Melike Bilir

Melike Bilir Galerie für zeitgenössische Kunst -- Contemporary Art Gallery -- Hamburg, Germany.

   Katja Pilipenko  — In the New Art Section, curated by Övül Ö. Durmuşoğlu, Galerie  (Hamburg) highlights a solo booth ...
28/03/2026

Katja Pilipenko — In the New Art Section, curated by Övül Ö. Durmuşoğlu, Galerie (Hamburg) highlights a solo booth with works by Katja Pilipenko. including her drawing series „The Other Russia“. For these works, Pilipenko appropriates the covers of popadantsy books, a post Soviet literary genre in which protagonists travel back in time to change the course of history. These stories often reflect dissatisfaction with the country’s past and fantasies of Soviet or imperial restoration. Pilipenko redraws the often kitschy and violent book covers and combines them with canonical Russian anti war poetry, widely known as part of a shared cultural memory for those for whom war is fundamentally unacceptable. By bringing these elements together, her drawings confront two conflicting imaginaries of history and war within Russian society, exposing a deep social division. Pilipenko is an artist from Moscow, based in Hamburg, whose practice is shaped by Russia’s transition from post-Soviet democracy to an authoritarian media regime. In her work, she examines how our understanding of reality is shaped by media, language and image-making, and how myths and ideologies take shape within politics and society. Working across installation, video, printmaking, and sculpture, she investigates how power and control operate through technologies, narratives, and collective practices. Explore more work from the booth in the online catalogue on : catalog.galleryviewer.com [link in our bio].

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔Sculpture Park𝐒𝐭𝐮𝐝𝐢𝐨 𝐂.𝐀.𝐑.𝐄.Sebastian Kubersky & Christine van MeegenInstallation Details 𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 ...
28/03/2026

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔
Sculpture Park
𝐒𝐭𝐮𝐝𝐢𝐨 𝐂.𝐀.𝐑.𝐄.
Sebastian Kubersky & Christine van Meegen

Installation Details 𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 𝙎𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 🧩

𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 𝙎𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 is a site specific mixed media installation that invites visitors to step inside and become part of the work. Nothing is fixed. Everything can be touched and moved. Visitors can change positions of objects and the colour of the light. The sculpture changes through interaction and remains in constant transformation.

care.rotterdam


📸

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔Booth L2 / New Art Section 
𝐊𝐚𝐭𝐣𝐚 𝐏𝐢𝐥𝐢𝐩𝐞𝐧𝐤𝐨Artist Talk with Curator Övül Ö. Durmuşoğlu and Katja Pilip...
28/03/2026

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔
Booth L2 / New Art Section 
𝐊𝐚𝐭𝐣𝐚 𝐏𝐢𝐥𝐢𝐩𝐞𝐧𝐤𝐨

Artist Talk with Curator Övül Ö. Durmuşoğlu and Katja Pilipenko.





The New Art Section was curated by
📸

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔Sculpture Park𝐒𝐭𝐮𝐝𝐢𝐨 𝐂.𝐀.𝐑.𝐄.Sebastian Kubersky & Christine van Meegen𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 𝙎𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 is a site s...
27/03/2026

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔
Sculpture Park
𝐒𝐭𝐮𝐝𝐢𝐨 𝐂.𝐀.𝐑.𝐄.
Sebastian Kubersky & Christine van Meegen

𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 𝙎𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 is a site specific mixed media installation that invites visitors to step inside and become part of the work. Nothing is fixed. Everything can be touched and moved. Visitors can change positions of objects and the colour of the light. The sculpture changes through interaction and remains in constant transformation.

The work focuses on time and shared creation. It understands culture as a collective process shaped by many people instead of the idea of the single artistic genius.

𝘾.𝘼.𝙍.𝙀. stands for Catastrophe, Analysis, Relation and Environment. These ideas shape the studio’s way of working and their interest in systems, connections and the conditions that shape how we live and create.

𝙄𝙢𝙥𝙤𝙨𝙨𝙞𝙗𝙡𝙚 𝙎𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 becomes a living structure. It changes through use and through the presence of its audience. 🧩

care.rotterdam


📸

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔Booth L2 / New Art Section 
𝐊𝐚𝐭𝐣𝐚 𝐏𝐢𝐥𝐢𝐩𝐞𝐧𝐤𝐨At the center of Katja Pilipenko’s work are time, memory an...
27/03/2026

𝐀𝐫𝐭 𝐑𝐨𝐭𝐭𝐞𝐫𝐝𝐚𝐦 𝟐𝟎𝟐𝟔
Booth L2 / New Art Section 
𝐊𝐚𝐭𝐣𝐚 𝐏𝐢𝐥𝐢𝐩𝐞𝐧𝐤𝐨

At the center of Katja Pilipenko’s work are time, memory and ideology. She shows how stories, images and media shape political reality. And how the past is retold to justify the present.

In 𝙏𝙝𝙚 𝙊𝙩𝙝𝙚𝙧 𝙍𝙪𝙨𝙨𝙞𝙖 Pilipenko combines drawings of covers from popular Russian time travel novels with well known anti war poems. The often violent and nostalgic fantasies of these books meet texts that clearly reject war. The work shows the gap between imperial longing and a cultural memory that understands war as a catastrophe.

The 𝙋𝙤𝙥𝙖𝙙𝙖𝙣𝙚𝙩𝙨 𝘾𝙖𝙡𝙚𝙣𝙙𝙖𝙧 continues this idea. The calendars begin on February 24, 2022 and move backwards into a Soviet shaped visual world. Old patterns, historical images and familiar visual codes show how nostalgia becomes politically effective. Time does not appear as progress but as a retreat into an idealized past.

