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Sperling Sperling is a Munich based gallery for contemporary art.

Anna McCarthy: INVISIBLE BORDERSKunstverein Wolfsburg, 5 September – 8 November 2026The Kunstverein Wolfsburg presents I...
15/10/2026

Anna McCarthy: INVISIBLE BORDERS
Kunstverein Wolfsburg, 5 September – 8 November 2026

The Kunstverein Wolfsburg presents INVISIBLE BORDERS, a solo exhibition by Munich-based artist Anna McCarthy, bringing together works on paper, objects and video.

At its centre is a video documenting a public performance staged by McCarthy on Munich’s Odeonsplatz on 25 November 2025, in collaboration with the with lawyers, activists and politicians of the OFFEN! Kampagne (OFFEN! are an initiative of 200 organisations pledging for an open society and support for refugees). Reconstructing a makeshift border checkpoint, the intervention addressed racial profiling and the mechanisms of state control. Through a group of performers “policing the police”, the work exposed how borders are enforced not only through legal and physical structures, but also through everyday practices of exclusion. The performance culminated in the collective dismantling of the temporary border installation.

Within the exhibition, the video connects McCarthy’s wider exploration of borders, control and resistance to contemporary political realities.

Anna McCarthy
KV Wolfsburg
Kampagne Offen!

The ambiguity of her paintings has to do with the nature in them, participating in the deception Adorno ascribed to natu...
09/10/2026

The ambiguity of her paintings has to do with the nature in them, participating in the deception Adorno ascribed to natural beauty [in “Aesthetic Theory“, 1970]. Fifty years ago, Adorno could still claim that our relationship to nature is primarily one of domination and that only culture’s indirect acknowledgment of this unequal power dynamic can bring about future reconciliation. For while the experience of natural beauty recalls a world without domination, there is no real freedom to be found here, as his example of the blackbird so memorably shows. He writes, very few are not moved by a blackbird’s song after the rain. Yet its song is unsettling precisely because it is not a song – the bird acts under the spell of its instincts. No wonder we find the sight of migratory flocks vaguely threatening. For Adorno, art as a cultural entity extricates itself from instinctive behaviour and breaks away from nature’s spell, creating a space in which nature can be experienced more freely.

Excerpt from the exhibition text by Magdalena Wisniowska

Credits:
Veronika Hilger, Strange Weather, 2026, exhibition views at Sperling, Munich, photos: Sebastian Kissel

Veronika Hilger, all works: Untitled
Paintings: Oil on paper on MDF in artists frame, 2026, each: 63.6 × 49.6 cm
Sculpture: metal, ceramic, raku, earthenware, stoneware, MDF, glue, mordar, wire, 2026, 165 × 59 × 41 cm

We are happy to share the documentation of Veronika Hilger’s solo exhibition Strange Weather.

You can find installation...
02/10/2026

We are happy to share the documentation of Veronika Hilger’s solo exhibition Strange Weather.

You can find installation views and the exhibition text by Magdalena Wisniowska on our website.

For additional material please send us a DM or email.

The show is on view through October 31st and we are looking forward to welcoming you to the gallery during the regular opening hours.

We are closed on Saturday, October 3, due to the German Unity Day!

Veronika Hilger’s solo exhibition at Museum Lothar Fischer runs until October 11. Go to the website to view their closing program.

Credits: Veronika Hilger, Strange Weather, 2026, exhibition view at Sperling, Munich, photo: Sebastian Kissel

Now on view at the gallery:Veronika Hilger𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳through October 31, 2026Her paintings have been described as am...
26/09/2026

Now on view at the gallery:

Veronika Hilger
𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳
through October 31, 2026

Her paintings have been described as ambiguous, and there are still many ambiguities to be found here, in this latest series of work. In one, moonlight seems to glisten on a drooping form, casting a shadow to the right. But this form is rooted in a flat space that both withdraws and reasserts its presence. A third form impossibly overlaps the second, a weightless mass of scraped-away paint. These ambiguities are not found but developed over long periods of time. Veronika Hilger begins her paintings with a loose set of gestures, by blocking out the major colour areas. She then examines each canvas closely for these strange moments when painting can be one thing or another and slowly tightens them until they are contained within the strict parameters of her frame.

