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07/03/2026

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Jonathon Wild postAlbion House , White Star Line Building , Streaky Bacon Buildingknow known as a hotel called30 James S...
02/11/2023

Jonathon Wild post

Albion House , White Star Line Building , Streaky Bacon Building
know known as a hotel called
30 James Street

30 James Street, more commonly known as the White Star Line HQ. I have put together a 100 page document of the history of this building, including rare pictures not seen before from my archive.

I worked there for a short time back in 2019 and it was fantastic to go around the building.

Link to post
https://www.facebook.com/groups/123226627759769/permalink/6837295669686131/

Jenny Lind  aka  The Swedish Nightingale---------------------------------------We attended the Liverpool History Society...
02/11/2023

Jenny Lind aka The Swedish Nightingale

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We attended the Liverpool History Society presentation yesterday about the history of opera in Liverpool which was most enjoyable. The speaker mentioned that Lind Street, Walton, was probably named after Jenny Lind (Johanna Maria Lind 1820-1887) who was a famous opera singer, born in Sweden. She was also known as the Swedish Nightingale and appeared on stage all over the country and in Liverpool. There was also a Liverpool hospital ward named after her. I've not heard of Lind Street being connected with her before and wondered if anyone else had information about the street being named after her.

from
https://m.facebook.com/groups/123226627759769/permalink/2424573170958425/

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Soprano Jenny Lind, one of the biggest musical stars in the world at the time, made several visits to Liverpool in the mid 1800s, performing at the Philharmonic Hall and staying once at the Adelphi.......
http://liverpoolhiddenhistory.co.uk/jenny-lind-liverpool/
Swedish soprano Jenny Lind, often known as the ‘Swedish Nightingale’, performed in Liverpool on a number of occasions in the middle of the 19th Century.

Born Johanna Maria Lind in Stockholm in 1820, Lind was admitted to the Royal Dramatic Theatre at the age of nine and was soon appearing on stage. Her first major role was in 1838 when she starred in Der Freischutz at the Royal Swedish Opera. A the age of twenty she joined the Royal Swedish Academy of Music and became court singer to the kings of both Sweden and Norway.

Whilst touring Denmark in 1843 Lind rejected the romantic overtures of author Hans Christian Andersen. During that decade she undertook lengthy tours of Germany and Austria and also performed in London to an audience containing Queen Victoria in May 1847. This led to her services being secured by Mr Lumley of Her Majesty’s Theatre and two months later she starred in the world premiere of Verdi’s I Masnadieri.

Lind was known for her charitable feelings and when not contracted to appear in Mr Lumley’s productions, was happy to offer her services free of charge so that funds could be raised for good causes. This led to the committee of the Liverpool Southern and Toxteth Hospital securing free hire of the Royal Amphitheatre (on the site of the present Royal Court) for Lind to appear in what was billed as ‘a grand morning dress concert’ on 6th January 1849.

Ticket prices ranged from five shillings to one guinea and were sold by ballot due to the demand, with press reports stating that some customers who missed out were offering those who were successful twice the face value to secure entry. The Liverpool Mercury were clear on how significant a performer she was, describing her has having had ‘a career the most brilliant of any vocalist on record’ and as someone who ‘has assumed a position in the musical world which no vocalist ever before attained in this country’.

The auditorium and dressing rooms were fitted out by Messrs Jeffery, Moorish & Co of Compton House in Church Street. Amongst the audience numbering 2,500 were the Earl of Sefton, the Mayor, the Dean of Chester and distinguished individuals from as far away as Derbyshire and Shropshire. Lind had arrived in Liverpool at 10am from Manchester and checked in to the Adelphi Hotel. At 2pm she was escorted to the theatre by two members of the committee and expressed pleasure at the decoration of her rooms.

Wearing a dress made from Brussels lace set with diamonds, Lind sang pieces by Mozart, Rossini and Weber amongst others. Such was the applause that she gave three encores and closed with the National Anthem. When she did finally retire from the stage, there were rounds of applause as well as waving of hats and handkerchiefs.

