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Galerie Eric Mouchet

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France
Paris
Galerie Eric Mouchet

Contemporary and modern art gallery in Paris and Brussels, representing artists with forward-thinking and singular practices.

La Galerie Éric Mouchet représente essentiellement de jeunes artistes contemporains aux démarches prospectives, dont les sujets de recherche portent sur la géopolitique, la sociologie, l’écologie, les questions de société et de genre, sans limitation de média ou de forme (performance, installation, vidéo, photographie, dessin). La Galerie Éric Mouchet bénéficie également d’une expertise dans les a

vant-gardes historiques françaises et allemandes (Le Corbusier, Schwitters, Ella Bergmann-Michel et Robert Michel…), qui offre la possibilité de confrontations et d’interconnexions entre l’art du XXème siècle et l’art vivant d’aujourd’hui. Depuis 2022, la galerie a ouvert un nouvel espace à Bruxelles, en partenariat avec la Galerie Martin Kudlek (Cologne) et Patrick Heide Contemporary Art (Londres). Située avenue Van Volxem 333 à Forest, face au centre d’art contemporain WIELS et contiguë du Galila’s POC, espace de la collectionneuse Galila Barzilai Hollander, cette maison vernaculaire 1900 de 400 m2 offre trois étages d’expositions et un jardin qui accueillera la programmation belge des trois galeries associées. La galerie est membre du Comité Professionnel des Galeries d’Art et du réseau Paris Gallery Map.

28/05/2026

Join us tonight for the opening of ‘Hard Edge, Soft Core’ by Samir Mougas and ‘There's Never Nothing Happening Here’ by Alexander Gorlizki, and enjoy a drink in the garden of Galerie Eric Mouchet Brussels, from 3 to 9 pm.

➞ Opening: Thursday 28 May from 3 to 9 pm
➞ Exhibition: May 28 to July 18, 2026

Galerie Eric Mouchet is pleased to present the very first solo exhibition of French artist Samir Mougas in its Brussels space. Entitled Hard Edge, Soft Core, the exhibition brings together sculptures, ceramics and paintings, and marks a significant milestone in the artist's career: it is the first time these different practices are shown simultaneously, revealing in full the coherence of a visual language that is both rich and singular.

Opening in the same space, There's Never Nothing Happening Here introduces British artist Alexander Gorlizki to Brussels audiences in his first solo show at the gallery. Alexander Gorlizki's paintings are the fruit of a fertile imagination shaped by his deep engagement with both Indian and Western iconography. His works — at once absurd and fascinating — draw on references as varied as embroidery and the art of topiary, the textile patterns of South-East Asia, the great masters of 20th-century photography, Victorian tool catalogues, and the pictorial tradition of the Indian miniature.
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📸 Last Flash, 2021, acrylic paint and acrylic medium on canvas.
📸 There’s Never Nothing Happening Here, 2014, Or and Pigments on paper.

26/05/2026

[Save the date] ‘There’s Never Nothing Happening Here’ - a solo show by Alexander Gorlizki () • Galerie Eric Mouchet, Bruxelles

➞ Opening: Thursday 28 May from 3 to 9 pm
➞ Brunch & guided tours: Saturday 6 June from 11 am to 4 pm

Galerie Eric Mouchet is pleased to present ‘There’s Never Nothing Happening Here’, the first solo show of British artist Alexander Gorlizki in its Brussels space. Alexander Gorlizki’s paintings are the fruit of a fertile imagination shaped by his deep engagement with both Indian and Western iconography. His works — at once absurd and fascinating — draw on references as varied as embroidery and the art of topiary, the textile patterns of South-East Asia, the great masters of 20th-century photography, Victorian tool catalogues, and the pictorial tradition of the Indian miniature.

Born in London in 1967, Gorlizki lives and works in New York. Introduced to Indian culture at an early age, he developed a lasting enthusiasm for Mughal art, inspired by the encounter between the Muslim and Indian worlds in the 16th century.
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📸 There’s Never Nothing Happening Here, 2014, Or and Pigments on paper. Courtesy of the artist and Galerie Eric Mouchet Paris/Bruxelles

21/05/2026

[Save the date] ‘Hard Edge, Soft Core’ - a new solo show by French artist Samir Mougas () • Galerie Eric Mouchet, Brussels

➞ Opening: Thursday 28 May from 3 to 9 pm
➞ Brunch & guided tours: Saturday 6 June from 11 am to 4 pm ( with )

Galerie Eric Mouchet is pleased to present the very first solo exhibition of French artist Samir Mougas in its Brussels space. Entitled ‘Hard Edge, Soft Core’, the exhibition brings together sculptures, ceramics and paintings, and marks a significant milestone in the artist’s career: it is the first time these different practices are shown simultaneously, revealing in full the coherence of a visual language that is both rich and singular.