𝙏𝙝𝙚 𝙠𝙞𝙣𝙚𝙩𝙞𝙘 𝙨𝙘𝙪𝙡𝙥𝙩𝙪𝙧𝙚 (𝙐𝙣𝙩𝙞𝙩𝙡𝙚𝙙) adds the role of myth and media repetition. The slowly rotating hand quotes the gesture of the clairvoyant Baba Vanga. A figure shaped into a political symbol through images and stories. The work shows how collective belief and media images reinforce each other.

Together the three works show a society moving in a loop of past, propaganda and promises of the future. Pilipenko shows how ideologies are shaped not only through politics but also through images, popular culture and collective narratives.





The New Art Section was curated by

Hello  with  .care.rotterdam  New Art Section curated by  and Sculpture Park
26/03/2026

Hello with .care.rotterdam
New Art Section curated by and Sculpture Park

  & .care.rotterdam
25/03/2026

& .care.rotterdam

Bye bye lieber Kunstfreund Peter 🖤
20/03/2026

Bye bye lieber Kunstfreund Peter 🖤

Save the Date: Art Rotterdam 2026
Preview: 26 March, Fair: 27–29 MarchWe are very happy that the gallery was invited by ...
15/03/2026

Save the Date: Art Rotterdam 2026
Preview: 26 March, Fair: 27–29 March

We are very happy that the gallery was invited by curator Övül Ö. Durmuşoğlu to participate in the New Art Section of Art Rotterdam 2026. The section brings together international positions and highlights new artistic voices and current social questions.

We present a curated solo booth with works by Katja Pilipenko, including her drawing series The Other Russia.
In the drawing series The Other Russia, Katja Pilipenko appropriates the covers of popadantsy books, a post Soviet literary genre in which protagonists travel back in time to change the course of history. These stories often reflect dissatisfaction with the country’s past and fantasies of Soviet or imperial restoration. Pilipenko redraws the often kitschy and violent book covers and combines them with canonical Russian anti war poetry, widely known as part of a shared cultural memory for those for whom war is fundamentally unacceptable. By bringing these elements together, her drawings confront two conflicting imaginaries of history and war within Russian society, exposing a deep social division.

Katja Pilipenko is an artist from Moscow, based in Hamburg, whose practice is shaped by Russia’s transition from post-Soviet democracy to an authoritarian media regime. Her work examines mediated truths, language, and perception, as well as the formation of myths and ideologies within politics and society. Working across installation, video, printmaking, and sculpture, she investigates how power and control operate through technologies, narratives, and collective practices.

Image: The Other Russia (Kim), 2023, 59,4 x 42 × cm (63,5 x 46 cm framed), pencil on paper 📸 by .rogge




Still on View: 𝘼𝙇𝙇 𝙂𝙊𝙊𝘿 ^^𝙅𝙪𝙡𝙞𝙖 𝙋𝙪𝙨𝙩𝙚𝙩 ()Opening times: Thu - Fri from 3pm to 6pm, Sat from 1pm to 3pm and by appointmen...
11/03/2026

Still on View: 𝘼𝙇𝙇 𝙂𝙊𝙊𝘿 ^^
𝙅𝙪𝙡𝙞𝙖 𝙋𝙪𝙨𝙩𝙚𝙩 ()

Opening times: Thu - Fri from 3pm to 6pm, Sat from 1pm to 3pm and by appointment

19.02.2026 - 19.03.2026

Credits: .rogge

Still on View: 𝘼𝙇𝙇 𝙂𝙊𝙊𝘿 ^^𝙅𝙪𝙡𝙞𝙖 𝙋𝙪𝙨𝙩𝙚𝙩 ()19.02.2026 - 19.03.2026Etwas wird da erzählt, nur was? Im friedlichen Familienb...
06/03/2026

Still on View: 𝘼𝙇𝙇 𝙂𝙊𝙊𝘿 ^^
𝙅𝙪𝙡𝙞𝙖 𝙋𝙪𝙨𝙩𝙚𝙩 ()

19.02.2026 - 19.03.2026

Etwas wird da erzählt, nur was? Im friedlichen Familienbildnis lenken disparate malerische Gesten den Blick über Gesichter, die einander kaum gleichen und trotzdem zusammengehören. An einem Waldrand sitzen leuchtende Gestalten wie das Publikum einer Theatervorstellung, die den Darstellenden heimsucht. Eine Diddlmaus kämpft im Lärm des Meeres gegen das Ertrinken, oder schwebt unter Wasser, still und gebannt. Still ist es auch in Zimmern, klein, beengt, voll persönlicher Gegenstände und Erinnerungen, in denen Frauen ruhen, arbeiten, schwelgen, immer allein, dem Betrachtenden entzogen. Julia Pustets traumhaft-introvertierte Malereien sind narrativ, manchmal szenisch, und subvertieren doch jede linear erzählte Geschichte. Sie öffnen einen assoziativen Raum für kollektive Erinnerungen und Phantasien, der, durch fein gestreute Hinweise und Markierungen strukturiert, nie beliebig wird.

Julia Pustet ist Schriftstellerin, bildende Künstlerin und Musikerin. Ihr Debütroman „Alles ganz schlimm“ erschien im Herbst 2025 bei Haymon. Sie veröffentlicht in verschiedenen Magazinen und Zeitungen, darunter Der Freitag, Jungle World und Kaput.

Credits: .rogge

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