Sunny Bank Mills

Sunny Bank Mills A creative space for business, arts and heritage.
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It’s been a big few weeks in football, and with the Men’s World Cup round the corner, it feels an appropriate time to hi...
01/06/2026

It’s been a big few weeks in football, and with the Men’s World Cup round the corner, it feels an appropriate time to highlight the artists featured in our current exhibition’s (officially coined) ‘Football Corner’.

For the Love of Textiles showcases loving connections with family members, lovers, neighbours and beloved football teams through a range of contemporary textile art and precious garments.

Image 2 - Dyed in the Wool by Henry/Bragg & WI members

During the 1970s there was little opportunity to buy pre-designed football shirts. Instead fans would wear homemade jerseys or scarves, often painstakingly knitted by a friend or relative. For Dyed in the Wool, Henry/Bragg invited a die-hard football fan from each of the Premiership sides to design a cardigan to represent their team. The response to this request was participative and home made.

What separates these cardigans from the cloned replica shirts of the standard football club merchandisingis a sense of local identity. The colour and the stories behind the cardigans, knitted by the Women’s Institute for the fans, bring out the narrative tradition; the novelist as opposed to the historian with only dry statistics.

Dyed in the Wool was commissioned by The Millais Gallery supported by Arts Council England in 2004 and has since toured to Berlin, Belgium, London and New York. It is now in the permanent collection at the National Football Museum in Manchester.

Image 3 & 4 - Lionesses Touchline Coat by Jacqui McAssey, Paul Robinson & Wildemasche

The Lionesses Touchline Coat draws on the cultural energy of football terraces, particularly chants, songs and clothing that hold collective meaning by reclaiming and feminising them to centre female
supporters’ experiences.

The garment, a nod to Arsene Wenger’s Arsenal puffer coat, was commissioned for the England Women’s Squad Announcement film ahead of the UEFA Women’s EURO 2022, a tournament the England team memorably went on to win. It is constructed from layers of used England scarves sourced from online retailer Classic Football Shirts.

The coat has travelled to both the UEFA Women’s EURO in England and the FIFA Women’s World Cup in Australia in 2023. These encounters were photographed for GIRLFANS England fanzine, published in 2026.

Image 5,6 & 7 - She’s a Keeper & Tethered by Nicole Chui

Nicole’s Chui's technical approach often moves beyond the hoop to challenge the boundaries of the medium. In her piece Tethered, she collaborated with a local maker to develop a custom frame that allowed for a more expansive, structural approach to layered stitching.

This interest in unconventional surfaces is further explored in She’s A Keeper—a centrepiece of her OOF Gallery residency—where she hand-stitched directly into a football. Developed in collaboration with TOMME Studio, the work reimagines the ball as a bag, blending domestic craft with the ruggedness of sport.

These techniques trace back to Nicole’s initial return to football in 2019, when she began hand-embroidering directly onto her goalkeeper gloves. This act of blending her athletic and artistic worlds remains the foundation of her practice: a brash, tactile subversion of sport and tradition through the resistance of the needle.

Find out more about the exhibition here. Open Tuesday to Sunday 10am - 4pm until 28th June > https://www.sunnybankmills.co.uk/arts/gallery/for-the-love-of-textiles/

What a moment! Two weeks ago, the Bobbin Room was alive with energy as we launched our Dyevolution project at Sunny Bank...
29/05/2026

What a moment! Two weeks ago, the Bobbin Room was alive with energy as we launched our Dyevolution project at Sunny Bank Mills. We welcomed gardeners, historians, dyers, filmmakers, weavers, and academics, each bringing their unique perspective to the project. It was inspiring to see new connections form and creative ideas spark around plants, dyes and textiles.

From lively conversations to hands-on activities, the room buzzed with excitement and possibility. The Dyevolution journey is just beginning and we can’t wait to see how it grows with your input and imagination.

Thank you to everyone who made the launch such a huge success! If you were there, share your favourite moment with us or what you’re most excited to explore next.

UPCOMING WORKSHOPS - We've got some great creative sessions taking place in the Finishing Room within the next few weeks...
28/05/2026

UPCOMING WORKSHOPS - We've got some great creative sessions taking place in the Finishing Room within the next few weeks. Here's a sample of our June listings;

PRINT & STITCH - DEVELOPING TEXTILE ARTWORK
w/ Ria from Slow Hands
Sat 6th June
10:00 - 13:30 | £75 | 16+

> https://www.eventbrite.co.uk/e/print-stitch-developing-textile-artwork-tickets-1986804847783

