Paris Fine Arts

Paris Fine Arts Moufflet & C° - Paris Fine Arts is a fine prints and vintage posters dealer since 1970 located in the heart of the Paris Flea Market.

09/03/2026

✨ When advertising for an exhibition was a true work of art 🖼️

Before social media, art, inventions, and dreams were displayed larger-than-life on the streets.

These vintage posters aren’t just pieces of paper: they are true windows into an era where every event was an invitation to marvel.

From the meticulous typography to the spectacular illustrations, elegance was everywhere. 🎨✨

Come discover these posters and many more at the shop or online

10/02/2026

❤️ LOVE is all you need (and a little bit of YSL) ❤️

With Valentine’s Day approaching, we’re looking back at one of fashion’s most beautiful traditions.

In 1970, Yves Saint Laurent designed the first of a series of poster-sized greeting cards—a tradition he continued until 2007. For over 30 years, he sent these to his closest friends, family, collaborators, and clients to ring in the new year.

While he reinvented the color palette and technique every year—using everything from collage to gouache drawings—the leitmotif remained exactly the same: LOVE.

Many of these were crafted in his sanctuary in Morocco, though you can see the influence of art legends like Matisse, Cocteau, Braque, and Warhol in the bold designs.

🇫🇷 French translation available in the comment section ⬇️



Come discover these posters and many more at the shop or online

29/01/2026

Ticket to paradise starts here. 🎟️

The art of the high seas, a quick tour through our collection of original vintage cruise line posters.

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Embarquement immédiat pour le paradis. 🎟️

L’art du grand large, un petit tour d’horizon de notre collection d’affiches de compagnies maritimes.

Venez découvrir ces affiches et beaucoup d’autres en boutique ou en ligne

28/01/2026

The art of the first impression. 📽️

A look through our collection of original vintage movie posters, honouring the artists who breathed life into the silver screen.

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L’art du premier regard. 📽️

Un aperçu de notre collection d’affiches de cinéma originales, rendant hommage aux artistes qui ont insufflé la vie au septième art.

Venez découvrir ces affiches et beaucoup d’autres en boutique ou en ligne

27/01/2026

In 1916, even pencils were weapons. ✏️⚔️

As the Great War neared its second year, the French State called upon its youngest citizens.

These posters aren’t just school drawings, they were tools for survival.

These drawings by adolescents reveal the weight of the « Home Front », from food shortages to the moral support of the Poilus.

En 1916, même les crayons étaient des armes. ✏️⚔️

Alors que la Grande Guerre entame sa deuxième année, l’État français mobilise ses plus jeunes citoyens.

Ces affiches ne sont pas de simples dessins d’écoliers : ce sont de véritables outils de survie.

À travers le regard de ces adolescents, on découvre tout le poids de « l’Arrière », des pénuries alimentaires au soutien moral indispensable des Poilus.

Artist: AnonymousTitle: Allez au Sénégal par les paquebots rapides de la compagnie de navigation PaquetDate: circa 1955S...
09/12/2025

Artist: Anonymous

Title: Allez au Sénégal par les paquebots rapides de la compagnie de navigation Paquet

Date: circa 1955

Size (w x h): 24,4 x 39,4 in / 62 x 100 cm

Printer: Service Marseillais de Publicité - SMAP

Materials and Techniques: Colour lithograph on paper

🇬🇧 Additional Details:

Created circa 1955, this striking poster for the Compagnie de Navigation Paquet (CNP) promotes maritime tourism to Senegal, featuring a scene with a woman and her children on a canoe, skillfully maneuvered by a young man.

Founded in 1863 by French shipowner Nicolas Paquet, the CNP initially provided continuous service linking Marseille to Moroccan ports. By 1897, one of these lines was extended to Senegal, with regular services beginning in 1913.

The company, which later became Croisières Paquet and was eventually sold to the Compagnie maritime des chargers reunions, ran regular routes between Marseille, Tangier, Casablanca, the Canary Islands, and Dakar.

