Museum of The Horse

Museum of The Horse A Museum of the horse with large collection of antique bits, stirrups, spurs, saddles etc reflecting social history through the horse from 600bc - 20thC.
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Open Mon-Fri 8.30 am - 3.30pm and Sat 8.30am-1pm. The Museum of The Horse has been constructed in an old coaching inn, The Newcastle Arms, in a small town called Tuxford in Nottinghamshire. It is very easy to get to being just one minute off the A1 at Tuxford in Nottinghamshire which is 14 miles North of Newark and 20 miles south of Doncaster. The museum has its own car park behind it accessed off

Newcastle Street, either through the arch or via the small lane at the end of the first block of buildings. It is a privately funded museum so we do make a small charge, ยฃ5.50 for adults and ยฃ3 for OAPs and Children under 12. Unfortunately, there is no disabled access to the museum but we are working on this. There is to the gallery below. The museum has been formed from my own private collection, a collection made up over a lifetime. (I am pretty old!) There are over 1000 pieces on show and I could guarantee there will be something you have never seen before in it, even if you have been with horses all your life and travelled worldwide. There are some very unusual items. In most cases, there will be a lot of things you have never seen before! You don't have to be a horse person to enjoy it. It reflects the way we used to live in the past and people who have visited have been quite surprised by some of the things that had never occurred to them. It does go back a lot further than the 18thC. There are actually bits from 600BC as well as Roman, Celtic and Medieval pieces. It tells the story of the development of the side saddle, of the breeding policies in England, of competition and of military equipment. It has a heavy horse section and a carriage and coaching section. There is a clothing department which my staff say is creepy because the clothes are on models and look like the real thing! There are unusual items from many parts of the world. To look at everything and to take it all in takes more than one visit. When you have had enough there is an excellent coffee shop on the premises where you can have a light lunch or tea with delicious homemade cakes. Downstairs in the building you can visit the Sally Mitchell art gallery which has hundreds of high quality limited edition sporting prints, beautiful greetings and Christmas cards and a range of gifts. Most of all it has wonderful original paintings. You can buy all your Christmas shopping in the village if you hate towns. The gallery price range for gifts is ยฃ4 - ยฃ10,000 so there really is something for everyone! the coffee shop is also a floritsts. Tuxford has other attractions too so it is well worth making a day of it or even a weekend in the area. Tuxford also has a working windmill where you can buy flour made in the mill and have food too. There is a fabulous museum of handcarts and a rare early Victorian lock-up. We are only about three miles from Laxton where strip farming can still be seen and also The Holocaust centre. In the opposite direction at West Markham is one of the oldest churches in England, a wonderful little Saxon church. We are close to Robin Hood's Sherwood forest and on the other side is Lincoln a lovely small city to visit. If you would like more details about the area give us a ring 01 777 838 234

Only a master should use gadgets and a master would not need them. This is the best quote I have taken from the replies ...
03/06/2026

Only a master should use gadgets and a master would not need them. This is the best quote I have taken from the replies to this very well written article. Interesting if you are a serious rider.

๐Ÿ’ฅ๐—ข๐—ป ๐—ฑ๐—ฟ๐—ฎ๐˜„ ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€, ๐—ก๐˜‚๐—ป๐—ผ ๐—ข๐—น๐—ถ๐˜ƒ๐—ฒ๐—ถ๐—ฟ๐—ฎ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ต๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—ถ๐—ฑ๐—ฒ๐—ฎ๐˜€๐Ÿ’ฅ

In a recent article in the Horse and Hound, Ms Hutton, joint principal of Talland School of Equitation and Fellow of the British Horse Society defends her use of draw reins and quotes Nuno Oliveira in her defence.

โ€œ๐˜ˆ ๐˜ฌ๐˜ฏ๐˜ช๐˜ง๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜จ๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜ฆ๐˜ฎ๐˜ข๐˜ฏ ๐˜ค๐˜ข๐˜ฏ ๐˜ค๐˜ถ๐˜ต ๐˜ฎ๐˜ฆ๐˜ข๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ๐˜ด, ๐˜ฃ๐˜ถ๐˜ต ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜ฎ๐˜ข๐˜ฏ๐˜ช๐˜ข๐˜ค, ๐˜ช๐˜ต ๐˜ค๐˜ข๐˜ฏ ๐˜ฃ๐˜ฆ ๐˜ฅ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ณ๐˜ฐ๐˜ถ๐˜ด.โ€

Ms Hutton doesn't provide a reference, but for anyone interested, I looked up the source of the quote.