Born in 1980, Samir Mougas has spent over twenty years developing a sculptural practice driven by an insatiable curiosity for everyday objects and technological imaginaries. His work draws from a deliberately eclectic visual repertoire — electronic music, science fiction, car tuning, industrial design — to produce works that resist easy categorisation. Each series reflects a constant appetite for shifting techniques and registers, from industrial foundry to glazed ceramics, from moulding to acrylic painting, resin and AI-assisted image generation.

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📸 Last Flash, 2021, acrylic paint and acrylic medium on canvas. Courtesy of the artist and Galerie Eric Mouchet Paris/Bruxelles

12/05/2026

[Meet the curator] Last days to (re)discover ‘Ham Sāya Kouh Hā (On the Mountain Side, in the Shadow)’ curated by Emile Drousie () at Galerie Eric Mouchet Brussels.

➞ Av. van Volxem 333, 1190 Forest (Brussels)
➞ Friday 15 and Saturday 16 May, from 11am to 7pm.

Émile Drousie (born in 1997; lives and works in Paris) is an independent curator who focuses on mediating contemporary art scenes from Central and South Asia and their diasporas. He is particularly attuned to the intimate nature of subversion, the interplay between power and the everyday life, personal and domestic geographies, as well as the poetics of the political. He pays close attention to the circulation of artworks and the concepts they convey through their transnational translations. A graduate of Sciences Po, Paris, he also studied Persian at the Institut National des Langues et Civilisations Orientales (INALCO), Paris. ‘Ham Sāya Kouh Hā’ is his first curatorial project and the result of a long-term research. He wishes to thank Galerie Eric Mouchet as well as all the artists, art professionals, and researchers he has collaborated with over the years for their trust and their essential contributions to the realization of this exhibition.

📸 .eyod

01/05/2026

[Fair — Paper Positions Berlin] Trio show by Ella Bergmann-Michel, Christine Crozat (), and Kubra Kahdemi (.khademi) — Booth 55 • From April 30 to May 3, 2026

Galerie Eric Mouchet is thrilled to announce its first participation at Paper Positions Berlin (). To mark the 10th anniversary of the Berlin art fair, we are showcasing three female artists who each work, or have worked, with the medium of paper in a distinctive way.

Ella Bergmann-Michel (1895–1971) developed her personal style in a very short time and moved with her art through the realms of Dada, Constructivism and Purism. Over a period of 50 years, she left behind a wonderful body of work on paper.

Christine Crozat (b. 1952) is a Franco-Swiss artist. A central element of her work is drawing, often on tracing paper (calque), which she regards as a ‘place of transition’ between sketch and completion. She works with a scalpel to cut out shapes and isolate details, which she removes from their original context to give them a new poetic meaning.

Kubra Kahdemi (b. 1989) is a Hazara artist from Afghanistan. Due to her Persian roots, she very often works in gouache, sometimes using gold leaf, and almost always on paper. In her series, the artist once again highlights the inequality of opportunity between women and men in patriarchal societies. In her mother country, a rigidly patriarchal society applies religious laws and social taboos accusing women of crimes such as cheating, falling in love with a man who is not their assigned man, or simply for the free expression of their femininity.

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📸 © Natalia Carstens

28/04/2026

[On view - Paris] ‘Printemps Paramétrique’ by Pierre Gaignard () • Galerie Eric Mouchet, Paris

➞ Until June 13, 2026

‘All of Pierre Gaignard’s work explores the relationship between past and present through systems that blend craftsmanship, mechanical devices, and digital tools. Using artificial intelligence, he deconstructs and recomposes hidden forms, which he then reveals through light, sound, or matter — engaging both his own body and that of the viewer in the process. The titles of his works also play a fundamental role. They emerge from a rhythmic intuition, a musicality intrinsic to language. In Griza:j Hypermat’, the title’s pulse is defined by its phonetics; in latent_breath_(), the punctuation is inspired by Python code, symbolically marking the beginning of a new creative cycle. For him, language is a territory of experimentation — one whose evolution, syntax, and punctuation he probes and diverts until they acquire a plastic and sonic dimension.

