Hippeus Art Dealership

Hippeus Art Dealership Fine art brokers and consultants, based in London and serving clients internationally, with expertise ranging from Old Masters to Modern and Post War Art.

Boutique art dealership | Old & Modern Masters | Based in London & Paris, operating internationally. We professionally advise our clients on every delicate aspect surrounding the purchase – or sale – of a valuable work of Art, either via auction or private treaty, by carefully assessing quality, condition, provenance, rarity and value, with the ultimate goal to match each client’s needs and unlock

the full potential of their Art, whether it is a single piece or an entire collection. Being affiliated to no particular auction house or Art dealer, you can trust our expertise as fully independent, discreet and solely directed towards your own benefit.

Throwback to our recent visit to , a local gem which represented a truly nice discovery 👌🏻A fine collection, set within ...
18/08/2025

Throwback to our recent visit to , a local gem which represented a truly nice discovery 👌🏻

A fine collection, set within the scenographic frame of the Norman castle and of the surrounding fortified settlements, which still dominate over the old city and where the can also be found…

Worth visiting for sure, even just for the chance to admire in person the moving “Lamentation” by “El Divino” Morales!

#2025

Among the various, incredible masterpieces in that magical place that is the Pinacoteca Nazionale in Bologna, ‘The Massa...
07/08/2025

Among the various, incredible masterpieces in that magical place that is the Pinacoteca Nazionale in Bologna, ‘The Massacre of the Innocents’ by Guido Reni deserves a special mention.

Conceived for the chapel of the Berò family in the church of San Domenico and probably completed in 1611, when the artist was living in Rome, the terrifying event takes place within the architectural frame of the buildings ‘all’antica’ dominating the background.

The whole action seems to be suspended at its apex, between ‘the right before’ and ‘the right after’ of what’s happening in front of our eyes. More precisely, ‘exactly at the point where nothing happens’, as the Italian art critic once wrote.

Violence is limited to the presence of baby corpses in the foreground as well as being brought on stage by the frightening scream of the woman on the left.

Horror is mediated by Guido’s impeccable technique here, which infuses the scene with its typical serene and balanced beauty. Raphael as well as classic sculpture are two evident references here - see for example the ‘Niobe’ in the Vatican Museums, that must have inspired the figure of the woman on the right.

The recent Old Masters auctions in London demonstrated that cross-category selling is proving to be an effective strateg...
06/07/2025

The recent Old Masters auctions in London demonstrated that cross-category selling is proving to be an effective strategy to inject fresh, new blood into the collectors’ base of this market segment.

In order to guarantee a healthy future, auction houses - but this clearly applies to dealers too - need to attract new, younger demographics. And they have started doing so, with certain results coming up already.

Christie’s evening sale on Tuesday 1st saw the highest sell-through rate by value in the history of the house’s auctions in this category (99 percent), and and their strongest sell-through rate by lot since 2012 (87 percent). [Source: Artnews].

The top lot - and star lot of the whole week - Canaletto’s “Venice, the Return of the Bucintoro on Ascension Day”, once in the collection of UK’s first prime minister Robert Walpole, sold for £31,9m.

Worth mentioning, the five clients bidding on the Canaletto were all cross-category buyers. [Source: Artnews and Christie’s].

Is this the right response to a sticky and shrinking market? We’ll find out more in the next few months…

In the meantime, take some time to check our latest report, by clicking on the link in Bio!

- Giovanni Antonio Canal, called “Il Canaletto”, “Venice, the Return of the Bucintoro on Ascension Day”, 1732 circa. Image: Christie’s.

- J. W. W. Turner, “The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol”, 1792, sold for £1,9m. Image: Sotheby’s.

- George Gower, “Portrait of Sir Edward Monins of Waldershare”, 1575, sold for £1.1m. Image (detail): Bonhams.

Post War & Contemporary Art June sales in London used to bring a lot of fun and excitement in town and they always repre...
29/06/2025

Post War & Contemporary Art June sales in London used to bring a lot of fun and excitement in town and they always represented the post-ArtBasel grand finale, ahead of the Summer break.

