Staithes Museum

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Staithes Museum Free museum with a diverse collection of local historical items from Staithes group paintings to model boats to thousands of historic photographs. Free Entry

Run by a team of enthusiastic volunteers, donations are welcome!

🎭🎶 From the mu*****ns factory to the concert stage: meet Lily Codling and the musical Mu*****ns Girls of Staithes! 🎶🎭Som...
16/10/2026

🎭🎶 From the mu*****ns factory to the concert stage: meet Lily Codling and the musical Mu*****ns Girls of Staithes! 🎶🎭

Sometimes, all it takes is a name in an old photograph to unlock a whole new story.

As part of our Mu*****ns Girls project, Holly has been researching the women of Staithes who worked in the mu*****ns industry during the First World War. Looking up their names in the newspaper archives has uncovered some wonderful stories in the Whitby Gazette — and it turns out that many of these women had talents well beyond the factory floor!

One of them was Lily Codling, whose name appears in newspaper reports of the Staithes Concert Party. We knew we had photographs of Lily, but now we’re discovering more about what she and her friends got up to when they weren't making mu*****ns.

And what a busy lot they were!

🎵 The Mu*****ns Girls take to the stage

On 23 February 1917, the Whitby Gazette reported on a concert given by Staithes' Mu*****ns Girls in the Mission Room. They were raising money for parcels to be sent to local men serving in the Army and Navy.

The evening opened with the girls singing “When the boys come marching home” — in their mu*****ns uniforms, no less! The newspaper reported that their chorus was “greatly appreciated and encored”. Not a bad start!

The programme was a proper variety show. There were songs, duets, comedy and sketches, including “Woman’s Rights” and “Is he married?”. Miss V. Jones and Miss M. Theaker performed the duet “Dixie”, while Miss M. Pierson sang “They are all British Boys” with great spirit.

And Lily wasn't the only one with musical talents. The newspaper named several women who performed, with Miss M. Pierson and Mr Hardy acting as pianists. These were women who put in long days at demanding, dangerous work and still found the time and energy to rehearse, perform and raise money for others.

Mrs Bury, who chaired the concert, clearly admired them. She explained that the girls worked very hard, “leaving home at 7 a.m. and not returning again until 5 p.m.” — which, as she pointed out, left them precious little time to prepare such an impressive event.

She also praised the “harmonious manner” in which they carried out their arduous duties at work. It’s a lovely glimpse of the respect they had earned, both in the workplace and in their community.

The concert was a success, and the girls had something tangible to show for their efforts. The Whitby Gazette reported that the subscriptions received were topped up by the women themselves to make a grand total of £20. That's a considerable amount of money raised by a group of women who already had very long working days!

🎤 But that wasn't the end of it…

Lily Codling also appears in later reports about the Staithes entertainers, who performed under several names, including the Staithes Pierettes, the “Sailor Girls” and the “American Girls”.

In March 1916, the Whitby Gazette reported that the “Sailor Girls” were beginning a tour of local venues. The troupe included Lily, who performed under the stage name “Susan”, alongside friends including Lavinia Brown, Sophia Newton and several members of the Verrill family.

The newspaper noted that the Pierettes had given a series of successful concerts the previous winter, raising “a sum exceeding £40” for local and national war funds.

At their first concert as the “Sailor Girls”, Lily and another performer, E. Toft (“Peggy”), acted as accompanists for the musical programme. The evening also featured a sketch called “An Unexpected Bargain”, followed by a dance.

They took the show on the road, too. Their March 1916 performance in Staithes raised ten guineas for the Red Cross Society, while a repeat performance in Loftus brought in £12 3s 6d. Not bad for a local amateur troupe!

By January 1918, the entertainers were appearing as the “American Girls”, presenting an entirely new programme to a crowded audience in Loftus. Lily was still there, still known as “Susan”, and still accompanying the musical items.

The Whitby Gazette reported that the party had raised nearly £200 for various local funds over the course of their performances. Their January 1918 concert alone raised £16 18s 6d for a fund supporting local prisoners of war.

🌟 More than a photograph

It's easy to look at an old photograph and see only a row of faces. But the newspaper archives are helping us discover the women behind those faces: their friendships, their performances, their humour and their determination to help their community during wartime.

These weren't simply women who went to work in a mu*****ns factory and then disappeared from the historical record. They were singers, accompanists, performers and fundraisers, entertaining packed audiences and raising money for soldiers, sailors, the Red Cross and prisoners of war.

And Lily Codling was right there among them.

We’re delighted that Holly's research is helping us piece together these stories, and we're enormously grateful to everyone who has shared family photographs, memories and information with us so far.

Do you recognise Lily Codling in our photographs? Or do you have family stories about the Staithes Concert Party, the Pierettes or any of the women who worked at Skinningrove and Boulby during the First World War?

