Unoriginal Sins

Directions Website

Unoriginal Sins AVANT-GARDE BOOKS, EPHEMERA, PRINTS, MULTIPLES & UNIQUE WORKS

ICA BULLETIN. NR 152. 1965. FLUXUS AND HAPPENINGS.SPATIAL POEM No 2Around the time listed below what kind of direction a...
13/10/2026

ICA BULLETIN. NR 152. 1965. FLUXUS AND HAPPENINGS.

SPATIAL POEM No 2
Around the time listed below what kind of direction are you moving or facing toward?
—either performance or spontaneous - please send me a report about it which will be edited on a world map. Chieko Shiomi.

From an interview with John Latham on his work BLINDS:
“Latham was asked some questions about this new development, or to put it another way here are some short answers to a short interrogation on blinds.
Q
Did you come to Blinds through a desire for a two-sided surface?
A
I um
Q
What is your idea of a Blind - is it a cover-up?
A
Yes
No
Q
To what extent is the ambiguity of the word reflected, you think in your work?
I don’t like ambiguity.”

A single number of this gallery bulletin which is notable for two things – firstly the English publication of Shiomi’s important score for Spatial poem Nr 2 which asks for submissions from artists describing their direction at a specified time and day, and an 8pp article by Robert Label on the Paris Happenings of that year accompanied by 4 b/w photographs including Schneemann’s Meat Joy. There are also 3 typewriter poems by dsh reproduced and a Kolar collage as well as a traditional Chinese typographic (concrete) poem: an exhoration forbidding “the killing and eating of oxen” which is drawn in the shape of an Ox. Inserted, two info sheets.

Gordon Fazakerley Jørgen NashDRAWINGS, POEMS. 1962. ONE OF 300 COPIES SIGNED BY BOTH ARTISTS.Drakabygget: Bauhaus Situat...
13/10/2026

Gordon Fazakerley
Jørgen Nash
DRAWINGS, POEMS. 1962. ONE OF 300 COPIES SIGNED BY BOTH ARTISTS.

Drakabygget: Bauhaus Situationniste, 1962
24 x 15cm, 36pp plus original card wrappers. First edition of this artist book written and drawn by the Situationist during a period while he was serving in the British Army, the work is dedicated to Fazakerley’s mother and father. This is one of a total edition of 300 copies numbered and signed by Fazakerley and publisher Nash (who contributes a foreword to the work). Fine.


General Idea### VOTO. 1995. SIGNED BY GENERAL IDEA.Montreal /Toronto: Galerie Rene Blouin/S.L. Simpson Gallery, 1995.14....
12/10/2026

General Idea

### VOTO. 1995. SIGNED BY GENERAL IDEA.

Montreal /Toronto: Galerie Rene Blouin/S.L. Simpson Gallery, 1995.
14.5 x 11 cm. 128pp. Artists’ book. Hard black covers and ribbon. The last bookwork from General Idea, written and conceived before the tragic deaths of Zontal and Partz, it takes the form of a tribute to the spirit of Miss General Idea. Signed in pencil by Bronson using the words General Idea and numbered (from an edition of 900). A fine example apart from an attached (but presumably removable) small barcode sticker on the penultimate (blank) page. We 3 thank you!

General IdeaLUXON V8: THE 1984 MISS GENERAL IDEA PAVILION NO 101. 1973.Toronto: General idea/Carmen Lamanna Gallery, 197...
12/10/2026

General Idea

LUXON V8: THE 1984 MISS GENERAL IDEA PAVILION NO 101. 1973.

Toronto: General idea/Carmen Lamanna Gallery, 1973
20 x 12.8cm, 16pp plus covers. Artist’s book in a limited numbered and signed edition of 500 copies – reproducing drawings for the blinds installation. This copy an artist’s proof copy aside from the edition. Fine. Ref.: Gen Idea multiples nr 31.

Shusaku ArakawaEarly Ephemera listed in our ephemera sale:ARAKAWA. 1964..Dusseldorf: Galerie Schmela, 196410 x 20cm, 4pp...
10/10/2026

Shusaku Arakawa
Early Ephemera listed in our ephemera sale:

ARAKAWA. 1964..
Dusseldorf: Galerie Schmela, 1964
10 x 20cm, 4pp invite card for one of the artist’s earliest exhibitions – the front of the card has a telegram from the artist describing his work. VG+. 

POINT-BLANK. 1977.
Dusseldorf: Stadtische Kunsthalle, 1977
10.5 x 21cm, 1pp typographic design announcement card for a solo show sub-titles “Distance of focus how anonymous is this distance which is a texture”. An unmailed example – VG+.

SHUSAKU ARAKAWA.
Berlin: Onnasch Galerie, 1970
15 x 21cm, 2pp announcement card with an image of a painting on the front in b/w, verso gallery details and biography. An unmailed example – VG+.

Typographic announcement cards from Wide White SpaceThese and other WWS cards are part of our 10% sale on ephemera. A R ...
08/10/2026

Typographic announcement cards from Wide White Space
These and other WWS cards are part of our 10% sale on ephemera.

A R Penck
TRAINING MIT STANDARD. 1972. ANNOUNCEMENT LEAFLET.
Space, 1972
10.5 x 15cm, 4pp. Announcement leaflet released as  invite for Penck’s first exhibition at the WWW with a typographic design only but printed on transparent paper. Scarce.

