Galerie Anton Janizewski

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Galerie Anton Janizewski

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Galerie Anton Janizewski, Weydingerstraße 10, Prenzlauer Berg.

28/05/2026

Wir freuen uns sehr den Ankauf von Rebekka Benzenbergs Arbeit „Peace will come and with it sleep“ durch das Kunstmuseum Mühlheim an der Ruhr mit Unterstützung des Förderkreises bekannt zu geben!

Vielen Dank an die Förder*innen und den Vorstand des Förderkreises: Dr. Slavomir Biedron, Dr. Stefanie Kreuzer, Dr. Carsten Küpper, Gudrun Altehoefer, Ursula Ullrich-Köhler und Dr. Thomas Rox!

Der Ankauf zeigt, wie wichtig Engagement für zeitgenössische Kunst ist. Mehr Informationen zum Beitritt des Förderkreises gibt es auf der Website des Kunstmuseums an der Ruhr.

„In ihrer künstlerischen Untersuchung der Geschichte der Frauenfeindlichkeit greift Benzenberg auf mythologisch und kunsthistorisch aufgeladene Motive zurück und legt sie frei: als Zeichen, als Träger von Zuschreibungen, als gesellschaftliche Sprengsätze. In ihrer ersten institutionellen Einzelausstellung richtet sie den Fokus unmissverständlich auf die vielen Gesichter der Misogynie – und darauf, wie tief sie im öffentlichen Raum eingeschrieben sind. Sie markiert Misogynie als strukturelle Gewalt – materialisiert im öffentlichen Raum, fortgeschrieben in Bildern, abgesichert durch Geschichte.“

- Auszug aus dem Ausstellungstext

Rebekka Benzenberg
Peace will come and with it sleep
2025
Worbla, UV-Harz, Epoxidharz, Glasfasergewebe, Webstoff, Satinstoffeide, Bettdecke, Bettlaken, Daunenkissen, Matraze, Aluminium
200 x 100 x 160 cm

Copyright: 1. Abbildung Julian Blum 2. Abbildung Helena Grebe, Stadt Mülheim an der Ruhr
benzenberg

26/05/2026

„In the series A Lot of Yeses (2025), Chung works with bottles from celebrity-owned tequila brands – associated with figures such as Kendall Jenner, George Clooney and Michael Jordan – which are cast and reproduced in resin. These replicas retain the recognizable form of the original products while rendering them inoperative. Their surfaces simulate transparency while withholding access. Inside each, an agave worm is suspended – the only organic element within an otherwise synthetic composition. Once a marker of fermentation, it now persists as a vestige, a sign that has lost its function
yet continues to circulate. Between ritual and branding, belief and consumption, the works trace a shift in how value is produced and perceived.“

- Carina Bukuts

Photo 1:
Jiyoon Chung
A Lot of Yeses – Timberlake
2025
Urethane resin, epoxy resin, agave worm
7,9 x 7,9 x 26,5 cm

A Lot of Yeses – Jenner
2025
Urethane resin, epoxy resin, agave worm
6,7 x 6,7 x 26,2 cm

Jiyoon Chung
A Lot of Yeses – Diddy
2025
Urethane resin, epoxy resin, agave worm
11 x 8 x 20,5 cm

Photo 3:

Jiyoon Chung
A Lot of Yeses – Clooney
2025
Urethane resin, epoxy resin, agave worm
8 x 8 x 29 cm

Jiyoon Chung‘s solo exhibition „Dead End“ is currently on view at the gallery until June 6, 2026!

Photos by Julian Blum

22/05/2026

We are happy to share installation views of Emma Adler’s expansive multimedia installation „STRG-Z“ at Kunstmuseum Magdeburg as part of the group exhibition „Das geteilte Jetzt / The Shared Now“! The installation was first presented at the gallery during Berlin Art Week 2024. A continuation of it will be part of our upcoming presentation at Liste Art Fair Basel 2026!

The exhibition is on view until September 6, 2026.

„What does it mean to live in the here and now today – and at the same time to experience multiple, differing presents? In an age of accelerated information, constant social upheaval and ongoing processes of individual positioning, the relationship between personal experience and collective reality has come into sharper focus in artists’ works than ever before. Against the backdrop of multiple crises – ecological, political and social – the continual renegotiation between art and life is increasingly becoming a subject of art itself.“

Photos by Wolfgang Günzel

16/05/2026

Buchpräsentation

Warm, Kalt und Sehnsucht

Ferdinand Dölberg & Jan Koslowski

07.06.2026, 16 Uhr

Lesung & Präsentation der Werke aus dem Buch.

Es lesen: Mark Tumba, Banafshe Hourmazdi, Brigitte Cuvelier, Jan Koslowski & Ferdinand Dölberg.

