26/05/2026
In Substitute at Gagosian, Rachel Whiteread continues her longstanding exploration of absence, transforming what we cannot see into something tangible.
Known for casting the negative space of objects and architecture, Whiteread’s practice reverses our expectations of sculpture. Instead of representing form, she captures what surrounds it, the air inside a room, the imprint of a surface, the trace of something no longer there.
Across sculpture and photography, Whiteread reveals how everyday structures quietly hold time, history, and human experience. What might appear minimal at first becomes deeply evocative, a reminder that absence itself can carry meaning.
👇 Do you see these works as objects — or as traces of something that once existed?