After the concert Lind went to West Di**le, the residence of Mr J. B. Yates, chairman of the hospital committee, where she dined with his family, the Mayor and Swedish Consul. She then returned to the Royal Amphitheatre for the evening, where a box was made available for her to watch a performance of Meg Merrilies. After meeting the actress Miss Cushman Lind, retired to the Adelphi, remaining there until her departure for London at 6am on 8th January. She expressed satisfaction with her time in Liverpool and was pleased to hear that her concert had raised £1,400, which is equiJenny Lindvalent to £158,000 in 2018.

Lind was back in Liverpool on 29th March 1849. She was appearing at the Collegiate Institution in Haydn’s oratorio The Creation, which was touring the country. The concert was somewhat interrupted though as excitement spread around the audience at the news John Gleeson Wilson, who had murdered four members of the same family in Leveson Street, had been apprehended. Whilst in Liverpool on this occasion, Lind was shown around the Philharmonic Hall which was nearing completion and promised to perform there once it had opened.

Just six weeks later Lind retired from opera. Her last performance was on 10th May 1849 in Le Diable, watched by Queen Victoria. She then agreed a deal with showman Phineas Taylor Barnum to tour America. Prior to sailing from Liverpool she kept her promise to perform at the new Philharmonic Hall, appearing in a production of Handel’s Messiah on 19th August 1850. In between parts of the oratorio, an address was given to Lind by William Sudlow, Secretary of the Philharmonic Society. He said how ‘her kindness had left so deep an impression’ and predicted that her progress in America will be ‘as triumphant as in every other country she has visited.’

At the end of the concert Lind sang the National Anthem and was showered with bouquets, with the Liverpool Mercury describing it as ‘the most successful musical performance ever given in Liverpool’. The following day, she readily accepted an invitation to visit the Southern and Toxteth Hospital where a new section, the ‘Nightingale Wing’ had been opened using the funds from the previous year’s concert. She presented a Swedish sea captain patient with a bunch of grapes and signed an entry in the visitors book which said ‘I have today visited this institution and am much gratified with the arrangements’. She also made a donation of £100 to a ragged industrial school in Soho Street, after being made aware of its success by the wife of John Bald, the Swedish consul.

On the morning of 21st August Lind left the Adelphi and sailed on the Atlantic bound for New York. She was accompanied by a King Charles spaniel that had been given to her by the Queen and waved off by a large crowd. Over in America the 93 date, eighteen month tour netted $350,000 for her chosen charities, including schools in her native Sweden. Towards the end of her tour she married her pianist Otto Goldschmidt. He was nine years younger and she took the name Jenny Lind-Goldschmidt.

Lind and her new husband arrived back in Liverpool on 9th June, having again sailed from New York on the Atlantic. They spent three days with Mr Bald, with Lind politely declining requests for engagements from the Philharmonic Society and Sailors’ Home. She stated that she needed a repose from professional toil and was eager to visit friends on the Continent. On 12th June the couple took the train to London and then headed to Germany, settling in Dresden where they lived for three years and where their first child Otto was born.

In 1855 Lind and Goldschmidt returned to England, where her husband became a professor at the Royal Academy of Music. There was great excitement when two concerts at the Philharmonic Hall were announced in January 1856, for which she was paid a staggering £500 per show. The need to recoup this fee meant that tickets failed to sell out for the first concert, Messiah, on the 4th, but the hall was overflowing three days later for a general show. The Daily Post reported: ‘She had lost none of those natural powers that might have become weakened by time, her voice was as exquisite and silvery as when we first heard her’.

