Stern Pissarro

Stern Pissarro Specialists in the Pissarro family, Impressionist, Modern, Post-War and Contemporary art. Founded in 1964.

“When I opened my eyes for the first time in my life I met a whole world, the town, the house, which little by little be...
15/06/2026

“When I opened my eyes for the first time in my life I met a whole world, the town, the house, which little by little became fixed in me for always.” — Marc Chagall�

One of the highlights of our current exhibition, Impressionist to Contemporary Works on Paper, this remarkable work was once owned by Lord Yehudi Menuhin, the American-born violinist celebrated as one of the greatest musicians of the 20th century.�

Executed in 1977, Fin de journée captures the essence of Marc Chagall’s dreamlike universe, from the violinist to the village of Vitebsk, his birthplace and enduring source of inspiration. Richly poetic and deeply personal, the composition stands as a powerful testament to Chagall’s imaginative vision.��

Marc Chagall, Fin de journée, 1977�

On display, we have a beautiful selection of works on paper by Marc Chagall and Sonia Delaunay.Pivotal figures of the 20...
14/06/2026

On display, we have a beautiful selection of works on paper by Marc Chagall and Sonia Delaunay.

Pivotal figures of the 20th-century Parisian avant-garde, Chagall and Delaunay were friends and part of the same artistic circles in Paris.

Current exhibition: Impressionist to Contemporary Works on Paper
On view until 11 July


Artworks from left to right:
Marc Chagall, Résonances de Vitebsk pour la famille, 1980
Marc Chagall, Le traineau, 1950–53
Marc Chagall, Jonas, 1958–59
Sonia Delaunay, Rythme Couleur, c. 1970
Sonia Delaunay, Juste Présent by Tristan Tzara, 1961

Our exhibition 'Impressionist to Contemporary Works on Paper' is now officially open.Bringing together an exceptional se...
12/06/2026

Our exhibition 'Impressionist to Contemporary Works on Paper' is now officially open.

Bringing together an exceptional selection of works from the gallery collection, the exhibition presents works on paper from the 19th century to the present day.

Highlights include pieces by Edgar Degas, Paul Gauguin, Raoul Dufy, Henri Matisse, Pablo Picasso, Fernand Léger, Marc Chagall, and Yayoi Kusama.

We look forward to welcoming you to the gallery.

Stern Pissarro Gallery
66 St James's Street, SW1A 1NE London


Stern Pissarro Gallery is pleased to present Impressionist to Contemporary Works on Paper, on view from the 11th of June...
06/06/2026

Stern Pissarro Gallery is pleased to present Impressionist to Contemporary Works on Paper, on view from the 11th of June to the 11th of July 2026.

This exhibition brings together a quality selection of works on paper from the gallery collection. Spanning the 19th century to the present day, highlights include works by Edgar Degas, Paul Gauguin, Raoul Dufy, Henri Matisse, Pablo Picasso, Fernand Léger, Marc Chagall, and Yayoi Kusama.

Showcasing the intimacy of the medium, the exhibition invites visitors to encounter the working processes of artists across movements and generations. Works on paper offer a rare window into artistic thinking, capturing a directness and immediacy, distinct from other media.

Raoul Dufy, 'Epsom, Royal Enclosure', 1930

Executed in 1978, Seabed with Fallen Leaves is a refined example of Yayoi Kusama’s celebrated “Infinity Net” motif. Firs...
30/05/2026

Executed in 1978, Seabed with Fallen Leaves is a refined example of Yayoi Kusama’s celebrated “Infinity Net” motif. First introduced in New York in 1959, these “Infinity Nets” became central to her distinctive style.

Following her return to Japan in the 1970s, Kusama continued to develop these immersive compositions. Using enamel paint on paper board, the present work is a strong example, rendered in light blue and silver tones, creating a unique metallic quality.

Yayoi Kusama, 'Seabed with Fallen Leaves', 1978

Nu bleu (1944) was painted during a pivotal period in the life of André Masson, a leading figure of Surrealism. Exiled d...
15/05/2026

Nu bleu (1944) was painted during a pivotal period in the life of André Masson, a leading figure of Surrealism. Exiled during the Second World War, Masson fled Nazi-occupied France in 1941, travelling through Martinique before settling in Connecticut, where he lived until returning to France in 1945.