Excerpt from the accompanying exhibition text by Magdalena Wisniowska Magdalena Wisniowska

Exhibition shots by Sebastian Kissel

On Wednesday, 2 September 2026, Julie Mehretu and Mathew Hale held a conversation on Hale’s FACTS OF LIFE drawings and h...
23/09/2026

On Wednesday, 2 September 2026, Julie Mehretu and Mathew Hale held a conversation on Hale’s FACTS OF LIFE drawings and his exhibition at Sperling. Mehretu travelled to Munich for the occasion. A long-time friend of Hale, she is closely familiar with his work. We recommend pre-ordering the book published by X Artists' Books (Berlin/Los Angeles), which includes an essay by  that she read at the beginning of the conversation.

The conversation is now available to watch on YouTube (link in bio). Selected works referenced during the talk have been inserted into the video, more works from the exhibition can be looked at on Sperling‘s website.

https://www.xartistsbooks.com/books/facts-of-life

https://www.youtube.com/watch?v=SUNQ4W9hrrQ

https://www.sperling-munich.com/exhibitions/spontaneous-generation-facts-of-life

Video: Mara Yakuba
Photos: Constanza Meléndez Tohá

Opening tonight, Thursday, September 17, 5–9 pmVeronika Hilger, 𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳
September 18 – October 31, 2026Read the ...
17/09/2026

Opening tonight, Thursday, September 17, 5–9 pm
Veronika Hilger, 𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳
September 18 – October 31, 2026

Read the exhibtion text by Magdalena Wisniowska on our website (link in bio).

Veronika Hilger, Untitled, 2026, oil on paper on MDF in artists frame, 63.6 × 49.6 cm, photo: Sebastian Kissel

Veronika Hilger
𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳
September 18 – October 31, 2026Join us for the opening, Thursday, September 17, 5–9 pm!A...
10/09/2026

Veronika Hilger
𝘚𝘵𝘳𝘢𝘯𝘨𝘦 𝘞𝘦𝘢𝘵𝘩𝘦𝘳
September 18 – October 31, 2026

Join us for the opening, Thursday, September 17, 5–9 pm!

As you look around, nature is undeniably present in Veronika Hilger’s paintings.[1] We can soon spot the curve of a hill or a plant, the sky in that peculiar shade of violet-grey, the setting sun or the rising moon. There are also some buildings and figures, in various constellations, and those sounds of someone working alone in an upper room. But the weather, the weather is never quiet. Her paintings have all the strangeness of shuttered heat. As the temperatures rise in our darkened flats, catastrophe looms above us like a mudslide.

Excerpt from the exhibition text by Magdalena Wisniowska (Magdalena Wisniowska )

[1] The opening paragraph is a response to Adrian Searle’s description of Raoul de Keyser’s paintings, written for the 1994 Hayward Gallery exhibition “Unbound: The Possibilities of Painting.” He writes, “Raoul De Keyser’s paintings have the concentration of a stare…. There’s nature in them, and buildings, and quiet weather, and the sounds of a man working alone in an upper room.”

Veronika Hilger, Untitled, 2026, oil on MDF, in wooden frame, 39.8 × 29.8 cm, photo: Sebastian Kissel

Last days before the gallery’s summer break (you can still visit the exhibition by appointment during August. Just write...
30/07/2026

Last days before the gallery’s summer break (you can still visit the exhibition by appointment during August. Just write us a DM or email to [email protected] with your preferred dates to visit and we will respond).

Mathew Hale’s 𝘍𝘢𝘤𝘵𝘴 𝘰𝘧 𝘓𝘪𝘧𝘦 drawings “are a series of spontaneously generated images made by an adult in relation to their childhood. Emptying his head, the artist begins to draw, and this is what has appeared; not truth, or innocence, but beautiful and disturbing surprises grown in the soil of truth and innocence.
 