Although Lind’s talent hadn’t change, the Liverpool Mercury reported that her personality and expectations were now somewhat different. The paper claimed that she was unhappy at nobody being at Lime Street station to meet her. It suggested also that she believed the ticket prices had been set too high, the Philharmonic having made a £1,500 profit for the two shows after all expenses were met. However, she still showed an interest in charity and made a private visit to the Blind Asylum, insisting on being accompanied only by her husband, the Swedish Consul and officials from the institution. She listened to some children sing, bought a number of trinkets from the bazaar and also handed a sizeable sum of money to the governor.

Lind went on to have two more children, Jenny and Ernest, then in October 1861 she performed in Liverpool again, despite speculation five years earlier that she had threatened never to return. The venue was again the Philharmonic Hall, where both her concerts sold out even though ticket prices were again high. On the 28th she performed Creation and then the following evening she sang various songs. This occasion, it was reported in the Liverpool Mail that ‘her voice his yielded to the inevitable attacks of time’. Six weeks later she was back at the Philharmonic, performing the Messiah and receiving a silver vase as an appreciation from the Philharmonic Society.

In 1863 Lind took part in performances of L’Allegro and Elijah at the Philharmonic Hall and these turned out to be her last concerts in Liverpool. After that her public appearances were more limited and usually in concerts that had been arranged by Goldschmidt. She finally retired from singing in 1883 and assisted Frederick Niecks in researching a biography of Frederic Chopin. After moving to Herefordshire, she died in 1887 and Goldschmidt, who lived until 1907, wrote her biography entitled Jenny Lind: Her Career as an Artist.

from
https://m.facebook.com/groups/hiddenhistories/permalink/1848495835201879/

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Royal Southern Hospital
The Royal Southern Hospital was located in Caryl Street, Liverpool. It was established in 1842 and closed in 1978.
History
The hospital had its origins in the Southern and Toxteth Hospital in Greenland Street which opened in January 1842.A concert given by Jenny Lind allowed an extra floor to be added to the building in the 1850s, shortly before it became the Southern Hospital in 1857.
The foundation stone for a new purpose-built facility on Caryl Street Toxteth (L8) was laid by the Earl of Derby in October 1867 and the new facility was formally opened by the Duke of Connaught as the Royal Southern Hospital in May 1872. It joined the National Health Service in 1948. After services transferred to the Royal Liverpool Hospital, the Royal Southern Hospital closed in 1978.

from
https://m.facebook.com/story.php?story_fbid=120584670440756&id=102331835599373

Bowes Museum of Japanese ArtPrinces RoadJames BowesBorn:   21st June 1834Died:   27th October 1899James Lord Bowes was a...
29/10/2023

Bowes Museum of Japanese Art
Princes Road

James Bowes
Born: 21st June 1834
Died: 27th October 1899

James Lord Bowes was appointed the Honorary Japanese Consul at Liverpool in 1888 , the first such appointment in the UK.
He passed away 27th October 1899 in the dining carriage of the London Express to Liverpool.

James Lord Bowes (21 June 1834 – 27 October 1899) was a wealthy Liverpool (UK) wool broker, art collector and patron of the arts, author and authority on Japan and its art, and benefactor.
In 1888 he was appointed the first foreign-born Japanese Consul in Great Britain, a post he held until his sudden death in 1899 at the age of 65.
In 1890, in the grounds of Streatlam Tower, his home in the Toxteth area of Liverpool, he opened to the public the first dedicated museum of Japanese art in the western world.

James Lord Bowes was born in Horsforth, Leeds, UK, the youngest of six surviving children of John Bowes (Wool Stapler) and Elizabeth Bowes (née Lord). The family moved to Liverpool sometime between 1840-1845 after the death of John Bowes.