🇫🇷 French translation available in the comment section ⬇️

Come discover this poster and many more at the shop or online

Artist: Bernard Villemot (1911 - 1989)Title: PerrierDate: circa 1980Size (w x h): 24,7 x 19,4 in / 62,8 x 49,2 cmMateria...
06/12/2025

Artist: Bernard Villemot (1911 - 1989)

Title: Perrier

Date: circa 1980

Size (w x h): 24,7 x 19,4 in / 62,8 x 49,2 cm

Materials and Techniques: Colour lithograph on paper

🇬🇧 Additional Details:

Bernard Villemot (1911–1989) was a famous French graphic designer, best known for his iconic and vibrant advertising posters. His work became synonymous with the art of the French poster in the mid-20th century, characterized by bold colors, elegant simplicity, and striking compositions.

Villemot’s posters often celebrated lifestyle themes, ranging from travel to beverages, and his style combines modernist influences with a playful and engaging aesthetic.

Poster created by Bernard Villemot to promote the Perrier sparkling mineral water brand.

Against a bright orange background, a stylized seascape captures attention: a sailboat cuts through giant waves, whose shapes and colors (navy blue and electric blue) recall Hokusai’s famous print The Great Wave off Kanagawa. But here, the power of the wave is reinterpreted in a pop and geometric style, with the sails of the boat transformed into giant Perrier bottles, sporting their iconic label.

The poster celebrates the sparkling, freshness, and audacity of the brand, while playing with the codes of graphic art and cultural references. Villemot deploys his characteristic style: fluid lines, flat areas of bright colors, and dynamic silhouettes.

🇫🇷 French translation available in the comment section ⬇️

Come discover this poster and many more at the shop or online

Artist: Philippe ChapellierTitle: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champ...
05/12/2025

Artist: Philippe Chapellier

Title: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champerret – Boer Cavalier falling off a cliff

Date: 1900

Size (w x h): 42.5 x 63.2 in / 108 x 160,5 cm

Printer: Imp. COURMONT FRERES, 10 Rue Breguet, Paris

Materials and Techniques: Colour lithograph on paper

🇬🇧 Additional Details:

Philippe Chapellier was a 19th and 20th century French poster artist known for his works in the advertisement art style, including the 1900 lithograph “Le Transvaal & l’Afrique sauvage” for the Paris World’s Fair.

Very rare poster for the Transvaal Pavilion and the Boer Farm at the Universal Exhibition of 1900 installed at the Trocadéro and the Champ de Mars.

The poster features a Boer cavalier falling off a cliff while being chased by soldiers during the Transvaal War (South Africa).

The South African Republic (ZAR, or Zuid-Afrikaansche Republiek in Dutch and Afrikaans), more commonly known as the Transvaal Republic, was an independent Boer state in Southern Africa in the 19th century.

Its formal establishment dates back to the Sand River Convention in 1852, leading to its constitution as a republic in 1856. Briefly annexed by the British in 1877, it regained its independence from 1884 to 1900.

The ZAR was occupied again by British troops in 1900 during the Second Boer War, and officially dissolved in 1902 by the Treaty of Vereeniging. In 1910, the former republic became one of the four provinces that formed the dominion of the Union of South Africa.

🇫🇷 French translation available in the comment section ⬇️

Come discover this poster and many more at the shop or online

Artist: Philippe ChapellierTitle: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champ...
03/12/2025

Artist: Philippe Chapellier

Title: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champerret – Boer firing his rifle while riding a horse

Date: 1900

Size (w x h): 42.5 x 63.2 in / 108 x 160,5 cm

Printer: Imp. COURMONT FRERES, 10 Rue Breguet, Paris

Materials and Techniques: Colour lithograph on paper

🇬🇧 Additional Details:

Philippe Chapellier was a 19th and 20th century French poster artist known for his works in the advertisement art style, including the 1900 lithograph « Le Transvaal & l’Afrique sauvage » for the Paris World’s Fair.

Very rare poster for the Transvaal Pavilion and the Boer Farm at the Universal Exhibition of 1900 installed at the Trocadéro and the Champ de Mars.

The poster features a Boer firing his rifle while riding his horse during the Transvaal War (South Africa).

