16/02/2026
The documentation of our current show is now online—featuring works by Johannes Büttner and Catherina Cramer .
Catherina Cramer’s installations are worlds full of allusions and references; images, text, and sculpture intertwine. At the center of these scenarios,—somewhere between film, comic, and science fiction thriller—is the human body, which is absent as such. Cramer examines it as a carrier and embodiment of disease. In doing so, she does not explore medical norms, but rather the narratives to which they are subject.
In the video work L’ État, c’est moi (Engl.: “The state is me”), Johannes Büttner explores the founding of the anarcho-capitalist pseudo-state of the so�called “Free Republic of Liberland,” which exists both geographically—on a piece of no man’s land between Serbia and Croatia—and digitally in the metaverse. In the adjacent exhibition room, Johannes Büttner revisits the 1995 analog cyber attack by the group Keine Verbindung e.V., which disrupted Frankfurt Airport’s information network in protest against racist deportation policies. The work highlights the arbitrariness of state sovereignty and the persistence of isolation and deportation practices by returning the manifesto video to the institutional archive as both an act of remembrance and a form of disruption.
DISSOLUTIONS, Johannes Büttner, Catherina Cramer
On view until 10 May 2026
Opening hours:
Mon—Sun, 10 AM — 6 PM
DISSOLUTIONS is curated by Natalie Keppler & Agnieszka Roguski (Artistic Directors KRM).keppler
Photos:
Slides 1-4: Catherina Cramer, Indexical, 2026.
Slides 5, 6: Johannes Büttner, L’ État, c’ est moi, 2025/26.
Slides 7, 8: Johannes Büttner, How to get through, 1995/2025.
Slides 9, 10: DISSOLUTIONS—Johannes Büttner, Catherina Cramer. Installationsansicht, Kunst Raum Mitte, 2026.