More Information
https://en.m.wikipedia.org/wiki/James_Lord_Bowes

Joseph WilliamsonWilliamson’s storyMaterial facts about Joseph Williamson’s life are very hard to come by. It is only by...
22/10/2023

Joseph Williamson

Williamson’s story

Material facts about Joseph Williamson’s life are very hard to come by. It is only by piecing together the few there are, by making judgements on the common assertions about him and by making logical deductions from physical evidence that one can come up with a version of his life story. Here we have tried to present an account which avoids the all too frequent exaggerations and clichés and hope that the result is as close to the truth as possible.
Joseph Williamson was born on 10th March 1769. His place of birth is not definitely proven, but is widely believed to be Warrington. There is virtually no information on his early years bar the claim that he left his family home aged 11 and went to Liverpool to seek employment. If he did leave his family as a child that would suggest that the family was not wealthy.
Arriving in Liverpool in 1780, he would have been greeted by a city that was noisy and busy; its landscape dominated by windmills and chimneys; animals being herded in some streets; grand merchants’ houses in others. Much commercial activity would have been centred on the docks and one of the growing activities there would have been the importing of to***co.

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The young Williamson would have had little difficulty finding a job in such a burgeoning town and at some point he began employment with the to***co & s***f firm of Richard Tate. Tate’s main office was based in Parr Street, adjacent to Wolstenholme Square, near the city centre.
It was a family business and when patriarch Richard Tate died in 1787, the reins were passed to his son, Thomas Tate. The business was successful; it enjoyed the spoils reaped by many Liverpool firms as the city’s greatest years dawned in the early 1800s. It would appear that by this time Williamson was rising through the ranks of the company, perhaps being promoted from runner to clerk and so on. As a sideline, Williamson set up as a merchant in partnership with Mr. Joseph Leigh, while still working for Tate’s a few doors away.

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He must have done well because the family gave its blessing to Joseph to marry Elizabeth Tate, Thomas’s sister. In 1802, Elizabeth Tate, amateur artist, became Mrs. Elizabeth Williamson in a ceremony held at the family church – St. Thomas’s, near the waterfront.

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Just a year later, Williamson bought the to***co business from Thomas Tate and incorporated the Leigh & Williamson merchants company into Tate’s. He continued to run it for many years. One suspects that the success of the business continued under Williamson’s auspices.

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It is important to understand that in the early 1800s Edge Hill was largely undeveloped, although the layout of Mason Street had been in place for some time. Mr. Edward Mason, after whom the street would be named, had his mansion on one corner of the then narrow pathway. This and a small number of houses stood on a breezy outcrop, offering an unobstructed view down to the River Mersey. Significantly, the sandstone terrain had previously been quarried and several abandoned pits are marked on contemporary maps.

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Around 1805, Mr & Mrs Williamson moved into one of the Mason Street houses – a house which was to be their home for the rest of their lives. Williamson quickly set about building more properties. These houses were built with cellars, as most houses were at the time. However, it appears that in designing these properties Williamson decided that they should follow the fashion for having large gardens and orchards behind them.
By 1806, with several houses under construction at once and the arches taking shape behind them, Williamson would have been employing a large gang of men. At this time, many healthy men of Liverpool would have been among the British troops battling against France as Napoleon Bonaparte sought to conquer Europe. However, there was labour aplenty available to him as Liverpool began her rapid expansion, fuelled by immigration, in turn fuelled by the success of her port.
At the back of each house was a small amount of space but then the sandstone bed rock dropped about twenty feet, down to the same level as Smithdown Lane. To accommodate the gardens, Williamson had his men build brick arches that they could be extended onto. In this way, the gardens and orchards were laid out and, most significantly, the first outwardly visible parts of the tunnels had been put in place.

