening Reception, Fri, 02. May, 6–9 PM

Zuzanna Czebatul’s work is defined by an exacting study of the complex interactions between power, ideology, and their cultural forms of expression. Harnessing monumental relics, infrastructures of commemoration, and architectural interventions, she analyzes how political systems engender an aesthetic of hegemony. Her works address the largely concealed mechanisms that shape social realities and cultural identities, and challenge fundamental principles such as durability, creation, and stability, contrasting them with disintegration and fluidity.

In All the Charm of a Rotting Gum, her first solo exhibition at DITTRICH & SCHLECHTRIEM, which opens on occasion of Gallery Weekend Berlin, Czebatul presents a work that exemplifies these preoccupations. By subjecting the Pergamon Altar to conceptual reinterpretation, she creates a temporary discursive space that extends far beyond the original’s historical and iconographic significance. The altar itself will be hidden from public view until 2027 at the earliest due to comprehensive renovation works at the Pergamon Museum. Czebatul uses the opportunity to renegotiate the object: not merely as a symbol of imperial power, but as a platform for reflections on cultural heritage, processes of political appropriation and exploitation, and a history that figures prominently in Germany and that is mythologized in turn. In a dialogue with a second monumental work, a relief blending police riot gear with the geometry of Christian sacred geometry , the exhibition sheds light on the articulation and representation of state power in history and the present.

© Zuzanna Czebatul, 2025

Portrait,
Zuzanna Czebatul
Photo, Stini Roehrs , 2023

Adresse

Linienstrasse 40
Berlin
10119

Öffnungszeiten

Dienstag	11:00 - 18:00
Mittwoch	11:00 - 18:00
Donnerstag	11:00 - 18:00
Freitag	11:00 - 18:00
Samstag	11:00 - 18:00

Telefon

+493024342462

Webseite

http://www.dittrich-schlechtriem.com/

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