S0MA, Eylauer Str. 9, Berlin (2026)

13/04/2026

𝘙𝘰𝘣𝘰𝘵𝘪𝘤 𝘈𝘵𝘦𝘭𝘪𝘦𝘳 𝘚𝘺𝘮𝘱𝘰𝘴𝘪𝘶𝘮 + 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘢𝘵 𝘎𝘰𝘭𝘥𝘴𝘮𝘪𝘵𝘩𝘴 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘪𝘵𝘺

We are pleased to share that the director of SOMA Art Berlin , will be joining the Robotic Atelier Symposium + Exhibition at Goldsmiths, University of London.

As part of our ongoing curatorial series Becoming Future, this contribution continues our focus on women’s and diverse perspectives within art and technology — exploring how bodies, systems, and identities are shaped through emerging technologies.

Bringing together artists, researchers, and practitioners working across robotics, AI, and machine-based art, the symposium reflects on new forms of collaboration between human creativity and intelligent systems.

𝗣𝗿𝗼𝗴𝗿𝗮𝗺
16 April — Exhibition private view (18:00–21:00)
17 April — Symposium (10:00–18:00) + exhibition tour
18–19 April — Live robotics & exhibition (10:00–18:00)

More information via link in bio.

We look forward to contributing to this exchange.

See you in London.

More info via the link in bio.

11/12/2025

𝔑𝔬𝔰𝔱𝔞𝔩𝔤𝔦𝔞 𝔦𝔰 𝔱𝔥𝔢 𝔈𝔵𝔱𝔢𝔫𝔡𝔢𝔡 𝔉𝔢𝔢𝔡𝔟𝔞𝔠𝔨
𝔍𝔬𝔞𝔮𝔲𝔦𝔫𝔞 𝔖𝔞𝔩𝔤𝔞𝔡𝔬 .s
𝔅𝔢𝔠𝔬𝔪𝔦𝔫𝔤 𝔉𝔲𝔱𝔲𝔯𝔢 11

As the concluding exhibition of Becoming Future, this project brings the two-year series full circle, returning to core questions of the program:
How do emerging media reshape our sense of self, memory, and possibility?
Whose visions of the future become visible?
And what forms of world-building can artists contribute in an era of accelerating technological change?

11/12/2025

𝙉𝙤𝙨𝙩𝙖𝙡𝙜𝙞𝙖 𝙞𝙨 𝙩𝙝𝙚 𝙀𝙭𝙩𝙚𝙣𝙙𝙚𝙙 𝙁𝙚𝙚𝙙𝙗𝙖𝙘𝙠
𝙅𝙤𝙖𝙦𝙪𝙞𝙣𝙖 𝙎𝙖𝙡𝙜𝙖𝙙𝙤 .s
𝘽𝙚𝙘𝙤𝙢𝙞𝙣𝙜 𝙁𝙪𝙩𝙪𝙧𝙚 𝟭𝟭

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗛𝗼𝘂𝗿𝘀
05–13.12.2025 · Wed–Sat, 2–6 pm

𝘚𝘵𝘦𝘱 𝘪𝘯𝘵𝘰 𝘢 𝘱𝘰𝘳𝘰𝘶𝘴 𝘥𝘳𝘦𝘢𝘮𝘴𝘤𝘢𝘱𝘦 —
𝘸𝘩𝘦𝘳𝘦 𝘥𝘢𝘵𝘢 𝘣𝘦𝘩𝘢𝘷𝘦𝘴 𝘭𝘪𝘬𝘦 𝘸𝘢𝘵𝘦𝘳,
𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘳𝘶𝘪𝘯𝘴 𝘨𝘭𝘪𝘯𝘵 𝘭𝘪𝘬𝘦 𝘧𝘳𝘢𝘨𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘶𝘯𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘥𝘳𝘦𝘢𝘮𝘴.

For the finale of Becoming Future 2024–25,
Joaquina Salgado unveils an immersive slow-game environment
where a lone character searches through submerged memory,
guided by glowing song-eggs that pulse with forgotten futures.

A world drifting between origin, myth, and digital feeling.