It appears at the end of Chapter 9 of Oliveira's book "From an Old ร‰cuyer to Young Riders". The whole of chapter 9 deals with what Oliveira calls "Running Reins". This book is included in "The Collected Later Works by Master Nuno Oliveira".

Reading this chapter prompted some questions...

๐—ช๐—ต๐˜† ๐—ฑ๐—ถ๐—ฑ ๐—ข๐—น๐—ถ๐˜ƒ๐—ฒ๐—ถ๐—ฟ๐—ฎ ๐˜‚๐˜€๐—ฒ ๐—ฟ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€?

Oliveira explains that running reins (and not draw reins, sorry Ms Hutton ๐Ÿคฃ) "should not bring the head towards the back but instead, prevent the neck from standing too high"... which fault he understands as meaning running reins can "prevent the back from becoming hollow".

๐—ข๐—ธ, ๐˜€๐—ผ ๐—ฟ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐˜๐—ผ ๐—ฝ๐—ฟ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐˜๐—ต๐—ฒ ๐—ต๐—ฒ๐—ฎ๐—ฑ ๐—ด๐—ฒ๐˜๐˜๐—ถ๐—ป๐—ด "๐˜๐—ผ๐—ผ ๐—ต๐—ถ๐—ด๐—ต".

๐—•๐˜‚๐˜ ๐—ฑ๐—ผ๐—ฒ๐˜€ ๐—ฎ ๐˜๐—ผ๐—ผ ๐—ต๐—ถ๐—ด๐—ต ๐—ต๐—ฒ๐—ฎ๐—ฑ ๐—ป๐—ฒ๐—ฐ๐—ฒ๐˜€๐˜€๐—ฎ๐—ฟ๐—ถ๐—น๐˜† ๐—บ๐—ฒ๐—ฎ๐—ป ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฎ๐—ฐ๐—ธ ๐—ถ๐˜€ ๐—ต๐—ผ๐—น๐—น๐—ผ๐˜„?

This idea - that if the horse has its head "too high", its back will hollow - can be traced back to Decarpentry and, specifically, the (in)famous chapter 5 of his book "Academic Equitation" (link in comments ๐Ÿ‘‡).

"If one lifts the neck bodily its lower part sinks in the cradle, the withers sink between the shoulders, and the spine, behind the withers, sinks under the saddle."
- Decarpentry, translated by Nicole Bartle (Allen's Classic Series)

An odd chapter, simply because multiple รฉcuyers before Decarpentry had demonstrated that it was completely possible to lift the horse's head without the back collapsing.

Captain Dutilh explains that when the horse lifts his head, it causes weight to flow back onto the hindquarters (Gymnastique รฉquestre). A book Decarpentry had read (and praised). Baucher's experiments with Captain Morris demonstrate Dutilh's words. La Guรฉriniรจre, two centuries earlier, used "appui" i.e. the support of the rider's hand - to support the forehand and oblige the horse to lower their hindquarters. And all the รฉcuyers of the school of Versailles that followed did the same!

So why, in the face of centuries of evidence to the contrary, does Decarpentry seem to argue that it isn't possible to lift the horse's head without the back collapsing?

Firstly, it is important to point out that the English translation - "if one lifts the neck bodily" is a bit unhelpful.

The original French reads "quand on relรจve l'encolure >".

Nicole Bartle's translation is elegant, but not quite clear - in English "bodily" could be understood as the rider actively lifting the horse's head, but "a bloc" simply means, literally, "as a block" i.e. lifting the neck en masse as if it were a block (and without articulation).

Decarpentry clarifies later in the same chapter:

"Le relรจvement forcรฉ de l'encolure provoque le creusement du rein."
- ร‰quitation academique, p.82

But here the Allen's Classic Series translation isn't at all clear - Nicole Bartle translates "relรจvement forcรฉ" as "bodily lifting" again, which misses the important "forcรฉ". Decarpentry isn't just talking about lifting the horse's head, he's talking about FORCING the horse to lift its head.

A more literal translation of the above might be:

"The forced elevation of the neck prompts the loin to hollow."
(translation our own)

The important point here is the use of force. It is FORCING the horse to lift its head that causes the horse to hollow its back.

๐—ฆ๐—ผ - ๐—ฎ๐˜€ ๐˜‚๐˜€๐˜‚๐—ฎ๐—น ๐˜„๐—ถ๐˜๐—ต ๐—ต๐—ผ๐—ฟ๐˜€๐—ฒ๐˜€ - ๐—ถ๐˜ ๐—ฎ๐—ถ๐—ป'๐˜ ๐˜„๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐—ฑ๐—ผ, ๐—ถ๐˜'๐˜€ ๐˜๐—ต๐—ฒ ๐˜„๐—ฎ๐˜† ๐˜๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐—ฑ๐—ผ ๐—ถ๐˜! ๐Ÿคฃ

A long explanation to reach such a simple conclusion and really only for those interested in the development and reception of equestrian thinking over time, but there it is.