To quote the artist Bruno Schultz: “To you I can reveal the secrets of these drawings. I always doubted that it was I who drew them. Sometimes they seem like unintentional plagiarisms. Something that was whispered to me, that reached my ear … as though a stranger had used my inspiration for purposes unknown, for I confess I have discovered the ‘real thing’.” “ [from the press release]

A publication entitled FACTS OF LIFE: Drawn from forgetfulness by Mathew (and Mummy), featuring texts by Rye Dag Holmboe and Julie Mehretu, is forthcoming from X Artists' Books (Los Angeles/Berlin).

Julie Mehretu will come to Munich for a conversation with Mathew Hale in the exhibition on 2 September, 2026. More details soon!

Mathew Hale , photos by Sebastian Kissel

Now online: Mathew Hale, 𝘚𝘱𝘰𝘯𝘵𝘢𝘯𝘦𝘰𝘶𝘴 𝘎𝘦𝘯𝘦𝘳𝘢𝘵𝘪𝘰𝘯 (𝘍𝘢𝘤𝘵𝘴 𝘰𝘧 𝘓𝘪𝘧𝘦)The full documentation of the exhibition is now available...
23/07/2026

Now online: Mathew Hale, 𝘚𝘱𝘰𝘯𝘵𝘢𝘯𝘦𝘰𝘶𝘴 𝘎𝘦𝘯𝘦𝘳𝘢𝘵𝘪𝘰𝘯 (𝘍𝘢𝘤𝘵𝘴 𝘰𝘧 𝘓𝘪𝘧𝘦)

The full documentation of the exhibition is now available on our website, including installation views and a selection of the almost 400 individual drawings from Mathew Hale’s 𝘍𝘢𝘤𝘵𝘴 𝘰𝘧 𝘓𝘪𝘧𝘦 series.

The show will be on view until September 5, 2026. A conversation between Julie Mehretu and Mathew Hale is planned for Wednesday, September 2. More details coming soon!

Summer break: August 5–29. During this time, the gallery is open by appointment only. Please contact us at [email protected] to schedule a visit.

all photos by Sebastian Kissel

In summer 2026, , in collaboration with  and  – Albrecht Dürer Gesellschaft, presents an ambitious group exhibition titl...
22/07/2026

In summer 2026, , in collaboration with and – Albrecht Dürer Gesellschaft, presents an ambitious group exhibition titled 𝑖𝑏𝑖𝑑. Bringing together 30 international positions in contemporary painting, the exhibition offers a multifaceted perspective on current approaches to the medium.

The title 𝑖𝑏𝑖𝑑. – in Latin for “in the same place” – refers to a shared point of departure: the time spent by the participating artists in in Nuremberg as part of the Marianne Defet Painting Scholarship over the past 15 years. Through their encounters with the city, its architecture, people, and histories, each artist has developed a unique dialogue that continues to resonate within their works.

The exhibition builds on these connections, creating both a collective space of resonance and a forward-looking overview of diverse painterly perspectives in contemporary art. 𝑖𝑏𝑖𝑑. is on view until October 3, 2026.

at Kunsthalle Nürnberg with his works ꜱᴛᴏʀɴᴏ ᴘʟᴇᴀꜱᴇ, ɴᴇᴜʟɪᴄʜ ᴇɪɴꜰᴀᴄʜ ᴍᴀʟ ʙᴇɪ ‘ɪɴᴅᴇᴘᴇɴᴅᴇɴᴛ ᴡᴏᴍᴇɴ, ᴘᴛ. 𝟣’ ɢᴇʜᴇᴜʟᴛ ᴜɴᴅ ɴᴏᴄʜ ɪᴍᴍᴇʀ ᴋᴇɪɴᴇɴ ᴍɪʟʟɪᴍᴇᴛᴇʀ ᴡᴇɪᴛᴇʀ ᴀʟꜱ 𝟤–𝟣𝟧 [No. 1 is on view at Kunstverein Nürnberg!], 2025–2026, Lacquer, paper, epoxy, oil, coloured pencil, graphite, collage, fabric, ink and gouache on newspaper, newspaper on aluminium panels, each 150 × 120 × 7 cm

Installation views at the Kunsthalle:

Adresse

EnhuberStr. 6
Munich
80333

Öffnungszeiten

Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 18:00
Freitag 12:00 - 18:00
Samstag 12:00 - 16:00

Telefon

+498954849747

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