The Whithorn Trust

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The Whithorn Trust Whithorn Trust runs the exhibition and museum detailing the town's 1600 years of Christian history.

The Whithorn Trust manages the archaeological site associated with the earliest evidence of Christianity in Scotland, and traditionally known as "Candida Casa", the white church founded in the fifth century.

We were delighted to participate in the All Roads Lead to Whithorn Dark Skies event tonight. Iron Age heating and roofin...
14/10/2026

We were delighted to participate in the All Roads Lead to Whithorn Dark Skies event tonight. Iron Age heating and roofing were a thorough match for the winds tonight and it was great to meet people who hadn't visited before. The fire was also ideal for toasting marshmallows! Our thanks to everyone for coming and of course Freelance Ranger

Pre-announcement : now the temperatures are dropping, we're aiming to start our popular Winter Warms for senior citizens...
11/10/2026

Pre-announcement : now the temperatures are dropping, we're aiming to start our popular Winter Warms for senior citizens and disabled people (of any age) from mid November. Please expect a flyer through your door for sign-up (and handing in to us) or alternatively email the Whithorn Trust at [email protected]

Amazing shot of the Aurora at Whithorn Priory by Hazel J L Smith Chartered Architect! Thanks for sharing. Looking forwar...
11/10/2026

Amazing shot of the Aurora at Whithorn Priory by Hazel J L Smith Chartered Architect! Thanks for sharing. Looking forward to the Dark Skies event at the roundhouse this coming week!

Aurora Borealis behind Whithorn Priory & St Ninian’s Priory Church, Whithorn, Cradle of Christianity! 🙏🏻

The Whithorn Trust BBC Scotland BBC Radio Scotland Dumfries and Galloway! Whats Going on ? Church of Scotland St Ninian's Priory Stranraer and Wigtownshire Free Press Dumfries & Galloway Life ITV Border Historic Environment Scotland Presbytery of the South West Discover South Scotland - Scotland Starts Here South of Scotland Destination Alliance VisitScotland fans

10/10/2026

For wider archaeological context on Whithorn’s trade and maritime connections, see Graeme Cavers/AOC Archaeology’s work on the Machars Waterborne mapping project:
https://www.facebook.com/thewhithorntrust/posts/pfbid0W7as2RBvYCF2sJ975nfytGEpwETvRqYduWnFT7paLbbnygk63PmVbrDHJbg4Uvz9l?locale=en_GB

Join Ruaridh on tours to hear more:
Tickets: to view the Whithorn Trust’s new “Whithorn – Centre of Trade and Exchange” map in the Through the Ages exhibition:
https://www.whithorn.com/product/digital-ticket/

GLASS CONE BEAKER

I came across Ruaridh in the office the other day, holding this rather fascinating object, so naturally I had to ask…

So Ruaridh told me the story...

This is a recreation of a Glass Cone Beaker, made for the Whithorn Trust courtesy of Historic England.

Fragments of drinking vessels like this were found during the 1980s excavations at Whithorn in the Glebe Field. They were discovered alongside imported glass and high-status pottery brought through long-distance trade from the Mediterranean and western Gaul — modern France — with other pottery originating as far away as the Aegean world.

Dating broadly to 400–700 CE, these finds reveal the remarkable wealth and far-reaching connections of early Christian Whithorn, alongside evidence for high-status metalworking and craft production.

Historic Environment Scotland provides a useful current archaeological record for the site:
https://portal.historicenvironment.scot/apex/f?p=1505:300:::::VIEWTYPE,VIEWREF:designation,SM12992

The inhabitants of early Whithorn were drinking w**e and using olive oil arriving through Mediterranean trade networks, while fine glass vessels formed part of a sophisticated culture of status and feasting.

And this particular type of vessel presents a rather fascinating problem.

How do you put it down?

You don’t!

A cone beaker simply cannot stand upright on its own.