We'd love to hear from you. Every name, photograph and memory helps us bring these remarkable local women back into the story of Staithes. ❤️

*****nsGirls

Our volunteers are hard at work! 🧹📚🪡From keeping the museum s***k and span, working through Eileen Huby’s incredible fam...
15/10/2026

Our volunteers are hard at work! 🧹📚🪡

From keeping the museum s***k and span, working through Eileen Huby’s incredible family history archive, curating exhibits, identifying photos to carefully sewing labels into our objects so they never lose their identity, there’s always something going on behind the scenes at Staithes Museum.

We couldn’t do what we do without our wonderful volunteers, who help us care for the collection, welcome visitors and keep the stories of Staithes alive.

Fancy joining us? We’re always looking for new helpers!

You don’t need to be a museum expert, and there’s no one-size-fits-all volunteering role. Whether you enjoy research, history, practical jobs, chatting to visitors, helping in the shop or something completely different, we can probably find a way for you to get involved.

Every little bit helps, and you might discover a new interest along the way!

Pop into the museum for a chat and we’ll tell you more. We’d love to meet you! ❤️

Mu*****ns Girls research: the story of Maud ArmstrongOne of the names we keep coming back to in our Canary Girls researc...
14/10/2026

Mu*****ns Girls research: the story of Maud Armstrong

One of the names we keep coming back to in our Canary Girls research is Maud Armstrong.

Maud is particularly significant because she is the woman listed under “Mu*****ns” on the First World War section of Staithes War Memorial. She was just 17 years old when she was killed at Skinningrove Iron Works on 1 June 1917.

This week, we went looking for her home.

The records tell us that Maud was the daughter of George and Maud Armstrong of Church Street, Staithes. We’ve been able to identify the house as number 8, so we went up Church Street to have a look. It’s one thing to read a name in an old document. It’s another to stand outside the place where that person actually lived.

We’ve also discovered much more about what happened to Maud. According to the report of the inquest, Maud was working at Skinningrove Iron Works as a labourer, assisting the fitters. On the day she died, she was walking from one part of the works to another to fetch something and had to pass an area where shunting operations were taking place. Nobody witnessed the accident. An engine driver named Wilkinson discovered her body, and the inquest returned a verdict of “Accidentally killed whilst following her employment.”

There is another extraordinary detail in the story. A surviving account says that the Staithes bonnet Maud was wearing was blamed for the accident, and that bonnets were subsequently banned for the women working at the Iron Works.

Maud was only 17. She had grown up in Staithes, lived on Church Street, and travelled to Skinningrove for work. And now, more than a century later, we’re trying to put that very short life back together from the fragments left behind – photographs, names, newspaper reports, census records, memorials and archives.

There’s still a lot we don’t know about Maud. But finding number 8 Church Street felt like a good place to start.

*****nsGirls

🥥 It’s just a coconut pincushion… isn’t it?At first glance, our latest Object of the Month looks like a rather charming ...
13/10/2026

🥥 It’s just a coconut pincushion… isn’t it?

At first glance, our latest Object of the Month looks like a rather charming piece of old coconut shell, turned into a pincushion.

But this little object has travelled thousands of miles, survived a catastrophic Royal Navy shipwreck, witnessed the building of a monument to Captain Cook in Hawaiʻi, and spent generations as a family keepsake before eventually finding its way to Staithes Museum.

Its story takes us from Kealakekua Bay in Hawaiʻi in 1874, to the British expedition to observe the Transit of Venus, to one of the worst disasters in Victorian naval history — and finally back to an ordinary household pincushion.

It’s a wonderful reminder that museum objects don't have to look impressive to have extraordinary stories.

Our new blog post tells the whole story of the coconut that came home from Hawaiʻi.*🥥

Read it on the Staithes Museum website. Go to our home page, and pick Explore Staithes > Blog

Can you help us put names to the Staithes Mu*****ns Girls?We’ve been making progress with our project to identify the wo...
12/10/2026

Can you help us put names to the Staithes Mu*****ns Girls?

We’ve been making progress with our project to identify the women in our photographs of the Staithes Mu*****ns Girls, and we could do with your help again!

Holly, our work experience student, has been working through the photographs, using the names we already know to see whether we can identify more of the women pictured. Every name we can confidently attach to a photograph helps us bring these women’s stories back into view.

First up, we can now put a name to this face: Hannah Dawson! 🎉

But we have two more photographs we’d love your help with. Have a look at photos A and B and see what you think.

Which photograph shows Sarah Cole (née Armstrong)?

We know that one of these two photographs is Sarah Cole, née Armstrong, but we don’t know which one. Can you spot a family resemblance or recognise any familiar features? Perhaps you have a photograph of Sarah or another member of the Armstrong family that might help us?

Question 2: Could this final photo be Maud Armstrong?

We’re definitely sure that the woman in the photograph on the left is Maud Armstrong. But what about the photograph on the right? Could it be Maud again, or are we barking up the wrong tree? This one is more of a question of opinion, so we’d love to hear what you think!

As always, please tell us if you have any information, or memories that might help us identify these women. Even a small detail could be the missing piece of the puzzle. Holly is off to Skinningrove tomorrow to get some advice and have a look at the archive!

A huge thank you to everyone who has already shared information and family knowledge with us. We really couldn’t do this without you.

