ZUBEK GALLERY

ZUBEK GALLERY The ZUBEK GALLERY specialises in traditional
Arts from sub-Saharan Africa and Southeast Asia.

Chekoua — Butter churn vesselBaratte à beurre · Jbalà region, north-west MoroccoEarly to mid 20th century (or older) Lar...
01/06/2026

Chekoua — Butter churn vessel
Baratte à beurre · Jbalà region, north-west Morocco
Early to mid 20th century (or older)

Large ceramic vessel in the characteristic double-gourd form of the traditional Chekoua (Arabic: الشكوة), a vessel type originally fashioned from dried calabash gourds. The vessel was used to produce butter and buttermilk (lben) by suspending it from a wooden tripod and setting it in a rocking motion. Two small loop handles at the shoulder served for attachment with ropes. The funnel neck is painted with geometric signs in blue-black — motifs rooted in Berber tradition that functioned as apotropaic symbols to protect the contents. The coarse, unglazed clay with its uneven fire patina is characteristic of the pottery tradition of the Rif and Jbalà region, practised exclusively by women, in which vessels were fired in the open air without a kiln.

The matte, unglazed surface identifies this piece as an authentic everyday object of rural Berber culture — in contrast to later, glazed variants produced for the market. A scholarly article on the Chekoua appeared as early as 1918 in the "Bulletin de la Société préhistorique de France", underlining the ethnographic significance of this vessel type.

H: 48 cm

Provenance:
Pierre Loos, Brüssel
Nina & Henricus Simonis, Düsseldorf

Zubek Gallery last Saturday. 🥂 Thank you for coming!
13/05/2026

Zubek Gallery last Saturday. 🥂 Thank you for coming!

Am 9. Mai ab 17:00 Uhr gibt es Neuzugänge bei uns zu entdecken – und ein Glas Wein dazu. 🍷
05/05/2026

Am 9. Mai ab 17:00 Uhr gibt es Neuzugänge bei uns zu entdecken – und ein Glas Wein dazu. 🍷

Hwé Li – Family Post of the Fon People, / Beninearly 20th centuryThese posts, carved from wood, belong to the spiritual ...
04/05/2026

Hwé Li – Family Post of the Fon People, / Benin
early 20th century

These posts, carved from wood, belong to the spiritual practice of the Fon, the largest ethnic group in Benin, whose belief system – Vodun (known in the West as Voodoo) – closely interweaves ancestor worship, protective magic, and the spirit world. The abstract, anthropomorphic form embodies spiritual force – not likeness, but essence.
The name says it all: Hwé means house, Li means path – the Hwé Li is literally the guardian of the threshold. The shaft was driven into the ground before the front door; the U-shaped crown and the powerful spherical body give this post a commanding, almost monumental presence – even in its fragmentary state. Every inhabitant had to step over the post – whoever entered the house with ill intentions or broken promises would, so the belief goes, be recognized and judged by the Hwé Li.
The deep erosion of the wood bears witness to years of ritual use and great age: offerings and libations kept the connection to the world of the deceased alive. What remains is a fragment – yet one of remarkable sculptural strength.

H: 70 cm

Provenance:
Ann de Pauw & Luc Huysveld, Belgium

Hwé Li – Family Post of the Fon People, / Beninearly 20th centuryThese posts, carved from wood, belong to the spiritual ...
02/05/2026

Hwé Li – Family Post of the Fon People, / Benin
early 20th century

These posts, carved from wood, belong to the spiritual practice of the Fon, the largest ethnic group in Benin, whose belief system – Vodun (known in the West as Voodoo) – closely interweaves ancestor worship, protective magic, and the spirit world. The abstract, anthropomorphic form embodies spiritual force – not likeness, but essence.
The name says it all: Hwé means house, Li means path – the Hwé Li is literally the guardian of the threshold. The shaft was driven into the ground before the front door; the V-shaped, upward-reaching crown gives this post a particularly powerful, almost totemic presence. Every inhabitant had to step over the post – whoever entered the house with ill intentions or broken promises would, so the belief goes, be recognized and judged by the Hwé Li.
The deep weathering and erosion of the wood bear witness to years of ritual use and great age: offerings and libations kept the connection to the world of the deceased alive.