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The manner in which matters developed from this point on is the subject of much Chinese whispering and even more speculation. A choice has to be made here without the benefit of any significant documentary evidence. Most casual and many serious observers today maintain that Williamson had his men continue digging, building and tunneling, perhaps making use of the old quarries on the site, as a response to the poverty which surrounded his neighbourhood. Certainly, the construction stepped up a gear and a labyrinth began to take shape, but was it genuinely the product of philanthropy on Williamson’s part?
The suggestion that it was stems largely from the old writings of James Stonehouse and Charles Hand yet careful reading of these, Stonehouse’s near-contemporary account especially, reveals that Williamson was very secretive about his tunnels, never stating their purpose except for a few reported conversations in which he replied to questions about their nature by pointing out that he was employing more men than other people did.
His comments may have been observation rather than explanation and are not in themselves enough to prove the philanthropy theory. Indeed the absence of any categorical explanation of the tunnels by their mastermind leads inevitably to speculation about alternatives.
These include the suggestion that the Williamsons subscribed to an extremist religious sect which claimed that the world faced Armageddon several years hence. Williamson therefore built the tunnels as a place into which he and his fellow believers could escape to avoid the catastrophe and emerge later to build a new city. Fanciful though this theory appears, there are factors which lend it some credence: at the time Liverpool was a hotbed of religious extremism, with any number of sects propounding such theories.
Secondly, it is known that Williamson was a religious man – a regular member of the congregation of St. Thomas’, the church where he married. Thirdly, as stated above, he was very secretive about the tunnels, only allowing certain people to see inside the hidden parts of them. Finally, equipped with this theory today, one cannot help but notice the numerous gothic, chapel-like features that have survived in many parts of the tunnels …
None of this is to discount any of the other theories about the tunnels’ construction, nor that the simple philanthropy theory may in fact be the sole and true reason for the tunnels. We simply don’t know.
In any case, the expansion of the labyrinth continued. By 1816 the Napoleonic Wars were effectively over. Soldiers returned to their home towns and thousands began looking for work. Just as important, the home industries which supported the war effort suddenly had a lot less to do. Unemployment was rife and social support was only available on a scarce and informal basis.
Williamson had retired and sold the to***co firm by now. It would appear that from this point on almost all his attention was given over to expanding the tunnels – whatever the reason.
It is easy to underestimate the severity of the recession that hit Liverpool at the time. Jobless men far outweighed the vacancies around the port and those who had returned from war permanently injured stood little chance other than to try their luck with the man who locals were now referring to as ‘The King of Edge Hill’.

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Williamson kept taking more and more men on. No doubt others left: through age, through finding a better job. Perhaps some were killed in the dangerous conditions: dark, dusty, noisy, cold in winter and hot in summer. The rock men worked with picks, shovels and barrows while the carpenters used axes and saws to build formers for the bricklayers to lay arches on. Under ground, the men worked by candlelight. Certainly some would have been injured, but they may have been kept on. There would always have been a need for storemen, counters, men to hand out the food and wages.

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Williamson would often have his workers perform apparently pointless duties. It is said that he would get a man to move a pile of rocks from one place to another and then get him to move them back again. In the parts of the tunnels accessible today there is evidence of tunnels being built and bricked up again, alongside fine arches that lead nowhere.
This supports the idea of keeping men busy simply to keep them in a job, but may equally lend mystery in the sense of keeping certain parts of the labyrinth secret. Perhaps Williamson was also deriving satisfaction from his growing domain – the power it gave him. The street had become fully occupied, with all the residents vetted by himself. The ‘King of Edge Hill’ was now in control of his own kingdom.

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Williamson would often be seen above ground, conversing with those he had time for or bawling at those he didn’t. Just as often he would disappear underground, instructing the navigators where to direct their pick axes next.
Then again, there was plenty of work going on above ground. Not only in building houses (Williamson’s domain was now extending across the other side of Mason Street and further up into Edge Hill) but also in some apparently spectacular structures at the back of the Mason Street houses, alongside the original garden arches.