And perhaps, even if it is a bit difficult to follow, it may serve as testament both to the importance and the challenge involved in translating from one language to another...

๐— ๐—ฎ๐—ธ๐—ฒ๐˜€ ๐˜€๐—ฒ๐—ป๐˜€๐—ฒ. ๐—œ๐—ณ ๐˜†๐—ผ๐˜‚ ๐—ณ๐—ผ๐—ฟ๐—ฐ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ต๐—ผ๐—ฟ๐˜€๐—ฒ ๐˜๐—ผ ๐—น๐—ถ๐—ณ๐˜ ๐—ถ๐˜๐˜€ ๐—ต๐—ฒ๐—ฎ๐—ฑ, ๐—ถ๐˜ ๐—ฐ๐—ฎ๐—ป ๐—ฝ๐—ฟ๐—ผ๐—บ๐—ฝ๐˜ ๐˜๐—ต๐—ฒ ๐—ต๐—ผ๐—ฟ๐˜€๐—ฒ ๐˜๐—ผ ๐—ต๐—ผ๐—น๐—น๐—ผ๐˜„ ๐—ถ๐˜๐˜€ ๐—ฏ๐—ฎ๐—ฐ๐—ธ.

๐—•๐˜‚๐˜ ๐—ต๐—ฎ๐—ป๐—ด ๐—ผ๐—ป...

๐—”๐—ฟ๐—ฒ๐—ป'๐˜ ๐—ฟ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€ ๐—ผ๐—ฟ ๐—ฑ๐—ฟ๐—ฎ๐˜„ ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€ ๐—ฎ ๐˜„๐—ฎ๐˜† ๐˜๐—ผ ๐—ฎ๐—ฑ๐—ฑ ๐—น๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐—ฎ๐—ด๐—ฒ ๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—ณ๐—ผ๐—ฟ๐—ฐ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ฟ๐—ถ๐—ฑ๐—ฒ๐—ฟ'๐˜€ ๐—ต๐—ฎ๐—ป๐—ฑ๐˜€ ๐—ฐ๐—ฎ๐—ป ๐—ฎ๐—ฝ๐—ฝ๐—น๐˜†? ๐—ช๐—ผ๐—ป'๐˜ ๐˜๐—ต๐—ฎ๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐—ฐ๐—ฎ๐˜‚๐˜€๐—ฒ ๐—ฑ๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ฝ๐—ฟ๐—ผ๐—ฏ๐—น๐—ฒ๐—บ๐˜€?

Well, yes.

If a horse "needs" draw reins or running reins - if the rider's hands are not sufficient to achieve whatever the rider wants - should we "make" the horse do it by using a tool that adds leverage?

Baucher would say no.

If we accept as a fundamental principle that:

"...all the resistances of young horses come first from a physical cause;"
- Baucher, Method of Riding (deuxiรจme รฉdition, pg. 5, Mangaiti translation. Link in comments ๐Ÿ‘‡)

then there is no such thing as a bad horse, or at least not until an insensitive rider tries to force the horse to do something that hurts or is difficult, and the horse learns ways to say no.

"this [physical] cause only becomes psychological through the clumsiness, ignorance or brutality of the rider."
- Baucher, Method of Riding (deuxiรจme รฉdition, pg. 5, Mangaiti translation)

So, Baucher argues, instead of ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ the horse do "it" - forcing the horse - the rider should work out where the horse is stiff/tense and relax that part of the horse's body so that the horse ๐˜ค๐˜ข๐˜ฏ do it.

Bodywork, massage, acupuncture, acupressure, Baucher's flexions - there are lots of different ways to do this!

Working on this principle, Baucher condemns outright the use of harsh bits. Because a "hard mouth" is just a mouth that is resisting the rider's hand (see our recent post "There are no Hard Mouths"; link in comments ๐Ÿ‘‡).

And it is also for this reason that Baucher rejected "all means other than the rider's own resources, such as martingales, side reins, etc. etc."
- Baucher, Method of Riding (deuxiรจme รฉdition, pg. 40, Mangaiti translation)

๐—ฆ๐—ผ ๐—ป๐—ผ ๐—ฑ๐—ฟ๐—ฎ๐˜„ ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€. ๐—ข๐—ฟ ๐—ฟ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ถ๐—ป๐˜€.