H: 110 cm

Provenance:
Ann de Pauw & Luc Huysveld, Belgium

Hwé Li – Family Post of the Fon People, / Benin19th- early 20th centuryThese posts, carved from hardwood, belong to the ...
01/05/2026

Hwé Li – Family Post of the Fon People, / Benin
19th- early 20th century

These posts, carved from hardwood, belong to the spiritual practice of the Fon, the largest ethnic group in Benin, whose belief system – Vodun (known in the West as Voodoo) – closely interweaves ancestor worship, protective magic, and the spirit world. The abstract, anthropomorphic form embodies spiritual force – not likeness, but essence.
The name says it all: Hwé means house, Li means path – the Hwé Li is literally the guardian of the threshold. The pointed shaft of iron wood was driven into the ground before the front door; the iron blade at the upper end crowns the object like a watchful head. Every inhabitant had to step over the post – whoever entered the house with ill intentions or broken promises would, so the belief goes, be recognized and judged by the Hwé Li.
The dark patina and the weathering of the so-called "iron wood" bear witness to years of ritual use and great age: offerings and libations kept the connection to the world of the deceased alive.

H: 108 cm

Provenance:
Ann de Pauw & Luc Huysveld, Belgium

EWE / ADJA Vodun TerracottaGhana / Togo / Benin regionVodun (voodoo) is the ancient West African belief in a magical for...
26/04/2026

EWE / ADJA Vodun Terracotta
Ghana / Togo / Benin region

Vodun (voodoo) is the ancient West African belief in a magical force that governs our earthly existence. It is a world where clay ritual pots and figures have the power to attract gods, goddesses, ancestors, and spirits. Ceramics and pottery play a significant role in visually expressing Vodun.

This presented terracotta votive figure of the Ewe or Adja peoples depicts a multi-headed deity rising from the coiled body of a serpent. One arm is raised with a large, open hand — a gesture of protection and command against malevolent forces. The tripartite heads suggest the deity's omniscient presence across the worlds of the living, the ancestors, and the spirits.
The encircling serpent at the base places this figure within the Dan/Dangbe tradition, the cosmic snake whose coiled form embodies primordial energy and continuity. Traces of white kaolin on the surface bear witness to sustained ritual use, marking this object as a once-living vessel of spiritual power.

H: 25cm

Provenance:
Privat Collection, The Netherlands

BAULE Figure / Ivory Coast19th centuryH:  38 cm Provenance:Adrian Schlag, Brussels, BelgiumGerman Private CollectionThe ...
23/03/2026

BAULE Figure / Ivory Coast
19th century

H: 38 cm

Provenance:

Adrian Schlag, Brussels, Belgium
German Private Collection

The Baule people believe that every married adult, whether male or female, has a “spirit spouse.” A man has a “spiritual wife,” called blolo bla, while a woman has a “spiritual husband,” called blolo bian. These invisible spirits are thought to live in the afterlife, in the spirit world, or in the “bush.” Baule carvers represent them as small sculptures, which are kept by their owners in their bedrooms. It is possible to communicate with these “spirit spouses” (through such figures), ask them for advice, and discuss problems.
The present figure is carved from hard wood. It displays all the characteristic features of Baule style.
Overall, this is an excellent figure of the Baule people, with a fine, aged patina from long use.

BAULE FIGURE (Blolobian)  / Ivory Coastlate 19th – early 20 th centuryHeight: 48 cmProvenance:�Maria Wyss, Basel, Switze...
21/03/2026

BAULE FIGURE (Blolobian) / Ivory Coast

late 19th – early 20 th century

Height: 48 cm

Provenance:
�Maria Wyss, Basel, Switzerland
Adrian Schlag, Brussels, Belgium

The Baule people believe that every married adult, whether male or female, has a “spirit spouse.” A man has a “spiritual wife,” called blolo bla, while a woman has a “spiritual husband,” called blolo bian. These invisible spirits are thought to live in the afterlife, in the spirit world, or in the “bush.” Baule carvers represent them as small sculptures, which are kept by their owners in their bedrooms. It is possible to communicate with these “spirit spouses” (through such figures), ask them for advice, and discuss problems.
The present typical male blolo bian figure is carved from hard wood. It displays all the characteristic features of Baule style: a finely detailed hairstyle with three hair combs on each side, large eyes with highly arched eyebrows, small round ears, a flat, elongated nose, and a small mouth, as well as scarification marks typical of the culture.
A crack runs from the back right side of the head down to the neck; another is located along the middle of the spine. Aside from surface wear and color scuffing consistent with age and use, there is no further damage. Overall, this is an excellent blolo bian figure of the Baule people, with a fine, aged patina from long use.

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