03/09/2026
Last autumn, Cahiers d‘Art published “ Chess Knightmares”, an exceptional art book edited by Alexander S. C. Rower, President of the and grandson of Alexander Calder. On the occasion of the book’s launch, we were honored to welcome Alexander S. C. Rower and Daniel Birnbaum for a conversation at rue du Dragon, exploring Calder‘s engagement with chess and his enduring friendship with Marcel Duchamp.
The full conversation and the highlights are coming soon.
♟️
Since arriving in Paris in 1926, chess had piqued Calder’s imagination. He expanded on its visual vocabulary in the 1940s, creating three chess sets, among other related sculptural objects, and participating in the pioneering 1944 exhibition The Imagery of Chess: A Group Exhibition of Paintings, Sculpture, Newly Designed Chessmen, Music and Miscellany at Julien Levy Gallery in New York. Chess Knightmares emerges as a pivotal work, where the chessboard becomes a stage for chaos and imagination.
In 1944, Alexander Calder created Chess Knightmares, a portfolio of 46 ink drawings that reimagine the game‘s Kings, Queens, Knights, Bishops, Rooks, and Pawns as irreverent, anarchic figures. Mischievous, unsettling, and absurd, they embrace seduction, violence, and humor in the spirit of Alfred Jarry and Luis Buñuel. Marcel Duchamp added alternate titles to many of the drawings, and Mary Reynolds suggested ”Knightmares“ as a name for the collection.