These days, with the global market still going through turbulent waters - see the overall bland results of the NY marquee auctions last month - and Christie’s pausing their own local week of sales, the reality is far less thrilling…

However, managed to justify their decision to go ahead with the traditional plan by raising £62.5m (with fees), out of 48 lots. A sharp 19% drop from last year’s equivalent sale, which had 51 lots, but still a positive note in the current sticky market.

As expected, the star lot of the night was the sensual ‘La Belle Rafaëla’ by Tamara de Lempicka (1898-1980), which sold for £7.4m and led the group of female artists who in the end accounted for 30% of the sale’s total, putting together a remarkable performance and confirming the market’s appetite.

Powerfully seductive, Rafaëla - one of Lempicka’s favourite muses and lovers, who featured in 4 other important paintings - reflects the artist’s deep knowledge and understanding of art history as well as the influence of her avant-garde contemporaries, with references in the sitter’s pose going from Botticelli, Artemisia and Ingres to Modigliani.

Lempicka’s signature style - careful draughtsmanship, almost impalpable brushstrokes and dramatic, cinematic lighting - is epitomised here, making it a true example of female sexuality.

Click on the link in Bio to access the full, dedicated article.

Grand Prince Ferdinando de’ Medici (1663-1713), the eldest son of Cosimo III de’ Medici, Grand Duke of Tuscany, and Marg...
19/02/2025

Grand Prince Ferdinando de’ Medici (1663-1713), the eldest son of Cosimo III de’ Medici, Grand Duke of Tuscany, and Marguerite Louise d’Orléans, was an extraordinary collector and one of the most prominent art patrons of his time.

Along with his great-uncle Leopoldo, he was a fundamental figure in the growth of the Medici collections and of the decoration of Palazzo Pitti.

Ferdinando - who died before his father and therefore did not inherit his title - during his lifetime managed to amass more than 1,000 artworks, ranging from antiquities, decorative arts, musical instruments as well as XVI and XVII century paintings and drawings.
Most part of these precious objects now enrich the Uffizi and the Palatine Gallery’s collections in Florence.

Many were the masterpieces, including by names such as Raphael, Titian, Parmigianino and Rubens, as shown here.

A tireless supporter of contemporary painters, among his absolute favourites there was Livio Mehus (circa 1639 - 1691), whose beautiful and imposing ‘The Drunkenness of Noah’ - photo 2, detail - we discovered last year, together with .pinilla.

We do not know whether this canvas was commissioned directly by Ferdinando - who ended up owning a group of 45 paintings and drawings by Livio - but it is likely that originated from within his inner circle of wealthy and sophisticated art connaisseurs.

DM for additional details.


- ‘Portrait or Grand Prince Ferdinando de’ Medici’ by Giovan Battista Poggini, 1683, The Metropolitan Museum of Art, New York;

- Livio Mehus, ‘The Drunkenness of Noah’, 1670s, Hippeus Art Dealership & Galerie Pinilla, London & Paris (detail);

- ‘Madonna of the Canopy’ by Raphael, 1506-08, Galleria Palatina, Florence;

- ‘The Virgin with the Long Neck’ by Parmigianino, 1534-35, The Uffizi Gallery, Florence (detail);

- ‘Portrait of Pietro Aretino’ by Titian, 1545, Palazzo Pitti, Florence;

- ‘The Consequences of War’ by Peter Paul Rubens, 1637-38, Galleria Palatina, Florence (detail)









2025 has begun, carrying with it new, exciting adventures and projects awaiting us.Inevitably, we still have fresh in ou...
06/01/2025

2025 has begun, carrying with it new, exciting adventures and projects awaiting us.

Inevitably, we still have fresh in our minds the events that marked our 2024.

And one of the highlights was the discovery - in collaboration with Galerie Pinilla - of a stunning oil on canvas by Livio Mehus (1627 - 1691).

What never ceases to amaze is Livio’s tremendous sensuality, allowing him to render the human body always so impeccably - a proper feast for the viewer's eye!