ғᴏʀ ᴛʜᴇ ᴄʟᴏsɪɴɢ ᴄʜᴀᴘᴛᴇʀ ᴏғ ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ 𝟸𝟶𝟸𝟺-𝟸𝟻, ᴊᴏᴀǫᴜɪɴᴀ sᴀʟɢᴀᴅᴏ ɪɴᴠɪᴛᴇs ᴜs ɪɴᴛᴏ ᴀ ʟᴜᴄɪᴅ, ғʟᴜɪᴅ ᴜɴɪᴠᴇʀsᴇ sʜᴀᴘᴇᴅ ʙʏ ᴅʀᴇᴀᴍᴄᴏʀᴇ ᴀᴛᴍᴏsᴘʜᴇʀᴇs, ᴠᴀᴘᴏʀ ɴᴏsᴛᴀʟɢɪᴀ, sʟᴏᴡ-ɢᴀᴍᴇ ɪᴍᴍᴇʀsɪᴏɴ, ᴀɴᴅ sᴜʙᴍᴇʀɢᴇᴅ ᴍᴇᴍᴏʀɪᴇs.
ᴀ ᴡᴏʀʟᴅ ᴡʜᴇʀᴇ ᴛɪᴍᴇ ғᴏʟᴅs ᴀɴᴅ ᴅɪɢɪᴛᴀʟ ғʀᴀɢᴍᴇɴᴛs ʀᴇᴛᴜʀɴ ʟɪᴋᴇ ᴇᴄʜᴏᴇs ᴏғ sᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ᴀʟᴍᴏsᴛ ʜᴀᴘᴘᴇɴᴇᴅ — ᴏʀ ɴᴇᴠᴇʀ ᴅɪᴅ.
ᴄʀᴇᴀᴛᴇᴅ ғʀᴏᴍ ᴛʜᴇ ɪᴍᴘᴜʟsᴇ ᴛᴏ ғɪɴᴅ ᴛʜᴇ ᴀʀᴛɪғɪᴄɪᴀʟ ʙʟᴜᴇ ᴡᴀᴠᴇ, ᴀɴᴅ ғʀᴏᴍ ᴛʜᴇ ᴡɪsʜ ɴᴏᴛ ᴛᴏ ᴡᴀɴᴅᴇʀ ᴀʟᴏɴᴇ, ᴛʜɪs ɴᴇᴡ ᴡᴏʀᴋ ᴇxᴘʟᴏʀᴇs ɴᴏsᴛᴀʟɢɪᴀ ɴᴏᴛ ᴏɴʟʏ ᴀs ᴀ ᴅᴇsɪʀᴇ ᴛᴏ ʀᴇᴛᴜʀɴ, ʙᴜᴛ ᴀs ᴀ ʏᴇᴀʀɴɪɴɢ ᴛᴏ sᴇᴀʀᴄʜ ғᴏʀ ᴀɴ ᴏʀɪɢɪɴ — ᴛʜᴇ ᴍᴇᴍᴏʀʏ ʙᴇғᴏʀᴇ ᴛʜᴇ ᴍᴇᴍᴏʀʏ.
ɪɴ ᴛʜɪs ɪᴍᴍᴇʀsɪᴠᴇ sʟᴏᴡ-ɢᴀᴍᴇ ᴇɴᴠɪʀᴏɴᴍᴇɴᴛ, ᴀ ᴄʜᴀʀᴀᴄᴛᴇʀ ᴡᴀᴋᴇs ɪɴsɪᴅᴇ ᴀ ғʟᴏᴏᴅᴇᴅ ᴡᴏʀʟᴅ.
ғʀᴀɢᴍᴇɴᴛs ᴏғ ᴀ sᴏɴɢ — ɢʜᴏsᴛs, ᴅʀᴇᴀᴍs, ʟᴀᴛᴇɴᴛ ᴘᴏssɪʙɪʟɪᴛɪᴇs — ᴀʀᴇ ʜɪᴅᴅᴇɴ ɪɴ ɢʟᴏᴡɪɴɢ ᴇɢɢs sᴄᴀᴛᴛᴇʀᴇᴅ ᴀᴄʀᴏss sʜɪғᴛɪɴɢ ᴅʀᴇᴀᴍsᴄᴀᴘᴇs.

ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ 𝟷𝟷

ᴄᴜʀᴀᴛᴇᴅ ʙʏ
sᴜᴘᴘᴏʀᴛᴇᴅ ʙʏ ᴛʜᴇ ʙᴇʀʟɪɴ sᴇɴᴀᴛᴇ ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ ғᴏʀ ᴄᴜʟᴛᴜʀᴇ ᴀɴᴅ sᴏᴄɪᴀʟ ᴄᴏʜᴇsɪᴏɴ

09/12/2025

𝙉𝙤𝙨𝙩𝙖𝙡𝙜𝙞𝙖 𝙞𝙨 𝙩𝙝𝙚 𝙀𝙭𝙩𝙚𝙣𝙙𝙚𝙙 𝙁𝙚𝙚𝙙𝙗𝙖𝙘𝙠
𝙅𝙤𝙖𝙦𝙪𝙞𝙣𝙖 𝙎𝙖𝙡𝙜𝙖𝙙𝙤 .s
𝘽𝙚𝙘𝙤𝙢𝙞𝙣𝙜 𝙁𝙪𝙩𝙪𝙧𝙚 𝟭𝟭

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗛𝗼𝘂𝗿𝘀
05–13.12.2025 · Wed–Sat, 2–6 pm

𝘚𝘵𝘦𝘱 𝘪𝘯𝘵𝘰 𝘢 𝘱𝘰𝘳𝘰𝘶𝘴 𝘥𝘳𝘦𝘢𝘮𝘴𝘤𝘢𝘱𝘦 —
𝘸𝘩𝘦𝘳𝘦 𝘥𝘢𝘵𝘢 𝘣𝘦𝘩𝘢𝘷𝘦𝘴 𝘭𝘪𝘬𝘦 𝘸𝘢𝘵𝘦𝘳,
𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘳𝘶𝘪𝘯𝘴 𝘨𝘭𝘪𝘯𝘵 𝘭𝘪𝘬𝘦 𝘧𝘳𝘢𝘨𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘶𝘯𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘥𝘳𝘦𝘢𝘮𝘴.

For the finale of Becoming Future 2024–25,
Joaquina Salgado unveils an immersive slow-game environment
where a lone character searches through submerged memory,
guided by glowing song-eggs that pulse with forgotten futures.

A world drifting between origin, myth, and digital feeling.

𝘚𝘢𝘭𝘨𝘢𝘥𝘰’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘮𝘰𝘷𝘦𝘴 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺, 𝘵𝘩𝘦 𝘣𝘰𝘥𝘺, 𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘵𝘰 𝘦𝘴𝘤𝘢𝘱𝘦 𝘪𝘯𝘵𝘰, 𝘵𝘰 𝘸𝘢𝘯𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩, 𝘵𝘰 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 — 𝘱𝘭𝘢𝘤𝘦𝘴 𝘸𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘢𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤𝘴 𝘰𝘧 𝘦𝘢𝘳𝘭𝘺 𝘰𝘯𝘭𝘪𝘯𝘦 𝘦𝘳𝘢𝘴 𝘮𝘦𝘦𝘵 𝘵𝘩𝘦 𝘧𝘳𝘢𝘨𝘪𝘭𝘦 𝘱𝘰𝘦𝘵𝘪𝘤𝘴 𝘰𝘧 𝘥𝘳𝘦𝘢𝘮𝘪𝘯𝘨.
𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘧𝘪𝘯𝘢𝘭 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘰𝘧 𝘰𝘶𝘳 𝘵𝘸𝘰-𝘺𝘦𝘢𝘳 𝘫𝘰𝘶𝘳𝘯𝘦𝘺.