In Griza:j Hypermat’, the artist draws inspiration from lithophany, a nineteenth-century technique consisting in molding images in translucent porcelain, visible only when backlit. Pierre Gaignard offers a contemporary reinterpretation through 3D printing, transforming industrial neon covers into sculpted surfaces. Between disappearance and persistence, the hybrid images he creates — derived from AI-generated models of historical botanical forms — evoke grotesque decorations, a theme I have also had the pleasure of exploring alongside him. These images, at once fragile and powerful, become figures of knowledge — dialectical images in the Benjaminian sense — capturing the tension between past and present, between memory and invention, where a single detail suddenly illuminates a new reading of reality.’ Isabella Vitale ()

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📸 Griza:j Hypermat’ series, Galerie Eric Mouchet Paris/Brussels, 2025-2026 © We Document Art ()

26/04/2026

[Focus - Art Brussels] Last day to visit Booth 5B-41 with a solo show by Belgian artist Eva L’Hoest (), from 11 am to 6 pm ()

‘Palmless Manœuvres’ begins with an almost imperceptible shift: the moment when human agency begins to delegate not only gesture, but meaning itself, to the machine. A tipping point that does not manifest as rupture, but as a slow, almost eventless dispossession - a fatigue of attention, a silent redistribution of roles between bodies and the systems that surround them. Gesture does not disappear; it migrates into computational devices that precede and accompany us […]

Between palma (the palm, once a sign of destiny) and manœuvre (the operative hand), the exhibition traces a transformation: what orients us is no longer read in the lines of the skin, but in the opaque strata of calculation. In these computational spaces where gesture tends to dissolve, Eva L’Hoest’s work operates from within, engaging the intimacy of matter: melting, sculpting, transmuting—forming a body where something begins to slip away.

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📸
1-3: exhibition view ‘Palmless Manœuvres’, Art Brussells 2026 © Choreo (.info)
4: Cabinet with memory leak, 2025, Casino Luxembourg - Forum d’art contemporain, 2025 © Luk Vanderplaetse
5: The Inmost Cell, 2021 © We Document Art
6: After glow map 03, 2018 © Ludovic Beillard

23/04/2026

[Fair — Art Brussels 2026] Solo show by the Belgian artist Eva L’Hoest () — Booth 5B-41 [Prime] • From April 23 to 26, 2026

On the occasion of , Galerie Eric Mouchet is delighted to present Eva L’Hoest first solo show ‘Palmless Manœuvres’ at Art Brussels taking over Hall 5 at the Heysel.

‘Palmless Manœuvres’ begins with an almost imperceptible shift: the moment when human agency begins to delegate not only gesture, but meaning itself, to the machine. A tipping point that does not manifest as rupture, but as a slow, almost eventless dispossession - a fatigue of attention, a silent redistribution of roles between bodies and the systems that surround them. Gesture does not disappear; it migrates into computational devices that precede and accompany us.

In the space, galvanised rails trace out a trajectory. These steel lines, at body height—recalling museum handrails or airport corridors—echo the silent, algorithmic infrastructures that, without apparent constraint, guide bodies, channel desires, and organise attention. The forms that compose the exhibition appear as enigmatic vestiges, fragments caught in light, like archaeological objects from a domesticity absorbed by the machine. Anatomical archives, metals permeated by computation, volumes extracted from the moving image—forms in which the living recomposes itself, caught within calculation.

Art Brussels | Booth 5B-41
➞ Preview: Thursday 23 April from 11 am to 4 pm
➞ Vernissage: Thursday 23 April from 4 to 9 pm
➞ Public Days: Friday 24 to Sunday 26 from 11 am to 7 pm

📸 Choreo (.info)

22/04/2026

[Gallery Night by Art Brussels] Join us tonight to (re)discover ‘Ham Sāya Kouh Hā (On the Mountain Side, in the Shadow)’ curated by Emile Drousie () at Galerie Eric Mouchet Brussels, from 5 to 9 pm.

➞ Av. van Volxem 333, 1190 Forest (Brussels)
➞ Art Brussels 2026: ‘Palmless Manoeuvre’ by Eva L’Hoest ()

‘Ham Sāya Kouh Hā’ draws from the geographical and mental progression across a paradoxical landscape—half refuge, half dead end. From arid slopes to fertile furrows, from scarred neighborhoods to blooming hills, the exhibition sketches a panorama of identity and artistic ridgelines. All the way from the immersion suggested by Feroza Hakeem within a nature that encapsulates loss and memory, to the ultimate gathering under the combative banner of Kubra Khademi, and through the patient memorial gestures of Latifa Zafar Attaii, and the modest search for origins within the layers of oral and familial history initiated by Parwana Haydar, artists collectively lean towards this horizon like a mirage, so close and yet so far, known in Persian as the “mountain behind the mountains.” - Emile Drousie

With works by Elyas Alavi (), Sher Ali (.h), Feroza Hakeem (), Parwana Haydar (), Ibrar Hussain (), Fati Khademi (), Kubra Khademi (.khademi), Fazil Mousavi (), Ali Rahimi (), Mohammad Sabir Sabir (.sabir_sabir), Mohsin Taasha () & Latifa Zafar Attaii ()

📸 Galerie Eric Mouchet Brussels, 2025. © We Document Art (

Adresse

45 Rue Jacob
Paris
75006

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

Téléphone

+33142962611

Site Web

http://www.ericmouchet.com/

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