In this respect, we invite you to confront our "Drunkenness of Noah" with some other notable works by him:

- "The Toilet of Venus" (Fondazione Pistoia Musei, Pistoia, 1660/1670s, detail);
- “The Sacrifice of Isaac” (Palazzo Pitti, Galleria Palatina, Florence, 1670s);
- “Polyphème et Galathée” (Musée Calvet, Avignon, 1650 circa).

DM for further details.






Details of exquisite masterpieces - spanning through centuries of art history - from the …what a collection!!! 👌👌👌•     ...
13/12/2024

Details of exquisite masterpieces - spanning through centuries of art history - from the …what a collection!!! 👌👌👌






Photo throwback to our vernissage on November, 27th…a great painting, beautiful people, stimulating conversations and de...
08/12/2024

Photo throwback to our vernissage on November, 27th…a great painting, beautiful people, stimulating conversations and delicious champagne…what more could one ask for?!? 😎🤷🏻‍♂️

We’re sincerely grateful to everyone who came and contributed to make it a special night.

In this sense, a special thank you goes to for giving us the space, .restoration and for the brilliant restoration intervention and - last but not least - to for the impeccable formule apéritif and the service provided!

Onto the next one (watch this space as well as .pinilla ‘s)!








•TODAY IS THE DAY!•2 rue Chapon, 75003From 06.30pm onwards•Ready to officially unveil and present our beautiful painting...
27/11/2024

•TODAY IS THE DAY!•

2 rue Chapon, 75003
From 06.30pm onwards

Ready to officially unveil and present our beautiful painting by Livio Mehus this evening!





•THE WAIT IS OVER!• With just two days before our vernissage, we’re happy to reveal our latest discovery in all its sple...
25/11/2024

•THE WAIT IS OVER!•

With just two days before our vernissage, we’re happy to reveal our latest discovery in all its splendour, together with the name of the artist (congrats to the ones who guessed it correctly beforehand!).

“The Drunkenness of Noah” is a wonderful example of Livio Mehus’s (circa 1630 - 1691) mature production. Conceived in the 1670s, it represents a biblical episode narrated in the ninth book of “Genesis”, when Noah, who survived the deluge, began farming and planted a vineyard (and clearly exaggerated with the wine consumption at some point!).

As Professor Francesca Baldassari, the author of the catalogue, writes “…the pictorial style is vibrant, marked by a vigorous light and energetic strokes. In the present composition, the pictorial matter is dense, with quick touches of ‘biacca’ skilfully highlighting the profiles as well as Noah’s muscular body.”

Revered by his many, affluent Florentine patrons - above all the Grand Prince Ferdinando de’ Medici, who arrived to collect up to 45 of his works and who agreed to cover the expenses for Livio’s funeral - Mehus shows here to have fully mastered what he had previously absorbed from the Italian Baroque. The result being an intriguing, eclectic style that undoubtedly makes him one of the most original artists of his time!

Come on Wednesday, November 27th (full details below), to see this stunning XVII century oil on canvas in all its splendour.

A special ‘thank you’ note goes to .restoration and in particular for the fantastic restoration intervention!

Vernissage on November 27th 2024
From 06.30pm onwards
2 rue Chapon, 75003, Paris (first floor)
RSVP: [email protected]





Aside for the biblical reference, there is another important element that characterises the subject of our latest discov...
22/11/2024

Aside for the biblical reference, there is another important element that characterises the subject of our latest discovery - wine!

We would therefore be more than happy to welcome wine lovers too on November 27th, on the occasion of our vernissage (details below).

Art & wine have often been inextricably intertwined throughout the centuries, a link that continues nowadays and that’s evidently present in our fabulous picture as well…

…come and see it with your own eyes and let’s toast together with the help of some great champagne! 🥂

Vernissage
27th November 2024
2 rue Chapon, 75003, Paris
From 06.30pm onwards
RSVP: [email protected]






Address

Flat 13, Oatlands Court, Wimbledon Park Side
London
SW195LS

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