John Marchant Gallery

John Marchant Gallery Represents international artists including Jamie Reid, Alice O'Malley, Alison McKenna, Fabrice Cazenave, Hans de Wit, and Vivienne Dick

It is really great to announce here that Delaine Le Bas will be opening her new show Leap at Maureen Paley London on 4th...
28/05/2026

It is really great to announce here that Delaine Le Bas will be opening her new show Leap at Maureen Paley London on 4th June, running through to 25th July 2026, featuring sculpture, wall-based work and some exquisite pieces in Murano glass (see pic of Blue House 26112025 above). The exhibition title, Leap, describes a movement that is at once backward and forward. As Le Bas shifts across scale, media, and modes of presentation, her practice remains grounded in both communal and personal histories. I quote further from the press release (ahem…).

“In her words, Delaine has been ‘kicking around’ Europe with her hangings and constructions for years (including the first Roma Pavilion at the Venice Biennale in 2007), with a recent surge of interest following her expansive yet intimate 2024 Tramway show in Glasgow and subsequent Tuner Prize nomination. She is renowned for her performances and installations such as Witch Hunt (touring Europe since 2009, courtesy of Foundation Kai Dikhas in Berlin) which attack and pick at issues of misrepresentations and misapprehensions of identity and culture. Delaine grew up in a Romani family and suffered extensive bullying for her ‘otherness’ as a child. That formed both a carapace and a masking technique, a camouflage of visual, fashion extravagance and elegance that naturally echoed into her artwork. She has also seen herself as the ‘ungrateful guest at the dinner table’, but her exuberant energy has now gathered seemingly unstoppable, joyful momentum. Leap includes both historical and new work, placing them in new situations with works for walls and plinths. The artist’s wish for Leap is to encourage us to identify and confront institutional pacification, to question, to embrace joy, and to ’jump right out of the 21st Century as fast as we can, in order to create an environment in which we can truly run wild’.” – John Marchant, 2026.

Delaine Le Bas (b. 1965, Worthing) lives and works in Worthing, West Sussex, collaborating with her partner Lincoln Cato. Un-Fair-Ground continues at The Whitworth Manchester until 31st May.

Packing up some jewels for a big show to be called - fittingly - Believe In The Ruins, at Design Museum Den Bosch in The...
27/05/2026

Packing up some jewels for a big show to be called - fittingly - Believe In The Ruins, at Design Museum Den Bosch in The Netherlands. We love this poster. Distressed beyond decency! Opens 27th June

Thinking of the late Jamie Reid on this day, May Day, International Workers Day, and Beltane…. Nearly fifteen years ago ...
01/05/2026

Thinking of the late Jamie Reid on this day, May Day, International Workers Day, and Beltane…. Nearly fifteen years ago we appropriated Arts and Crafts artist Walter Crane’s ‘Garland For May Day’, for Jamie’s Ragged Kingdom show at the now sadly closed Temple Works space in Leeds. Using trusty scissors and glue, we wove elements of Jamie’s archive into Ceres’s garlands and brightened up the flowers with a kids watercolour set. This is the original collage. Today was one of the festivals of the year that Jamie would always mark, often with special cards to friends and family. Missing you, my friend. All love.

Sad news from New York City, with the passing of Agosto Machado, who was our Cover Star for Alice O’Malley’s show here i...
23/03/2026

Sad news from New York City, with the passing of Agosto Machado, who was our Cover Star for Alice O’Malley’s show here in Brighton in 2024. We also flyposted Alice’s portrait of Agosto all over town, which was a joy to see. ‘Performance artist, visual artist, activist, archivist, muse, caretaker, friend, none of these categories quite covers it, and all of them are true…’ says Artlyst’s elegy. Agosto also tended the flame of many of NY’s fabulous comets that had passed, many of whom like Candy Darling, Taylor Mead and Jack Smith were well known, but others less so. “My gift is sharing and acknowledging people of our time whose lives were cut short.” All had their place… MoMA made a beautiful film with Agosto recently, which you can find via a link in Linktree in the profile. In the last couple of years both Gordon Robichaux in NY and Maureen Paley in London hosted exhibitions of Agosto’s shrines, honouring both him and his love.

Delaine Le Bas’ new show Un-Fair-Ground at the Whitworth in Manchester is tremendous!! It all kicked off last night with...
13/02/2026

Delaine Le Bas’ new show Un-Fair-Ground at the Whitworth in Manchester is tremendous!! It all kicked off last night with an extraordinary performance, involving her son Damian and long time allies Ronke and Hera. It was transformative, unsettling, and enervating. “You will NOT steal our joy!” The installation covers a number of spaces and includes her heroically-sized wall from Glastonbury 2024 (including dedication to Jamie Reid (1947-2023), gems from the Whitworth collection (including the astonishing William Blake, and Madge Gill), and Ballet Russe costumes amidst her own projections, hangings and sculpture. Please go and report back. Free entry (as it should be). Thank you Darren and Valentin.