The South African Republic (ZAR, or Zuid-Afrikaansche Republiek in Dutch and Afrikaans), more commonly known as the Transvaal Republic, was an independent Boer state in Southern Africa in the 19th century.

Its formal establishment dates back to the Sand River Convention in 1852, leading to its constitution as a republic in 1856. Briefly annexed by the British in 1877, it regained its independence from 1884 to 1900.

The ZAR was occupied again by British troops in 1900 during the Second Boer War, and officially dissolved in 1902 by the Treaty of Vereeniging. In 1910, the former republic became one of the four provinces that formed the dominion of the Union of South Africa.

🇫🇷 French translation available in the comment section ⬇️

Come discover this poster and many more at the shop or online

Artist: Philippe ChapellierTitle: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champ...
02/12/2025

Artist: Philippe Chapellier

Title: Le Transvaal et l’Afrique Sauvage - Paris 1900 - Porte de Courcelles et Porte de Champerret – Boer Portrait smoking a pipe

Date: 1900

Size (w x h): 42.5 x 63.2 in / 108 x 160 cm

Printer: Imp. COURMONT FRERES, 10 Rue Breguet, Paris

Materials and Techniques: Colour lithograph on paper

🇬🇧 Additional Details:

Philippe Chapellier was a 19th and 20th century French poster artist known for his works in the advertisement art style, including the 1900 lithograph “Le Transvaal & l’Afrique sauvage” for the Paris World’s Fair.

Very rare poster for the Transvaal Pavilion and the Boer Farm at the Universal Exhibition of 1900 installed at the Trocadéro and the Champ de Mars.
The poster features a Boer wearing a hat and smoking his pipe during the Transvaal War (South Africa).

The South African Republic (ZAR, or Zuid-Afrikaansche Republiek in Dutch and Afrikaans), more commonly known as the Transvaal Republic, was an independent Boer state in Southern Africa in the 19th century.

Its formal establishment dates back to the Sand River Convention in 1852, leading to its constitution as a republic in 1856. Briefly annexed by the British in 1877, it regained its independence from 1884 to 1900.

The ZAR was occupied again by British troops in 1900 during the Second Boer War, and officially dissolved in 1902 by the Treaty of Vereeniging. In 1910, the former republic became one of the four provinces that formed the dominion of the Union of South Africa.

🇫🇷 French translation available in the comment section ⬇️

Come discover this poster and many more at the shop or online

Artist: Keith Haring (1958 - 1990)Title: Rain Dance - 1985 - A benefit for the African Emergency Relief FundDate: 1985Si...
01/12/2025

Artist: Keith Haring (1958 - 1990)

Title: Rain Dance - 1985 - A benefit for the African Emergency Relief Fund

Date: 1985

Size (w x h): 22 x 31,1 in / 56 x 79 cm

Publisher: United States Committee for UNICEF

Materials and Techniques: Offset lithograph

🇬🇧 Additional Details:

Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Haring developed a distinct street art, pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse.

In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis.

Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in the New York East Village Art scene in the 1970s and ‘80s.

This poster was created for the 1985 benefit, organized by Keith Haring to raise funds for the African Emergency Relief Fund of the United States Committee for UNICEF, which was fighting the famine in Ethiopia.

The poster features combined work from five prominent artists: Jean-Michel Basquiat, Keith Haring, Roy Lichtenstein, Yoko Ono, and Andy Warhol. Notably, Lichtenstein’s contribution was an image specifically created for the project.

The fundraising events included a one-night benefit held at Paradise Garage (later the Pop Shop) on Lafayette Street on January 30, 1985, followed by an exhibition and sale that ran from February 2–23, 1985, as part of the 1985 New York Pop Shop.

🇫🇷 French translation available in the comment section ⬇️



Come discover this poster and many more at the shop or online

Adresse

N°1 Marché Biron, 85 Rue Des Rosiers
Paris
93400

Heures d'ouverture

Lundi 12:00 - 16:00
Vendredi 11:00 - 15:00
Samedi 10:30 - 18:00
Dimanche 10:30 - 18:00

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