Archaeologist Ewan Campbell notes that this unusual form has led to suggestions that the contents may have been drunk in one draught. Another possibility is that the vessel was held by a cup-bearer, who presented it when required and took it back afterwards. Campbell even points to later manuscript illustrations showing cup-bearers holding conical drinking vessels.

Archaeology Data Service:
https://archaeologydataservice.ac.uk/archiveDS/archiveDownload?t=arch-281-1%2Fdissemination%2Fpdf%2FRR157_Continental_and_Mediterranean_Imports.pdf

There is also archaeological evidence connecting vessel glass at Whithorn with ritual funeral feasting associated with the early Christian cemetery.

Whithorn Trust:
https://www.whithorn.com/archaeology/digs/

Some interpretations have gone further and wondered whether vessels like these may sometimes have been treated as single-use objects — perhaps even broken during feasting — although this remains interpretation rather than established fact.

And there is another intriguing possibility.

Some cone beakers may actually have been made at Whithorn or nearby, rather than all being imported. The excavations produced an unusually large assemblage of cone-beaker fragments, while later archaeological study has raised the possibility of glass-working at Whithorn or nearby.

Nearby excavations at Fey Field have added further evidence for imported early-medieval glass, decorated cone beakers, imported pottery and substantial metalworking activity.

York Archaeology Research:
https://research.yorkarchaeology.co.uk/wp-content/uploads/2023/11/AYW10-Whithorn.pdf

So this apparently simple glass vessel opens a surprisingly large window onto early Whithorn:

trade, wealth, craftsmanship, feasting and Christian faith — with connections reaching far beyond Galloway.

These places of origin, together with those of other remarkable artefacts, can now be explored on the Whithorn Trust’s new “Whithorn – Centre of Trade and Exchange” map in the Through the Ages exhibition, with funding from Museums Galleries Scotland.

And after all that history, one practical question remains:

How exactly do you put it down?

Perhaps the answer is simply that you weren’t meant to…

Want to explore the archaeology for yourself?

See the Whithorn Trust website for current visitor and tour information, including guided access to the reconstructed Iron Age Roundhouse, and book through the Whithorn Trust Digital Ticket.

https://www.whithorn.com/
https://www.whithorn.com/product/digital-ticket/

Archaeology & further reading

Ewan Campbell (2007), Continental and Mediterranean Imports to Atlantic Britain and Ireland, AD 400–800.
The principal scholarly reference for the imported glass, cone-beaker form and cup-bearer/one-draught interpretation.
https://archaeologydataservice.ac.uk/archiveDS/archiveDownload?t=arch-281-1%2Fdissemination%2Fpdf%2FRR157_Continental_and_Mediterranean_Imports.pdf

University of Glasgow — Early Medieval Imported Pottery and Glass in the Atlantic Province, AD 400–800.
Includes a photograph of a Group E glass cone-beaker from Whithorn and supporting research.
https://www.gla.ac.uk/schools/humanities/research/archaeologyresearch/projectarchive/earlymedievalimports/

Historic Environment Scotland — Whithorn Priory, monastic settlement and priory.
A current archaeological record for the site, including Whithorn’s long-distance trade, imported pottery and glass, and the cone-beaker assemblage.
https://portal.historicenvironment.scot/apex/f?p=1505:300:::::VIEWTYPE,VIEWREF:designation,SM12992

York Archaeological Trust — Archaeological Investigations at Fey Field, Whithorn.
Includes imported early-medieval glass, cone beakers, pottery and metalworking evidence.
https://research.yorkarchaeology.co.uk/wp-content/uploads/2023/11/AYW10-Whithorn.pdf

Whithorn Trust — Digs, Early Whithorn and Roundhouses.
Covers the Glebe Field excavations and newer interpretation of vessel glass and feasting.
https://www.whithorn.com/archaeology/digs/

08/10/2026

LUMINOSITY IN MEDIEVAL ART
Join Lucy and Edward to discover how medieval artists illuminated sacred spaces — with Whithorn’s archaeology giving us a clue.
During the Northumbrian period, Whithorn developed into an important early Christian centre. Excavations here uncovered a burial chapel with stained-glass windows, while surviving carved stones such as the 8th-century Golgotha Stone reveal the rich visual language of Christianity at Whithorn.
On Saturday 21 November, Lucy and Edward of Old Mill Arts will explore this world of light, colour and medieval image-making in a practical workshop at The Whithorn Trust.