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In 1822, Williamson’s wife Elizabeth died, aged 56. There is a supposition, and it makes some sense, that thereafter Williamson sought solace by turning his attentions even more vehemently to the labyrinth. Some say that after Elizabeth’s death he rarely ventured above ground, but this is unlikely given his active property interests.
By 1830, the railways had arrived … and they were right on Williamson’s doorstep. There is little doubt that he would have taken himself the few hundred yards up the road to witness the inaugural journey of the pioneering Liverpool – Manchester railway. Perhaps he was one of the many private shareholders in what was a highly speculative and controversial project.
Certainly, Williamson would have noted the colossal movement of sandstone as cuttings and tunnels were dug – not least when, a few years later, the main tunnel to Lime Street was dug right under his own street.
Many of Williamson’s men, of course, became highly skilled as they served their informal apprenticeships on his tunnels. It is highly likely that at least some of them were recruited by the rail engineers from the 1830s onwards.
Williamson died, aged 71, on 1st May 1840, by chance on what would become International Workers Day. The cause of death was given as water on the chest, known today as pleural effusion. Seventy was a significant age at that time and his life was no doubt lengthened by his active lifestyle. The tunnelling stopped immediately and was never continued.

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He left his major assets – land, money – to a few close acquaintances. Other things: paintings, furniture and so on, were auctioned not long afterwards.
He was buried with the remains of his wife and her family in the Tate family crypt in the cemetery of St. Thomas’s Church, where they had married 38 years earlier. He had remained steadfastly loyal to the church throughout his time in Liverpool. St. Thomas’s was demolished years later and subsequent changes to the adjoining road layout saw many of the graves moved elsewhere. It was not necessary to move the rest and so several dozen of the tightly packed and very basic graves were left in place.
Over the years the site changed: fenced-off land, a car park … and the existence of the graves was forgotten, then became the subject of doubt. However, research showed nothing about the remaining graves being removed. In 2005, as the Liverpool One shopping centre was being built on the site, FoWT lobbied hard for a formal archaeological dig to take place to try and locate the long lost Williamson/Tate grave.

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During the third and final dig, with the allotted time almost expired, we found it. It was exposed for a couple of hours, allowing the archeaologists to record details and ourselves to take photos, but was then covered up again.

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A couple of years later a garden was built on the plot, with a plaque about Williamson, his remains covered over again but still resting at peace underneath today.

from
https://williamsontunnels.com/history-2/williamsons-story/
&
https://williamsontunnels.com/history-2/williamsons-story/?fbclid=IwAR2QUiSGDmk11bxMev0mnCLrCnRSm67GwusH6oYbw2pMIFmJHZqcW3iNiCw

On 22nd October 1895  New Mill , later Borelands Mill , on Bootle Lane / Westminster Road Was built sometime pre-1831. T...
22/10/2023

On 22nd October 1895

New Mill , later Borelands Mill , on Bootle Lane / Westminster Road
Was built sometime pre-1831.
The mill was for sale in 1839, and again on 22nd October 1895.
Became site of the school

James NewlandsBorn:   28th July 1813  Edinburgh , ScotlandDied:   15th July 1871  (Aged 57)  Liverpool , EnglandJames Ne...
21/10/2023

James Newlands

Born: 28th July 1813 Edinburgh , Scotland
Died: 15th July 1871 (Aged 57) Liverpool , England

James Newlands (28 July 1813 – 15 July 1871) was a Scottish civil engineer who worked in Liverpool as the first Borough Engineer appointed in the United Kingdom.
He is credited with designing and implementing the first integrated sewerage system in the world in 1848.
His new sewerage system prevented raw sewage from contaminating drinking water thereby reducing the number of deaths caused by cholera and other water-borne diseases.

from
https://en.m.wikipedia.org/wiki/James_Newlands

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JAMES NEWLANDS BOROUGH ENGINEER