𝘉𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘍𝘶𝘵𝘶𝘳𝘦 11
𝘊𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺 𝘕𝘢𝘣𝘪 𝘕𝘢𝘳𝘢
𝘚𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘉𝘦𝘳𝘭𝘪𝘯 𝘚𝘦𝘯𝘢𝘵𝘦 𝘋𝘦𝘱𝘢𝘳𝘵𝘮𝘦𝘯𝘵 𝘧𝘰𝘳 𝘊𝘶𝘭𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘚𝘰𝘤𝘪𝘢𝘭 𝘊𝘰𝘩𝘦𝘴𝘪𝘰𝘯

09/12/2025

𝙉𝙤𝙨𝙩𝙖𝙡𝙜𝙞𝙖 𝙞𝙨 𝙩𝙝𝙚 𝙀𝙭𝙩𝙚𝙣𝙙𝙚𝙙 𝙁𝙚𝙚𝙙𝙗𝙖𝙘𝙠
𝙅𝙤𝙖𝙦𝙪𝙞𝙣𝙖 𝙎𝙖𝙡𝙜𝙖𝙙𝙤 .s
𝘽𝙚𝙘𝙤𝙢𝙞𝙣𝙜 𝙁𝙪𝙩𝙪𝙧𝙚 𝟭𝟭

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗛𝗼𝘂𝗿𝘀
05–13.12.2025 · Wed–Sat, 2–6 pm

𝘚𝘵𝘦𝘱 𝘪𝘯𝘵𝘰 𝘢 𝘱𝘰𝘳𝘰𝘶𝘴 𝘥𝘳𝘦𝘢𝘮𝘴𝘤𝘢𝘱𝘦 —
𝘸𝘩𝘦𝘳𝘦 𝘥𝘢𝘵𝘢 𝘣𝘦𝘩𝘢𝘷𝘦𝘴 𝘭𝘪𝘬𝘦 𝘸𝘢𝘵𝘦𝘳,
𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘳𝘶𝘪𝘯𝘴 𝘨𝘭𝘪𝘯𝘵 𝘭𝘪𝘬𝘦 𝘧𝘳𝘢𝘨𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘶𝘯𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘥𝘳𝘦𝘢𝘮𝘴.

For the finale of Becoming Future 2024–25,
Joaquina Salgado unveils an immersive slow-game environment
where a lone character searches through submerged memory,
guided by glowing song-eggs that pulse with forgotten futures.

A world drifting between origin, myth, and digital feeling.

𝘚𝘢𝘭𝘨𝘢𝘥𝘰’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘮𝘰𝘷𝘦𝘴 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺, 𝘵𝘩𝘦 𝘣𝘰𝘥𝘺, 𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘵𝘰 𝘦𝘴𝘤𝘢𝘱𝘦 𝘪𝘯𝘵𝘰, 𝘵𝘰 𝘸𝘢𝘯𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩, 𝘵𝘰 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 — 𝘱𝘭𝘢𝘤𝘦𝘴 𝘸𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘢𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤𝘴 𝘰𝘧 𝘦𝘢𝘳𝘭𝘺 𝘰𝘯𝘭𝘪𝘯𝘦 𝘦𝘳𝘢𝘴 𝘮𝘦𝘦𝘵 𝘵𝘩𝘦 𝘧𝘳𝘢𝘨𝘪𝘭𝘦 𝘱𝘰𝘦𝘵𝘪𝘤𝘴 𝘰𝘧 𝘥𝘳𝘦𝘢𝘮𝘪𝘯𝘨.
𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘧𝘪𝘯𝘢𝘭 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘰𝘧 𝘰𝘶𝘳 𝘵𝘸𝘰-𝘺𝘦𝘢𝘳 𝘫𝘰𝘶𝘳𝘯𝘦𝘺.

𝘉𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘍𝘶𝘵𝘶𝘳𝘦 11
𝘊𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺 𝘕𝘢𝘣𝘪 𝘕𝘢𝘳𝘢
𝘚𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘉𝘦𝘳𝘭𝘪𝘯 𝘚𝘦𝘯𝘢𝘵𝘦 𝘋𝘦𝘱𝘢𝘳𝘵𝘮𝘦𝘯𝘵 𝘧𝘰𝘳 𝘊𝘶𝘭𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘚𝘰𝘤𝘪𝘢𝘭 𝘊𝘰𝘩𝘦𝘴𝘪𝘰𝘯

