07/10/2026
Matthew Smith was visiting the show yesterday and we asked him to pick his favourite artworks connected to nature. Here's his favourites:
Jane McInally’s “Three Rooks” is one i return to on each visit. It makes me think of Macbeth’s witches, and the Skeksis from the Dark Crystal. I’m amazed at how much character, mood and mischief this line drawing holds! What are they up to, these rambunctious corvids? And what is the one lumbering towards us going to do next? Brilliant stuff.
Rebecca Scott’s "Hare in the Long Grass”. Hares are strange creatures, almost belonging to another world. This one’s staring eye captures something of their innate weirdness, and it's slightly unnerving.
Rhona Wilson’s “Hide and seek”. If you’ve ever seen otters swimming together you’ll never forget their playfulness. Also, Otters are mustelids, the same family as badgers. Enough said.
Margaret Tomlinson’s “Juvenile Goldfinch”. Fantastic wee birds, and Margaret’s drawing conveys something of the innocence, attentiveness and promise of this young bird figuring out its environment. And unlike Fabritius’ goldfinch, this one is free.
Linzi Hay’s “Untitled”. Each time I’ve visited the exhibition, I’ve been drawn into this painting even if I’m stood yards away. The movement, the mossiness, and the sound of water - I want to climb through the frame and sit there for a while.
D. Regan’s “Capercaille” is splendid. I love its beard (yes some birds have beards), and it’s magnificent side-eye - a good reminder that you do not mess with a Capercaillie.
Poppy Dempster’s “Mr Fox” is so beautiful. A youngish fox perhaps, full of curiosity. What is he looking at? I think we should be told.
Lynn Semple’s "Early morning wake up call”. Blackbirds are among my favourite sounds of nature, and this immediately brings their song to mind, and excellently shows the blackbird’s distinctive perch. Great umbellifers too!
Morven Howell’s “Rozelle, into the woods” evokes lichens, mosses, trees living, dying and dead, and all the fantastic vibrant complexity of a woodland floor. I want to get in there and have a rummage.
Heather Thomson’s “Float” is a magical and infinitesimally short moment of poise and colourful iridescence. I love it.