FUNKY FOAM RELIEF PRINTS
w/ Cath Brooke
Sun 14th June
10:00 - 13:00 | £50 | 14+

> https://www.eventbrite.co.uk/e/funky-foam-relief-prints-tickets-1986805442562

EMBROIDER WITH NATURE
w/ Elnaz Yazdani
Fri 19th June
10:00 - 12:30 | £40 | 16+

> https://www.eventbrite.co.uk/e/embroider-with-nature-tickets-1986805534838

FROM SKETCHES TO SKETCHBOOK
w/ Zoe from Short & Few
Sat 20th June
10:00 - 13:00 | £25 | 16+

> https://www.eventbrite.co.uk/e/from-sketches-to-sketchbook-tickets-1988318375786

[Image 1 shows staff member Millie and other workshop participants in the Finishing Room, focused on drawing and creative activities at a large table with art supplies. Image 2 shows a screen printing setup with a metal frame, red spatula, and floral stencil on a green cutting mat. Image 3 shows a close-up of fabric pieces and a paper with green leafy vine patterns and brown flowers, some with pink stitching details. Image 4 shows three colorful abstract prints on paper featuring stylised faces with bold shapes and vibrant backgrounds laid out on a table. Image 5 shows an abstract landscape print featuring a blue river winding through golden hills under a sky with flowing blue clouds. Image 6 shows tutor Elnaz seated at a craft table arranging dried flowers on a yellow embroidery hoop with various crafting supplies nearby. Image 7 shows a hand threading a needle with dried orange and white flowers arranged on a yellow fabric embroidery hoop. Image 8 is a close-up of bookbinding tools and three hand bound books stitched with colourful threads on a green cutting mat. Image 9 shows a cluttered table filled with stationery, notebooks, folded paper crafts, and art supplies during a creative workshop.]

For the past 6 weeks, the Museum & Archive has been working with Elise, a Leeds Beckett 2nd Year Fashion placement stude...
28/05/2026

For the past 6 weeks, the Museum & Archive has been working with Elise, a Leeds Beckett 2nd Year Fashion placement student. From dye gardens to a project launch, she had the chance to get hands-on with everything from historic textile collections to curating displays for the Threads Festival.

Read more about how she spent her time and her thoughts on our amazing Museum & Archive in our latest blog here: https://ow.ly/sZpY50Z4JE2

It's the final week of Touchlines by The 62 Group of Textile Artists at the Mills. Head up to the 3rd floor of the 1912 ...
27/05/2026

It's the final week of Touchlines by The 62 Group of Textile Artists at the Mills. Head up to the 3rd floor of the 1912 Mill between 10am & 4pm this Thursday to Sunday to see work from the group's current cohort of talented contemporary textile artists.

Here are a few pics from the packed out launch event earlier this month!

About the exhibition:

Each year, the group responds to a new brief for their annual exhibition. This year’s theme was developed in collaboration with Anna Turzynski, the Mills’ Arts Director, drawing on the site’s rich industrial and cultural history.

In Touchlines, artists explore the subtle thresholds where contact is felt, withheld, or transformed. Set within the historic spaces of Sunny Bank Mills, the exhibition draws connections between textile labour, sporting cultures, and human relationships, asking how boundaries shape intimacy, care, and collective identity.

Across a range of material-led and process-driven practices, the works foreground acts of repair, preservation, and making. Cloth emerges not simply as a medium, but as a site where emotional and social histories are embedded and reworked.

The exhibition invites viewers to slow down and reflect on the quiet gestures, fragile edges, and resilient connections tracing the points where making meets lived experience.

The show is on the 3rd floor of the 1912 Mill, which is accessed via three flights of stairs or a wheelchair accessible lift.

Free parking, included limited accessible parking is available around the Mill site and on Farsley Town Street. There are accessible toilets on the ground and 2nd floor of the venue.

Assistance dogs are permitted.

This exhibition is being organised and managed by The 62 Group. Please contact their team at [email protected] if you have any questions before the show closes this Sunday.

Looking for half term activities for your kids? The Gallery is open all week with lots of materials on our free drop-in ...
26/05/2026

Looking for half term activities for your kids? The Gallery is open all week with lots of materials on our free drop-in activity table. Our current exhibition activity was created by local artist Saba Siddiqui as part of For the Love of Textiles.

Come along and make your own mini textile declaration of self-love banner! Suitable for all ages.

Step 1:
Choose your fabrics, using contrasting colours for your letters and background so that the words stand out.

Step 2:
Thread the stick through the background fabric.

Step 3:
Choose your declaration - best kept short and sweet.

Step 4:
Find your letters and arrange them on your background to make sure your whole phrase fits!

Step 5:
Stick your words and decorations in place.

Step 6:
Tie the ends of a ribbon to the stick so that it can to hang.

The activity is running until the exhibition closes on 28th June. The Gallery is open 10am - 4pm Tuesday to Sunday. FREE ENTRY.