๐—•๐˜‚๐˜ ๐˜๐—ต๐—ฎ๐˜ ๐—พ๐˜‚๐—ผ๐˜๐—ฒ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—ก๐˜‚๐—ป๐—ผ ๐—ข๐—น๐—ถ๐˜ƒ๐—ฒ๐—ถ๐—ฟ๐—ฎ ๐—ฟ๐—ถ๐—ป๐—ด๐˜€ ๐—ฎ ๐—ฏ๐—ฒ๐—น๐—น... ๐—œ๐˜€๐—ป'๐˜ ๐—ต๐—ฒ ๐—พ๐˜‚๐—ผ๐˜๐—ถ๐—ป๐—ด ๐—•๐—ฎ๐˜‚๐—ฐ๐—ต๐—ฒ๐—ฟ ๐—ถ๐—ป ๐˜€๐—ฝ๐—ถ๐˜๐—ฒ ๐—ผ๐—ณ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐˜๐—ต๐—ถ๐—ป๐—ด?!

This quote may indeed ring a bell for anyone who has read our translation of Baucher and that's because Mr Oliveira is - not exactly quoting - but probably paraphrasing Baucher.

"It's extraordinary! It's admirable!" he [Baucher's friend] exclaimed. "But it's like giving a razor to a monkey."
- Baucher, Method of Riding (deuxiรจme รฉdition, p. 80, Mangaiti translation)

But Baucher was talking about the use of spurs, not running reins... And certainly not to "make" the horse do anything (quite the opposite, in fact - in the context of the effet d'ensemble, where application of the spur prompts the horse to stand still!).

And Baucher doesn't conclude that only experts - per Ms Hutton - or gentlemen - per Mr Oliveira - could use his tool and technique. Nor does he imply that if you don't get good results you're a "maniac" or a "monkey". He acknowledges that it can be difficult to use spurs well, but stresses that the good results make spurs worthwhile and so he simply explains how to use spurs, rationally, and in the context of his method.

Why?

Because Baucher's approach was born from a desire to help the very mixed bag of horses and riders he was faced with in his first riding school in Normandy (see our recent post "Baucher: a brief history 2" - link in comments ๐Ÿ‘‡).

The end result - ๐—•๐—ฎ๐˜‚๐—ฐ๐—ต๐—ฒ๐—ฟ'๐˜€ ๐— ๐—ฒ๐˜๐—ต๐—ผ๐—ฑ - ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—ป๐—ผ๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฒ๐—น๐—ถ๐˜๐—ฒ, ๐—ต๐˜‚๐—บ๐—ฎ๐—ป ๐—ผ๐—ฟ ๐—ฒ๐—พ๐˜‚๐—ถ๐—ป๐—ฒ. ๐—œ๐˜ ๐—ถ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ผ๐—ป๐—ฒ โค๏ธ

๐Ÿ“ธ from the Horse & Hound article, announcing that the Swiss Federation had banned draw reins. Published 30 October, 2015

31/05/2026

This is different. It is a natural racking horse. I cannot believe the speed it goes at. It is the same movement that was favoured for post horses in the 19thC . You can see why, the movement is so still to sit on even for those who are not used to riding and yet fast.

31/05/2026

You think we have cruelty in England. Have you ever seen anything so abusive as this?! The horses look deformed in their way of going and it must put such unatural strains on them.

Is there anybody who would put up posters about the exhibition and give out invitations? If you would, please email me o...
26/05/2026

Is there anybody who would put up posters about the exhibition and give out invitations? If you would, please email me on [email protected] and I will send you some. Illustration, an early heart shaped stirrup. Not strong on safety but attractive!

25/05/2026

Apparently, this form of riding was developed by the Hungarian cavalry to take fresh horses out to the troops.

25/05/2026

Summer Holidays!

Another curiosity from the exhibition. I wondered about the purpose of this whip for a long time but finally it came to ...
24/05/2026

Another curiosity from the exhibition. I wondered about the purpose of this whip for a long time but finally it came to me. It is a man's whip, weighted in the handle so it can be used as a weapon if you are attacked while traveling and can be dated to the 18thC by the whip maker's details. It was the strange hook and straight piece beside it that puzzled me. Can you guess what it was used for?

A big welcome to all our new followers this week. I am sorry I cannot say thank you for your support personally but do c...
24/05/2026

A big welcome to all our new followers this week. I am sorry I cannot say thank you for your support personally but do come along to our exhibition Sunday, June 21st 2-4pm or drop in sometime during the summer. The exhibition is on until September but the museum is always open weekdays and Saturday mornings.
Illustration is another in the exhibition. A Langdon, not in the best of condition but is said to have been one of the makes favoured by the Empress of Austria.

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