Musik: Ali Atari

Accidental Interest Books & Anton Janizewski
Weydingerstraße 10, 10178 Berlin

—

Book presentation

Warm, Kalt und Sehnsucht

Ferdinand Dölberg & Jan Koslowski

07.06.2026, 4 pm

Reading & presentation of the works included in the book.

Readings by: Mark Tumba, Banafshe Hourmazdi, Brigitte Cuvelier, Jan Koslowski & Ferdinand Dölberg.

Music: Ali Atari

Accidental Interest Books & Anton Janizewski
Weydingerstraße 10, 10178 Berlin

.hiro .tari2600

15/05/2026

We‘re happy to share installation views of Rebekka Benzenberg‘s current solo exhibition „They longing for an Ancient Tragedy“ at Kunstmuseum Mühlheim!

„Violence, aggression, and the symbolic dismantling of female bodies run like a common thread through Benzenberg’s work. Medusas, witch masks, masks of shame, and classic symbols of power such as fur are part of her artistic arsenal. From these motifs, she develops works that oscillate between the defamation of femininity and strategies of female empowerment. Mythological and art-historically charged motifs are not merely cited but dissected. Benzenberg lays bare their symbolic function and reveals how deeply misogynistic images are inscribed in cultural narratives, and how tenaciously certain images persist from antiquity to the present day. The exhibition is conceived as an attack on these continuities. The visual politics of power and its symbols form the starting point and focal point of the presentation.“

Rebekka Benzenberg
They Longing for an Ancient Tragedy
Kunstmuseum Mühlheim
26.04. - 13.09.26

Copyright: Helena Grebe, Stadt Mühlheim an der Ruhr.
benzenberg

13/05/2026

“With Dead Flips (2026), Chung turns explicitly to the question of currency. More than 200 Euro coins, cast in transparent resin, are inserted into slits in the gallery wall – as if suspended mid-action, caught in the moment of being fed into a vending machine. Each coin reveals both sides simultaneously, collapsing the binary of heads and tails into a continuous surface. Replicated yet immobilised, they evoke a system of exchange that has stalled. In an increasingly cashless society, where transactions become abstract and contactless, the coin persists as a form of “hard” currency – tangible, weighty and tied to the gesture of insertion. Here, however, that gesture leads nowhere. The promise of access is deferred, held in suspension. Value is both present and inoperative.”

- Carina Bukuts

Jiyoon Chung’s solo exhibition “Dead End” is currently on view at the gallery until June 6, 2026!

Jiyoon Chung
Dead Flips
2026
Paint, wood, urethane resin
120 x 142 cm, ⌀23,25 x 2,4 mm each

Photos by Julian Blum

10/05/2026

We are happy to share the latest Tagesspiegel article on Jiyoon Chung’s current solo exhibition “Dead End”!

It was written by Lisa Maria Scharf. Thank you Lisa for this great article!

“Dead End” is on view until June 6, 2026.

Photo by Julian Blum

09/05/2026

Today is Marc Henry’s birthday! Happy birthday dear Marc! What better day to share the amazing news of the publication of Marc Henry’s first expansive catalogue, titled “Marc Henry. The Early Works”!

The catalogue comprises one hundred selected works by Marc Henry. Richly illustrated in color, the works are accompanied by texts from a diverse range of writers, artists, art critics and art historians - many of which are also close friends of the gallery.

With a month left until Liste Art Fair Basel, the catalogue is the perfect guide to get an understanding of Marc Henry’s artistic work process in order to be well prepared for new works of his! It will soon also be available at the gallery.

The catalogue was published by Malelingue Edizioni, Milan. It was funded by Galerie Kandlhofer, Vienna. Congratulations to Lisa Kandlhofer, Delfina Pattacini and Gaddo Amunni for this amazing publication!

Due to the list’s length you can find the authors in the comment section.

Images by: Jana Perusich

.kandlhofer .patt

07/05/2026

Works by Nicholas Warburg are currently on view as part of the group exhibition “Deutsch!” At Kunstmuseum Heidenheim!

“When a museum of contemporary art organizes an exhibition entitled ‘Deutsch!’, it may seem provocative at first. However, the aim of the exhibition is not to be German-bashing or to confirm cliché-laden images. Rather, in the subtext, the exclamation mark should be understood as a question mark and a space for discussion should be created.
To this end, the exhibition brings together works by artists who, each in their own way, deal with the history and motifs associated with Germany or challenge national stereotypes. The focus of the selection of works is specifically on a material level. Can the history or even the essence of a country be read from concrete objects or materials and their attribution?”

“Deutsch!” was curated by Marco Hompes. The exhibition is on view until May 31, 2026.

Nicholas Warburg
Sein und Zeit Uhr
74x69x9 cm
pyrographed wood slice, clock

Photo by Michael Lüder

.hompes

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Prenzlauer Berg
10178

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