Opening tomorrow evening at the Whitworth in Manchester - Delaine Le Bas’ Un-Fair-Ground. It’s going to be full on, stim...
11/02/2026

Opening tomorrow evening at the Whitworth in Manchester - Delaine Le Bas’ Un-Fair-Ground. It’s going to be full on, stimulating and great fun. Lots of new work, some recycled work and some guest stars (see press release below). On from the 13th Feb to 31st May so plenty of time to plan your visit. “One of the most distinctive voices in contemporary art, Le Bas is renowned for her work addressing nationhood, belonging, gender, and identity, using a diverse range of media including embroidery, découpage, painting, sculpture, installation, and performance.
The exhibition provides new insights into Le Bas’s practice, placing her work in close dialogue with pieces selected from the Whitworth collection. It features new and recent works by Le Bas – including Un-Fair-Ground, her monumental freestanding mural created for the 2024 Glastonbury Festival – showcasing the themes and cultural motifs that energise the artist’s work: ancient, modern, and mythic spirits, alongside political and pop-cultural references.
The exhibition also includes a new installation exploring the artist’s deep engagement with magic, folklore, and witchcraft, providing a space to host works by artist peers and predecessors including Pearl Alcock, William Blake, Madge Gill, John Martin, and Paula Rego. At the heart of the exhibition is a performance space, programmed with live events and creative activities to facilitate new forms of engagement with Le Bas’s practice.”

Goodbye to the great American gallerist Marian Goodman who just passed away. It seems extraordinary to even mention it n...
25/01/2026

Goodbye to the great American gallerist Marian Goodman who just passed away. It seems extraordinary to even mention it now, and I never wanted to before because it was between us, but Marian encouraged me to open my first space, in London, in the late 2000’s. I knew her from NY and we just hit it off, I don’t know why, but we did. If you don’t know of her achievements - not least with Gerhard Richter and John Baldessari - please do look her up. Meeting for breakfast in London one day, she said she’d support me in that first venture. I was dumbfounded. She was of course as good as her word. Most importantly, she gave me confidence, for which I will always be grateful. Thank you, Marian (1928-2026). Jx

Out now and available worldwide. Rosy Martin in conversation with Linsey Young for Luncheon Magazine! It’s a great piece...
15/11/2025

Out now and available worldwide. Rosy Martin in conversation with Linsey Young for Luncheon Magazine! It’s a great piece, with plenty of history, context and the requisite amount of sauce. Thank you, photographer Kuba Ryniewicz and editor Frances. We’re into the final week or so of Rosy’s brilliant show, co-curated with Linsey Young. Ends 22nd November. Please come. ly

‘There is no ‘real me’, only the fragments and diversities that have moulded me. I cannot be held or represented by any ...
12/11/2025

‘There is no ‘real me’, only the fragments and diversities that have moulded me. I cannot be held or represented by any one image, and phototherapy is the process that Jo (Spence) and I have evolved to explore and make visible the many, many parts of which we are formed.

The work takes up and questions many of the themes of photography itself, challenging the concept of the ‘perfect’ or ‘decisive’ moment, and the ‘truth’ of the photographic image. It exposes the image production process, working against the grain of existing mythologies eg. of family photographs, looking at everyday events and small details, challenging ‘fixity’ and rigid social rules.

The work decodes sexuality and gendering and begins to show them as social constructs.’

Extract from ‘Don’t Say Cheese Say Lesbian’ - a phototherapy exhibition examining self-identity and memory, by Rosy Martin and Jo Spence. 1986

Rosy Martin: Selected Works is now extended to 22nd November and has been curated with Linsey Young, with promotion courtesy of Build Hollywood.



John Marchant Gallery

Rosy Martin
Selected Works
11th Oct - 22nd

NEW EDITION by ROSY MARTIN  Jack The Lad (1996) is one of a series of eight images produced by pioneering feminist artis...
30/10/2025

NEW EDITION by ROSY MARTIN Jack The Lad (1996) is one of a series of eight images produced by pioneering feminist artist Rosy Martin’s for her Out Takes series. This series was part of Martin’s ongoing exploration of gender as performance, and her investigations into the family album. “I remember being struck by how often I had seen within the faded fragments from the past, representations of something familiar. Desire, supported by the collusion of hairdressers, clothes designers, and high street photographers, positioned a generation in the 1930’s and 40’s by their similarity to their film-star idols. This project of self-transformation was seductive, yet always tinged with a hint of failure, of pathos.”
This new archival, digital edition is produced at a smaller size to the original exhibition print (49 × 33 cm), at a more domestic, family album sized 18 × 13 cm.
Rosy Martin (b.1946) works across photography, moving image, psychological therapy and writing. She has exhibited extensively nationally and internationally and her work is held in collections including Tate and the Centre for British Photography.

Jack The Lad (Out Take #2), 1996/2025
Archival digital print
18 × 13 cm
Signed and numbered edition of 20 + 2 AP’s
£150 each

PLEASE NOTE: this edition will be produced and sent out at the end of the exhibition. You can purchase now following through Linktree in the profile above, or DM the gallery through IG.

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