05/12/2025

𝗧𝗵𝗮𝗻𝗸 𝘆𝗼𝘂 𝗳𝗼𝗿 𝗮 𝗽𝗼𝘄𝗲𝗿𝗳𝘂𝗹 𝗼𝗽𝗲𝗻𝗶𝗻𝗴 𝗻𝗶𝗴𝗵𝘁 ✧

𝗕𝗲𝗰𝗼𝗺𝗶𝗻𝗴 𝗙𝘂𝘁𝘂𝗿𝗲 𝟭𝟭 — 𝗝𝗼𝗮𝗾𝘂𝗶𝗻𝗮 𝗦𝗮𝗹𝗴𝗮𝗱𝗼

ɴᴏsᴛᴀʟɢɪᴀ ɪs ᴛʜᴇ ᴇxᴛᴇɴᴅᴇᴅ ғᴇᴇᴅʙᴀᴄᴋ

ᴡᴇ ᴀʀᴇ ᴅᴇᴇᴘʟʏ ɢʀᴀᴛᴇғᴜʟ ᴛᴏ ᴇᴠᴇʀʏᴏɴᴇ ᴡʜᴏ ᴊᴏɪɴᴇᴅ ᴜs ғᴏʀ ᴛʜᴇ ᴏᴘᴇɴɪɴɢ ᴏғ ᴛʜᴇ ғɪɴᴀʟ ᴄʜᴀᴘᴛᴇʀ ᴏғ ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ 𝟸𝟶𝟸𝟺–𝟸𝟻.
ʏᴏᴜʀ ᴘʀᴇsᴇɴᴄᴇ, ᴄᴏɴᴠᴇʀsᴀᴛɪᴏɴs, ᴀɴᴅ ᴄᴜʀɪᴏsɪᴛʏ ᴛᴜʀɴᴇᴅ ᴛʜᴇ ᴇᴠᴇɴɪɴɢ ɪɴᴛᴏ ᴀ sʜᴀʀᴇᴅ ᴍᴏᴍᴇɴᴛ ᴏғ ʀᴇsᴏɴᴀɴᴄᴇ — ᴀ ʀᴇᴍɪɴᴅᴇʀ ᴏғ ᴡʜʏ ᴡᴇ ʙᴜɪʟᴅ ᴛʜᴇsᴇ sᴘᴀᴄᴇs ғᴏʀ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ᴛᴇᴄʜ ɴᴀʀʀᴀᴛɪᴠᴇs ɪɴ ᴛʜᴇ ғɪʀsᴛ ᴘʟᴀᴄᴇ.

ᴛʜɪs ʟᴀsᴛ ᴇxʜɪʙɪᴛɪᴏɴ ʙʀɪɴɢs ᴛᴏɢᴇᴛʜᴇʀ ᴇᴠᴇʀʏᴛʜɪɴɢ ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ sᴛᴀɴᴅs ғᴏʀ:
ᴡᴏᴍᴇɴ sʜᴀᴘɪɴɢ ᴛᴇᴄʜɴᴏʟᴏɢɪᴄᴀʟ ғᴜᴛᴜʀᴇs,
ᴅɪᴠᴇʀsᴇ ᴠᴏɪᴄᴇs ʀᴇᴅᴇғɪɴɪɴɢ ᴅɪɢɪᴛᴀʟ ɪᴍᴀɢɪɴᴀʀɪᴇs,
ᴀʀᴛ ᴛʜᴀᴛ ɪɴsɪsᴛs ᴏɴ ᴛᴇɴᴅᴇʀɴᴇss ᴡɪᴛʜɪɴ sʏsᴛᴇᴍs ʙᴜɪʟᴛ ᴏɴ ᴇғғɪᴄɪᴇɴᴄʏ,
ᴡᴏʀʟᴅs ᴄʀᴇᴀᴛᴇᴅ ғʀᴏᴍ ᴘᴇʀsᴘᴇᴄᴛɪᴠᴇs ᴛᴏᴏ ᴏғᴛᴇɴ ᴇxᴄʟᴜᴅᴇᴅ ғʀᴏᴍ ᴛᴇᴄʜ ᴅɪsᴄᴏᴜʀsᴇ.

ᴀ ʜᴇᴀʀᴛғᴇʟᴛ ᴛʜᴀɴᴋ ʏᴏᴜ ᴛᴏ ᴊᴏᴀǫᴜɪɴᴀ sᴀʟɢᴀᴅᴏ ғᴏʀ ᴏᴘᴇɴɪɴɢ ᴛʜɪs ᴅʀᴇᴀᴍʟɪᴋᴇ ᴛᴇʀʀᴀɪɴ ᴏғ ᴍᴇᴍᴏʀʏ, ᴡᴀᴛᴇʀ, ɴᴏsᴛᴀʟɢɪᴀ, ᴀɴᴅ sʟᴏᴡ-ɢᴀᴍᴇ ɪᴍᴍᴇʀsɪᴏɴ — ᴀ ᴡᴏʀʟᴅ ᴡʜᴇʀᴇ ᴅɪɢɪᴛᴀʟ ғʀᴀɢᴍᴇɴᴛs sʜɪᴍᴍᴇʀ ʟɪᴋᴇ ᴇᴄʜᴏᴇs ᴏғ sᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ᴀʟᴍᴏsᴛ ʜᴀᴘᴘᴇɴᴇᴅ, ᴏʀ ɴᴇᴠᴇʀ ᴅɪᴅ.

ᴀɴᴅ ᴛʜᴀɴᴋ ʏᴏᴜ ᴛᴏ ᴏᴜʀ ᴅᴊ ғᴏʀ sᴇɴᴅɪɴɢ ᴛʜᴇ ʀᴏᴏᴍ ɪɴᴛᴏ ɪᴛs ᴏᴡɴ sʜɪғᴛɪɴɢ ʀʜʏᴛʜᴍ — ᴀ sᴏɴɪᴄ ʟᴀɴᴅsᴄᴀᴘᴇ ᴛʜᴀᴛ ᴇxᴛᴇɴᴅᴇᴅ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ ɪɴᴛᴏ ᴀɴᴏᴛʜᴇʀ sᴇɴsᴏʀʏ ғᴏʀᴍ ᴏғ ʙᴇᴄᴏᴍɪɴɢ.

ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ ʜᴀs ʙᴇᴇɴ ᴀ ᴛᴡᴏ-ʏᴇᴀʀ ᴄᴏᴍᴍɪᴛᴍᴇɴᴛ ᴛᴏ ᴄʀᴇᴀᴛɪɴɢ ᴠɪsɪʙɪʟɪᴛʏ ғᴏʀ ᴀʀᴛɪsᴛs ᴡʜᴏ ᴄʜᴀʟʟᴇɴɢᴇ ᴅᴏᴍɪɴᴀɴᴛ ɴᴀʀʀᴀᴛɪᴠᴇs ɪɴ ᴛᴇᴄʜɴᴏʟᴏɢʏ — ᴇsᴘᴇᴄɪᴀʟʟʏ ᴡᴏᴍᴇɴ ᴀɴᴅ ᴀʀᴛɪsᴛs ᴡᴏʀᴋɪɴɢ ғʀᴏᴍ ᴅɪᴀsᴘᴏʀɪᴄ, ɴᴏɴ-ʜᴇɢᴇᴍᴏɴɪᴄ, ᴀɴᴅ ᴘᴏsᴛᴄᴏʟᴏɴɪᴀʟ ᴘᴇʀsᴘᴇᴄᴛɪᴠᴇs.
ᴛʜɪs ғɪɴᴀʟ ᴇxʜɪʙɪᴛɪᴏɴ ɪs ɴᴏᴛ ᴀɴ ᴇɴᴅɪɴɢ, ʙᴜᴛ ᴀɴᴏᴛʜᴇʀ ᴏᴘᴇɴɪɴɢ.

