Flat Time House

Flat Time House The home of artist John Latham (1921–2006) now housing a gallery, event space, archive, centre for alternative learning, and artist's residency space.

NEXT WEEKSØREN RYE:INTERIORS WITHOUT BEDSOpening event: Thursday 4 June 6–9pmTalk 7–7.45pm, Søren Rye in conversation wi...
30/05/2026

NEXT WEEK
SØREN RYE:
INTERIORS WITHOUT BEDS
Opening event: Thursday 4 June 6–9pm
Talk 7–7.45pm, Søren Rye in conversation with Prof. Paul Taylor () on absence and iconography. All welcome, no booking necessary.

Interiors without beds is an exhibition developed by Søren Rye over a 6-month residency at Flat Time House. During his residency at Flat Time House Rye continued ongoing research at the Photographic Collection at the Warburg Institute on the relationship between artworks and their photographic reproduction. To mark the conclusion of his residency, Søren Rye will be in conversation with Paul Taylor, the curator of the Photographic Collection at the Warburg Institute and a leading scholar of early modern art.

The exhibition will be accompanied by a text from Vanessa Onwuemezi ()

Image: Photograph showing the reverse of Cima da Conegliano’s painting ‘The Incredulity of Saint Thomas’ (c. 1502–4) during transfer, showing the paint layer detached, leaving an imprint from its original poplar support. 1969, National Gallery.

Flat Time House is pleased to be collaborating with AICA-UK () and AICA France () for a second year to support a residen...
19/05/2026

Flat Time House is pleased to be collaborating with AICA-UK () and AICA France () for a second year to support a residency exchange for art critics who are members of AICA, the International Association of Art Critics. The residency is organised in partnership with Maison d’Art Bernard Anthonioz (MABA) part of the Fondation des Artistes (), Nogent-sur-Marne in the eastern suburbs of Paris, who will host a resident from the UK branch of AICA, with FTHo hosting a writer from AICA France.

The scheme aims to support writers pursue a line of enquiry or a research project through seeing exhibitions, making studio visits and meeting other art professionals. Members of the AICA-UK and AICA France Executive Committees, as well as Directors of the host institutions, will help guide the residents in planning their activities.

In Paris the residency is offered for three weeks in the month of October and candidates may wish to plan to be present for Paris Art Basel (23 - 25 October) with its exciting array of activities. In London, the residency has fixed dates: it starts on 23 October (that is, after the Frieze art fairs) and finishes on 12 November.

This opportunity is open only to members of AICA

Deadline for applications by midnight 31 May 2026

For more information and to apply: https://www.aicauk.org/aica-uk-and-aica-france-residency-programme-october-2026/



Image: Facade MABA, Maison d’Art Bernard Anthonioz in Nogent-sur-Marne. Photo credit: Aurélien Mole

SØREN RYE:INTERIORS WITHOUT BEDS5 June–14 JuneOpening event: Thursday 4 June 6–9pmTalk 7–7.45pm, Søren Rye in conversati...
17/05/2026

SØREN RYE:
INTERIORS WITHOUT BEDS
5 June–14 June

Opening event: Thursday 4 June 6–9pm

Talk 7–7.45pm, Søren Rye in conversation with Prof. Paul Taylor () on absence and iconography

All welcome, no booking required

Interiors without beds is an exhibition developed by Søren Rye over a 6-month residency at Flat Time House. During his residency Rye continued ongoing research at the Photographic Collection at the Warburg Institute on the relationship between artworks and their photographic reproduction. Within the collection, organised according to iconographic themes rather than artists or periods, ‘Interiors – Without beds’ is a sub-categorisation of the iconographic category ‘Social Life’. To mark the conclusion of his residency, Søren Rye will be in conversation with Paul Taylor, the curator of the Photographic Collection at the Warburg Institute and a leading scholar of early modern art.

To view the exhibition after the opening event, please email [email protected] to book

OPENING SATURDAY 16 MAYATHANASIOS ARGIANAS / OWLS (INTO THE NIGHT)AT 12 MACKINTOSH LANE E9 6ABPV Saturday 16/05/26 2–8pm...
13/05/2026

OPENING SATURDAY 16 MAY

ATHANASIOS ARGIANAS / OWLS (INTO THE NIGHT)

AT 12 MACKINTOSH LANE E9 6AB

PV Saturday 16/05/26 2–8pm. All welcome

One weekend only, continues Sunday 17/05 12–6pm or by appointment.

Athanasios Argianas is presenting new audio-visual work at Mackintosh Lane, developed as part of an ongoing residency at Flat Time House. Flat Time House will host a major exhibition of Argianas’ work in winter 2026–27.

With the support of The Elephant Trust

SYMPOSIUM: ARTISTIC PREFIGURATIONS, INSTITUTIONAL BECOMINGS, Maastricht, Netherlands 28–29 MayFlat Time House Director/C...
29/04/2026

SYMPOSIUM: ARTISTIC PREFIGURATIONS, INSTITUTIONAL BECOMINGS

, Maastricht, Netherlands 28–29 May

Flat Time House Director/Curator Gareth Bell-Jones will be presenting on Artist Placement Group as part of a two-day symposium at Jan Van Eyck Academie, Maastricht. The symposium explores how artistic practice engages with the institutional, economic, and political conditions that surround it, not only as constraints, but as sites of action: conditions that can be questioned, unsettled, and reshaped to test, here and now, other ways of organising social, political, and civic life yet to come.