His years in Connecticut were relatively calm, and a renewed attentiveness to nature became central to his work, with local flora influencing both form and colour. Around 1942, Masson also returned to automatism, the spontaneous, unconscious method he had helped pioneer in the early 1920s. Working in near-trance states, he sought to bypass rational thought and give direct expression to instinct and psychic intensity, an impulse that lay at the very heart of Surrealist practice.

During his exile, Masson’s proximity to artists such as Alexander Calder and Yves Tanguy further shaped his practice. The works he produced in the United States profoundly influenced younger American painters, particularly Jackson Po***ck and Arshile Gorky, and are widely seen as a bridge between Surrealism and Abstract Expressionism.

André Masson, 'Nu Bleu', 1944

Executed in 1978,  Visionary Wave Crest is an evocative example of Yayoi Kusama’s celebrated Infinity Net series, a body...
09/05/2026

Executed in 1978, Visionary Wave Crest is an evocative example of Yayoi Kusama’s celebrated Infinity Net series, a body of work that has become central to her practice. First introduced in New York in 1959, the Infinity Nets marked Kusama’s breakthrough, establishing her distinctive visual language through dense, repetitive patterns that suggest endless expansion.

Following her rise in the New York art scene during the 1960s, Kusama returned to Japan and, in 1975, took up residence at the Seiwa Hospital in Tokyo, where she has continued to live and work. This period marked a renewed intensity in her practice.

Created using enamel and acrylic on canvas, the work has a unique and impressive texture. The 3-D surface adds to the depth of the nets and reflects the artist’s sustained, almost meditative engagement with repetition.

Yayoi Kusama, 'Visionary Wave Crest', 1978

Created in 1927, Konstruktion reflects László Moholy-Nagy’s time at the Bauhaus (1923–1928) and the spirit of formal and...
26/04/2026

Created in 1927, Konstruktion reflects László Moholy-Nagy’s time at the Bauhaus (1923–1928) and the spirit of formal and technical innovation he developed there. A central figure within the school, he advanced an interdisciplinary approach, seeking to unify art, technology, and modernism.

The work coincided with his 1927 book ''Painting, Photography, Film', in which he explored new forms of visual communication, including photograms, collage, and montage. Executed in collage and pencil, Konstruktion draws on these ideas while also reflecting the influence of Dada, Constructivism, and Suprematism, echoing the abstract language associated with Kazimir Malevich.

The composition features intersecting red, orange, and black geometric forms. Diagonals and triangles create a sense of movement and spatial tension, while the interplay of light and opacity recalls the photogram, a camera-less image-making process first developed by Henry Fox Talbot.

László Moholy-Nagy, 'Konstruktion', 1927

#

Bernard Buffet, a leading postwar French Expressionist associated with the Jeunes Réalistes, painted this work in 1948. ...
19/04/2026

Bernard Buffet, a leading postwar French Expressionist associated with the Jeunes Réalistes, painted this work in 1948. That same year, at just 20 years old, he was awarded the Prix de la Critique, shortly after his first solo exhibition in Paris.

Buffet is known for his distinctive linear style, often referred to as “le style Buffet,” defined by sharp, angular outlines rather than traditional modelling of depth and volume. While rooted in the conventions of still life, his approach reinterprets them with a stark, graphic clarity.

In this composition, a glass, fork, and stove are rendered with a restrained, near-monochromatic palette. Each object is isolated, contributing to a deliberate sense of stillness, tension, and quiet austerity.

Bernard Buffet, 'Nature morte au réchaud', 1948

“I immediately saw a horse and the Eiffel Tower, it was obvious. I saw this upward surge toward the sky, rising from the...
12/04/2026

“I immediately saw a horse and the Eiffel Tower, it was obvious. I saw this upward surge toward the sky, rising from the earth. It’s an elevation that carries you.” - André Brasilier�

Each year, the Paris stage of the Longines Global Champions Tour entrusts its visual identity to a major artist. For its 12th edition, Virginie Coupérie-Eiffel chose to collaborate with French painter André Brasilier.

The horse motif has been an important component throughout Brasilier's oeuvre, making this collaboration a natural fit. Highlighting the unique dialogue between sport, art, and heritage, the show jumping series will take place from June 19 to 21 at the Champ de Mars, opposite the École Militaire.

Discover our selection of available works by André Brasilier by visiting our website: www.pissarro.art.

André Brasilier, 'Chevauchée Maritime', 2014



#

Address

66 St James's Street
London
SW1A1NE

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 5pm

Telephone

+442076296662

Alerts

Be the first to know and let us send you an email when Stern Pissarro posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Stern Pissarro:

Share

Category