ᴛʜᴀɴᴋ ʏᴏᴜ ғᴏʀ ᴡᴀʟᴋɪɴɢ ᴛʜɪs ᴊᴏᴜʀɴᴇʏ ᴡɪᴛʜ ᴜs.
ᴡᴇ ᴄᴏɴᴛɪɴᴜᴇ.

𝗧𝗵𝗲 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗶𝘀 𝗼𝗽𝗲𝗻
05–13.12.2025
Wed–Sat, 14–18h
SOMA Art Berlin

Let’s keep exploring these worlds together.

27/11/2025

𝔑𝔬𝔰𝔱𝔞𝔩𝔤𝔦𝔞 𝔦𝔰 𝔱𝔥𝔢 𝔈𝔵𝔱𝔢𝔫𝔡𝔢𝔡 𝔉𝔢𝔢𝔡𝔟𝔞𝔠𝔨 s
𝔅𝔢𝔠𝔬𝔪𝔦𝔫𝔤 𝔉𝔲𝔱𝔲𝔯𝔢 11

σρєηιηg: 04.12.2025
Dj

sᴛᴇᴘ ɪɴᴛᴏ ᴀ ᴡᴏʀʟᴅ ᴡʜᴇʀᴇ ᴍᴇᴍᴏʀʏ ᴅɪssᴏʟᴠᴇs ɪɴᴛᴏ ᴡᴀᴛᴇʀ —
ᴡʜᴇʀᴇ ᴅɪɢɪᴛᴀʟ ʀᴜɪɴs sʜɪᴍᴍᴇʀ ʟɪᴋᴇ ғᴏʀɢᴏᴛᴛᴇɴ ᴅʀᴇᴀᴍs —
ᴡʜᴇʀᴇ ᴛʜᴇ ɪɴᴛᴇʀɴᴇᴛ ғᴇᴇʟs ʟɪᴋᴇ ᴀɴ ᴏᴄᴇᴀɴ ᴏғ ɢʜᴏsᴛs ᴡᴇ sᴛɪʟʟ ᴅʀɪғᴛ ᴛʜʀᴏᴜɢʜ.
ғᴏʀ ᴛʜᴇ ᴄʟᴏsɪɴɢ ᴄʜᴀᴘᴛᴇʀ ᴏғ ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ 𝟸𝟶𝟸𝟺-𝟸𝟻, ᴊᴏᴀǫᴜɪɴᴀ sᴀʟɢᴀᴅᴏ ɪɴᴠɪᴛᴇs ᴜs ɪɴᴛᴏ ᴀ ʟᴜᴄɪᴅ, ғʟᴜɪᴅ ᴜɴɪᴠᴇʀsᴇ sʜᴀᴘᴇᴅ ʙʏ ᴅʀᴇᴀᴍᴄᴏʀᴇ ᴀᴛᴍᴏsᴘʜᴇʀᴇs, ᴠᴀᴘᴏʀ ɴᴏsᴛᴀʟɢɪᴀ, sʟᴏᴡ-ɢᴀᴍᴇ ɪᴍᴍᴇʀsɪᴏɴ, ᴀɴᴅ sᴜʙᴍᴇʀɢᴇᴅ ᴍᴇᴍᴏʀɪᴇs.
ᴀ ᴡᴏʀʟᴅ ᴡʜᴇʀᴇ ᴛɪᴍᴇ ғᴏʟᴅs ᴀɴᴅ ᴅɪɢɪᴛᴀʟ ғʀᴀɢᴍᴇɴᴛs ʀᴇᴛᴜʀɴ ʟɪᴋᴇ ᴇᴄʜᴏᴇs ᴏғ sᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ᴀʟᴍᴏsᴛ ʜᴀᴘᴘᴇɴᴇᴅ — ᴏʀ ɴᴇᴠᴇʀ ᴅɪᴅ.
ᴄʀᴇᴀᴛᴇᴅ ғʀᴏᴍ ᴛʜᴇ ɪᴍᴘᴜʟsᴇ ᴛᴏ ғɪɴᴅ ᴛʜᴇ ᴀʀᴛɪғɪᴄɪᴀʟ ʙʟᴜᴇ ᴡᴀᴠᴇ, ᴀɴᴅ ғʀᴏᴍ ᴛʜᴇ ᴡɪsʜ ɴᴏᴛ ᴛᴏ ᴡᴀɴᴅᴇʀ ᴀʟᴏɴᴇ, ᴛʜɪs ɴᴇᴡ ᴡᴏʀᴋ ᴇxᴘʟᴏʀᴇs ɴᴏsᴛᴀʟɢɪᴀ ɴᴏᴛ ᴏɴʟʏ ᴀs ᴀ ᴅᴇsɪʀᴇ ᴛᴏ ʀᴇᴛᴜʀɴ, ʙᴜᴛ ᴀs ᴀ ʏᴇᴀʀɴɪɴɢ ᴛᴏ sᴇᴀʀᴄʜ ғᴏʀ ᴀɴ ᴏʀɪɢɪɴ — ᴛʜᴇ ᴍᴇᴍᴏʀʏ ʙᴇғᴏʀᴇ ᴛʜᴇ ᴍᴇᴍᴏʀʏ.
ɪɴ ᴛʜɪs ɪᴍᴍᴇʀsɪᴠᴇ sʟᴏᴡ-ɢᴀᴍᴇ ᴇɴᴠɪʀᴏɴᴍᴇɴᴛ, ᴀ ᴄʜᴀʀᴀᴄᴛᴇʀ ᴡᴀᴋᴇs ɪɴsɪᴅᴇ ᴀ ғʟᴏᴏᴅᴇᴅ ᴡᴏʀʟᴅ.
ғʀᴀɢᴍᴇɴᴛs ᴏғ ᴀ sᴏɴɢ — ɢʜᴏsᴛs, ᴅʀᴇᴀᴍs, ʟᴀᴛᴇɴᴛ ᴘᴏssɪʙɪʟɪᴛɪᴇs — ᴀʀᴇ ʜɪᴅᴅᴇɴ ɪɴ ɢʟᴏᴡɪɴɢ ᴇɢɢs sᴄᴀᴛᴛᴇʀᴇᴅ ᴀᴄʀᴏss sʜɪғᴛɪɴɢ ᴅʀᴇᴀᴍsᴄᴀᴘᴇs.
ᴇᴀᴄʜ ᴇɢɢ ʜᴏʟᴅs ᴀ ᴡᴏʀʟᴅ ᴡᴀɪᴛɪɴɢ ᴛᴏ ʙᴇ ʀᴇʙᴏʀɴ.
ᴇᴀᴄʜ ᴡᴏʀʟᴅ ʙᴇᴄᴏᴍᴇs ᴀ ᴘᴏʀᴛᴀʟ ɪɴᴛᴏ ᴛʜᴇ ᴜɴᴄᴏɴsᴄɪᴏᴜs ᴏғ ᴛʜᴇ ɪɴᴛᴇʀɴᴇᴛ — ᴀ ᴘʟᴀᴄᴇ ᴡʜᴇʀᴇ ᴅɪɢɪᴛᴀʟ sᴇɴsᴀᴛɪᴏɴs ғᴇᴇʟ ʟɪᴋᴇ ᴛɪᴅᴇs, ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴs ᴜɴғᴏʟᴅ ɪɴ ʟɪǫᴜɪᴅ ᴛɪᴍᴇ.
