panke.gallery

panke.gallery a dialogue between established and emerging artists whose work deals with digital and net-based art

[EN] Founded in 2016, panke.gallery seeks to open up a local and international dialogue between established and emerging artists. The presented works derive from the connection between digital or net-based art and club culture, reflecting in particular the recent history of Berlin. Lectures, performances and screenings as well as an edition complete the exhibition programme. Our activities receive

d press reviews in a variety of print and online media such as Neural Magazin, Berliner Zeitung, taz and Vice (see below). Over the past years, we collaborated with local and international initiatives such as PAF performing art festival 2018, Zwei Tage Wedding festival 2017/2018, The Wrong Digital Biennale or transmediale/CTM Vorspiel 2017–2019. Our activities were supported by Berliner Senatsverwaltung für Kultur und Europa (Spartenoffene Förderung), Lotto Stiftung Berlin and Bezirksamt Mitte von Berlin. https://www.panke.gallery

Curator: Sakrowski
Program coordinator: Noemi Garay
Design, consulting: Larissa Wunderlich
Text, consulting: Alex Scrimgeour, Tabea Rossol
Social media coordinator: Igor Štromajer
Administration: Erika Siekstelyte
Institutional support: Panke e.V. Further supporters:
Photo, video: Hannah Rumstedt, Galya Feierman, Visvaldas Morkevicius
Infrastructure: !Mediengruppe Bitnik, Brendan Howell

Code of Conduct:
http://downloads.panke.gallery/info/CodeOfConducts.pdf

[DE] panke.gallery sucht den Dialog zu fördern zwischen den jungen und alten Generationen, den lokalen und den internationalen Künstlern. Dabei steht besonders die Verbindung zwischen digitalen und netzbasierten und den mit Klang/Sound/Poesie arbeitenden und mit der Klubkultur verbundenen Künsten im Zentrum.

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026https://panke.gallery/event/text-image-s...
01/06/2026

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026
https://panke.gallery/event/text-image-sound

📍 panke.gallery, Gerichtstr. 23, Hof 5, 13347 Berlin
🗓️ Wednesday, 17 June 2026, 7–11 PM

panke.gallery's participation at the Project Space Festival Berlin is an experimental evening following the tradition of Sound Nights at panke.gallery. The title points to the three elements the program brings into relation, focusing on how they influence and reshape each other in real time. event is structured as two live performances by Berlin-based sound and performance artists Alma Alloro and Alexandra Cardenas presented alongside netart pieces by international artists Amanda E. Metzger and Julianne Aguilar.

https://projectspacefestival.berlin/en/kalender/text-image-sound-2026-06-17

The program explores how text, images, and data streams are translated into sound – and how sound, in turn, generates structure, image, and language. Through multimodal practices such as live coding, net art, and browser-based algorithmic compositions, the program examines computational processes as compositional frameworks. Text operates simultaneously as notation, instrument, and performance environment, structuring temporal development and interaction. In net art, (hyper)text as code is used to create deeply personal works. These pieces thrive on the open—and now largely forgotten—web, where the website itself serves as the artistic medium. Reimagined for the gallery setting, these works transition from their original, intimate viewing contexts into a shared physical space. Here, the website is transformed into an interactive screen, inviting the audience to navigate the digital landscape in a collective environment.

Rather than treating media translation as metaphor, the event approaches it as a material procedure: text is treated not only as language but also as code, dataset, instruction set, and symbolic input subject to algorithmic transformation. These artistic practices are embedded within computational and networked infrastructures, highlighting the interplay between technical protocols, ongoing processes, and individual subjectivity.

Amanda E. Metzger is an Artist-in-Residence at transmediale and will be presenting her current research project at the Open Studio event on 24 June 2026.

↓↓↓

Alma Alloro is a Berlin-based multi-skilled artist. After studying at the Midrasha School of Art in Tel Aviv, she completed an MFA in Art in Public Space at Bauhaus University, Weimar, and has since exhibited her work in solo and group exhibitions internationally. Growing up in the punk scene, rave, and computer art, she developed a long-standing admiration for the craftsmanship and attitude of nerd culture. Her work explores the mechanisms of patterns and texture, and how they transform across sound and image. She works across both physical and digital craft, with a practice spanning drawing, painting, textile art, patchwork quilting, code, and animation. In recent years, she has developed a VJ show based on self-developed animation creation software.

