Galerie Sepia

10/04/2026

Who could better capture the state of the world we're living in?
Qui saurait mieux traduire l'état du Monde où nous nous trouvons ?
#2026

09/03/2026

Wednesday in London, Saturday Chateau de Chantilly !

16/02/2026

Wishing you all a joyful Year of the Horse — may life carry you forward with good fortune ! Je vous souhaite à tous une bonne année du Cheval, que tout cette année, aille bon train pour vous ! 祝大家马年快乐，愿力量、速度与好运伴随左右！

07/02/2026

Michelangelo and Titian : Renaissance's odd couple
A new study transforms Michelangelo and Titian, figures so exalted they can seem little more than remote monuments, into working artists, flesh-and-blood individuals who look, reflect and respond to new aesthetic experiences
https://www.linkedin.com/pulse/michelangelo-titian-renaissances-odd-couple-christian-ogier-pcybc/

05/02/2026

“Miró and the US” a -not to be missed- exhibition in Barcelona unveils the deep ties between Miró and the United States, highlighting the fascinating creative dialogue and mutual influence between the artist and his American counterparts.

In Barcelona, an exhibition reveals Miró’s American dialogue "We must open ourselves to the outside world and resist turning inward. We must become Catalan international" Joan Miró told Le Monde in November 1981.

17/11/2025

Wifredo Lam has long been an artist I found truly intresting, even if he’s remained relatively overlooked until now. Forty years after his passing, he’s finally receiving major recognition with a MoMA retrospective - following the one at the Centre Pompidou ten years ago. A perfect moment to (re)discover his work !

Art history, which likes categories and keeping things neat, has never known what to do with certain artists, Wifredo Lam (1902-1982) being one. Surrealist? Cubist? Latin American? Afro-Asian? Insider? Outlier? Yes.

31/07/2025

Why do we admire Picasso ?
A remarkably insightful analysis by the great art critic John Berger on Picasso in 1954. An essential read to understand our fascination and admiration for the artist's work.

From the archive: May 1954: John Berger reviews the artist’s new show in London. In 1954, the art critic John Berger went to the Lefevre Gallery, which then stood on London’s King Street, to review a new exhibition of Picasso’s work.

10/02/2025

Picabia, the unclassifiable artist, still astonishes me—even after 40 years of dealing, and living with his work!

In November 1945, Francis Picabia declared that art was ‘at a dead point’. Surrealism, he told an interviewer, was past its heyday, abstraction empty, figurative painting obsolete.

16/12/2024

Behind those small glasses and that composed face, a courage and audacity like no other!

Rose Valland’s position as a Paris museum curator during the N**i effort to steal thousands of artworks put her in a unique position to defend against the program of theft. In the annals of N**i-looted art—that dark episode in cultural expropriation in Europe during World War II—the figure of ...

12/11/2024

The dark origin of Impressionism : what we forget about the time of its birth - it wasn't that pretty !-