sᴀʟɢᴀᴅᴏ’s ᴘʀᴀᴄᴛɪᴄᴇ ᴍᴏᴠᴇs ʙᴇᴛᴡᴇᴇɴ ᴛᴇᴄʜɴᴏʟᴏɢʏ, ᴛʜᴇ ʙᴏᴅʏ, ᴀɴᴅ ᴅɪɢɪᴛᴀʟ ᴄᴏɴsᴄɪᴏᴜsɴᴇss, ʙᴜɪʟᴅɪɴɢ ᴡᴏʀʟᴅs ᴛᴏ ᴇsᴄᴀᴘᴇ ɪɴᴛᴏ, ᴛᴏ ᴡᴀɴᴅᴇʀ ᴛʜʀᴏᴜɢʜ, ᴛᴏ ʀᴇᴍᴇᴍʙᴇʀ — ᴘʟᴀᴄᴇs ᴡʜᴇʀᴇ ᴛʜᴇ ᴀᴇsᴛʜᴇᴛɪᴄs ᴏғ ᴇᴀʀʟʏ ᴏɴʟɪɴᴇ ᴇʀᴀs ᴍᴇᴇᴛ ᴛʜᴇ ғʀᴀɢɪʟᴇ ᴘᴏᴇᴛɪᴄs ᴏғ ᴅʀᴇᴀᴍɪɴɢ.
ᴛʜɪs ɪs ᴛʜᴇ ғɪɴᴀʟ ᴇxʜɪʙɪᴛɪᴏɴ ᴏғ ᴏᴜʀ ᴛᴡᴏ-ʏᴇᴀʀ ᴊᴏᴜʀɴᴇʏ.
ᴀɴᴅ ᴡᴇ ᴄᴇʟᴇʙʀᴀᴛᴇ ɪᴛ ᴛᴏɢᴇᴛʜᴇʀ —
ᴡɪᴛʜ sᴏᴜɴᴅ, ᴅᴇᴘᴛʜ, ᴀɴᴅ ғᴜᴛᴜʀᴇ ᴍʏᴛʜᴏʟᴏɢɪᴇs.
ʙᴇᴄᴏᴍɪɴɢ ғᴜᴛᴜʀᴇ 𝟷𝟷
ᴄᴜʀᴀᴛᴇᴅ ʙʏ ɴᴀʙɪ ɴᴀʀᴀ
sᴜᴘᴘᴏʀᴛᴇᴅ ʙʏ ᴛʜᴇ ʙᴇʀʟɪɴ sᴇɴᴀᴛᴇ ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ ғᴏʀ ᴄᴜʟᴛᴜʀᴇ ᴀɴᴅ sᴏᴄɪᴀʟ ᴄᴏʜᴇsɪᴏɴ.

21/11/2025

.𝙍𝙚𝙝𝙪𝙢𝙖𝙣, 𝘾𝙮𝙗𝙤𝙧𝙜 minu
𝘽𝙚𝙘𝙤𝙢𝙞𝙣𝙜 𝙁𝙪𝙩𝙪𝙧𝙚 𝟭𝟬

14-23.11.25
2-6pm berlin

For the past five years, Minu Park has been shaping her ongoing Cyborg Series — kinetic bodies that exist between machine and organism, presence and absence.
Her cyborgs 𝙩𝙧𝙚𝙢𝙗𝙡𝙚, 𝙝𝙪𝙢, and 𝙧𝙚𝙖𝙘𝙝 𝙛𝙤𝙧 𝙘𝙤𝙣𝙩𝙖𝙘𝙩, echoing the artist’s experience as an Asian immigrant navigating systems that mark her as “other.”

Blending mechanical rhythm with emotional resonance, Park reimagines the cyborg not as a cold machine, but as a tender companion — a being searching for connection in a technologically intimate world.

Becoming Future is a platform for artists who challenge dominant techno-narratives and reimagine how we coexist with machines, systems, and digital ecologies.
Each exhibition unfolds a new way of seeing, sensing, and envisioning tomorrow.
This is the 10th chapter of the series.