Alexandra Cardenas is a composer, live coder, and sound artist based in Berlin. Her work focuses on algorithmic composition and real-time performance, using code as a medium to generate music live. Working with open-source tools, she develops performances where sound emerges directly from live coding, often sharing the code as part of the piece. Her practice moves between experimental electronic music, audiovisual performance, installations, and artistic research. Her work sits between concert space and club context, engaging with the cultures of live coding and Algorave while maintaining a strong connection to contemporary composition. Alongside her artistic work, she teaches and builds formats for collective learning around sound, code, and open technologies.

Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.

Julianne Aguilar is an artist and writer. Her art practice consists of turning w**d smoke into silly little websites. She’s inspired by HTML1, websites she loved as a kid but can’t remember the URL of, jpeg artifacts, Star Trek: Deep Space Nine, clear plastic electronics, the 1999 Nine Inch Nails masterpiece The Fragile, the Gateway Computers cow box, the empty world of Vana’diel, the groundbreaking 1996 first-person shooter Quake, the Buffalo Bills’ four consecutive Super Bowl losses, Usagi Tsukino’s tears, and her cat Toki. She has an MFA from the University of New Mexico, and has shown and published work in a variety of traditional and non-traditional spaces and platforms. She lives in Albuquerque, New Mexico, USA.

A MAZE. / Berlin – international Games and Playful Media Festival 13–16 May 2026Opening: 13 May, 8 PM▶️ https://2026.ama...
13/05/2026

A MAZE. / Berlin – international Games and Playful Media Festival
13–16 May 2026
Opening: 13 May, 8 PM

▶️ https://2026.amaze-berlin.de

A MAZE. / Berlin is back in 2026 for the 15th time, bringing together a worldwide community of arthouse game developers, artistic world builders, digital artists and playful media creators. 👾 From 13 to 16 May, the festival takes place in silent green, panke.gallery and Panke Club, HAU, transmediale studio, Urban Spree, and satellite locations across Berlin 🕹

Get your early bird tickets and save the dates for A MAZE. / Berlin 2026 on May 13 — 16, 2026.

∆ (delta), a work by Amanda E. Metzger, was presented in an exhibition that has just closed at panke.gallery and can sti...
30/04/2026

∆ (delta), a work by Amanda E. Metzger, was presented in an exhibition that has just closed at panke.gallery and can still be experienced anywhere with four or more people and a sufficiently large space:
https://delta.metzger.love
(please view this work on a mobile device)

∆ (delta) was developed as part of Connect, Arts at CERN's residency program in collaboration with Pro Helvetia.

📷 Galya Feierman

∆ (delta) – an exhibition by Amanda E. Metzger at panke.gallery 📌 open through 30 April · Wed–Thu, 15:00–19:00📷 Galya Fe...
28/04/2026

∆ (delta) – an exhibition by Amanda E. Metzger at panke.gallery 📌 open through 30 April · Wed–Thu, 15:00–19:00

📷 Galya Feierman

https://panke.gallery/exhibition/delta

𝚫 (delta) is developed as part of Connect, Arts at CERN's residency programme in collaboration with Pro Helvetia.

The exhibition examines the effects of data as abstraction and asks what the resulting difference (𝚫) between reality and its reconstruction produces: what is displaced, reduced, or rendered inaccessible in the process of making data and, in parallel, in the formation of personal memories. The web-based work thus also reflects on the original intention behind the World Wide Web, developed at the European Organization for Nuclear Research ( ): that data should be accessible to anyone from anywhere.

The guiding question structuring the work is based on the main experiments conducted at CERN: the recording of particle collisions in order to observe the fragments produced and to gain better insight into the creation of the universe. The challenge of recording these events and reconstructing them with sufficient precision for subsequent study is closely linked to the challenge of recording, mediating, and distributing memories. This forms a central concern within the practice of the artist Amanda E. Metzger, who, since 2022, has experimented with establishing a network of herself by initiating nodes in different cities across Europe, forming a "multi-bodymind". In this way, she attends events and collects these experiences, which serve as material for her output.