Registration and programme details:

https://www.janvaneyck.nl/calendar/artistic-prefigurations-institutional-becomings

The project is developed within the European Cooperation Project .ing.s, curated by (JvE Curator & Resident Liaison)

Next event at FTHo:GIORGIO SADOTTINOT LIKE A CAR CRASH WALTER DE MARIA’S ‘BEL AIR TRILOGY’23 April 2026 6–8pm Event at 7...
08/04/2026

Next event at FTHo:

GIORGIO SADOTTI
NOT LIKE A CAR CRASH WALTER DE MARIA’S ‘BEL AIR TRILOGY’
23 April 2026 6–8pm Event at 7pm

A SCULPTURE AS A BOOK LAUNCH

INCLUDING AN AUDIO INDUCED REVERSING TIME ROTATION

Join us for the launch of Giorgio Sadotti’s sculpture as publication, Not Like A Car Crash, Walter De Maria’s ‘Bel Air Trilogy’ including a performance within an installation by the artist. The limited edition work will be available to purchase.

Next week: Saying art, evoking philosophyAn online conversation with philosopher of art Andrew BenjaminTuesday 17 March ...
12/03/2026

Next week: Saying art, evoking philosophy
An online conversation with philosopher of art Andrew Benjamin

Tuesday 17 March 10am (GMT)

Join over zoom, see link in bio

Hosted by origin\forward/slash\

(Sacha Golob, Marie Hay, Johanna Malt, Hester Reeve, Mark Titmarsh)

An exploratory discussion between /origin\forward/slash\ and philosopher of aesthetics, Andrew Benjamin, author of ‘Art’s Philosophical Work’ (Rowman & Littlefield International, 2015) and the essay ‘What is the Object of Art?’ (Journal of Aesthetics and Phenomenology, 2023) which /origin\forward/slash\ have been recently discussing in relationship to their ongoing concerns.

/origin\forward/slash\ is a group of artists and philosophers who are investigating the mutual implications and challenges of art and philosophy and how one practice can bear on or question the other. Open-ended dialogue in-between the two disciplines forms the mainstay of the group’s internal activity. Of equal priority is material manifestation, thinking in collaboration with relevant theorists and artists and establishing innovative public platforms to share research.

/origin\forward/slash\ is affiliated with Flat Time House, The Centre for Philosophy and Art, Kings College and Sheffeild Hallum

image: Hester Reeve, Homage to Robert Smithson – Plasticity and the ontological form of artist substance (still from live art lecture action), 2017

COMPRESSION[SO-ON-ICASPACI-AAAH-SQUZZE-TIE-ME-NUE-RO-TIC-A-IN-UR-GEN-C-Y]20.03.26 19.23 - 21.51 Durational Work and spat...
04/03/2026

COMPRESSION

[SO-ON-ICASPACI-AAAH-SQUZZE-TIE-ME-NUE-RO-TIC-A-IN-UR-GEN-C-Y]

20.03.26 19.23 - 21.51

Durational Work and spatial intervention with .ogg, Depletion, (1.5 x performance) & .23.tlc

This piece is developed by Katie Shannon in collaboration with the artists involved in response to her recent residency period at Flat Time House and research into O-structure* supported by 2025–26.

This event is free and unticketed, starting at 19:23 sharp, at some point thereafter the doors will be locked. Please support (if you can) the continuation of the artists in precarity’s activities by bringing a cash donation. Property owners will be charged. Ear protection may be advised.

* The O-Structure: An Introduction to Psychophysical Cosmology; Anita Kohsen, C.C.L. Gregory; 1959

Delighted to be hosting the London launch of ‘Some Monologues’ by Tyler Coburn, a publication that gathers fifteen years...
28/01/2026

Delighted to be hosting the London launch of ‘Some Monologues’ by Tyler Coburn, a publication that gathers fifteen years of the artist’s scripts (Wendy’s Subway, 2025).

Wednesday 4 February 2026 Doors 6.30pm, performance begins at 7pm

Free, booking essential, to book please email [email protected]

On this occasion, Coburn presents a new monologue entitled ‘People’ that draws influence from A Personal History of American Theatre (1980), a one-person performance by the American actor and writer Spalding Gray (1941–2004). Moving through a set of index cards bearing the names of plays he acted in, Gray told stories related to those productions, dwelling on events unfolding behind the scenes. As the order of the index cards was random, no two performances were ever the same. In Coburn’s version, each of his cards indicates the name of a person who has a role in the book: an academic he interviewed for a project, an amorous attendee to one of his monologues, his collaborator Susan Bennett (the original voice actress of Siri), a data center employee who insulted him, and more. ‘People’ brings focus to Coburn’s many collaborators and the monologues they helped create.

After performing ‘People’, Coburn is joined in conversation by writer and art critic Orit G*t.

Our friends at  are initiating  #30/30, a free challenge for artists, anywhere in the world, to make a new piece of work...
25/01/2026

Our friends at are initiating #30/30, a free challenge for artists, anywhere in the world, to make a new piece of work every day for 30 days:

Challenge yourself, kick start your practice for 2026, or experiment with new ideas and processes - its up to you how you use it.

Every day from 1 February, and for 30 days, you'll get an email prompt to help you if you get stuck for inspiration: follow it, ignore it, adapt it as you like. But whatever you make, your new work must be submitted online each day by 23.30 UK time.

Sign up by 23:30 GMT, Saturday 31 January, 2026, more information on

#30/30

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210 Bellenden Road
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SE154BW

Opening Hours

Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm
Sunday 12pm - 6pm

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