Curator
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20/11/2025

.𝗥𝗲𝗵𝘂𝗺𝗮𝗻, 𝗖𝘆𝗯𝗼𝗿𝗴
𝗠𝗶𝗻𝘂 𝗣𝗮𝗿𝗸
𝗕𝗲𝗰𝗼𝗺𝗶𝗻𝗴 𝗙𝘂𝘁𝘂𝗿𝗲 𝟭𝟬

２－６ＰＭＷＥＤ．－ＳＡＴ．
１４．１１－２３．１１．２０２５

Cyborg 4
“𝑨𝒔 𝒂 𝒅𝒆𝒆𝒓 𝒆𝒔𝒄𝒂𝒑𝒆𝒔 𝒕𝒉𝒆 𝒉𝒂𝒏𝒅𝒔 𝒐𝒇 𝒂 𝒉𝒖𝒏𝒕𝒆𝒓, 𝒂𝒏𝒅 𝒂 𝒃𝒊𝒓𝒅 𝒆𝒔𝒄𝒂𝒑𝒆𝒔 𝒕𝒉𝒆 𝒉𝒂𝒏𝒅𝒔 𝒐𝒇 𝒂 𝒏𝒆𝒕-𝒎𝒂𝒌𝒆𝒓, 𝒔𝒂𝒗𝒆 𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇.”
𝒊𝒔 𝒂𝒕𝒕𝒓𝒊𝒃𝒖𝒕𝒆𝒅 𝒕𝒐 𝑳𝒆𝒆 𝑾𝒐𝒐‑𝒋𝒊𝒏 𝒊𝒏 𝒕𝒉𝒆 𝒇𝒊𝒍𝒎 𝑶𝒍𝒅𝒃𝒐𝒚 (2003).

„𝑾𝒊𝒆 𝒆𝒊𝒏 𝑹𝒆𝒉, 𝒅𝒂𝒔 𝒅𝒆𝒓 𝑯𝒂𝒏𝒅 𝒅𝒆𝒔 𝑱ä𝒈𝒆𝒓𝒔 𝒆𝒏𝒕𝒌𝒐𝒎𝒎𝒕,
𝒘𝒊𝒆 𝒆𝒊𝒏 𝑽𝒐𝒈𝒆𝒍, 𝒅𝒆𝒓 𝒂𝒖𝒔 𝒅𝒆𝒎 𝑵𝒆𝒕𝒛 𝒅𝒆𝒔 𝑭ä𝒏𝒈𝒆𝒓𝒔 𝒆𝒏𝒕𝒔𝒄𝒉𝒍ü𝒑𝒇𝒕 — 𝒓𝒆𝒕𝒕𝒆 𝒅𝒊𝒄𝒉 𝒔𝒆𝒍𝒃𝒔𝒕.“
— 𝒂𝒖𝒔 𝒅𝒆𝒎 𝑭𝒊𝒍𝒎 𝑶𝒍𝒅𝒃𝒐𝒚 (2003)

18/11/2025

With Rehuman, Cyborg — the 10th solo exhibition in the Becoming Future series — Minu Park invites us to rethink our bodies in a world where machines mirror our anxieties, gestures, and desires.
Each chapter of Becoming Future is a reminder that the future of tech must be inclusive, sensorial, and emotionally intelligent.
Curated by Nabi Nara and supported with the kind funding of the Berlin Senate Department for Culture and Social Cohesion, the project continues to expand its commitment to diverse voices re-shaping the technological horizon.

Becoming Future has always asked one simple question: Who gets to shape tomorrow’s technologies?
In a world guided by AI systems, automated decisions, and machine-driven realities, we are reminded daily how urgently we need diverse voices, slow thinking, and human intuition at the center of technological change.
This project brings together artists who challenge dominant narratives — who rewrite, reclaim, and soften the edges of a tech world that often forgets the bodies, histories, and emotions it impacts.
Every exhibition is a reminder that the future is not something given to us; it is something we actively imagine, negotiate, and build through care, resistance, and shared curiosity.
And as we continue this journey, Becoming Future remains a space for new visions — tender, radical, and fiercely human — in the midst of our rapidly shifting technological era.

10/11/2025

𝙍𝙚𝙝𝙪𝙢𝙖𝙣, 𝘾𝙮𝙗𝙤𝙧𝙜

𝙈𝙞𝙣𝙪 𝙋𝙖𝙧𝙠

𝙤𝙥𝙚𝙣𝙞𝙣𝙜 7𝙥𝙢 14.11.2025
𝙎𝙤𝙢𝙖 𝘼𝙧𝙩 𝘽𝙚𝙧𝙡𝙞𝙣

𝙼𝚒𝚗𝚞 𝙿𝚊𝚛𝚔’𝚜 𝚙𝚛𝚊𝚌𝚝𝚒𝚌𝚎 𝚖𝚘𝚟𝚎𝚜 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚑𝚎 𝚜𝚞𝚋𝚝𝚕𝚎 𝚝𝚑𝚛𝚎𝚜𝚑𝚘𝚕𝚍 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚌𝚘𝚗𝚜𝚌𝚒𝚘𝚞𝚜𝚗𝚎𝚜𝚜 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚜𝚞𝚋𝚌𝚘𝚗𝚜𝚌𝚒𝚘𝚞𝚜 — 𝚊 𝚜𝚙𝚊𝚌𝚎 𝚠𝚑𝚎𝚛𝚎 𝚝𝚑𝚎 𝚑𝚞𝚖𝚊𝚗 𝚖𝚒𝚗𝚍 𝚋𝚎𝚐𝚒𝚗𝚜 𝚝𝚘 𝚖𝚎𝚛𝚐𝚎 𝚠𝚒𝚝𝚑 𝚖𝚎𝚌𝚑𝚊𝚗𝚒𝚌𝚊𝚕 𝚖𝚎𝚖𝚘𝚛𝚢. 𝙷𝚎𝚛 𝚠𝚘𝚛𝚔 𝚎𝚡𝚙𝚕𝚘𝚛𝚎𝚜 𝚑𝚘𝚠 𝚖𝚘𝚟𝚎𝚖𝚎𝚗𝚝, 𝚝𝚒𝚖𝚎, 𝚊𝚗𝚍 𝚜𝚎𝚗𝚜𝚘𝚛𝚢 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚛𝚎𝚟𝚎𝚊𝚕 𝚠𝚑𝚊𝚝 𝚕𝚒𝚎𝚜 𝚋𝚎𝚗𝚎𝚊𝚝𝚑 𝚙𝚎𝚛𝚌𝚎𝚙𝚝𝚒𝚘𝚗.