At CERN, rigorous processes are in place to collect data from particle collisions and to reconstruct it in order to understand what has occurred. From this perspective, attention turns to everything that is lost in this process and, given that particle physics still contains many unresolved problems, to everything that cannot be captured or reconstructed at all. In conversation with scientists working primarily on the algorithmic reconstruction of data, and in considering how perception shapes reality even at the level of particles, a further question emerges: to which reality does the collected data actually belong?

A big thank you to everyone for coming to the opening: ∆ (delta) – an exhibition by Amanda E. Metzger at panke.gallery, ...
25/04/2026

A big thank you to everyone for coming to the opening: ∆ (delta) – an exhibition by Amanda E. Metzger at panke.gallery, developed as part of Connect, Arts at CERN's residency programme in partnership with the Swiss Arts Council Pro Helvetia.

📷 Galya Feierman

🗓️ open through 30 April · Wed–Sat · 15:00–19:00

https://panke.gallery/exhibition/delta

∆ (delta) takes the form of a website for mobile phones, fully unfolding its soundscape only when visitors gather in a space together. The exhibition examines the effects of data as abstraction and asks what the resulting difference (𝚫) between reality and its reconstruction produces: what is displaced, reduced, or rendered inaccessible in the process of making data and, in parallel, in the formation of personal memories.

The guiding question structuring the work is based on the main experiments conducted at : the recording of particle collisions in order to observe the fragments produced and to gain better insight into the creation of the universe. The challenge of recording these events and reconstructing them with sufficient precision for subsequent study is closely linked to the challenge of recording, mediating, and distributing memories. This forms a central concern within the practice of the artist Amanda E. Metzger, who, since 2022, has experimented with establishing a network of herself by initiating nodes in different cities across Europe, forming a "multi-bodymind". In this way, she attends events and collects these experiences, which serve as material for her output.



Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. She is based in Basel, Berlin and Brussels.
https://amandaemetzger.net

∆ (delta) – an exhibition by Amanda E. MetzgerOpening: panke.gallery, Thursday, 23 April 2026, at 18:00 (guided tour of ...
18/04/2026

∆ (delta) – an exhibition by Amanda E. Metzger

Opening: panke.gallery, Thursday, 23 April 2026, at 18:00 (guided tour of the exhibition with the artist at 19:30)
https://panke.gallery/exhibition/delta

Exhibition: 23–30 April 2026
Open: Wed–Sat, 15:00–19:00

𝚫 (delta) is developed as part of Connect, Arts at CERN's residency programme in collaboration with Pro Helvetia and takes the form of a website for mobile phones, fully unfolding its soundscape only when visitors gather in a space together.

The exhibition examines the effects of data as abstraction and asks what the resulting difference (𝚫) between reality and its reconstruction produces: what is displaced, reduced, or rendered inaccessible in the process of making data and, in parallel, in the formation of personal memories. The web-based work thus also reflects on the original intention behind the World Wide Web, developed at the European Organization for Nuclear Research (CERN): that data should be accessible to anyone from anywhere.

The guiding question structuring the work is based on the main experiments conducted at CERN: the recording of particle collisions in order to observe the fragments produced and to gain better insight into the creation of the universe. The challenge of recording these events and reconstructing them with sufficient precision for subsequent study is closely linked to the challenge of recording, mediating, and distributing memories. This forms a central concern within the practice of the artist Amanda E. Metzger, who, since 2022, has experimented with establishing a network of herself by initiating nodes in different cities across Europe, forming a "multi-bodymind". In this way, she attends events and collects these experiences, which serve as material for her output.

At CERN, rigorous processes are in place to collect data from particle collisions and to reconstruct it in order to understand what has occurred. From this perspective, attention turns to everything that is lost in this process and, given that particle physics still contains many unresolved problems, to everything that cannot be captured or reconstructed at all. In conversation with scientists working primarily on the algorithmic reconstruction of data, and in considering how perception shapes reality even at the level of particles, a further question emerges: to which reality does the collected data actually belong?



Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.
https://amandaemetzger.net

'desktop documentary' - screening 01 2026📍 panke.gallery🗓️ Wednesday, 25 February 2026, 19:00 – 21:30https://panke.galle...
24/02/2026

'desktop documentary' - screening 01 2026

📍 panke.gallery
🗓️ Wednesday, 25 February 2026, 19:00 – 21:30

https://panke.gallery/event/panke-gallery-screening-01-2026

Coined by filmmaker and media researcher Kevin B. Lee, the 'desktop documentary' is a production method of audiovisual media that sources its footage directly from the internet. Through the use of screen capturing software, the computer screen functions as both camera and canvas. The format simultaneously depicts and interrogates the ways in which we interact with the internet and technology as a whole.

Join us on February 25th from 19:00 to 21:30, when we will screen a series of short desktop documentaries. The programme brings together works by international artists and filmmakers, presenting a range of approaches to the form, from personal narratives to critical reflections on online culture and surveillance.

"Watching The Pain of Others" by Lého Galibert-Laîné
"Transformers: The Premake" by Kevin B. Lee
"My Mulholland" by Jessica McGoff

Curated by Mezzy Shivers

Free entry. No booking required.

15 Years of Panke Culturehttps://pankeculture.com/programmeFriday, 27 February 2026In February 2011, Panke opened its do...
22/02/2026

15 Years of Panke Culture

https://pankeculture.com/programme
Friday, 27 February 2026

In February 2011, Panke opened its doors for the very first time. What started as a small independent space has grown into a vibrant platform for art, music, dialogue, and community.

February 27th, we celebrate 15 years of community building, cultural resistance, and a relentless contribution to Berlin's underground scene. Over the years, Panke and panke.gallery have become a home for artists, musicians, thinkers, neighbors, and friends a space where experimentation is encouraged, voices are amplified, and connections are created.

This anniversary is not only about looking back at what we've achieved together, but also about imagining what lies ahead. It's about everyone who has performed, exhibited, volunteered, collaborated, danced, supported, and believed in this space.

We warmly invite everyone who has been part of this journey and everyone who would like to be to join us for a special gathering. Let's celebrate the memories, the moments, the struggles, and the future we continue to build together.

Friday, 27 February 2026 · free entry for everyone

Come by, bring your friends, and celebrate 15 years of Panke with us. 💛

'desktop documentary' - screening 01 2026📍 panke.gallery🗓️ Wednesday, 25 February 2026, 19:00 – 21:30https://panke.galle...
18/02/2026

'desktop documentary' - screening 01 2026

📍 panke.gallery
🗓️ Wednesday, 25 February 2026, 19:00 – 21:30

https://panke.gallery/event/panke-gallery-screening-01-2026

Coined by filmmaker and media researcher Kevin B. Lee, the 'desktop documentary' is a production method of audiovisual media that sources its footage directly from the internet. Through the use of screen capturing software, the computer screen functions as both camera and canvas. The format simultaneously depicts and interrogates the ways in which we interact with the internet and technology as a whole.

Join us on February 25th from 19:00 to 21:30, when we will screen a series of short desktop documentaries. The programme brings together works by international artists and filmmakers, presenting a range of approaches to the form, from personal narratives to critical reflections on online culture and surveillance.

"Watching The Pain of Others" by Lého Galibert-Laîné
"Transformers: The Premake" by Kevin B. Lee
"My Mulholland" by Jessica McGoff

Curated by Mezzy Shivers

Free entry. No booking required.

Adresse

Gerichtstraße 23, Hof 5, Wedding
Berlin
13347

Öffnungszeiten

Mittwoch 15:00 - 19:00
Donnerstag 15:00 - 19:00
Freitag 15:00 - 19:00
Samstag 15:00 - 19:00

Webseite

https://www.youtube.com/@panke.gallery, https://tldr.nettime.org/@pankegallery, https://t.me/pan

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von panke.gallery erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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