If you’ve visited the Mills recently or keep up to date with the local press, you may have noticed the arrival of a seri...
21/05/2026

If you’ve visited the Mills recently or keep up to date with the local press, you may have noticed the arrival of a series of colourful sculptures on the Colonnade. Here’s some info about the new temporary additions to the Mills’ sculpture collection!

Sunny Bank Mills is delighted to present Komorebi, a site-responsive sculpture installation by Amelia Bowles, curated by Senem Cagla Bilgin-Keys.

Emerging through a close dialogue with the site’s architectural and industrial histories, Komorebi unfolds as a spatial intervention that engages with the material memory of the former weaving sheds, activating the colonnade as both a structural and perceptual axis.

The work will be on view from May 2026 through May 2028. Details of the inauguration event will be announced soon.

About the Artist:

Amelia Bowles’ multidisciplinary practice intersects sculpture, painting, and architecture, creating works that explore the interplay of light, colour, form, and shadow, evoking perceptual and cognitive experiences. She graduated from City and Guilds of London Art School (MA Fine Art, 2023) and was the recipient of the Leverhulme Scholarship (2023). Recent solo exhibitions include Wayfinding at Ione & Mann (London, 2024) and Komorebi at 100 Bishopsgate, curated by AWITA and Brookfield Properties (London, 2024). Upcoming projects include a new site-specific public artwork commissioned by Landsec Group and Hive Curates (London, 2026).

Not every colour story here at the Mills is a textile story. Next in our colour series, we’re staying with red but this ...
21/05/2026

Not every colour story here at the Mills is a textile story. Next in our colour series, we’re staying with red but this time we’re stepping beyond the textiles. Across the Museum & Archive, red shows up on everyday objects and specialist tools alike: a colour chosen to catch the eye, signal importance and stand up to hard use.

We’ve pulled together a selection of non-textile items from the collection that are all shades of red, each with its own story of materials, manufacture and working life. Look closely and you’ll spot everything from glossy finishes to worn edges where hands once gripped them, from red leather bound cashbooks with marbled endpapers to a 1940s fire extinguisher, these objects show how red travelled through working life, across materials, spaces and jobs.

The cashbooks were hard wearing and made to last, ledgers recording the numbers that kept a mill running: purchases, sales, wages, and day to day costs, their marbled endpapers adding a flash of pattern and colour. Did you know we only recently stopped using these ledgers?

Matchboxes like these are a snapshot of branding and design in working life helping us to understand industrial communities beyond the mill floor.

Red was also used to signal danger or highlight equipment in busy low-light working areas.

Keep following as we explore how colour runs through the collection in surprising ways.


18/05/2026

What a weekend 😅 We would need about an hour to feature everyone who contributed to this year’s huge Threads programme, but here’s a small portion.

Thank you to every stallholder, workshop tutor, mill host and visitor for being part of the Festival, along with our speakers Michele Carragher, Jessie Cutts, Hannah Lamb and the 62 Group artists.

We’d like to give a special mention to student collective from for their incredible contributions. Their site responsive performances and short films were an important platform for the Mills’ heritage and workers’ stories throughout the weekend.

Stay tuned for the Me-made Competition entries!

[Reel is a series of short clips of stallholders waving, students performing, talks taking place and other activities across the site of the Mills during Threads.]

Thanks to everyone who joined us for the first action packed day of Threads! Come along to the Mills from 10am today for...
17/05/2026

Thanks to everyone who joined us for the first action packed day of Threads! Come along to the Mills from 10am today for the final day of our annual Textile Festival.

Visit the Threads page to see the full programme > https://www.sunnybankmills.co.uk/arts/gallery/threads-textile-festival-2026/

The final few tickets for the following workshops and talks will be for sale on the entry desks in the 1912 Mill:

NEEDLE FELTED FIBRE ART TOADSTOOLS
w/ The Peg Boomer
10:00 – 12:00 | £30 | 18+

DRAWING WITH THREAD EMBROIDERED PHOTOGRAPHY
w/ For The Love Of Textiles artist Zoe Boswell
13:30 – 15:30 | £30 | 14+

STITCHED CHARMS
w/ Reece Kelly
14:00 – 16:00 | £20 | 14+

TEXTILE CORDAGE (now a drop-in)
w/ Dee Sayce
12:30 – 15:30 | £5 | 14+

🎤 A Quiet Unfolding w/ Hannah Lamb
11:30 - 12:30 | £15 or £11 for students and unwaged visitors

Hear from artist, lecturer and author Hannah Lamb as she discusses her process and previous projects.

See you soon!

Address

Sunny Bank Mills Gallery, Unit 14 Sandsgate, 83-85 Town Street
Farsley
LS285UJ

Opening Hours

Tuesday 10am - 4pm
Wednesday 10am - 4pm
Thursday 10am - 4pm
Friday 10am - 4pm
Saturday 10am - 4pm
Sunday 10am - 4pm

Telephone

+441132563239

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