11/12/2025
This is the last round of artists selected for Biscuit Tin, our annual moving image festival. Films will be shown at the premiere this ๐๐๐ญ๐ฎ๐ซ๐๐๐ฒ ๐๐๐ญ๐ก ๐๐๐๐๐ฆ๐๐๐ซ, ๐-๐๐ฉ๐ฆ. Tickets are free and available in our bio! ๐ช
๐๐จ๐ฎ๐ซ๐๐ ๐๐จ๐ฎ๐ซ๐๐๐ฃ (born in Cambridge, 1997) is a moving image artist currently based in Glasgow. Mourad comes from a mixed heritage background of Syrian and Argentine and much of his work touches on themes of the shared space we all inhabit and how this links to memory and identity. His approach is curious and open minded, relying on a playfulness that incorporates a variety of techniques including collage, animation, analogue film and writing. He has recently completed an experimental film course in Madrid called MasterLAV with a particular focus on 16mm film.
๐๐๐ฉ๐ฉ๐ ๐๐๐ข๐ ๐ก๐ญ has a stubbornly hopeful view of the world. He makes work that desperately tries to prove the existence of magic in the mundane and settles for no less than his audienceโs undivided acceptance. This boyish energy is hollow; throughout Zappaโs practice, there are echoes of his self-doubt and uncertainty. Frothing at the edges of his badly-made constructions are glimpses of his desire to emotionally engage with his family and memories that spread across a wider shared experience. He makes silly objects and performs them to map the constructed limits of his existence.
๐๐ก๐จ๐ง๐ ๐ฒ๐๐จ ๐๐๐ง๐ (b. 1996, Harbin) is an artist and designer based in Beijing. Working across digital video, installation, and text, she explores perception, materiality, and the boundary between reality and fiction. Her work has shown internationally and was shortlisted for the 2025 Lumen Prize.
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๐๐ซ๐ช๐ฎ๐ก๐๐ซ (b. 1969, Edinburgh) lives and works in Edinburgh. Farquharโs work engages with everyday objects, materials, and technological processes. Overlooked cultural signifiers echo the ambient hum of contemporary life, offering clues to activities undertaken or observed first-hand. He questions what is deemed suitable for artistic use - often embracing the banal and reviled to unsettle assumptions of value.