CARL ANDRE AT WIDE WHITE SPACE. 1974.
Antwerpen: Wide White Space Gallery, 1974
10.5 x 15cm, 2pp announcement card. On the front four schematics drawings of six works utilising the chemical symbols for the materials used in the sculptures. On the reverse gallery details. VG+ condition. Very scarce.

TRAVAIL/PEINTURE DE NIELE TORONI. 1973.
Antwerpen: Wide White Space Gallery, 1973
10.5 x 15cm, 1pp announcement card. On the front the text: “ROUGE BLUE JAUNE VERT GRIS/GRIS GROEN GEEL BLAUW ROOD”.

HENRYK STAZEWSKI. 1974.
Brusssels: Wide White Space. 1974
10.5 x 15cm, 1pp. Typographic announcement card for an exhibition at the famous conceptual art gallery during its period where it was decanted to Brussels.

DANIEL BUREN WIDE WHITE SPACE ANTWERPEN. 1974.
Antwerpen: Wide White Space, n.d. (1974)
10 x 15cm, 1pp. Announcement card for Buren’s last exhibition at the conceptual gallery where he pasted the announcement posters in series both in and outside of the space.

Lawrence Weiner
AND THEN UNTENDED AS…./EN DAN VERONACHTZAAMD ALS… 1973.
Antwerpen: Wide White Space, 1973
10.5 x 15cm, 1pp.  Typographic card with the title text which is regarded as part of the Weiner “Collection Public Freehold”.

ALIGHIERO BOETTICards and Ephemera ( the majority of our cards and ephemera listings have a 10% discount this week! )LA ...
07/10/2026

ALIGHIERO BOETTI
Cards and Ephemera ( the majority of our cards and ephemera listings have a 10% discount this week! )

LA NATURA UNA FACCENDA OTTUSA. 1981.

Firenze: Banco/Massimo Minini, 1981
11 x 17.5cm, 1pp typographic announcement card printed green on green. VG+. Very scarce.

ALIGHIERO BOETTI PER IL CENTENARIO DE IL MATTINO. 1993.

N.p. : Il Mattino, n.d. (1993)
15 x 10.5cm, 2pp artist’s postcard with a colour design on the front issued as part of the celebrations of the 100th anniversary of Il Mattino newspaper in Naples, verso postcard design with some details on the work. VG+. Rare.

ALIGHIERO E BOETTI. 1980.
NYC: Salvatore, 1980
10 x 16cm, 2pp announcement card with an image by Boetti made up of calendar pages on the front in red and black. Verso gallery details. A mailed example with typed address and stamp and franking else VG. Very scarce.

ALIGHIERO E BOETTI. 1982.

Zurich: Annemarie Verna, 1982
10.5 x 15cm, 2pp announcement card in postcard format for a solo show by the arte povera artist – one reproduced painting on the front verso postcard design with gallery details. VG+ although the gallery made a mistake in the printing and there is a neatly added label giving the correct dates and times on the back.

James Lee Byars UNTITLED. C. 1980. UNIQUE WORK – SMALL ENVELOPE & PHOTOGRAPHS PAINTED GOLD.6 x 4.5cm, hand-made paper en...
07/10/2026

James Lee Byars
UNTITLED. C. 1980. UNIQUE WORK – SMALL ENVELOPE & PHOTOGRAPHS PAINTED GOLD.

6 x 4.5cm, hand-made paper envelope which has been painted gold (possibly using spray paint) and is content of five different small cards (each 5.6 x 4.2cm) which have also been spray-painted gold. Under the gold it appears there are five scenes of houses / mountains / mining landscapes which are only visible because the gold has never dried and comes off with any disturbance or handling. Even the slightest movement creates dust, as seen in one of these photos.
The work is ephemeral by nature. A curious small unique work by Byars which was a gift from him to the collector and art historian Marianne Büchler. We estimate this work to have been made around 1980.
Very fragile and very unusual.

Davi Det HompsonYOU KNOW IT HAS TO BE A HAIRPIECE. 1977.Virginia, s.p., 197720 x 14cm, 32pp b/w artist’s book from the F...
28/09/2026

Davi Det Hompson
YOU KNOW IT HAS TO BE A HAIRPIECE. 1977.

Virginia, s.p., 1977
20 x 14cm, 32pp b/w artist’s book from the Fluxus affiliated Hompson. Various overheard phrases are printed (one per page) to tell a story of seduction. VG.


Jean TinguelyAd PetersenLA VITTORIA. MILAN: 28 XI 1970. 1971.Amsterdam: Edition Seriaal, 1971.11.3 x 15 cm. (folded) 11 ...
28/09/2026

Jean Tinguely
Ad Petersen
LA VITTORIA. MILAN: 28 XI 1970. 1971.

Amsterdam: Edition Seriaal, 1971.
11.3 x 15 cm. (folded) 11 panel leporello (unfolded 123 cm. in length). Printed on rectos only. B/w documentary photos by Ad Peterson. Glossy self-wrappers. First issue of this companion documentary multiple of this public controversy composed of a continuous series of photos detailing Tinguely’s sculptural action in foreground of the Duomo (Milan) from unveiling to deliberate ph***ic explosion (complete with large balls in front). A fine example. Scarce.

Address

The Old Primary School, Temple
Gorebridge
EH234SQ

Alerts

Be the first to know and let us send you an email when Unoriginal Sins posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

Share

Category