The first integrated sewage system in the world was developed in Liverpool in 1848 and overseen by newly appointed Borough Engineer James Newlands.
Born in Edinburgh in 1813, Newlands was one of nine children. After distinguishing himself in mathematics and natural philosophy at the High School of Edinburgh in the late 1820s he became apprenticed as a civil engineer to Tomas Brown, an architect at Edinburgh.
Newlands soon set up his own practice and worked on a number of church projects, as well as writing text books on architecture, carpentry and building. He also contributed to the early additions of Encyclopedia Britannica. Towards the end of 1846 his attention was drawn towards an advertisement for the position of Borough Engineer in Liverpool, one of three positions created by the Liverpool Sanitary Act. The others were that of Medical Officer for Health and Inspector of Nuisances, which were filled by William H Duncan and Thomas Fresh respectively.
Newlands displayed his abilities in sanitary science to be appointed ahead of four other candidates to the position of Borough Engineer. He began his new role on 26th January 1847 on a salary of £700 per year, along with a horse and vehicle. For at least the first fifteen years of his time in Liverpool, he lived at Clare Terrace, Marmaduke Street in Edge Hill.
During the interview process he had been made aware how bad conditions were in the town and immediately set about producing one of the most detailed and expansive maps of Liverpool ever made. The scale was one inch to twenty feet and it contained 3,000 geodetic observations.
As a result of Newlands’ survey and proposals that were presented to the Town Council in April 1848, a comprehensive network of sewers was developed. The programme took 21 years to complete and totalled 300 miles when subsidiaries and contributory drains were taken into account. Their benefit though was seen in Liverpool’s life expectancy, which was only nineteen in 1848 but had doubled by the time he retired soon after completion.

Responsibility for paving, lighting and baths also came under Newlands’ wing and despite the corporation having specialist architects and surveyors his opinions were often sought. He advised John Weightman on the design of Walton Gaol and developed Cornwallis Street baths. However his advice to the corporation that a boulevard style ring road around the town would be beneficial to peoples health was rejected. Such a scheme was however developed by one of his successors John A Brodie, who laid out Queens Drive.
In his first six years in office Newlands twice saw substantial increases in salary to £1,000 then £1,300 as he took on further responsibilities to do with water supply and building. His abilities were noticed by central government when the Crimean War broke out in 1854. In February 1855 they asked the town council to release him temporarily due to disease being rife in the British camp, with far more soldiers dying of illness than in battle. With the corporation’s blessing Newlands successfully tackled the problem and after returning to his duties in July received a complimentary letter from nurse Florence Nightingale that said ‘Truly I may say that sanitary salvation to us came from Liverpool.’ Whilst in Crimea Newlands kept a diary and also showed his artistic talent, making a number of sketches which were distributed by the Liverpool Mercury newspaper.
In 1869, around the same time the sewer system was completed, Newlands’ health began to fail and he suffered bouts of bronchitis. He was granted several months leave of absence by the corporation and travelled to Italy in the hope he would improve and although he did so, there was a downturn the following year. He again went for a break to Wiesbaden in Germany where he had an unfortunate occurrence following the outbreak of war with France. One morning he went for a walk and surveyed the surrounding countryside only to be taken prisoner on suspicion of being a French spy. Thankfully he had letters of reference and was able to convince authorities who he was, so his incarceration was short.

This second foreign trip didn’t improve Newlands’ health and early in May 1871 he made an agreement to stand down from active duties, becoming a consultant at a still attractive salary of £800 per year. His assistant Mr Davies was promoted to Acting Borough Engineer and saw his salary rise from £400 to £600. However this arrangement did not last long and after spending two weeks confined to bed Newlands died at his home in 88 Chatham Street on Saturday 15th July 1871. His sister Jessie, with whom he had lived since the death of his wife in 1848, was by his side. As a mark of respect, the flag at Liverpool’s Town Hall was lowered and blinds closed in public buildings.
Newlands’ funeral took place at the Necropolis on Low Hill the following Thursday, attended by the mayor and a number of other prominent council officials. He is remembered today by a plaque on the wall of his former home at Clare Terrace and also by one in Abercromby Square, as his Chatham Street residence is no longer there.

August 30, 2017 By Steven Horton

from
https://liverpoolhiddenhistory.co.uk/james-newlands-borough-engineer/

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