𝚃𝚑𝚛𝚘𝚞𝚐𝚑 𝚔𝚒𝚗𝚎𝚝𝚒𝚌 𝚒𝚗𝚜𝚝𝚊𝚕𝚕𝚊𝚝𝚒𝚘𝚗𝚜 𝚊𝚗𝚍 𝚟𝚒𝚍𝚎𝚘-𝚋𝚊𝚜𝚎𝚍 𝚎𝚗𝚟𝚒𝚛𝚘𝚗𝚖𝚎𝚗𝚝𝚜, 𝙿𝚊𝚛𝚔 𝚌𝚛𝚎𝚊𝚝𝚎𝚜 𝚒𝚖𝚖𝚎𝚛𝚜𝚒𝚟𝚎 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚝𝚑𝚊𝚝 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗 𝚠𝚑𝚊𝚝 𝚒𝚝 𝚖𝚎𝚊𝚗𝚜 𝚝𝚘 𝚏𝚎𝚎𝚕, 𝚝𝚘 𝚝𝚑𝚒𝚗𝚔, 𝚊𝚗𝚍 𝚝𝚘 𝚎𝚡𝚒𝚜𝚝 𝚒𝚗 𝚊 𝚠𝚘𝚛𝚕𝚍 𝚒𝚗𝚌𝚛𝚎𝚊𝚜𝚒𝚗𝚐𝚕𝚢 𝚜𝚑𝚊𝚛𝚎𝚍 𝚠𝚒𝚝𝚑 𝚒𝚗𝚝𝚎𝚕𝚕𝚒𝚐𝚎𝚗𝚝 𝚜𝚢𝚜𝚝𝚎𝚖𝚜. 𝙷𝚎𝚛 𝚊𝚛𝚝𝚒𝚜𝚝𝚒𝚌 𝚕𝚊𝚗𝚐𝚞𝚊𝚐𝚎 𝚌𝚘𝚖𝚋𝚒𝚗𝚎𝚜 𝚝𝚎𝚌𝚑𝚗𝚘𝚕𝚘𝚐𝚒𝚌𝚊𝚕 𝚙𝚛𝚎𝚌𝚒𝚜𝚒𝚘𝚗 𝚠𝚒𝚝𝚑 𝚙𝚘𝚎𝚝𝚒𝚌 𝚛𝚎𝚏𝚕𝚎𝚌𝚝𝚒𝚘𝚗, 𝚒𝚗𝚟𝚒𝚝𝚒𝚗𝚐 𝚟𝚒𝚎𝚠𝚎𝚛𝚜 𝚝𝚘 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚝𝚑𝚎 𝚋𝚘𝚍𝚢 𝚊𝚜 𝚋𝚘𝚝𝚑 𝚋𝚒𝚘𝚕𝚘𝚐𝚒𝚌𝚊𝚕 𝚊𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕 — 𝚊𝚜 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚒𝚗 𝚌𝚘𝚗𝚝𝚒𝚗𝚞𝚘𝚞𝚜 𝚝𝚛𝚊𝚗𝚜𝚏𝚘𝚛𝚖𝚊𝚝𝚒𝚘𝚗.
𝚁𝚎𝚑𝚞𝚖𝚊𝚗, 𝙲𝚢𝚋𝚘𝚛𝚐 𝚛𝚎𝚏𝚕𝚎𝚌𝚝𝚜 𝚘𝚗 𝚑𝚘𝚠 𝚝𝚎𝚌𝚑𝚗𝚘𝚕𝚘𝚐𝚢 𝚗𝚘𝚝 𝚘𝚗𝚕𝚢 𝚎𝚡𝚝𝚎𝚗𝚍𝚜 𝚝𝚑𝚎 𝚋𝚘𝚍𝚢 𝚋𝚞𝚝 𝚊𝚕𝚜𝚘 𝚖𝚒𝚛𝚛𝚘𝚛𝚜 𝚒𝚝𝚜 𝚒𝚗𝚗𝚎𝚛 𝚛𝚑𝚢𝚝𝚑𝚖𝚜 𝚊𝚗𝚍 𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚊𝚕 𝚏𝚛𝚊𝚐𝚒𝚕𝚒𝚝𝚢.

𝙿𝚊𝚛𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚝𝚠𝚘-𝚢𝚎𝚊𝚛 𝚎𝚡𝚑𝚒𝚋𝚒𝚝𝚒𝚘𝚗 𝚜𝚎𝚛𝚒𝚎𝚜 𝙱𝚎𝚌𝚘𝚖𝚒𝚗𝚐 𝙵𝚞𝚝𝚞𝚛𝚎, 𝚌𝚞𝚛𝚊𝚝𝚎𝚍 𝚋𝚢 𝙽𝚊𝚋𝚒 𝙽𝚊𝚛𝚊 𝚊𝚗𝚍 𝚜𝚞𝚙𝚙𝚘𝚛𝚝𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝙱𝚎𝚛𝚕𝚒𝚗 𝚂𝚎𝚗𝚊𝚝𝚎 𝙳𝚎𝚙𝚊𝚛𝚝𝚖𝚎𝚗𝚝 𝚏𝚘𝚛 𝙲𝚞𝚕𝚝𝚞𝚛𝚎 𝚊𝚗𝚍 𝚂𝚘𝚌𝚒𝚊𝚕 𝙲𝚘𝚑𝚎𝚜𝚒𝚘𝚗.

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