Inspired by illuminated manuscripts, angels, stars and halos, you will discover how medieval artists created luminosity using traditional pigments, binders, gold effects and lamp black, before creating your own medieval-inspired painted panel to take home.
This is more than a painting workshop, it is a chance to explore how medieval craftspeople used colour, light and materials to transform sacred imagery.

Saturday 21 November 2026
10:00am–3:00pm
The Whithorn Trust, Whithorn
Places are limited — booking essential.
Book here: https://www.eventbrite.com/e/2003146798999?aff=oddtdtcreator

Find out more about the archaeology of Whithorn:
https://www.whithorn.com/archaeology/digs/

A little about the image
The image used in the accompanying animation is Saint Matthew from the Lindisfarne Gospels, folio 25v, one of the great works of early medieval Northumbrian manuscript art.
Matthew is shown writing, while above him is his traditional evangelist symbol: a winged human figure blowing a trumpet and carrying a book, identified in the manuscript as imago hominis. A second figure intriguingly peers from behind the curtain beside Matthew. The image belongs to the wider Northumbrian Christian artistic world in which Whithorn also played a significant part.

Image & music credits
Image: Saint Matthew, Lindisfarne Gospels, fol. 25v, Cotton MS Nero D IV, c. 700. British Library / Wikimedia Commons. CC0 1.0. The winged figure above Matthew is his traditional evangelist symbol.
https://commons.wikimedia.org/wiki/File:St._Matthew_-_Lindisfarne_Gospels_(710-721),_f.25v_-_BL_Cotton_MS_Nero_D_IV.jpg

Music: Cuncti simus concanentes, from the Llibre Vermell de Montserrat. Performed by Carlotta Ferrari and Paolo Valcepina. Licensed under CC BY 4.0, via IMSLP.
https://imslp.org/wiki/Llibre_Vermell_de_Montserrat_(Various)

Sign up for this event ( ending at the roundhouse) by emailing allroadswhithorn@gmail.com.
07/10/2026

Sign up for this event ( ending at the roundhouse) by emailing [email protected].

Special new creation! Ginger and white chocolate cookies £1!  Going like hot cakes..
05/10/2026

Special new creation! Ginger and white chocolate cookies £1! Going like hot cakes..

04/10/2026

Viking Knife Forging at The Whithorn Trust
Forge your own Viking-style knife with Simon Lidwell of Wordsmith Crafts CIC, inspired by knives excavated at Whithorn’s Fey Field. Work towards a finished wooden-handled knife to take home while exploring the archaeology behind the design.
🎟️ FREE — only 4 places available
📅 Friday 13 November
🕤 9:45am–3:30pm
👥 Adults 18+
🥣 Lunch, tea and snacks included
🔨 No previous blacksmithing experience required
Book here:
https://www.eventbrite.com/e/viking-knife-forging-at-the-whithorn-trust-tickets-2002912495190?aff=oddtdtcreator
Fey Field archaeological reference:
https://research.yorkarchaeology.co.uk/wp-content/uploads/2023/11/AYW10-Whithorn.pdf =110

Want to know why our world is upside-down? Come along before October 31st and buy your ticket (valid for another year!) ...
01/10/2026

Want to know why our world is upside-down? Come along before October 31st and buy your ticket (valid for another year!) and find out about early Whithorn's internationalism. Supported by Museums Galleries Scotland Museum Transformers programme.

Address

45/47 George Street
Newton Stewart
DG88NS

Opening Hours

Monday 10am - 3:30pm
Tuesday 10am - 3:30pm
Wednesday 10am - 3:30pm
Thursday 10am - 3:30pm
Friday 10am - 3:30pm
Sunday 10am - 3:30pm

Telephone

01988 500508

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