*****nsgirls

🪲 Can you guess what kind of bugs the museum is on the lookout for in autumn?No, we're not talking about a particularly ...
12/10/2026

🪲 Can you guess what kind of bugs the museum is on the lookout for in autumn?

No, we're not talking about a particularly enthusiastic entomology collection! Our museum team keeps a close eye on the little visitors we'd rather not have in the building.

We have pest traps throughout the museum, which we check regularly throughout the year. They're an important part of caring for the collection, helping us spot any unwanted insects before they become a problem.

Different pests are attracted to different museum materials — wool, fur, feathers, wood, paper and textiles can all be tempting snacks. And October is a particularly useful time to keep an eye out, as insects can become more noticeable as the seasons change.

So when you're wandering around the museum, you might spot one of our little monitoring traps tucked away. They're not there to catch anything particularly exotic — they're part of our behind-the-scenes collection care, helping us make sure the objects you've come to see are still here for generations to come.

🔎 Have you ever spotted one of our pest traps?

🎄 NEW IN THE SHOP 🎄Our latest delivery of The Pattern Book cards has arrived — and there are some lovely Christmas desig...
11/10/2026

🎄 NEW IN THE SHOP 🎄

Our latest delivery of The Pattern Book cards has arrived — and there are some lovely Christmas designs in amongst them.

If you haven't come across The Pattern Book before, they make their cards from fascinating vintage and archival imagery: old botanical illustrations, scientific diagrams, natural history, maps, typography and all sorts of wonderfully unexpected things. Their Christmas collection includes everything from holly and snowflakes to polar bears, three wise men and winter landscapes.

And they're a particularly good choice if you're trying to be a little more thoughtful about the cards you send.

The cards are printed in England on 100% recycled, uncoated paper, using vegetable-based inks. Because they're uncoated, they're fully recyclable (unlike many glossy or laminated cards), and the envelopes are made from recycled kraft paper. Even the individual card wrappers are made from plant-based compostable material.

So you get a beautiful card with a story behind the image, without quite so much unnecessary stuff attached to it.

And, of course, buying them from us helps support Staithes Museum too.

Pop in and have a look — Christmas is still a little way off, but the good cards never seem to hang around for long!

📺“Reg was completely obsessed with Captain Cook, and he collected anything to do with him.”If you've ever visited Staith...
10/10/2026

📺“Reg was completely obsessed with Captain Cook, and he collected anything to do with him.”

If you've ever visited Staithes Museum, you’ll know that Captain Cook has a rather large presence here!

Reg Firth, who founded the museum with his wife Anne, collected Captain Cook material with extraordinary enthusiasm. In the film, we hear how he even sailed on the replica Endeavour – and persuaded them to bring the ship into Staithes for one night.

There was a Captain Cook impersonator. Reg dressed up to host people in the museum.

Our new film, The History of Staithes Museum, tells the story of Reg, Anne and the museum they created – along with many of the stories behind the collection.

We made the film especially so that people who can't manage our museum steps can still hear some of the stories from upstairs.

🎬 Watch it here, or come into the museum and see the film on our big screen.
And if you can manage the steps, you can go upstairs afterwards and meet the objects themselves!

Mu*****ns Girls update!We’ve made another little breakthrough in the photograph.We’ve worked out that the triangular bad...
09/10/2026

Mu*****ns Girls update!

We’ve made another little breakthrough in the photograph.

We’ve worked out that the triangular badges the women are wearing are the official “On War Service 1916” badges, issued to women doing recognised war work. They were introduced by the Ministry of Mu*****ns in 1916, and a woman could receive one after two months’ employment.

And then there are their hair!

The women have their hair in two long plaits, tucked neatly up underneath their caps. That wasn’t just a fashion choice. Mu*****ns factories had strict safety rules: loose hair and hairpins were prohibited, and workers wore caps or “mob caps” to keep their hair covered. With dangerous machinery, explosives and chemicals around them, keeping hair safely contained was important.

We love finding these little details in the photograph. A badge, a hairstyle, a cap – suddenly they start telling us something about what these women’s working lives were actually like.

And there’s still plenty more to find out…

*****nsGirls

📸 Look at these!One of our wonderful volunteers, Wayne Fox, has been taking some new photographs of the museum for us, r...
08/10/2026

📸 Look at these!

One of our wonderful volunteers, Wayne Fox, has been taking some new photographs of the museum for us, ready to give the museum website a bit of a refresh — and aren’t they fab?

You can tell when someone really knows what they’re doing. Wayne has managed to capture the museum beautifully, and we’re looking forward to putting these photographs to good use across the website.

Thanks, Wayne! We’re very lucky to have a proper pro behind the camera. 👏

Address

High Street
Staithes
TS135BQ

Opening Hours

Monday 10:30am - 4:15pm
Tuesday 10:30am - 4:15pm
Wednesday 10:30am - 4:15pm
Thursday 10:30am - 4:15pm
Friday 10:30am - 4:15pm
Saturday 10:30am - 4:15pm
Sunday 10:30am - 4:15pm

Telephone

+441947841454

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