Galerie Hadjer

Galerie Hadjer Modern & Antique Tapestry La
Galerie Hadjer vous accueille au cœur du
Faubourg Saint-Honoré dans le
8ème arrondissement de Paris.

Nous prenons soin de vous conseiller dans le choix de
tapis anciens haut de gamme, aux origines diverses France, Orient, Chine, Caucase et nous disposons également de
tapisseries datant du XVIème au XIXème siècle. Nos tapis sélectionnés notamment par leur
confection
méticuleuse offrent un grand choix de motifs et de dimensions afin de ravir les passionnés. Notre atelier
spécialisé dans le
nettoyag

e et la
restauration des
tapis et
tapisseries permet de retrouver pour ces objets d'art une seconde jeunesse sans pour autant les dénaturer. La Galerie Hadjer fondée en 1967 est aujourd'hui gérée par
Emmanuelle Hadjer qui se fera un plaisir de vous conseiller et de vous présenter sa passion pour les tapis et les tapisseries

Alexander CalderLines of Flow, 1971Movement, distilled.In this monumental Aubusson tapestry, Calder transforms line into...
27/04/2026

Alexander Calder
Lines of Flow, 1971

Movement, distilled.

In this monumental Aubusson tapestry, Calder transforms line into rhythm—black forms falling like a visual rain, punctuated by vibrant reds and anchored by a bold organic form below.

A woven translation of his universe—where mobiles become still, yet never static.

On view in Calder en tapisserie – le mouvement tissé
April 16 – May 31, 2026


Galerie Hadjer, Paris

Joan Miró — A dialogue with Calder, woven in AubussonOn the occasion of Joan Miró’s birthday, we celebrate not only his ...
20/04/2026

Joan Miró — A dialogue with Calder, woven in Aubusson

On the occasion of Joan Miró’s birthday, we celebrate not only his singular poetic language, but also the extraordinary creative dialogues that shaped the modern tapestry movement.

These images capture a rare moment: Miró alongside Alexander Calder, standing before a tapestry—two masters united by a shared vision of translating painting into textile.

From Calder’s studio in Saché, where the composition first appears laid on the floor, to its final monumental presence in an interior, the transformation is striking. What begins as a gesture becomes architecture.

Calder’s tapestries, produced in Aubusson in the 1960s and 1970s, embody this shift:
from mobile to mural, from movement in space to movement woven into surface.

At Galerie Hadjer, we are proud to champion this overlooked dimension of Calder’s work—where color, scale, and material converge with a rare sense of balance and vitality.

A woven language, shared between artists. A modernity still unfolding.



When Calder leaves the air… and enters matter.At the Norton Museum of Art, Dirty Blues by Alexander Calder meets his leg...
18/04/2026

When Calder leaves the air… and enters matter.

At the Norton Museum of Art, Dirty Blues by Alexander Calder meets his legendary BMW Art Car.

Same language.
Different surfaces.

From gouache… to tapestry… to steel—
color, movement, and rhythm remain untouched.

Woven in Aubusson, Dirty Blues captures Calder’s gesture and fixes it in space—
soft, yet monumental.



Calder en tapisserie — le mouvement tissé
Galerie Hadjer, Paris
16 April — 31 May 2026

In dialogue with Calder: Rêver en équilibre at the Fondation Louis Vuitton



Day / Night.Two states. One language.At Galerie Hadjer, the work of Alexander Calder is never still.It shifts with light...
16/04/2026

Day / Night.
Two states. One language.

At Galerie Hadjer, the work of Alexander Calder is never still.
It shifts with light, breathes with space, and unfolds across mediums.

Echoing the major exhibition “Calder: Rêver en équilibre” at Fondation Louis Vuitton,
this moment in Paris celebrates Calder at his most essential—balance, movement, and suspended tension.

Here, that language takes on a different form.

Form becomes movement.
Movement becomes textile.

Calder en tapisserie — le mouvement tissé
April 16 — May 31

An exhibition exploring how Calder’s vocabulary is reinterpreted in Aubusson—
translated into wool, into rhythm, into a quieter, deeply immersive presence.



Where architecture meets textile.Les Dés Sont Jetés — a powerful composition by Le Corbusier — unfolds as a true “muraln...
13/04/2026

Where architecture meets textile.

Les Dés Sont Jetés — a powerful composition by Le Corbusier — unfolds as a true “muralnomad”, conceived not simply as decoration, but as an extension of space itself.

Woven in Aubusson in 1960, the work translates Corbusier’s graphic language into wool: bold planes of color, free-flowing line, and symbolic forms that echo both landscape and architecture.

Originally commissioned for the Sydney Opera House by Jørn Utzon, the tapestry embodies a rare dialogue between two visionary minds — where modernism becomes inhabitable.

A work to be lived with, not just looked at.



A quiet moment behind one of modernism’s most fascinating stories.Le Corbusier — drawing, thinking, composing — at the o...
03/04/2026

A quiet moment behind one of modernism’s most fascinating stories.

Le Corbusier — drawing, thinking, composing — at the origin of Les Dés Sont Jetés, a tapestry woven in Aubusson in 1960.

Originally created for the Sydney Opera House at the request of architect Jørn Utzon, the work would take an unexpected path: kept for decades in Utzon’s private home, it would only reach its intended destination… 56 years later.

A remarkable journey — where architecture, vision, and textile finally converge in one of the most iconic buildings of the 20th century.



La Partie de campagne.At the Fondation Maeght,Fernand Léger’s vision unfolds — a composition where figures, landscape, a...
24/03/2026

La Partie de campagne.

At the Fondation Maeght,
Fernand Léger’s vision unfolds — a composition where figures, landscape, and modern life merge into a single, rhythmic whole.

Transposed into tapestry, the work gains weight and presence.
The line becomes structure.
Color becomes space.

At Galerie Hadjer, these rare Aubusson weavings extend Léger’s language beyond painting — into architecture.


Galerie Hadjer, Paris

After BRAFA — the silence lets the work speak.La Partie de campagne by Fernand Léger,presented by Galerie Hadjer.A power...
03/02/2026

After BRAFA — the silence lets the work speak.

La Partie de campagne by Fernand Léger,
presented by Galerie Hadjer.

A powerful Aubusson tapestry where modern figures, bold contours, and vibrant color planes merge into a single visual rhythm.

🧵 Unique piece — 1/1
A rare, unrepeatable work bridging painting and tapestry.

Modernism, woven.

We were delighted to take part in BRAFA Art Fair this year.Thank you to the organizers, collectors, and friends who made...
02/02/2026

We were delighted to take part in BRAFA Art Fair this year.

Thank you to the organizers, collectors, and friends who made this edition so special.

Until next year.

— Galerie Hadjer

📍 Stand 119

Final day at BRAFA.A last opportunity to experience our focused presentation of Le Corbusier Aubusson tapestries, where ...
01/02/2026

Final day at BRAFA.

A last opportunity to experience our focused presentation of Le Corbusier Aubusson tapestries, where modernist thought is translated into textile form with clarity and precision.

A restrained vision of modernity, grounded in material intelligence and enduring form.

📍 BRAFA Brussels
📌 Stand 119

Adresse

102 Faubourg Saint-Honoré
Paris
75008

Heures d'ouverture

Lundi 10:30 - 19:00
Mardi 10:30 - 19:00
Mercredi 10:30 - 19:00
Jeudi 10:30 - 19:00
Vendredi 10:30 - 19:00
Samedi 14:00 - 19:00

Téléphone

+33142666113

Notifications

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